9 skills found
rprokap / Pset 9CREDITS SEQUENCE NEWSPAPER HEADLINE MONTAGE: HEADLINES flash before us, displaying their accompanying photographs. "UBERMAN - METRO CITY'S HERO AFTER DEFEATING MASTER MIND! PHOTO: A chiseled, statuesque man wearing the COOLEST SUPER HERO SUIT IMAGINABLE, COMPLETE WITH FLOWING CAPE, shines a confident smile at the lens. This is UBERMAN, champion of METRO CITY. "UBERMAN DEFEATS MASTER MIND'S GIANT ROBOT!" PHOTO: Wide-shot of Uberman in mid-flight lifting the GIANT ROBOT in the sky above the city buildings. "MASTER MIND ALL WET AFTER UBERMAN FOILS AQUARIUM HEIST!" PHOTO: Uberman stands knee-deep in water. He has his enemy by the collar. The villain blocks his face from the shot with a METALLIC GAUNTLET. The images start to flash by even quicker, each showing the MYSTERIOUS VILLAIN in various stages of humiliation. In each photograph he successfully blocks his face with his armored glove. We ZOOM IN to the last headline. "MASTER MIND BEHIND BARS ONCE AGAIN - THANKS TO UBERMAN!" PHOTO: Uberman stands in a gallant pose with his fists on his hips, obviously trying to accentuate the "U" insignia on his chest. END OF CREDITS SEQUENCE EXT. BUILDING - DAY We DISSOLVE from the photograph to Uberman standing in the exact same position. WE PULL BACK showing him atop a BUILDING overlooking the city below. A perfect view for our guardian hero. He watches the thriving metropolis, bristling with life as people happily go about their day. Yet, we can't help but detect a hint of sadness in Uberman's expression. 2. UBERMAN You look so peaceful from up here. His serenity is suddenly interrupted by a loud BEEPING SOUND coming from his wrist. He looks down at a BRACELET (a manly one) on his right arm. It's a silver band with a FLASHING red letter "U". UBERMAN (CONT'D) Looks like Roxanne's in trouble again. Uberman leaps off the building and into the air. His cape gracefully flows in the breeze behind him as he shoots off into the distance like a speeding bullet. EXT. OBSERVATORY HIDEOUT - ESTABLISHING SHOT Grime and moss decorate the outside of this long abandoned building overlooking the COAST. Once a place of knowledge and wonder - now home to a great evil. INT. OBSERVATORY HIDEOUT - DAY The inside is in complete contrast to the exterior. The huge hall with a GIANT TELESCOPE teems with advanced ELECTRONIC EQUIPMENT. Computers, monitors and machines which do not have an obvious function FLASH and HUM. A STEEL DOOR slides open, revealing the subject of our story MASTER MIND - a villainous sight to behold. His FACE IS INEXPLICABLY LIGHT BLUE, topped by an OVERSIZED, MUSHROOM- SHAPED HEAD with a CIRCULAR PATCH OF WHITE HAIR ON TOP. He's dressed in the kind of costume only a super villain could pull off: a PURPLE JUMPSUIT AND BLACK BOOT ENSEMBLE WITH A GIANT GREEN "M" ON THE CHEST. His right hand, hanging at his side, is a METAL GAUNTLET WITH THREE SHORT SPIKES PROTRUDING BETWEEN HIS KNUCKLES. Master Mind begins to survey the room with his TWO PERMANENTLY ARCHED EYEBROWS. A man dressed as ALBERT EINSTEIN is busy ranting to two other men. One, a hulking brute, is dressed as LEONARDO DA VINCI. The other, a small intellectual-type carrying a clip-board, is dressed as the philosopher PLATO. EINSTEIN I hate the outfits. I mean, I get it: we're all supposed to be "masterminds" - very clever. (MORE) 3. EINSTEIN(cont'd) I just feel stupid. I mean, what the hell did Einstein really do anyway? PLATO Theory of relativity. Einstein starts feverishly scratching his side. EINSTEIN Well, you'd think he'd invent a wool sweater that didn't itch so much. Da Vinci and Plato's eyes suddenly grow with concern as they see Master Mind walk up behind Einstein. Einstein notices his colleague's staring over his right shoulder and turns around. He turns around and Master Mind SEIZES HIM BY HIS THROAT with his metal gauntlet. MASTER MIND The real Einstein once said, "God does not play dice with the world." He was right, because the world is MY dice. Is that understood? DA VINCI & PLATO Sir! Yes, sir! EINSTEIN (gasping for air) Yes, sir. Master Mind undoes his grip on Einstein's throat. MASTER MIND Alright, then - clean slate. Do we have the girl? DA VINCI Yes, sir. She fell into our trap just like you knew she would. MASTER MIND Reporters are a curious lot, and easily manipulated. He quickly checks his physique in a GIANT MIRROR, adjusts his posture and sucks in his gut. 4. MASTER MIND Alright, let's not keep the lady waiting. MOMENTS LATER Da Vinci escorts a BLINDFOLDED and bound woman, ROXANNE RITCHI, to the back of the room where Plato and Einstein are standing guard over a large BLACK SWIVEL-CHAIR facing away from us. She pulls free of Da Vinci's grasp and waits for him to undo the blindfold. Her face uncovered, we finally see Roxanne's striking features - all of which seem overshadowed by piercing eyes that seem more put off by the situation than afraid of it. MASTER MIND (O.S.) Miss Ritchi, we meet again. The chair turns menacingly slow, finally revealing Master Mind. ROXANNE You didn't need to turn around like that. I can recognize the stench of failure. Master Mind unleashes a wicked laugh. MASTER MIND I trust you gentlemen know the very sassy Roxanne Ritchi, highly regarded investigative journalist who some say has a more than friendly relationship with our super powered foe Uberman. And Miss Ritchi, I trust you've already met my new crew: The Mad Geniuses! Roxanne gives Einstein a once over. ROXANNE Looks like a real group of winners. At the risk of sounding cliche', you'll never get away with this. MASTER MIND In a way, I already have. Roxanne unleashes an exhausted SIGH. 5. ROXANNE We go through this every time. You kidnap me to get to Uberman, he immediately finds your hideout, escapes whatever lame trap you've come up with, and takes you and your cronies to jail. I propose we just save everybody some heartache this time by YOU letting me go, and ME forgetting this whole thing ever happened? MASTER MIND What about my revenge? ROXANNE We can say it was wasting everyone's time. MASTER MIND You have a wicked tongue. I hope you rid yourself of that when you're my queen. Roxanne unleashes a snort-filled laugh. ROXANNE I'm sorry. What makes you think I would want to be your queen? MASTER MIND Power corrupts absolutely, Miss Ritchi. And when I have ultimate power over this city, I have absolutely every intention of corrupting you with it. PLATO Sir! Master Mind turns to Plato who's now standing at a computer terminal. MASTER MIND (annoyed) What is it!? EXT. OBSERVATORY HIDEOUT - DAY Uberman flies toward the Observatory like a rocket. 6. INT. OBSERVATORY HIDEOUT - DAY Uberman crashes through the wall to the room we were just in. He looks around, but there's suddenly NOT A SOUL IN SIGHT. CUT TO: EXT. MASTER MIND'S HYDROFOIL - DAY The boat is shooting through the ocean, away from the observatory. INT. HYDROFOIL CONTROL ROOM - DAY Machines, cables and terminals criss-cross the craft's main bridge. Through the enormous surrounding windows we can see the observatory shrinking in the distance. Master Mind watches Uberman on a small TV monitor as the hero intently searches his hideout. UBERMAN (on monitor) Master Mind! INT. OBSERVATORY HIDEOUT - DAY Uberman throws up his arms in frustration when suddenly - MASTER MIND (O.S.) Over here, old friend. He turns to see a FAMILIAR BLUE FACE OF EVIL ON A GIANT SCREEN. UBERMAN What's the matter, miss your old jail cell? Uberman starts walking toward the monitor. MASTER MIND (ON MONITOR) Actually, I wanted to share the experience with my oldest friend. A MECHANIZED CAGE shoots out of the floor, suddenly trapping Metro City's protector. Totally unfazed, our hero stares on. 7. UBERMAN You can't possibly believe this will work. Master Mind pulls out a SMALL BLACK BOX with a SINGLE RED BUTTON on it. MASTER MIND (ON MONITOR) Oh, can't I? I have attained control of the Earth's most abundant energy source. I doubt even you are strong enough to withstand the FULL CONCENTRATED POWER OF THE SUN!!! He presses the button. EXT. OUTER SPACE A sinister-looking SATELLITE orbits Earth's atmosphere. Its bay doors suddenly open, deploying two huge SOLAR PANELS. The panels shift, angling themselves in the direction of the sun. They immediately start GLOWING as they absorb the burning star's power. The front of the satellite begins to make a loud HUMMING SOUND as it prepares to unleash its unholy power. INT. HYDROFOIL CONTROL ROOM - DAY From the giant window we can see the boat is a good mile from the observatory. PLATO We're now at minimum safe distance, master. Master Mind turns from the CAMERA he was broadcasting on and puts down the control box. MASTER MIND Excellent. Stop here, I like this view. PLATO Twenty seconds until impact. Master Mind turns to Roxanne who is being held by Da Vinci and Einstein. She almost appears a little bored. Disappointed by her lack of horror, he walks over to the monitor now showing Uberman trapped in the cage. 8. MASTER MIND Any last words? Uberman looks up at the screen with a cocky smile. UBERMAN (ON MONITOR) Yes: there's no caging the power of justice. PLATO Ten seconds to impact. On the screen we see Uberman take two of the cage's bars in his hands. He yanks...NOTHING. PLATO (CONT'D) Nine... Master Mind stares at the monitor, slightly confused. PLATO (CONT'D) Eight... Uberman yanks on the bars again, this time using his foot as leverage. MASTER MIND (genuinely concerned) What's going on? UBERMAN (straining) Hold...on...a second. Master Mind looks back at Plato and Einstein. They're equally befuddled at the hero's sudden weakness. PLATO Seven... Uberman loses his grip and FALLS BACKWARD ON HIS ASS. UBERMAN SON OF A BITCH!! Master Mind and the minions all cringe in unison. Da Vinci turns to Roxanne not believing his ears. DA VINCI What did he just say? 9. PLATO Six......Five... Master Mind begins to laugh. MASTER MIND What kind of trick is this? Uberman looks up at the camera with a very grave expression. UBERMAN Like you don't know. These bars are made of copper, aren't they? PLATO Four... MASTER MIND Yeah, so? Uberman tries to shield his grief with his hand. UBERMAN You figured out my weakness, damn you. I CAN'T BEND COPPER! PLATO Three... MASTER MIND Your weakness is copper? PLATO Two...one. Everyone turns to the window. EXT. OUTER SPACE The satellite fires a giant BEAM OF LIGHT toward the earth. EXT. OBSERVATORY HIDEOUT - DAY The beam hits the observatory. The building instantly EXPLODES in a white nova blast of fire. INT. HYDROFOIL CONTROL ROOM - DAY The blast is so bright everyone turns away from the window. Then, as suddenly as it began, the awesome light dies out. One by one, the passengers unshield their eyes and look out toward the observatory. 10. All we can see through the haze of destruction is fire and smoke. PLATO I don't think even he could have survived that. Einstein suddenly turns giddy with excitement. EINSTEIN Whoa! Is it me or did you just finally destroy Uberman? MASTER MIND (carefully skeptical) Well...let's not get ahead of ourselves. Da Vinci suddenly sees something outside. DA VINCI Look, there's something in the sky, coming this way. ROXANNE Uberman! Master Mind turns toward the window. An object is in the air, flying directly toward them. As it closes in we can just make out the FAMILIAR OUTLINE OF A CAPPED FIGURE. MASTER MIND I KNEW IT! PREPARE YOURSELVES! HE'S GONNA RAM US!!! Everyone scatters and braces themselves for the impact. Master Mind, seeing all the good places taken, doesn't know what to do with himself. He just covers his giant head with his hands. The figure CRASHES THROUGH THE WINDOW and lands at his feet. He looks down to see a CHARRED BLACK HUMAN SKELETON. Around its neck is the unmistakable black cape of Uberman. MASTER MIND (CONT'D) (horrified) HOLY SHIT! 11. Roxanne breaks out of Da Vinci's hold and runs over to the body. ROXANNE Uberman? She stares down at the still smoking corpse, the tattered black cape with the yellow "U" on it. Roxanne turns to Master Mind, who's still visibly dumbfounded at the grotesque sight before him. ROXANNE (CONT'D) You killed him! Roxanne's eyes roll back. Da Vinci catches her from behind as she FAINTS. Einstein turns to Master Mind, looking at him as if he's just walked on water. EINSTEIN You did it! Now that he's committed the impossible - our villain is at a complete loss. MASTER MIND ...so I did. EINSTEIN I mean, I know you always wanted to. I mean, all the schemes all the plots - I never thought you'd actually be capable of it. Giddy as a school girl, Einstein turns to his fellow henchmen. EINSTEIN This is history. Every villain and lackey in the history of villains and lackeys dream of this moment, but when does it actually EVER happen? A sudden realization comes over his face. EINSTEIN Good lord...You do all realize what we get to do now, don't you? 12. His question is met with acquisitive looks from Master Mind and the others. EINSTEIN We get to go on a crime wave. CRIME WAVE MONTAGE - SET TO "Fun Fun Fun" by The Beach Boys. SPINNING HEADLINE: "UBERMAN'S DEATH IGNITES CITY WIDE CRIME WAVE!" ARMORED TRUCK It's driving along when the men inside suddenly notice something - THEY'RE FLYING HIGH ABOVE THE CITY STREETS. We PULL BACK to see the truck being carried by a giant claw at the bottom of a BRAIN COPTER. Inside the cockpit Master Mind and his henchmen laugh maniacally. SPINNING HEADLINE: "CHAMPION-LESS CITY AT THE MERCY OF HOOLIGANS." METRO CITY BANK Da Vinci and Einstein run out the front of the bank holding BAGS OF MONEY. Two beat officers see them and take chase after them around the corner and into an alley. After a moment the police reemerge from the alley screaming and running for their lives as a GIANT ROBOT CHASES after them. The robot stops, then suddenly it's head opens up like convertible car top with Master Mind and Plato at the driver's wheel. They smile and shake hands at a bad deed well done. SPINNING HEADLINE: "MASTER MIND BLACKMAILS METRO!!!" A VICIOUS TORNADO It's heading for downtown Metro as Master Mind and the lackeys coolly look on. Three large DUMP TRUCKS pull up, filled to the brim with bricks of CASH. 13. The DRIVERS jump out as the lackeys take the driver seats in the three trucks. Master Mind is about to climb into the passenger seat of one when a drivers taps him on the shoulder and motions toward the tornado. MASTER MIND (absentmindedly) Oh, right. Master Mind pulls a television REMOTE from his pocket and aims it at approaching windstorm of death. He presses the button marked "Tornado Off." The tornado shrinks and disappears just before it hits the city. As they drive through the city streets, Master stares out the window with a hint of something in his eyes. Is it melancholy? END OF MONTAGE EXT. KINGPIN BOWLING - DAY It's Metro City's premier bowling alley. On top of the neon lit building is a GIANT 30 FOOT TALL CEMENT BOWLING BALL. INT. KINGPIN BOWLING - DAY HAL STEWART (early 30's) takes careful aim with his BOWLING BALL. HAL It's a sport of honor, focus and grace. Honor the ball, focus on the pins, release the ball not hard and fast, but as if you were releasing a baby dove. He takes a step, pulls back his arm, and releases the ball, following it with his eyes. It's a horrible shot - INSTANT GUTTER BALL. An aged barmaid type with a cigarette hanging from her mouth looks over at him. HAL Okay, do something like that - but center it more. 14. She picks up her custom made FOGHAT BALL and takes aim. ATTRACTIVE BLOND Tell me how my form looks, honey. Hal focuses on the misshapen bumps of her enormous Johnson administration era derriere. HAL Oh, it's lookin' good. It's lookin' REAL good. It doesn't get anymore clear. This man is a pig. VINNIE (O.S.) Hal, I want to see you in my office! Hal turns to see VINNIE, owner of the bowling alley, calling him. VINNIE Now! INT. KINGPIN BOWLING - VINNIE'S OFFICE - MOMENTS LATER Hal sits down, facing Vinnie who's sitting at his desk. VINNIE You're fired. Leave your shirt and locker key. This bit of news hits Hal like a freight train. HAL Fired? Are you going to tell me why? VINNIE Showing up to work late. Showing up to work late drunk. Sexually harassing customers. Stealing from the register. HAL Vinnie, I don't know where you're getting these accusations - Vinnie takes out a video tape from his desk drawer and puts in a VCR. 15. HAL Oh, which one do you supposedly have here? VINNIE This is all of them at once. TELEVISION A WOMAN walks up to a BOWLING EMPLOYEE and hands him a pair of shoes. As the employee turns to the wall of shoes, a very drunk and disheveled Hal comes running in and pushes him aside. HAL I've got this one, Benny. So, Cinderella. Can I help you find your glass slipper? WOMAN Yeah, I'm looking for a seven. He folds his arms on the counter and leans into her with a cat-like grin on his face. HAL (with a leer) Seven - Well, maybe I could interest you in something in an EIGHT. Namely, me. Disgusted, she walks off screen. HAL Lesbo. Suddenly realizing the register's open, he quickly grabs a stack of cash and shoves it in his pocket. BACK TO OFFICE Vinnie turns off the television and waits for Hal to respond. HAL From the angle of the camera, I can see where you might have gotten the wrong idea. Listen, Vinnie, I don't think you've thought this through. If you fire me, who's gonna be captain of the alley's bowling team? 16. VINNIE Um, I don't know. Maybe somebody who can actually bowl. You guys have never won a game. I hired you because you said you were on the pro circuit. HAL No, I said I WILL BE on the pro circuit. VINNIE Please, a loser like you will never amount to anything. This harsh remark seems to leave Hal genuinely stunned. HAL Wow...If that's how you feel...I guess we should then talk about what kind of severance I'm gonna get. EXT. KINGPIN BOWLING - DAY TWO BRUISERS open the door and throw Hal out onto the street. He quickly picks himself up and turns back toward the building. HAL Hey...what about my ball? A bowling ball sails past him, just missing his head. HAL Thank-you! EXT. CHANNEL 7 NEWS BUILDING - DAY The massive building with a giant 7 on the roof stands in the heart of Metro City. INT. CHANNEL 7 NEWS BUILDING - OFFICE - DAY The cubicles and offices are alive with the hustle and bustle of a busy news day. Phones are RINGING, REPORTERS are TALKING, and Editors are SHOUTING. The elevator doors open and out steps Roxanne Ritchi. 17. Everything stops as the entire office suddenly falls SILENT. Somewhat taken aback by the reaction, Roxanne scans the room to see every eye on her. ROXANNE It's...um...It's good to be back. Thanks for everyone's cards and concerns. I really appreciated it - now I'm ready to climb back on the horse. No one is budging - their looks of pity are really starting to make her uncomfortable. The back office door suddenly opens and out comes FRANK BONIN, the gruff, middle-aged Producer of Channel 7 News. Noticing the silence, he looks up and sees the sad expressions on everybody's face. FRANK Someone die or something? He suddenly notices Roxanne - both feet are placed firmly in his mouth. FRANK (cursing himself) Oh, Jesus. ROXANNE It's okay. Frank quickly walks up to Roxanne and takes her gently by the arm. FRANK Come on into my office, sweetie. INT. CHANNEL 7 NEWS BUILDING - FRANK'S OFFICE - CONTINUOUS He sits her down on his leather couch, then quickly turns toward his door. FRANK Can we get this woman some water for God's sake? (to Rebecca) I gave you two months off. What're you doing back? People are gonna think I'm a slave driver. 18. ROXANNE Aren't you? FRANK Yeah, but I don't want people to think it. ROXANNE Frank, listen. I want to go back to work. I NEED to go back to work. FRANK ...You're hysterical, aren't you? Frank sits down on the couch and blankets Roxanne with A WARM EMBRACE. ROXANNE What're you doing? FRANK Keeping you warm before you go into shock. (toward the open door) DO I HAVE SLICE OPEN A CAMEL HUMP TO GET A GLASS OF WATER AROUND HERE? A SECRETARY quickly enters with a bottled water. She sets it on the table in front of them and leaves. Roxanne pulls herself out of Frank's grasp and stands up to face him. ROXANNE It was a traumatic experience. Yes, everyone knows Uberman and me were...close. But what I really need - what would really make me better is getting back to work. There's a sudden awkward silence from Frank. FRANK Well, that's going to be... ROXANNE I thought you'd be happy to have me back. 19. FRANK Oh, we are. Honey, nothing makes us happier than to have our girl back, but... ROXANNE Yes? FRANK Things have sorta...changed. ROXANNE In three weeks? FRANK Listen, I'm not one who likes to open up wounds - especially ones that are just starting to scab, but you were sorta our go to girl for the exclusive on Uberman. And now that he's gone...I moved Brad into your anchor spot. ROXANNE (disgusted) Brad? Brad Helms? The man is an idiot. FRANK It's the suits. They think it's time to switch things up. ROXANNE Oh, because they can't use me to get the big story. FRANK C'mon, Roxie. Using is in the nature of what we do. They used you, you used Uberman. Everybody's happy. ROXANNE (defensive) I didn't use him. FRANK Oh, I didn't mean that. I know you two were in love or something. My bad. ROXANNE We were. 20. FRANK And that's great. ROXANNE Very in love. There's a hind of self-doubt in Roxanne's expression, as if she's failed to convince even herself of this. ROXANNE Okay. So, where are they going to move me if Brad has my spot? FRANK ...Human interest. ROXANNE Bake sales and pet stories. FRANK I told them I wouldn't be surprised if you just upped and quit. You busted your ass for that desk. Roxanne can hardly get it out - she's busy swallowing her pride ROXANNE I'll take it. Frank looks up at her, not believing what he's hearing. FRANK What? EXT. ABANDONED METRO CITY LIBRARY - NIGHT Amongst the jungle of high rises, one small building stands out from the rest - A tiny, forgotten piece of 19th century Gothic architecture. LIGHTENING FLASHES, revealing TWO CONCRETE GARGOYLES holding a cracked plaque, reading: METRO CITY LIBRARY. INT. ABANDONED METRO CITY LIBRARY - NIGHT A mixture of old and new. Dusty Victorian furniture and dilapidated bookshelves sit side by side with pristinely futuristic machinery. The building has been converted into Master Mind's new SECRET LAIR. 21. In the center of the main room is a three storey tall GLOWING BLUE ORB. At the base of it is a sign that reads "Reactor - Don't Touch." We PAN OVER to the READING ROOM where Master Mind is sitting on a couch watching TELEVISION. REPORTER ON TELEVISION (O.S.) It's been nearly six weeks, and still no word on the whereabouts of billionaire playboy, and philanthropist, Wayne Scott. Tune in at 11:00 as we look into what has become Metro City's biggest mystery. TELEVISION NARRATOR (O.S.) We now return to "The Hero of our Hearts: The Uberman story." Einstein and Plato come into the room holding a BAG OF LOOT. EINSTEIN Just robbed the diamond exchange. MASTER MIND (feigning pleasure) Great, great. Put it on the pile. Einstein tosses it on a LARGE PILE of purloined valuables in the corner of the room. EINSTEIN Anything else today? MASTER MIND No. Master Mind turns his attention back to the screen. Plato sees that Master Mind is in a funk and tries to snap him out of it. PLATO (cheerfully) Sir, the new reactor is installed. Plato nods to the giant orb. PLATO Do you want to throw the switch? I know how you love to start reactors. 22. MASTER MIND Maybe later. Einstein gives Master Mind a funny look then exchanges glances with Plato before leaving the two of them alone. Without turning away from the TV, Master Mind addresses Plato. MASTER MIND (CONT'D) What is it, Plato? PLATO (nervously) Sir, I can't help but notice that you've been...a little down lately. MASTER MIND When I want your opinion I'll beat it out of you. PLATO Yes, sir, I know, but please forgive my impertinence. It's just that you seem to have lost your lust for our profession. You've stopped going on jobs and spend most of your time watching Uberman specials. Master Mind relaxes slightly and turns to face the window in a classically contemplative pose. After an overdramatic beat... MASTER MIND I have defeated my greatest enemy. I have free reign over Metro City. I have more wealth than a thousand Sultans. I've achieved all I have worked for...so why am I so unhappy? He walks over to a PAINTED PORTRAIT that looks almost exactly like him, except slightly older, maybe meaner - MASTER MIND'S FATHER. MASTER MIND I mean, my father, god rest his evil and tormented soul, raised me straight from the test tube to be a symbol of evil. (MORE) 23. MASTER MIND(cont'd) And, I have accomplished something he had only dreamed about - the destruction of Metro City's champion. I tell you, I've always lived with this unquenchable thirst. I thought it was to make him proud or to get absolute power. But now that I've pretty much accomplished both, I am at a loss. PLATO ...I sort of have a theory about all that. MASTER MIND (snippy) Oh, really? PLATO Well, for one thing, maybe Uberman was more important to you than you thought. MASTER MIND He was a worthy rival. Sometimes I wonder, did he consider me his evil equal or was I just an annoying, little gnat to him? ...What's the second part? PLATO I think you sort of have a thing for Roxanne Ritchi. Master Mind quickly takes his lackey by the throat. MASTER MIND YOU WORM! HOW DARE YOU! WHERE WOULD YOU GET SUCH A NOTION? PLATO Sir, your plans always involve Ms. Ritchi either being kidnapped or placed in danger. If that's not love, I don't know what is. It's the grown up equivalent of dipping her pigtails in the ink well. Don't you see? She's the one treasure that's always escaped you. From Master Mind's expression, we see Plato's words beginning to ring true. 24. INT. RESTURAUNT - DAY Roxanne is having lunch with several girlfriends sitting around her, gabbing. FRIEND #1 I can't believe you came back so soon. FRIEND #2 Are you sure it's not TOO SOON, honey? ROXANNE I just wanted to get back to work. FRIEND #3 What we need to do is get you back on the saddle...the love saddle. Friend 1 and 2 give 3 disapproving looks. FRIEND #3 It's been three weeks. FRIEND #2 She just lost the love of her life, Grace. A WAITER comes by with a tray of CAESAR SALADS and begins setting them out for the ladies. ROXANNE I keep trying to tell people it wasn't really like that. Uberman and I - We were kinda having problems. We broke up. The waiter ALMOST DROPS HIS TRAY AT THIS. The women are too shocked by Roxanne's revelation to notice. FRIEND #1 You broke up with Uberman! FRIEND #3 You must have REALLY, REALLY high standards. I mean, you were dating a god. I mean, what's it take? ROXANNE Maybe someone who's a little more aware of his faults. Someone a little more sensitive. 25. FRIEND #3 Right. Someone who listens, sexy but attainable with cute little cheeks like a hamster and heartbreak in his eyes. She turns to Friend one and two to explain. FRIEND #3 She wants John Cusack. FRIEND #2 The actor? FRIEND #3 No, the famous pediatrist - Yes, the actor. Ever since we were teenagers, Roxanne's totally had the hots for him. ROXANNE Well, until he miraculously comes walking into my life, I'm just going to take a little reflection time for myself. The waiter gets a confused look on his face then slips away as Roxanne and her friends continue to chat away. EXT. RESTURAUNT - DAY The waiter tosses his apron in a trash can, then rolls up his sleeve and presses A STRANGE LOOKING DEVICE STRAPPED TO HIS WRIST. His image gets staticy, like a TV station going out, then disappears - revealing the man's true form underneath: MASTER MIND! MASTER MIND Who the hell is John Cusack? EXT. CITY STREET - DAY A YOUNG MOTHER pushes her baby stroller past a building construction site. ACROSS THE STREET A local POLITICIAN addresses a group of REPORTERS on the sidewalk, including Roxanne. 26. POLITICIAN The Fifth Avenue Renovation Project, which I championed, will breath new life into the downtown area. New life means new jobs and new revenue. ROXANNE Councilman, is it true that your brother-in-law's construction company won the contract for this project? POLITICIAN Well...er...yes, but...look I'm not here to answer a lot of crazy questions... YOUNG MOTHER The young mother stops halfway down the block, reaches into the stroller and tries to comfort her now crying baby. Above her, a CRANE is maneuvering a pile of STEEL GIRDERS to an upper floor. Hal comes around the corner and heads in her direction. CRANE The crane GRINDS TO A HALT. The OPERATOR has a confused look on his face as he moves levers back and forth in an effort to fix the problem. Hal stops a few feet from the woman and stoops down to tie his shoe. CRANE The operator's hand slips off the lever, hitting a RED BUTTON. To his horror the crane DROPS ITS LOAD OF STEEL. HAL AND THE WOMAN The woman looks up to see the girders seconds from crushing her and her baby. She screams. Hal looks up and sees it as well. He starts to run out of the way and crashes into the woman and stroller. ACROSS THE STREET 27. The reporters turns their cameras just in time to catch on film what appears to be Hal pushing the woman to safety just as the GIRDERS CRASH TO THE GROUND. HAL AND MOTHER Tears of joy in her eyes, the woman picks up her baby and kisses it. Hal struggles to catch his breath as the mother turns to him. YOUNG MOTHER Thank you! Thank you for saving me and my baby! She hugs him with her free arm, weeping with joy. HAL (not knowing what she's talking about) Huh? He's a little uncomfortable with the woman's public display of affection and the small child in-between their embrace. HAL (CONT'D) There, there. Hal slowly eases out of the woman's grip. HAL (CONT'D) Okay, we better...well, I hear these little guys smother easy. The reporters rush over and surround Hal and the mother. ROXANNE What's it feel like to be a hero? Hal looks up at Roxanne. Instantly, he's captivated by her beauty. HAL Well...I'm just a man doing what men do. You're Roxanne Ritchi, aren't you? They're suddenly interrupted when another reporter pushes his way in between them. REPORTER Were you scared? 28. HAL Scared? Who had time? The reporters eat this up. INT. ABANDONED METRO CITY LIBRARY - NIGHT TELEVISION John Cusack stands in the rain looking up at a window of a two story house. He holds up a BOOMBOX and "In Your Eyes" by Peter Gabriel begins to play. From the couch, Master Mind and his minions watch. MASTER MIND John Cusack, huh? So all I have to do is have a cute puppy dog stare, be willing to make a fool of myself and - Oh, REMOVE BOTH MY BALLS. He turns to see Da Vinci watching the movie and wiping a tear from his cheek. MASTER MIND Please, get a hold of yourself. INT. BOOKSTORE - NIGHT Roxanne is carrying a large paper coffee cup in her hands as she peruses the isles. She sets it down on a shelf to pull a book out and ends up KNOCKING THE DRINK OVER. ROXANNE Shit. She goes to pick it up when someone bends down and picks it up for her. Looking up to thank him, Roxanne is suddenly stunned speechless - It's popular and critically acclaimed actor JOHN CUSACK, or rather Master Mind disguised as him. "JOHN CUSACK" Oh the humanity - it was a Venti. ROXANNE (stunned) You're...you're. "JOHN CUSACK" Yes, it's me. John Cusack...the actor. 29. He notices the book she's reading. "JOHN CUSACK" Hey, is that Shelly? Wait, I think remember something from that one - Let's see: "My head is screaming `I want you and need you' - my heart it keeps reaching to see you and feel you - yet in the end, I'm alone once again." Wow, I scare even myself. I'm sorry. I'm just really into poetry. Probably because I'm so sensitive and always going to great lengths to express myself. But enough about me. Can I fill you up? ROXANNE (captivated) ...Yes. (catching herself) I mean, excuse me? "JOHN CUSACK" Can I fill you up? Your coffee. ROXANNE Right. INT. BOOKSTORE CAFE' - LATER Roxanne talks as John Cusack listens to her every word intently. ROXANNE I did have a boyfriend - until fairly recently. She suddenly begins to feel the stares around her as passers- by being to notice who she's with. ROXANNE I'm sorry - this is so surreal! "JOHN CUSACK" Yeah, they charge way too much at these places - Now back to your boyfriend. I'm interested and compassionate. I want to know about you. 30. ROXANNE Things were complicated. He was a man married to his work. There was...there was a lot of competition in his line of business. I'm sure you know what that's like. "JOHN CUSACK" Sure. In my business, one thing I have is RIVALS. For example, mine is...uh...Lou Ferr...igno. ROXANNE ...The body-builder who used to play The Hulk on TV? "JOHN CUSACK" Did he? Well, we're always up for the same roles. Did your boyfriend have someone like that? A particular rival that was always getting his goat - so to speak? ROXANNE Well...one rival in particular seemed to get more of his attention than I ever did. But enough about my problems. "JOHN CUSACK" NO, TELL ME MORE!!! Suddenly realizing his outburst, he begins COUGHING to mask it. "JOHN CUSACK" (CONT'D) I'm sorry. I got a whooping cough. Had it ever since Serendipity. I WONDER WHERE OUR REFILLS ARE!!! (fakes cough) See, there it goes again. Please, go on. ROXANNE Right, well, he seemed to need him more than he needed me. "JOHN CUSACK" How do you mean? 31. ROXANNE It was conflict he thrived on. He always said he wouldn't know what to do with himself if Master - I mean, this guy were gone. It was like he needed it, like oxygen. The answer to his mental funk hits him like a bolt of lightening. He turns away from her as if for private time. "JOHN CUSACK" (almost to himself) I think I finally understand...The only logical answer is to recreate that rivalry - or if that's impossible, create one of equal structure. That's it! ROXANNE What? John Cusack snaps out of his dream-like haze realizing she's heard every word. "JOHN CUSACK" Oh, sorry, sorry. Just rehearsing for a part...where I play a man who talks to himself at inappropriate times. In a sudden rush, he rises out of his chair. "JOHN CUSACK" I have to go right now, but I'd really like to see you again - if that's alright. Roxanne looks up at him - She can't help but laugh at the craziness of the situation. ROXANNE I'd love that. INT. ABANDONED METRO CITY LIBRARY - DAY Master storms in the office to find Plato and Einstein playing darts with the original Mona Lisa. EINSTEIN Got her nose! MASTER MIND I've got it! 32. Everyone stops what they're doing upon seeing that their master has returned. MASTER MIND I've got it! MASTER MIND It's plain and simple. Extraordinary minds need extraordinary stimulation. Without that stimulus they wither and die. Therefore, there is only one logical conclusion: I must create a new superhero. EINSTEIN Yeah, maybe that's not such hot idea... MASTER MIND (ignoring him) Prepare for Operation Superhero Genesis! INT. ABANDONED METRO CITY LIBRARY - LABORATORY - DAY The lab is slick, white and ultra modern. Dressed in a lab coat, Master Mind enters through a SLIDING GLASS DOOR rubbing his hands excitedly. MASTER MIND Prepare the subject. He glances down into a large HOLE in the floor to see a naked thirty year old man, SEVERS, shivering. Above the hole, a huge vat dangles precariously. Master Mind steps behind a glass partition next to Plato and Einstein. MASTER MIND (CONT'D) Plato, pour the toxic waste. Plato throws a switch causing the vat to tip hundreds of gallons of green and brown goo into the hole. MASTER MIND (CONT'D) Drainage. The slime is sucked out through the floor, leaving a goo- soaked Severs. 33. Master Mind looks into the pit. MASTER MIND (CONT'D) Well, Severs? SEVERS I feel fine. Just a little sticky, but aside from that everything's completely - BOOM - Severs explodes. A hail of blood and tissue covers Master Mind and his men. For a good ten seconds nobody moves an inch. Finally... MASTER MIND Okay then. INT. ABANDONED METRO CITY LIBRARY - LABORATORY - DAY Through a glass WATER TANK we see a man breathing normally. MASTER MIND And this one? PLATO We attached gills to him. He can breath under water. MASTER MIND Ah. Does he have extraordinary strength? PLATO Well...no. MASTER MIND Can he fly? PLATO No. MASTER MIND Resilient to weapons fire? PLATO No. MASTER MIND He just breathes under water, then. PLATO Ah...yeah. 34. Master Mind rolls his eyes and walks away. INT. ABANDONED METRO CITY LIBRARY - LABORATORY - DAY The next guinea-pig, STENWICK, is standing in a sealed glass tube not much wider than himself. MASTER MIND Plato, the radioactive spider, please. Plato throws the switch DROPPING A SINGLE SPIDER onto Stenwick's arm. Stenwick looks and winces as it bites him. STENWICK Ow! He brushes the spider off. MASTER MIND Anything, Stenwick? STENWICK (shaken) No. Ah...sir, I didn't know this was about spiders. I have a pretty severe case of arachnophobia. Master Mind thinks for a moment, then turns to Plato. MASTER MIND We're gonna need more venom. Plato throws another switch, this time DUMPING THOUSANDS OF SPIDERS on poor Stenwick. His SCREAMS begin to fade as he's engulfed with swarms of crawling arachnids. MASTER MIND (CONT'D) How `bout now, Stenwick? ....Stenwick? INT. ABANDONED METRO CITY LIBRARY - OFFICE - DAY Master Mind is pacing back and forth. The muted TV plays in the background. MASTER MIND This has proven to be a challenge. I just don't know what I want. What do I want? 35. He stares at Einstein, Da Vinci and Plato, but they offer no advice. MASTER MIND (CONT'D) I want a man of moral fiber with a strong sense of right and wrong. Someone who doesn't seek power - instead, they must have it thrust upon them and find, within themselves, the courage to rise to the occasion. Einstein lets out a short laugh, getting everyone's attention. EINSTEIN Yeah, well, it sounds like what you want is Uberman. Master Mind snaps the fingers of his non-metal hand. MASTER MIND That's it! Why make a copy when the real thing will do? The lackeys look at each other, they can't believe what they're hearing. EINSTEIN I was just kidding, sir. In case you forgot, you actually burned Uberman alive. MASTER MIND Then we'll make a new one. Plato, bring me the box! MINUTES LATER Master Mind and the lackeys stand in a circle around a small table. Plato places a STAINLESS STEEL CHEST in the tables center. As Master Mind opens it, he's immediately doused in WHITE GLOW emanating from inside. MASTER MIND Behold - Uberessence. The very thing that gave Uberman his superhuman powers. 36. EINSTEIN Where the hell did you get that? MASTER MIND Oh, I shot him with a power sucking gun and had this idea to use this to clone a whole army of evil Ubermen. I'm not sure why I never got around to following up with that. PLATO I believe he defeated you before you could, master. MASTER MIND ...Right. Man, he was good! DA VINCI You want another volunteer, sir? MASTER MIND Not another volunteer driven by the need for personal gain. Somebody else, somebody pure. Master Mind turns to see an INTERVIEW WITH HAL playing on the muted television. Underneath his face is a blue caption with white lettering that reads: "Hal Stewart - Metro City's Newest Hero?" NEWS REPORTER ...who risked his own life to save that of a young mother and her child. HAL Please, please, you're embarrassing me. I saw someone in need and I helped them. What more can we ask of ourselves. I ask you, what more? A smile creeps across the evil one's face. MASTER MIND (CONT'D) Somebody like him! EXT. CITY STREET - DAY Plato is sitting in the van, staring into a pair of binoculars as he speaks on a cellphone. 37. PLATO Yeah, sir. This guy is a real piece of work. He used to teach bowling at Kingpin's. INT. MASTER MIND'S HIDEOUT - DAY Master Mind is sitting with his feet up on a computer console as he speaks to Plato. MASTER MIND (into phone) A modest profession to brilliantly hide his true heroic nature. I love it. EXT. CITY STREET - DAY PLATO Then you are absolutely going to love this - We follow Plato's line of sight across the street where we see HAL PLAYING WITH A LARGE GROUP OF BLIND CHILDREN. PLATO - He volunteers at a school for the blind. INT. MASTER MIND'S HIDEOUT - DAY Intrigued, he suddenly sits up in his chair. MASTER MIND He volunteers. He doesn't ask for any reward for his deeds. The fates are shining down on me. This Mr. Stewart is truly an unselfish soul. EXT. BLIND SCHOOL - DAY From a distance, Hal seems to be consoling an upset child who's sitting on a rock. But up close... HAL You greedy little bastard. I already gave you a twenty. BLIND KID Hey, you want me to play along? Then pay up, bitch! 38. HAL Fine, but you better be convincing. He gives the kid a bill out of his wallet and looks over his shoulder to see a HOT TEACHER walking toward them. HAL Here she comes, go to work. Like a miniature Brando, the blind kid buries his face in his hands and begins to cry. BLIND KID (weeping) Why can't I see! Why God? Hal puts a warm consoling hand on the weeping boy's shoulder. HAL Hey, Peter. C'mon champ, let me look at you. The Hot Teacher stops and curiously watches from a distance. The boy looks up at Hal, tears running down his dark sunglasses - he should get an Oscar. HAL You know, in life we're all given no more than we can bear. This happened to you maybe because you were meant to rise above it - Maybe to be an inspiration to the other little Peteys out there. BLIND KID You really think so, Hal? HAL Hey, does it LOOK like I'm lying? Now c'mon, go feel your way to class before you get your little butt suspended. The boy stands up and is about to take off. HAL Petey, wait a minute. Hal uses his shirt sleeve to wipe the tears away from the boy's face before sending him on his way. 39. The Hot Teacher grabs her chest. Her heart is about to absolutely melt. HAL Don't run into anything! EXT. STREET - CONTINUOUS Plato lowers his binoculars. From his perspective, Hal should be next in line for popehood. PLATO I think I've seen enough, sir. This is your guy. MASTER MIND (O.S.) (over radio) Then return to base. We have much work to do. Plato starts up the van and pulls away. INT. BAR - DAY It's a busy night. A couple of trucker types are shooting pool as the bartender slings drinks. Hal is nursing a beer at the bar when he suddenly notices a very ATTRACTIVE WOMAN sitting next to him. As he goes to straighten his stool-posture, Hal suddenly catches himself on the bar's TELEVISION - it's a story about how he saved the woman and her baby at the construction site. He turns back to the Attractive Woman next to him, then back to the TV. A plan of attack is forming. HAL (obviously playing it up for the woman's benefit) Oh, there it is again. This is really getting embarrassing now. The woman looks up at the screen and gives Hal a double-take. ATTRACTIVE WOMAN Oh my God! It's you! You're the man who saved that woman and her baby the other day! It is you, isn't it? TRUCKER #1, getting a drink at the bar next to them, OVERHEARS. 40. Hal rolls his eyes and puts his hands up in the air. HAL (to Attractive Woman) Oh, crap. You got me. TRUCKER#1 taps Hal on the shoulder. TRUCKER#1 Let me tell you something. That was just about the bravest damn thing I've ever witnessed. (he turns to the rest of the bar) Hey, everybody! This guy's the hero from TV! The bar ERUPTS IN CHEERS. MOMENTS LATER Hal is riding on the shoulders of TRUCKER#2 and TRUCKER#3 as `I'm Holding Out For A Hero' plays on the jukebox. TRUCKER#1 suddenly puts his hands in the air. The room quickly goes silent. TRUCKER#1 I want to give you something. He reaches into his pocket and takes out a medal. He holds it up in the air for everyone to see. TRUCKER#1 (CONT'D) Lost my whole platoon. They were a lot a good boys, a lot of good boys. That was just the way things were in "The Grenada." I'd rather a real hero have this. Trucker#1 gives the medal to a speechless Hal. ATTRACTIVE WOMAN Hey, you're on TV again. The crowd looks up at the Television. TELEVISION - CONTINUOUS The anchor man, BRAD HELMS (early 40's, amazing mustache), suddenly has a memo passed to him. 41. BRAD HELMS This just in. Upon a second look at that tape from this morning, which we'll now replay for you, it appears it was not the heroic act it first seemed to be. The tape shows Hal running in slow motion. BRAD HELMS (O.S.) (CONT'D) With the tape slowed down you can actually see the man push the woman and her child out of the way in an effort to save his own life. The tape shows Hal, in a clear act of self-preservation, pushing the woman and child out of the way. CUT BACK TO: INT. BAR - CONTINUOUS In unison, everyone turns their heads back to Hal. HAL I guess that looks kinda bad. Trucker#1 snatches his medal back. EXT. NEARBY ROOF - NIGHT Master Mind, Da Vinci and Plato look down, spotting Hal cutting through a dark alley. DA VINCI There he is, boss. Da Vinci hands Master Mind a fantastic looking silver rifle. MASTER MIND Now, we're sure this won't kill him? PLATO Yes, sir. He'll just feel a slight electrical shock. MASTER MIND Good. Master Mind raises the rifle and aims it at Hal. 42. EXT. ALLEY - NIGHT Hal wipes the blood from his nose with his shirtsleeve. A LIGHTENING BOLT suddenly zaps Hal in the back. His teeth spark and arc electrons as his entire body shakes and shudders violently. He finally collapses, knocking over a row of garbage cans. EXT. NEARBY ROOF - NIGHT An angry Master Mind slaps Plato. MASTER MIND Slight electrical shock? EXT. ALLEY - NIGHT Hal lies flat on his back, his jacket smoldering. Dazed, he slowly rises to his feet and looks up at the sky. HAL God, I hate the weather in this city. Hal walks off into the night as he attempts to slap the emitting smoke from his jacket. EXT. NEARBY ROOF - NIGHT Master Mind turns to Da Vinci. MASTER MIND Follow him. INT. HAL'S APARTMENT - NIGHT It's a dirty, small studio. Laundry lies everywhere, dishes are piled in the sink and the litter box looks like a minefield. Hal comes staggering in. Through his POV we see the lights wobble and streak like a hallucination. He shakes his head trying to clear thing up, but it looks worse. Hal makes his way to the kitchen table and plops down on a chair. The room begins to swim. His CAT jumps on the table and sits down in front of him. 43. From Hal's POV the cat's face looks like we're seeing it through a kaleidoscope. Hal seems fascinated by it. CAT You don't look so good, man. HAL I don't feel good. I was struck by freaking lightening. Suddenly Hal realizes his cat's talking to him. HAL (CONT'D) AAAAAAHHHHH! You can talk? CAT No, you're just hallucinating. By the way, we're out of orange juice. HAL AAAAAAHHHHH! Hal jumps up, trips over a cardboard box and knocks himself out on the coffee table. INT. HAL'S APARTMENT - MORNING Hal lies in the same position we left him last night. He sits up and grabs his head. He looks like he has the worst hangover in the world. Finally, he remembers last night. He looks around, but not really sure what he's looking for. HAL Man... Shaking his head, he walks to the kitchen and opens the refrigerator. He pulls out an orange juice container and puts it to his mouth. It's empty. As if suddenly remembering something he looks from the carton to the cat, who is busy cleaning himself. He shakes the thought from his mind. BATHROOM Hal lifts the seat and unbuckles his pants. 44. HAL'S FACE He stares at the ceiling with half closed eyes. The inevitable sound of urine hitting water starts. A content look washes over his face. There is a distinct sound of porcelain CRACKING and SPLINTERING. The sound intensifies. Hal looks down to see his URINE STREAM SMASHING THE TOILET. HAL (CONT'D) Oh, God! He whips his stream away only to cut a LONG RIP IN THE WALL. HAL (CONT'D) Oh, God! He freaks out and begins to lose control of his flow as it destroys everything he accidently aims at; the bathroom mirror, a bottle of cheap cologne, the bathroom window. HAL (CONT'D) Oh, God! He aims back for the toilet, which is pretty much rubble now, to see the floor give way. Finally, the pee stops and he glances down the hole. He sees his downstairs NEIGHBOR sitting at his breakfast table. He has a fork halfway to his mouth as he stares at the smashed toilet on his pancakes. EXT. STREET - DAY Hal turns the corner to see his bus pulling away from the stop. HAL Wait! He starts running after it. ZOOM - HE TAKES OFF LIKE LIGHTENING. HAL (CONT'D) Whoa, whoa, whoa! Unable to stop, he SLAMS INTO THE BACK OF THE BUS and falls back to the ground. 45. As the bus continues on he sees an INDENTATION of his torso right below the rear window. Stunned, to say the least, he rises to his feet. HAL (CONT'D) Something's not right here. He slaps himself in the face as hard as he can. HAL (CONT'D) Wake up! Wake up, Hal! HONK! Hal spins around to see a car barreling toward him. He goes to jump out of the way - ZOOM - he FLIES TWO STORIES UP, nails a building and comes crashing back down to the sidewalk. Hal sits up, disheveled and scared. HAL (CONT'D) Okay, okay. Let's get it together, man. He closes his eyes in an attempt to will back his sanity. HAL (CONT'D) This is just some sort of...episode. It will pass, it will pass. He opens his eyes and looks down the street. A BEAUTIFUL NAKED WOMAN is coming toward him. HAL (CONT'D) Well, not too fast I hope. As she passes him and turns the corner out of his view he catches ANOTHER NAKED WOMAN - an old disgusting one. HAL (CONT'D) Yes, fast, fast! He turns away from her in horror only to see AN ENTIRE BLOCK OF NAKED PEOPLE going about their business. He rubs his eyes and looks down the street again. Everyone has returned to a clothed state. 46. He relaxes a little until he looks down and notices that he's floating a foot off the ground. HAL (CONT'D) I think I need to go home. INT. HAL'S APARTMENT - DAY Hal's front door CREAKS as it slowly opens, revealing Master Mind. He walks over to the bathroom and smiles to himself as he notices the giant hole in the floor. MASTER MIND Welcome to your second birth, Hal Stewart. Master Mind continues to survey the room. He stops to look over a "KARATE KID" POSTER on Hal's living room wall. He focuses on the majestic image of Pat Morita teaching a young Ralph Macchio to kick. MASTER MIND (CONT'D) Instruction is very important in the formative years. Every hero needs a mentor, a father figure to look up to. He presses his special watch, causing his body to MORPH INTO THE SPITTING-IMAGE OF PAT MORITA. "PAT MORITA" Perfect. INT. HAL'S APARTMENT - DAY Hal enters, grabs a bottle of vodka from atop of the fridge and takes a long pull from it. VOICE (O.S.) A man will usually find that if he drinks from a bottle, eventually, the bottle drinks from him. Hal does a SPIT TAKE. In the corner a darkened figure stands. HAL Who are you!? 47. VOICE I am the guide on your journey. Fate has chosen you to be it's champion. Pat Morita steps out from the shadows. Hal passes out again. LATER We are close on Hal's face as his eyes flutter open. He appears to be lying on the couch. He hunches up on his elbows, looks around, but everything is as it seems. He lays his head back down. HAL Thank God. It was a dream. Man, I must be losing it. A voice sounds right next to his ear. "PAT MORITA" (O.S.) You know you're out of orange juice? Hal leaps up to find he's been resting his head on Pat's lap. HAL Jesus! This isn't happening, this isn't happening. Hal backs away and trips over a box. "PAT MORITA" Calm. All things must be filtered through calmness. HAL Bullshit! Sometimes it's best to freak out. "PAT MORITA" I think we must work on your attitude first. HAL Look I'm gonna call the cops in about two seconds if you don't get out of here. 48. Pat rises and walks to Hal. He's so calm it makes Hal calm. "PAT MORITA" Are you calm now? HAL Yeah, I'm okay. Pat slaps him across the face hard. "PAT MORITA" Good, because we've got a lot of work to do. Hal grabs his jaw. HAL What the hell was that for? "PAT MORITA" Rule number one: expect the unexpected. HAL Can you just tell me what this is all about? "PAT MORITA" The heavens are not in the habit of bestowing a gift such as this to just anyone. You are being rewarded for being a man of great moral fortitude with an unwavering belief in humanity. HAL That's me alright. "PAT MORITA" I am to train you so you may fulfill your destiny to defeat the great menace to Metro City: Master Mind. Pat gets up and walks toward the door. "PAT MORITA" (CONT'D) Come. HAL We're are we going? 49. "PAT MORITA" To train. EXT. PAT'S CAR - DAY Pat is sitting in the driver's seat. The car is bumping up and down. "PAT MORITA" Strength is just as much in the mind as it is the muscle. Remember, both need to be exercised. We PULL BACK to see Hal lifting the car up over his head. He's hardly straining. HAL I'M LIFTING A FREAKING CAR!!! Pat leans on the HORN. "PAT MORITA" Hey, Corky? You listening? Two highly attractive female joggers run by. They're clearly impressed with Hal's show of strength. He smiles and mouths a "hello." HAL Yeah, work both muscles. EXT. DESERT - DAY Pat cocks back the chamber of a .357 MAGNUM. He holds it up and carefully takes aim...at Hal's chest. "PAT MORITA" Trust me. HAL What are you doing!? "PAT MORITA" An invulnerability test. Something wrong? HAL Uh...yeah. I would prefer not to get shot. Do not fire that thing! Frustrated, Pat lowers the gun. 50. "PAT MORITA" You're bulletproof. HAL Okay, do you know that for sure? Pat quickly aims and fires. Hal lets out a high pitched scream as the bullet ricochets off his chest. "PAT MORITA" I do now. Hal looks down at his chest, not so much as a scratch. HAL You suck. EXT. SKY - DAY Hal is in the air flying in a sitting position. He's weaving back and forth. HAL Ice Man, I got a bogie on my tail. Two Russian Migs coming in hard and fast. "PAT MORITA" Hey! HAL What? Hal looks down to see Pat Morita yelling at him from the roof of a building down below. "PAT MORITA" What did I tell you? Stomach down, hands up. Hal sighs and assumes the proper superhero in-flight position. HAL God, I feel so gay. Pat's CELL PHONE begins to RING. He answers it. "PAT MORITA" (in Master Mind voice) What is it? 51. ROXANNE (V.O.) John? Pat panics. He looks up to make sure no one is in earshot. He sees Hal now doing somersaults in the air. HAL YEEEE HAWWWW! Pat turns his attention back to the phone, talking in his John Cusack voice. "PAT MORITA" (in Cusack voice) Yes, it's John Cusack. ROXANNE (V.O.) Hi, it's Roxanne. Listen, I...I really enjoyed talking with you the other day. "PAT MORITA" ...As did I. ROXANNE (V.O.) Great. God, I feel really silly, and if you have a lot going on I totally understand. But, I was wondering if you maybe wanted to have lunch. He can't believe what he's hearing. "PAT MORITA" (excited) I'd love to! He quickly recovers his composure. "PAT MORITA" (CONT'D) I mean, I AM a little hungry. ROXANNE (V.O.) Great. How does the park sound, around noon-ish? "PAT MORITA" Sure! ROXANNE (V.O.) Great, see you then. 52. Pat hangs up the phone and returns it to his pocket as Hal lands behind him. HAL WHOOOOA! Man, that is so cool. It's like fly - Oh my God, I almost said it was like flying. "PAT MORITA" For the rest of the day I want you to continue to practice your flying posture. HAL Why, where're ya going? "PAT MORITA" ...To do something...mysterious ...and Asian. HAL Say no more, bro. I'll just keep at it, then. EXT. PARK - DAY John Cusack and Roxanne eat WRAPPED SANDWICHES while walking through Metro City Park. ROXANNE How's your sandwich? "JOHN CUSACK" It's quite delicious. ROXANNE Hope you don't think I'm too forward. Some men are intimidated when a woman asks them out. I just find you really easy to talk to. "JOHN CUSACK" And I you. ROXANNE You know, you're not at all like you are in the movies. "JOHN CUSACK" I'm not? 53. ROXANNE Yeah. I don't know - You have this strange, refined way of speaking. "JOHN CUSACK" I do? That is most interesting. ROXANNE Anyway, when we were talking the other day I just felt, even though we only talked for a couple of hours, that we've known each other for years. "JOHN CUSACK" I know just what you mean. Roxanne bites into her sandwich. ROXANNE You know what? This sandwich is disgusting. She tosses it in a nearby garbage can. ROXANNE (CONT'D) Of course I already ate half of it. I wonder what that says about my character? "JOHN CUSACK" It means you don't give up on a sandwich. You see that it has potential, and you give it every chance to be all it can be. Roxanne smiles at his analogy. ROXANNE Thanks, but knowing me, I was probably projecting my expectations of what a lunch should be on the sandwich. It might have been okay at first, but I just made it bitter. John Cusack notices Roxanne's smile starting to fade. "JOHN CUSACK" Is that what happened with your last sandwich - I mean, boyfriend? 54. ROXANNE When I look back, I probably shouldn't of expected so much from him. He was already a giving person. You know, one of those go out and save the world types. "JOHN CUSACK" I've run into a few. ROXANNE I was selfish, I guess. I didn't want to share him with anybody else. "JOHN CUSACK" It sounds like he was a special man. ROXANNE They broke the mold. John Cusack arches his eyebrow in a very familiar manner. "JOHN CUSACK" Perhaps not. INT. ABANDONED WAREHOUSE - DAY Hal walks up to Pat Morita sporting a Lone Ranger-type mask and wearing a purple and red superhero costume. It's not unlike Uberman's except for a giant "T" on his chest. (From here on, Hal is referred to as TITAN) TITAN What's the "T" stand for? "PAT MORITA" Titan. TITAN What's that supposed to mean? "PAT MORITA" It's from Roman mythology. Zeus's father...oh, just go with it. You look perfect. TITAN I don't think this mask is big enough. Are you sure no one is gonna recognize me? 55. "PAT MORITA" It's fine, just don't slouch. It's all in the posture. He grabs Titan's shoulders like a proud papa. "PAT MORITA" (CONT'D) It is time. INT. BANK - DAY There is a long line of people snaked around the velvet ropes. They're all waiting for their chance at the one open teller window. Four men wearing BEATLES MASKS(JOHN,PAUL,GEORGE,AND RINGO)and CARRYING SHOTGUNS enter the bank. John fires a shot in the air, sending everyone into an immediate panic. JOHN Alright folks, this is a robbery. Nobody moves - yadda, yadda, yadda... Ringo jumps over the teller wall and starts stuffing bills into a bag. As John and Paul cover the crowd, George goes to the corner office and puts a gun to the BANK MANAGER'S head. GEORGE The safe. Let's go. BANK MANAGER Okay, just don't hurt anyone. GEORGE Yeah, yeah, yeah. George leads him out by the collar. CRASH - Titan smashes through the window and lands in a bold superhero stance with hands on hips. TITAN Well, boys, there's no need for all this just to get the free toaster. Paul cocks his gun. 56. PAUL What are you suppose to be? We move in for a nice dramatic close up. TITAN Justice. GEORGE Well, justice, suck on this... George, John and Paul open fire on Titan. He just stands there and yawns as the bullets bounce off him. With their guns empty the three just stare at him in amazement. TITAN Now it's my turn. He turns to George. TITAN (CONT'D) Hey, George, here comes the sun. Titan grabs George and throws him into a fluorescent light fixture in the ceiling. Paul tries to run for the door. Titan snatches the collar of his jacket. TITAN (CONT'D) Say, Paul, your mother should know...that you're a scumbag. He tosses Paul out the window and into a parked DELIVERY TRUCK. Titan turns around just as John hits him with the butt of his shotgun. It instantly breaks apart in his hands. Titan lifts him like a rag doll up into the air. TITAN (CONT'D) John, all you need is love... He throws John who lands on top of a cubical wall - GROIN FIRST. TITAN (CONT'D) ...and a good urologist. 57. Titan effortlessly hops over the teller wall to find Ringo cowering on the floor. He grabs him by the shirt and lifts him up. HAL Well, Ringo...um...um...you're under arrest. EXT. BANK - DAY Titan walks out of the bank with Ringo and George under his arm. He's suddenly swarmed by a group of television reporters, including Roxanne. Across the street is Pat Morita. He watches Titan's first news conference with great anxiety. BANK MANAGER (to Hal) On behalf of the First National Bank of Metro City, I'd like to offer you a reward for your act of bravery. He hands Titan a check. TITAN (reading) Ten thousand dollars! Titan looks over to Pat, who violently shakes his head no. TITAN (CONT'D) (unenthusiastically) I...can't except this. Law and order is it's own...um...reward. Pat gives him the thumbs up. Pat turns, suddenly seeing Roxanne with her camera crew. Captivated, his eyes lock on her. Meanwhile, Roxanne and her cameraman, SETH, are maneuvering around the crowd to get closer to Titan. BRAD HELMS (O.S.) Not so fast, Roxanne. They both turn to see Roxanne's reporter rival Brad Helms, Geraldo without the class, and his cameraman, FRANK. BRAD HELMS This story's mine. 58. ROXANNE Listen, Brad. We were just in the area. I was just trying to - BRAD HELMS I've been in this business long enough to know pretty well what you were "just trying to do." Besides, I heard you couldn't take the big game anymore and were put on fluff detail? Dejected, Roxanne turns and motions for Seth to turn the camera off. SETH You're not gonna take that from him, are you? ROXANNE He's right. Old habit, I guess. (to Brad) We'll get out of your way. As they walk off, Brad makes a comment to Frank loud enough for her to hear. BRAD HELMS Besides, I'm sure there's a pancake supper somewhere that needs covering. INT. ABANDONED METRO CITY LIBRARY - OFFICE - DAY ON TELEVISION We see the news conference on the bank's steps. In the corner of the screen is written: "recorded earlier." BRAD HELMS For months now, since the death of Uberman, the citizens of Metro City have been holding out for a hero. Well, it appears they won't have to hold out for much longer as a new costumed crusader has suddenly stormed onto the scene. Today, at the Metro Savings and Trust, a masked mystery man single-handedly defeated "The Fab Four Gang." Just who is this new caped avenger? Brad holds the microphone to Titan's face. 59. BRAD HELMS I'm sure all of our viewers are now wondering, what's the "T" stand for? TITAN It's a message to all the scum out there. Uberman may be gone, but Metro City has a new protector, and his name is "Tighten!" Another reporter leans in. REPORTER How do you spell that? We PULL BACK to see Plato and Da Vinci watching this spectacle. Master Mind is sitting with them, reading a NEWSPAPER. MASTER MIND (reading paper) Oh, for heaven's sake. I can't believe it. He misspelled his name. Master Mind holds up the newspaper. The headline reads "Metro's New Hero: Tighten." MASTER MIND (CONT'D) No matter, I suppose. Master Mind throws the paper on the floor and begins to pace around the room with his arms folded behind his back. MASTER MIND (CONT'D) We've now fully established Titan as Metro City's hero. They will love him just as they loved Uberman. Everything is going according to plan. Einstein leans over and whispers in Plato's ear. EINSTEIN (whispering) Yeah, if the plan is getting us in jail. Master Mind turns around, facing Einstein. He walks over, standing face to face with the rebellious henchmen. 60. MASTER MIND You know, Einstein, maybe I should have called you Socrates. He also didn't know when to keep his thoughts to himself. EINSTEIN I just fail to see the point in all of this. I mean, why are we creating another superhero when it was such a pain in the ass for you to get rid of the other one? I mean, Uberman is destroyed, we should be using this opportunity to...to... MASTER MIND To what? EINSTEIN I don't know. To take over the weather, space, the world - whatever super villains are SUPPOSED to do. MASTER MIND The reason someone like you will always be a minion is because you have no foresight. We take over the earth, like you said. Then what? Women? Cars? Money? Even the grandest treasures will lose their lustre if you don't have someone to hold them over. Einstein throws up his hands. He's had enough. He pulls off his wig and throws it to the floor. EINSTEIN That's it! This balance of the force bullshit is getting way too Oprah for me. I'm blowing. Who's with me? MASTER MIND You dare? EINSTEIN Yeah, I dare. I'm sick of wearing stupid costumes, and I'm sick of working for a super villain who's turning into a softie. 61. Plato and Da Vinci's mouths drop to the floor. They turn to Master Mind for his rebuttal. MASTER MIND What - did - you - call me? EINSTEIN You heard me. You used to be an inhuman monster, now look at you. You're creating super heroes, you don't go with us on robberies anymore, it's been days since you threatened anyone, oh, and not to mention this Roxanne Ritchi thing. MASTER MIND THAT is none of your business, knave! EINSTEIN Hey, you guys haven't sealed the deal yet, have you? MASTER MIND Silence! EINSTEIN (In a woman's voice) Oh, Master, your head is so big. MASTER MIND I'm warning you, Einstein. EINSTEIN (In a woman's voice) Take me! MASTER MIND I said silence! With his metal gauntlet Master Mind grabs Einstein by the throat and lifts him into the air. Einstein looks frightened as he tries to pry himself free of Master Mind's grip. Master Mind's eyes soften as if his heart is suddenly not into what he's about to do. He let's Einstein drop to the floor. MASTER MIND (CONT'D) Get out of my sight. 62. EXT. RESTAURANT - NIGHT Roxanne and John Cusack are eating on the outside patio of a fancy restaurant. ROXANNE Don't get me wrong, I love being a reporter. I don't think I could do anything else. It's the consequences of what we do that I'm having a problem with. He listens intently as he refills her glass with wine. "JOHN CUSACK" That's where journalistic responsibility comes in, no? ROXANNE It's supposed to. "JOHN CUSACK" Sounds to me like you're running from something. ROXANNE I got someone I cared about killed. If it wasn't for me, he wouldn't have been involved. John suddenly gets a disturbed look in his eye, realizing what she's talking about. He reaches across the table and takes her hand. "JOHN CUSACK" You can't blame yourself. My father used to say each of us must answer the great call to truly feel alive. ROXANNE Was he an actor? "JOHN CUSACK" ...No. He was...a landscaper. And a horrible one. I mean he would fail time and time again at his...landscaping. And sometimes he'd get pretty beaten up or thrown in jail - ROXANNE Jail? 63. "JOHN CUSACK" My point is he took the good with the bad. He grew a little each time. Improved, learned. ROXANNE Was he ever successful? "JOHN CUSACK" God, no...but don't let deter you. Roxanne LAUGHS. ROXANNE Thanks for this. You know, this is embarrassing, but it's been a long time since I - It's starting to lightly sprinkle. Roxanne looks up. ROXANNE (CONT'D) I think it's starting to rain. We might want to find a table inside. "JOHN CUSACK" What were you gonna say? ROXANNE Oh, I was gonna say...It's been a long time since...well, I've been with someone I...enjoy being with. John Cusack smiles warmly and raises his glass for a toast. "JOHN CUSACK" To people who enjoy being with each other. They go to clang glasses, when the rain suddenly causes John Cusack's disguise generator to short. His true form of Master Mind is briefly revealed to Roxanne as a BOLT OF ELECTRICITY encircles his body. Roxanne drops her glass and jumps out of her seat. MASTER MIND (CONT'D) Oh, no. Don't look at me. LIKE A BROKEN TV the image keeps switching between MASTER MIND AND JOHN CUSACK. 64. As Master Mind starts to franticly slap at his watch, the Cusack disguise begins to hold steady. He nonchalantly returns to cutting his steak. "JOHN CUSACK" Okay, never mind that. Now, where were we? Roxanne grabs his glass and throws the drink in his face, causing the generator to short out permanently. Master Mind now sits in his true blue form. ROXANNE Oh my God. MASTER MIND You're not gonna get all freaky about this, are you? ROXANNE This...this is too much, even for you. God, I go out with you, tell you my innermost thoughts. MASTER MIND I only did this because I wanted to talk to you on the same level. You know, without all the baggage? ROXANNE Baggage? You burned my boyfriend alive, you sick son-of-a-bitch! MASTER MIND You see, that's exactly what I'm talking about. Roxanne starts to walk away. MASTER MIND (CONT'D) Roxanne! ROXANNE Stay away from me. Master Mind sinks back down to his chair. Despite the now heavy rain bombarding him, he returns to his food. Several resturaunt patron's are looking at him through the window. 65. Our villain turns to them, giving them a villainous glare. MASTER MIND What? INT. MASTER MIND'S BEDROOM - NIGHT Master Mind is lying on his back, wide awake. MASTER MIND (mumbling to himself) Stupid. What was I thinking? Plato, it's his fault. He's the one who sent me on this weak-willed path. I'll filet his scrotum for this. Me, a creature of evil, in love with Roxanne Ritchi. Preposterous. I hardly give such matters thought He rolls onto his side. He yawns and closes his eyes. Suddenly, they shoot back open. CUT TO: EXT. ROXANNE'S APARTMENT - NIGHT Master Mind pulls up in a blue Rolls Royce, across the street from Roxanne's apartment He stares up at the building, hoping to catch a glimpse of her. Finally, she appears, primping her hair in her apartment window's reflection. MASTER MIND I should just go up there and just lay it all out to her. "Roxanne, I like you - I always have. Oh, and I'm sorry I blew up your ex. (realizing the absurdity of his words) Yeah, that would go over like a pants-less clown at a child's birthday party. What the hell am I even doing here? Who cares what she thinks? I'm a supervillain and here I am acting like a love struck schoolboy. Forget this. I control my own destiny! 66. He turns the ignition key - NOTHING HAPPENS. He repeats but gets the same results. MASTER MIND (CONT'D) (disgusted) Perfect. INT. ROXANNE'S APARTMENT - NIGHT She pulls a pack of smokes off her night stand. Empty. ROXANNE Damn. She grabs her long coat and throws it over her robe. EXT. ROXANNE'S APARTMENT BUILDING Roxanne steps outside. ROXANNE Please be open. Across the street is a liquor store. The light is still on. ROXANNE (CONT'D) Thank God. She walks across the street, passing in front of Master Mind's car. Spotting her, he sinks down in his seat. Roxanne walks by, totally unaware of his presence. Relieved, Master Mind sits back up and watches her go into the store. INT. LIQUOR STORE - NIGHT Roxanne walks up to an elderly Korean SHOPKEEPER at the counter. ROXANNE A pack of Lady Strikes, please. EXT. MASTER MIND'S CAR - NIGHT Master Mind is talking on his cell phone. MASTER MIND Hello, Triple A? 67. He suddenly spots something across the street. EXT. LIQUOR STORE - NIGHT A HOODLUM walks up to the entrance of the store and pulls out a gun from under his coat. EXT. MASTER MIND'S CAR - NIGHT Master Mind stares in shock. MASTER MIND I'll call you back. He hangs up the phone and watches the Hoodlum go inside the store. INT. LIQUOR STORE - NIGHT The Hoodlum reaches across the counter and grabs a fist full of cash from the register. SHOPKEEPER Hey! SHOTGUN HOODLUM Shut up, Gramps. He turns to Roxanne, spotting a GOLD NECKLACE around her neck. SHOTGUN HOODLUM (CONT'D) Gimme that necklace! ROXANNE I don't think so. The Hoodlum cocks his shotgun. SHOTGUN HOODLUM I said give it to me! MASTER MIND (O.S.) The lady said no. The hoodlum turns around to see Master Mind in the doorway holding a STRANGE-LOOKING HAND CANNON (GOO GUN) with knobs and blinking lights. The hoodlum starts to laugh. 68. SHOTGUN HOODLUM What the hell's that? A super soaker? MASTER MIND No, it's a goo gun. The hoodlum turns his gun to Master Mind. SHOTGUN HOODLUM Yeah, what's it do? MASTER MIND It goos. Master Mind fires the cannon. It instantly covers the store in a cloud of SMOKE. The smoke clears to reveal the hoodlum STUCK TO THE WALL, covered in a thick, GREEN GUNK. Roxanne stares at him, dumbfounded. MASTER MIND (CONT'D) It's...a prototype. Master Mind starts to walk out when he's suddenly confronted by the shopkeeper. SHOPKEEPER I know you! You Master Brain guy. You a hero. Master Mind points the goo gun at him. MASTER MIND Don't - EVER - say that again. EXT. LIQUOR STORE - NIGHT Master Mind walks out with the cannon resting on his shoulder like he's a short timer in Da Nang. Roxanne follows shortly behind him. ROXANNE Hey! Master Mind turns around. ROXANNE (CONT'D) Are you following me or something? 69. MASTER MIND Don't flatter yourself. He turns away and continues walking. Roxanne runs in front of him blocking his way. ROXANNE Don't walk away from me when I'm talking to you. Finally it occurs to her what's going on. ROXANNE (CONT'D) What a minute...all that stuff you use to say to me when Uberman was alive - about me being the loyal queen by your side as you rule over Metro City. That wasn't just super villain rhetoric, was it? You actually meant it! MASTER MIND My, someone has a rather high opinion of themselves. They stare at each other in silence, their glares locked in conflict. ROXANNE (coldly) Do you really think I would be with someone like you? This stings Master Mind to the bone. And after a brief contemplation, he reaches the only logical, painful conclusion. MASTER MIND No. With that, Master Mind exits into the night, leaving Roxanne with a baffled expression on her face. INT. ABANDONED METRO CITY LIBRARY - NIGHT Master Mind enters in a huff. Da Vinci closes the door behind him as Plato notices his master's agitated state. PLATO Everything alright, sir? Master Mind GRABS PLATO BY THE GROIN with his metal gauntlet causing Plato's eyes to bulge in pain. 70. MASTER MIND (overly calm) Fine, why do you ask? PLATO You...just...seem... Master Mind tightens his grip. MASTER MIND Go on. PLATO ...distracted. Master Mind releases him. MASTER MIND Just with business, my minion. Just with business. I've decided it is time. PLATO You mean? MASTER MIND Yes, we've created our hero, now it's time to give him a little motivation. DA VINCI How do we do that? MASTER MIND To be simply good is not enough. A hero must be driven by an almost relentless desire to right a wrong that can never be corrected. PLATO You mean? MASTER MIND Yes, he must lose someone near and dear to him - his father figure. Gentlemen, it's time for Operation Mentor Kill! EXT. SKY OVER METRO CITY - DAY Titan flies high over and through the city, under bridges, between buildings, etc. He's not really working, just enjoying himself. 71. INT. WOMAN'S APARTMENT - NIGHT A PRETTY WOMAN sits at her makeup table wearing nothing but her bra and panties. Through the reflection in her mirror we see a large window directly behind her. As she applies lipstick we see Titan fly quickly by in the background. After a moment he slowly slides back in view and begins ogling the girl. She sees him in the mirror and quickly covers herself with a robe. Titan tries to hide his face as he zooms off. MOMENTS LATER Titan looks down to see an APARTMENT BUILDING IN RUIN. Emergency lights flash around it as swarms of people run around in chaos. TITAN Man, what the hell happened down there? Wait a sec - He stops in mid-air as he comes to the striking realization. TITAN (CONT'D) THAT'S MY APARTMENT!!! EXT. HAL'S APARTMENT BUILDING - DAY Titan lands in front of the rubble that was once his home. Reporters stand just beyond the police line. TITAN Crap. From the wreckage crawls a dying Pat Morita. TITAN (CONT'D) PAT! Titan goes and kneels beside Pat, holding him in his arms. TITAN (CONT'D) You okay? "PAT MORITA" I'm dying, kid. There is just one last lesson I have for you. It is the most important of all. 72. TITAN What's that? "PAT MORITA" Master Mind did this, you must avenge me. TITAN Master Mind? Why? "PAT MORITA" Because he's evil. You must stop the evil Hal - stop the... Pat's body goes limp. The cameras begin to pop and flash around them. Titan gently lays Pat's body down and stands respectfully over him. The reporters rush over. REPORTER 1 Tighten, Is this the work of Master Mind? REPORTER 2 How will the death of your mentor affect your resolve? REPORTER 3 Was that Pat Morita? Titan walks up to one of the cameras. TITAN This injustice will not go unpunished. Master Mind, if you can hear me, Tighten is coming for you. In the background we see Plato and Da Vinci, DRESSED AS PARAMEDICS, load pat's body onto a stretcher. PLATO ACCIDENTALLY DROPS HIS SIDE. As he bends down to pick it back up, Pat quickly slaps him, then goes back to playing dead. INT. ABANDONED METRO CITY LIBRARY - NIGHT Master Mind and the boys prepare the fortress for Hal's revenge attack. Master Mind is as giddy as a schoolboy. 73. MASTER MIND Alright, people, we don't have much time. Titan should be here any minute, so let's get the lead out. There is a GIANT MOUNTED DEATH RAY in the middle of the hall being tinkered with by Da Vinci. MASTER MIND (CONT'D) How's the death ray coming? DA VINCI Nearly up to full power, sir. MASTER MIND Hum. Let's turn it down a few notches. It's his first time and we don't want to get in a lucky shot, now do we? Plato enters the room. MASTER MIND (CONT'D) Anything on the radar yet? PLATO Not yet, sir. MASTER MIND I see. Well, he must be planning something big. Are the flame androids deployed? PLATO All twelve. Master Mind rubs his hands in anticipation as he sits down on his throne. MASTER MIND Wonderful, wonderful. Plato, Da Vinci, take your places next to me. They move to either side of the chair. MASTER MIND (CONT'D) No slouching. Da Vinci straightens up and sucks in his gut. They remain this way for several long moments. Master Mind occasionally glances at a DIGITAL CLOCK on the wall. Still no Titan. 74. LATER Apparently quite some time has passed. The bold stances have degraded to fatigue. PLATO He's certainly taking his time. MASTER MIND He'll be here. That's the way it works. STILL LATER Master Mind reclines in his chair and taps his metal gauntlet impatiently on the armrest. Plato has squatted down, resting his chin on his hand. MASTER MIND (CONT'D) Unprofessional, that's what this is. No, it's disrespect for the craft. Master Mind rises and begins to pace back and forth. MASTER MIND (CONT'D) Would Uberman have kept us waiting like this? Of course not. He was a pro who knew the score. It's time we spelled out a few things for this Titan. I will not be made a fool of. He storms out of the room. INT. HAL'S NEW APARTMENT - DAY Titan's sitting on the floor in a barren apartment wearing his costume top and some tighty whities. He sips his beer as he watches a basketball game on a tiny TV. Much to his annoyance, there's a KNOCK at the door. TITAN Oh, for crying out loud. He gets up and opens the door. It's Master Mind. MASTER MIND Do you know who I am? 75. It takes a few moments to register, but Titan's suddenly excited. TITAN Yeah, you're Master Mind. Yeah! You're actually the guy I want to see! MASTER MIND Oh, so NOW you want to get down to it. Well, I want to get a few things off my chest first. Master Mind walks past Titan into the apartment. He spins around, pointing at him accusingly with one of his metal fingers. MASTER MIND (CONT'D) Of all the inconsiderate - Do you have any idea how long we waited for you? We're you even planning on coming to me and getting revenge? Titan shuts the apartment door, and turns back toward his guest. TITAN Well, at first I was going to. You know, because that's what I figured I was supposed to do. But then I got to thinking- MASTER MIND (interrupting) -You got to thinking? There's nothing to think about. I'm the villain. I do something bad, you come and get me. TITAN - I got to thinking...what's the point? Master Mind throws up his hands. MASTER MIND Maybe you're right. What's the point? He suddenly notices something in the corner of his eye. He walks over to a futon in the living room. On top of it is a LARGE SACK OVERFLOWING WITH GOLD WATCHES,RINGS AND OTHER VALUABLES. 76. MASTER MIND (CONT'D) What are these? TITAN That's what I wanted to talk to you about. MASTER MIND (baffled) Where did you get all this? TITAN (proudly) Get this: I stole them. MASTER MIND From where? TITAN From all over. You see, once you killed Pat and ruined my other apartment building I was pretty pissed off, so I figured I'd go, find you and kick some ass. Then I thought to myself: "Okay,then what?" I mean, if we were to fight, what would I get out of it? Would I get my apartment back? Would I be able to pay the bills? MASTER MIND Well, what about your mentor? TITAN Tell you the truth? He was kind of a dick. I mean, being a hero is dandy and all, but it's volunteer work. Now you've always had the right take on all this. I mean, when you rob a bank or take over the diamond exchange you get something out of it. I mean, when you don't get caught, which, no offense, isn't very often. And that brings me to what I wanted to propose to you: Who could catch you if I'm by your side? Perplexed by his proposal, Master Mind just stares at Titan awe-struck. MASTER MIND You want to team-up? 77. TITAN You got the brains, I got the brawn. We could even call ourselves that: `Brain' and `Brawn'. Look at this. Titan picks up a piece of POSTER BOARD off the floor and shows it to Master Mind. TITAN (CONT'D) I even designed us some new costumes. The picture is crudely drawn with magic markers and crayons. A big headed man (Master Mind) is standing on a plate of grass in a blue costume with a picture of a brain on his chest. Next to him, is a picture of Titan in a red costume with a black cape, but his chest is mysteriously blank. Titan proudly points to the two figures. TITAN (CONT'D) See, you'd be brain, so you got a little one on your costume, and then I'll have brawn on mine...once I figure out the best, you know, visual interpretation of it. What do you think? MASTER MIND What do I think? Master Mind shakes his head tiredly. MASTER MIND (CONT'D) I think you're probably the biggest idiot I've ever met. I mean, I can't believe you. All your gifts, all your powers, and all you want to use them for is your own financial fulfillment. You know what? Your kind of people make me sick. Titan puts down his drawing. TITAN I worked hard on this. MASTER MIND Oh - gee - I am so sorry! 78. Master Mind looks to Heaven in disgust. MASTER MIND (CONT'D) (under his breath) Of all the people to pick, it had to be this loser. This strikes a cord with Titan. TITAN Now, hold on. You're going a little too far. MASTER MIND I wish your mother said that to your father the night of your conception, they would have saved me a whole lot of heartache. TITAN Hey, I mean it. Master Mind gets right in his face. MASTER MIND Oh, yeah? What are you gonna do? EXT. HAL'S APARTMENT BUILDING - DAY We see Master Mind's body CRASH through the building and land in a DUMPSTER across the street. A car pulls up. The driver's door opens. Da Vinci gets out and runs to help his master. DA VINCI Master! MASTER MIND (O.S.) It hurts. Da Vinci peeks into the dumpster to see Master Mind's body cushioned by a stack of trash bags. DA VINCI What hurts? MASTER MIND It! The overly large henchmen starts to pull his master from the dumpster when they suddenly hear a voice from above. It's Titan peeking through the hole in his apartment wall. 79. TITAN I don't need you, I don't need anybody. I have the power to do and take anything I want. And now, I'm gonna take back everything this city owes me. Beware Metro City, it's time for Titan to collect. Titan shoots up into the air. TITAN (CONT'D) Oh, and from now on - I'M GONNA FLY THE WAY I WANT TO FLY! He takes a sitting position and flies away as if he were piloting an invisible jet. Master Mind climbs out of the dumpster and watches Titan disappear into the distance. DA VINCI How'd the plan go, boss? MASTER MIND I just made myself redundant, old friend. Da Vinci gives Master Mind a whiff. DA VINCI It's not that bad. INT. BANK - DAY Titan, with a happy bounce in his step, enters the bank. The last time he was here he thwarted a robbery. He looks nostalgic. A SECURITY GUARD shyly walks up to him like a kid meeting his TV idol. SECURITY GUARD Morning, Tighten. TITAN Morning. SECURITY GUARD Is there something we can do for you? 80. TITAN Oh, don't bother about me. I'm just here to make a withdrawal. Titan walks across the lobby, drawing stares of admiration from all. A little girl waves to him sweetly. He gives her a good- natured WINK as he heads straight for the vault. The security guard watches him enter and come out with a SACK OF CASH. Sure he must be misunderstanding what's going on, the security guard just stares at Titan as he passes by and out the door. The bank manager comes over to the guard. BANK MANAGER Say, did he just rob us? SECURITY GUARD Not sure. Sort of looks it, don't it? BANK MANAGER Yeah. SECURITY GUARD Should I, you know, stop him? BANK MANAGER Umm...Yeah. As the security guard exits the bank, the manager stares out the window. His eyes suddenly grow wide with terror. The guard's body suddenly smashes through the window, landing at the startled bank manager's feet. BANK MANAGER (CONT'D) (looking down at the guard) He did rob us, didn't he? CUT TO: TELEVISION "A Channel 7 News Special Report." Brad Helms wipes into view. 81. BRAD HELMS "Absolute power corrupts absolutely." When Lord Acton stated that, in a letter to Bishop Mandell Creighton in 1887, no one thought much about it, but today Metro City is reeling from that very prophecy. Tighten, who many thought of as our savior, has turned his back on the cause of justice. CUT TO: TITAN BEING EVIL - MONTAGE EXT. DIAMOND EXCHANGE - DAY Titan flies through the window of the building. He emerges seconds later laughing with his shirt full of booty. EXT. CITY STREET - DAY A woman screams from the window of a BURNING BUILDING. Titan flies up to her, grabs her fur coat and zooms off again, leaving the woman behind, slightly confused. EXT. OUTSIDE MARKET - DAY Titan steals a little boy's lollipop and gooses his mother. EXT. CITY STREET - DAY Dozens of people run through the streets apparently to get out of a downpour. We cut to the top of a building and see Titan ZIPPING UP HIS PANTS and laughing. INT. ABANDONED METRO CITY LIBRARY - NIGHT Master Mind paces back and forth in front of Plato and Da Vinci. PLATO I don't understand it. He seemed to have every characteristic we were looking for in a superhero. MASTER MIND Well, there's no use crying about it now, we must take action. I'm not going to play second fiddle to that crass buffoon. We must destroy Tighten. 82. PLATO It won't be easy. Uberman had a sense of decency and genuine love for the people. That was his weakness and was easily used against him. MASTER MIND Yes, but he possesses the same flaws present in Uberman's DNA - copper. It's like Benjamin Franklin always said: "If something works don't dick with it." EXT. BAR - DAY It looks like a war zone passed through here. Smashed police cars and debris lay everywhere. This seems to be the only building left untouched. INT. BAR - DAY A very tipsy Titan is sitting at the bar, looking deep into the bottom of his beer glass for answers. TITAN I can have anything I want. I'm like a god. The BARTENDER just listens as he wipes down a glass with a dirty rag. TITAN Point to any woman in this bar. I could have her in a second. He follows the bartender's gaze to THE ONLY OTHER PERSON THERE - A passed out, MIDDLE AGED HAG OF A BARFLY. TITAN (to Old Barfly) Hey, you wanna get with this? BARTENDER Buddy, what do you want? Titan carefully considers this for a moment. TITAN What do you want? That's the question, isn't it. I mean, what do you want when you can have everything? (MORE) 83. TITAN(cont'd) I suppose what I really want is to never be forgotten again. I want to do something that can never be cast aside or one-upped. I want a - what's it called? - A legacy. I want a legacy. Yeah, that's it. I like the sound that. BARTENDER I meant, what do you want to drink? TITAN Oh. EXT. BAR - LATER Titan stumbles out of the bar, carrying a large sack of money. MASTER MIND (O.S.) Your time has come to an end, Titan! He looks up to see Master Mind suddenly standing before him. TITAN What? MASTER MIND There can be only one master criminal in this city - and it's me. TITAN Really? Titan melodramatically throws up his arms. TITAN (CONT'D) I guess I should leave town then, huh? MASTER MIND I have a better idea - NOW! Two floors up Da Vinci releases a rope. A COPPER CAGE, like the one that caged Uberman, drops down on top of Titan. Titan nonchalantly surveys the cage. He walks to the bars, tries to pull them apart but can't. MASTER MIND (CONT'D) That's copper my good man. Your one weakness. (MORE) 84. MASTER MIND(cont'd) For all your amazing gifts of brawn you are no match for my intellect. Titan thinks for a moment. Suddenly, he starts to SPIN like a human top, DRILLING HIMSELF INTO THE STREET BELOW. As he disappears beneath the surface, we see a shocked look on Master Mind's face until Titan suddenly explodes out from under the street in front of him. Master Mind stares up at him, dumbfounded. Titan makes like he's going to strike him down, but stops. TITAN You know what? You're nothing but a bug. Not even worth my effort. He turns his back to Master Mind and continues down the street. Plato makes his way from the shadows to join his master. They watch Titan shrink into the distance. MASTER MIND He's not as dumb as I thought. PLATO I guess not...Funny, though. MASTER MIND What's funny? PLATO Funny Uberman didn't think of the same thing. EXT. HIGH ABOVE METRO CITY - DAY As Titan flies, he looks down at the rooftops of the city below. Suddenly, something catches his attention. HAL That's it! He stops, hovering in place as he looks down below. The buildings, which make up the heart of downtown Metro, are in a PERFECT TRIANGLE with a long strip of street leading up to it. It sorta looks like a bowling lane. 85. HAL Hello, Legacy. EXT. KINGPIN BOWLING - DAY Vinnie and his goons come running out as the hear a COMMOTION. They look up to see Titan ripping off THE GIANT BOWLING BALL from the top of the establishment. VINNIE Hey, that's my ball! INT. ROXANNE'S APARTMENT BUILDING - DAY Roxanne enters the building's elevator. Just before the door closes an ELDERLY WOMAN slides in. ELDERLY WOMAN That was a close one. Sixth floor, please. Roxanne smiles and goes to press the button. The elderly woman suddenly pulls out a SPRAY CAN, shooting a MYSTERIOUS-LOOKING MIST into Roxanne's face. She falls to the floor unconscious. INT. ROXANNE'S APARTMENT - DAY Roxanne awakens, finding herself tied to a chair in her living room. We hear NOISE from a TV in the background as she tries to adjust her vision. Slowly, the blurry figure before her becomes clear. It's Master Mind. He sits on her Lazy-Boy, reading what looks to be some kind of JOURNAL. MASTER MIND Wow, I always thought Uberman was your first superhero - but it looks like our little Roxanne dated a linebacker in college. ROXANNE That's my diary. MASTER MIND So it is. 86. ROXANNE It's personal. MASTER MIND Well, then I wouldn't leave it in your underwear drawer for just anyone to find. He throws the diary over his shoulder. ROXANNE What do you want? MASTER MIND I need your help. ROXANNE So you knock me out and tie me to a chair? MASTER MIND You're not going to like what I'm about to tell you. As she tries to shake off her headache from being knocked unconscious, Roxanne spots something on the TV. ON TELEVISION Brad Helms is huddled behind a van. BRAD HELMS It's chaos here in city square as city police - Behind him, Titan picks up a POLICE CAR and throws it at a PADDY WAGON. Both vehicles EXPLODE on impact. BACK TO SCENE ROXANNE He's really out of control. MASTER MIND Tell me about it. As if finally realizing something, Roxanne looks back at Master Mind. ROXANNE I should have known. You have something to do with this, don't you? - With Titan turning evil. 87. MASTER MIND Well, the evil thing he did by himself. My goal was to give MYSELF purpose by creating an intellectual sparring partner. ROXANNE (confused) You're talking like you made him. MASTER MIND And they call me Master Mind. ROXANNE Let me get this straight. You missed getting your ass kicked, so you made a new guy to kick your ass. That's pathetic. MASTER MIND In hindsight... Roxanne turns back to the TV to see a group of POLICE OFFICERS open fire on Titan. The bullets just deflect off his chest. ROXANNE And his powers, they're just like Uberman's. Why would he have his powers? MASTER MIND (almost ashamed) I had some left over from something. I infused him with it. ROXANNE YOU DID WHAT!? Driven by rage, she struggles to tear out of her bonds. She finally relents, giving Master Mind a look fueled by pure hatred. MASTER MIND Yeah, that's why I decided to tie you up. ROXANNE You did all this because you wanted purpose? MASTER MIND He seemed nice. 88. TELEVISION Titan is standing on top of a destroyed police car. He waves for the camera to zoom in on him. TITAN Closer. I want to show the people my real face. He pulls off his mask, revealing himself as Hal Stewart to the public for the first time. TITAN (CONT'D) Recognize me? BACK TO SCENE ROXANNE Hal Stewart. He's the guy we thought saved that woman and kid. Turned out he was just trying to save his own ass. MASTER MIND Yeah, good to know - NOW! TELEVISION Titan throws the mask over this shoulder and hops off the car. TITAN That's right, I'm really Hal Stewart. Former hero and bowling teacher at Kingpin's Bowling. BACK TO SCENE Roxanne turns to Master Mind, condescending him with her eyes. ROXANNE You picked a bowler to give super powers to? MASTER MIND It's a modest profession! TELEVISION 89. TITAN With my new found power, I've recently started to wonder what sort of legacy I should leave. Should I be a hero? I tried that once before - even saved a lady and her baby from being squashed. I was treated like a god until everyone started to shit on me - Okay, so what if I didn't "purposely" save them! He walks over and puts his hand on a large circular concrete shape just off camera. TITAN Well, I'm going to make something that can't be taken away from me. I'm going to create a permanent monument to my greatness. One that won't be so easily forgotten or erased. The camera pulls back revealing THE GIANT CONCRETE BOWLING BALL from Kingpin's. TITAN I intend to create a new category in the Guinness Book of World's Records by rolling the biggest strike in the history of bowling. He grabs the camera and points it to the DOWNTOWN BUILDINGS. We realize they are PERFECTLY ALIGNED IN BOWLING PIN FORMATION. TITAN My thanks to the city planning commission. This wouldn't have been possible without them. Titan grabs the camera so it's pointing back at him again. TITAN Tell your friends and family to tune in right here to this station at noon tomorrow. BACK TO SCENE ROXANNE My god, he's nuts. That'll destroy the whole business triangle. 90. Master Mind seems to be contemplating something - something bad. ROXANNE What? MASTER MIND My lair is in the direct path of the ball. ROXANNE Oh, real nice. Wouldn't want anything to happen to your hideout, would we? MASTER MIND You don't understand. I have certain equipment that's - that's highly unstable. ROXANNE What do you mean? MASTER MIND I sort of have a hydrogen reactor, okay? ROXANNE A HYDROGEN reactor? MASTER MIND It's experimental - only one in the world...Well, how do you think I power all my inventions? Someone like me can't pay for electricity. The bills would be outrageous. ROXANNE A REACTOR? MASTER MIND It creates 100 times the output of a nuclear one...If destroyed it could... ROXANNE - Vaporize the entire city! MASTER MIND (proudly) Pshaw...the whole eastern seaboard, actually. That little baby is amazing. I'm quite proud of it. (MORE) 91. MASTER MIND(cont'd) (off her deadpan reaction) I mean...we'd better find a way to stop him. Master Mind thinks a moment. MASTER MIND Did Uberman have a hideout? ROXANNE What? MASTER MIND A cave, a solitary fortress of some kind. C'mon, all heros have a place to hang their capes up in. Roxanne, it may be our only chance to find something, a clue, anything that could give us a fighting chance. ROXANNE It's under his house. MASTER MIND Whose house? Roxanne can hardly believe what she's telling him. ROXANNE Wayne Scott's. Master Mind shoots up out of his chair. MASTER MIND Wayne Scott? Uberman was Wayne Scott!? Wayne Scott, the wealthy philanthropist? But he disappeared - ROXANNE (interrupting) He disappeared just over two months ago when you killed him. Not only did you rid the world of a hero, you killed a kind, noble, generous man. Perhaps ashamed, the super villain hangs his head. Master Mind walks behind Roxanne and undoes her bonds. Rubbing her wrists, she watches him as he walks over to the door. 92. ROXANNE (CONT'D) Looks like you got what you always wanted. Uberman is out of the picture and Metro City is doomed. He grabs the door knob and stops, considering her words. MASTER MIND "Metro City doomed." You know, I never thought I'd say something like this, but here it goes - He slowly turns to her, CUE HEROIC MUSIC. MASTER MIND (CONT'D) Not if I have anything to say about it. EXT. WAYNE SCOTT'S MANSION - NIGHT Master Mind stands before the huge, Gothic structure in awe. MASTER MIND Such a dark place for one such as you. I wonder, underneath your noble deeds, what inner demons drove you to your endless crusade for justice? He walks to the front entrance. The double doors have been sealed shut with boards and nails. Master Mind begins to tear them off with his metal hand. INT. WAYNE SCOTT'S MANSION - NIGHT The doors opens. A beam of moonlight immediately pierces the darkness, forming an illuminated path into the heart of the manor. Master Mind enters. Covered in dust and cobwebs, the hall looks like a gigantic crypt. MASTER MIND Good lord, man. You've only been dead for two months. Master Mind walks, coming to a gigantic painted PORTRAIT OF WAYNE SCOTT. He stops to reverently admire the image of his fallen foe. 93. MASTER MIND (CONT'D) A disguise so simple, it's ingenious. No wonder I never caught on. Besides the Armani suit, there's nothing to hide the fact that this is the same person as Uberman. In the picture, he's even standing in the same cheesy, heroic pose with his fists on his hips. MASTER MIND (CONT'D) Two lives, yet in both you were an ideal. Perhaps it was you who was victorious in the end, old friend. A BONGING sound suddenly bellows through the dark halls. Master Mind comes to a grandfather clock standing next to a gigantic BOOKCASE. On the twelfth bong it falls silent. Master Mind begins to slide it across the floor until he hears a loud CLICK. The bookcase slides into the wall, REVEALING A HIDDEN PASSAGE. MASTER MIND (CONT'D) I'll miss how predictable you were. The passage way leads Master Mind to a WORKING ESCALATOR. Master Mind gets off the escalator to see a long hallway with stone walls. He begins to hear strange SOUNDS, almost like MUFFLED SCREAMS, coming from a doorway at the end of the hallway. Master Mind starts walking towards it. As he steps closer, he begins to notice a light cracking through the bottom of the door. MASTER MIND (CONT'D) Hello? Anyone here...besides..all the BIG MEN who are with me now? Nothing. MASTER MIND (CONT'D) (to himself) What's the worst you're gonna find? (MORE) 94. MASTER MIND(cont'd) The man was a boy scout, not a serial killer. He opens the door to his immediate amazement. It's some kind of screening room. A PROJECTOR shoots an image onto A DIRTY WHITE SCREEN hanging on the wall. BEER CANS litter the floor; a table in front of a ripped-up couch is covered in discarded snack goods; and a Kiss Pinball machine stands in the far corner next to a CLOSED DOOR. Master Mind turns his attention to the action on the screen. SCREEN A woman dressed in a leather DOMINATRIX OUTFIT is whipping an overweight man lying on a swing-like device with his butt sticking out. DOMINATRIX IN FILM YOU ARE A WORM! She whips him three times. The man CRIES out in pain. FAT MAN IN FILM PINEAPPLE!!! PINEAPPLE!!! Master Mind's eyes are transfixed on the disturbing imagery. The door by the pinball machine suddenly swings open. WAYNE SCOTT, dressed in raggedy sweats, steps into the room carrying a CAN OF BEER and a bowl of JIFFY-POP. Master Mind cannot believe his horrified eyes. MASTER MIND Ahhhhhh! Wayne Scott is just as startled. WAYNE SCOTT Jesus! He drop his drink and snack to the floor. The two men stare at each other as they struggle to regain their normal breathing patterns. Wayne Scott walks over to the couch, brushes off a thick layer of chip crumbs, and sits down. WAYNE SCOTT (CONT'D) What the hell are you doing here? 95. MASTER MIND I might just ask you the same question. I had thought I incinerated you. WAYNE SCOTT You scared the bejesus out of me. How'd you figure out I was still alive? Wait, how do you know my identity!? MASTER MIND Roxanne told me. As for your ruse, I forgot to line the bottom of the copper cage - Somebody pointed that out to me recently. Figured if they could do it, so could you. But one thing I couldn't figure out - WAYNE SCOTT The skeleton? Something I "borrowed" from a medical school a few months before. MASTER MIND A few months? How long had you been planning this? WAYNE SCOTT I always planned to retire - eventually. I mean, come on, you can't do this sort of thing in your fifties. You'd just look ridiculous. The pieces of the puzzle appear to be coming together in Master Mind's head. MASTER MIND I see it all so clearly now. INT. MASTER MIND'S HYDROFOIL - FLASHBACK Master Mind and his minions cover their eyes as the observatory explodes. MASTER MIND (CONT'D - V.O.) You must have done it just seconds before the observatory exploded. 96. INT. OBSERVATORY - FLASHBACK Similar to what Titan did, Uberman bores out from under the cage. MASTER MIND (CONT'D - V.O.) You bore out from under the cage. Then, using your Uber-Speed, - EXT. OBSERVATORY - FLASHBACK Running in a blur-like haze, Uberman screeches to a halt in front of some bushes. MASTER MIND (CONT'D - V.O.) - you made your way to safety, where you had the skeleton safely hidden away somewhere. EXT OBSERVATORY - SKY - DAY Uberman soars high above the clouds. He looks down at the observatory, which is a mere speck in the distance. MASTER MIND (CONT'D - V.O) (CONT'D) Then you must have flown to a safe distance and waited for the explosion, then... Just as the observatory explodes Uberman aims and throws the SKELETON like a javelin. It soars through the air like a missile, tearing through the flames of the explosion, and crashing right into the windshield of Master Mind's hydrofoil. END OF FLASHBACK Wayne stares at Master Mind, clearly impressed. WAYNE Man, you ARE smart. MASTER MIND But why fake your death? Why go through all of it? You could have just quit. WAYNE SCOTT But the responsibility would still be there. (MORE) 97. WAYNE SCOTT(cont'd) A cop can retire and stop handing out speeding tickets - but people expect more from superheroes. I tell you, a volcano couldn't erupt in Zimbabwe without everyone expecting me to do something about it. I figured, out of sight, out of mind. MASTER MIND And Wayne Scott? Why did he have to disappear? WAYNE SCOTT Both of my lives have so much baggage. It's time for new baggage, you know? Master Mind's is absolutely flabbergasted. MASTER MIND I just can't believe it. This whole time you've been in hiding while a force of great evil is tearing your city apart? Wayne rises to his feet, waving his hands for Master Mind to say no more. WAYNE SCOTT I don't want to hear about it. That's why I don't have a television in here to remind me of all the things I SHOULD be doing. Hell, I could get a wife to do that. MASTER MIND There's a demented supervillain out there about to destroy our - I mean, your city. Wayne shrugs indifferently. MASTER MIND You're really going to do nothing? WAYNE SCOTT Good and evil have a way of balancing themselves out. If this guy is as bad as you say, somebody will rise up to fight him. It's just the order of things. You found me, didn't you? 98. Wayne puts a condescending hand on Master Mind's shoulder. WAYNE SCOTT (CONT'D) I know it's hard, but you'll find someone else someday. He then starts walking to the door. MASTER MIND You're the only one who can stop him. Wayne turns around. WAYNE SCOTT Couldn't if I wanted to. Gotta a plane to catch. MASTER MIND A plane? WAYNE SCOTT Going to Barbados for a little change in climate. Now, if you'll excuse me, I got to go pack. He reads the still defeated look on Master Mind's face. WAYNE SCOTT (CONT'D) You were a good foe. I'm sorry if I've let you down. If it makes a difference, you were the best foe a hero could ask for. MASTER MIND Not smart enough to come up with a full-proof trap. WAYNE SCOTT Well, you did almost have me when you figured out my weakness was copper. Now that made me sweat a little. Took me way too long to drill out from under that cage. MASTER MIND I got lucky. WAYNE SCOTT Anyway, it's a good thing for my sake that I could always count on you for an out. 99. MASTER MIND (suddenly confused) What do you mean? WAYNE SCOTT C'mon, we always threw each other a couple of bones. You would always leave me an out in one of your `full-proof' traps, and I'd never had you incarcerated at a penitentiary that you couldn't eventually escape from. It kept our little game going. Master Mind seems deflated. MASTER MIND Game? - Was that all this ever was to you? You know, I was trying my best every time I fought you. Those `outs' as you call them were unintentional. WAYNE SCOTT Oh. MASTER MIND I guess I was never really a match for you, was I? Wayne shrugs. MASTER MIND (CONT'D) (thoughtfully) Then how can I expect to be one for Titan? A beaten man, Master Mind heads for the door, but stops and turns around. MASTER MIND (CONT'D) What about Roxanne? Wayne unleashes an exhausted sigh. WAYNE SCOTT I think we both got what we wanted out of our relationship. She got a career out of me, and I got plenty of other things out of her. But I'm ready to move on to greener pastures. 100. Master Mind's steel hand clinches into a fist at his side. Wayne's oblivious to this. MASTER MIND I guess I wasn't the villain I thought I was, and you...you weren't the hero I thought you were. He turns to make his exit when he suddenly sees ROXANNE STANDING IN THE DOOR FRAME. Wayne is almost at a loss for words. WAYNE SCOTT Roxanne! How long have you been... ROXANNE Long enough. Roxanne looks at Master Mind. ROXANNE (CONT'D) Don't you have something else you can go do? Master Mind leaves Roxanne and Wayne facing each other in silence. EXT. ANOTHER BAR - DAY Titan emerges with Brad and Frank. He's holding a BEER CAN and a bag of PORK RINDS. TITAN Alright, I want this whole thing to look ESPN professional, understand? A distant MECHANIZED RUMBLE can be heard. The noise rises, signaling the approach of something powerful. Titan and his crew walk out to the center of the plaza as the sound becomes almost deafening. A TANK TRACK as it moves over the street. We PULL BACK to see a whole line of TANKS rolling along the street. PLAZA From the five streets branching off the plaza, a dozen tanks roll toward Titan. 101. Titan turns to Brad and Frank. TITAN (CONT'D) You guys are about to get some good footage. I might need a little room, though. Brad and Frank look at each other and run to take cover behind a nearby building. Meanwhile, Titan nonchalantly sips from his beer as the tanks begin to surround them. FEEDBACK belts out of one of the tank's loudspeaker's, causing Titan to do a mock wince. TANK LOUDSPEAKER Titan, we have orders from the city of Metro to take you into custody. If you do not give your self up willingly, we will be forced to open fire. There's a long pause as no one says anything. TANK LOUDSPEAKER What is your answer? Titan takes a sip of his beverage and UNLEASHES A GIGANTIC BURP - The shockwave of which sends several of the tanks flying into a nearby building. Two of the remaining tanks close in on the villain. Both have him dead to rights at point-blank range with their massive guns. Titan sets down his beer, then calmly plugs a fist into each barrel. They FIRE. The FORCE OF THE BLAST SENDS THEM BOTH FLYING IN OPPOSITE DIRECTIONS where they CRASH into nearby buildings. Titan bends down and pick his beet back up. TITAN (to beer) Miss me? Titan is suddenly bombarded by a massive barrage of machine- gun fire. The force sends him flying into the windshield of a nearby car. 102. He looks up to see an APACHE ASSAULT COPTER. It's nose- mounted GATLING-GUN is turning toward him. Titan gets up to his feet and looks down at his beer can. The bottom of it was blown apart in the blast. TITAN (CONT'D) Didn't mean to get you involved in all of this. He stared daggers up at the helicopter pilot just as the gun gets a bead on him. TITAN (CONT'D) Hey, man! You killed my suds! Titan throws the can up and slaps it with the palm of his hand. It flies with so much force it knocks the helicopter blade clean off. The rest of the Apache crashes to the street like a car dropped off a building. TITAN (CONT'D) That's one was for you, beer. Titan salutes the wreckage and walks away to find Brad and Frank still hiding behind the building. TITAN Guys, please tell me you got that last bit. BRAD HELMS Huh? TITAN You're kidding me. I give you my sexiest moves and you mean to tell me it was for nothing? BRAD HELMS We were afraid something might hit us. TITAN Looks like I've given the story of the century to the wrong man. He thinks about this for a moment, then it hits him. 103. TITAN Wait. What about that other reporter. Blond. Not so lumpy on the topper half, but killer legs. BRAD HELMS Roxanne. You want Roxanne. She's a much better reporter than I am. You want her. TITAN Where can I find her. FRANK We're actually not supposed to give out that sort of information. BRAD HELMS 1314 Mockingbird Lane. I believe she lives in a penthouse. TITAN You've been very helpful. He tosses Brad over his shoulder like a discarded ice cream cone. In the faint distance we see him splash down in the middle of the Metro City river. INT. ABANDONED METRO CITY LIBRARY - DAY Master Mind, pacing anxiously as Plato and Da Vinci pack boxes. Obviously Master Mind is going on the lamb. MASTER MIND Hurry, we must be on our way as soon as possible. DA VINCI Master, why must we flee? MASTER MIND I told you, Titan is too powerful. If he's set on destroying us, there's precious little we could do about it. DA VINCI Where are we going? 104. MASTER MIND To another city, someplace with a shitload of superheroes to fight. We'll start over, we'll go back to doing what we do best. PLATO With our tails between our legs? The old Master Mind would never have let this comment slip by, but as we have seen, he's not the same man. MASTER MIND Plato, do you have a better plan?! Master Mind's cell phone rings. He turns in shame from his men and answers it. MASTER MIND (CONT'D) Hello...Roxanne? INT. ROXANNE'S APARTMENT Roxanne paces back and forth on the phone. ROXANNE What are you going to do about Tighten? INTERCUT between Master Mind and Roxanne on phone. MASTER MIND Right now I'm packing, later I'll have a snack on the train. ROXANNE You're running away? MASTER MIND In a word - yes. ROXANNE You created this monster... MASTER MIND I didn't create this - the god's of irony did and I am eating the crow I so richly deserve. ROXANNE There's no time for self pity. 105. MASTER MIND I'll make the time. Roxanne can't believe what she's hearing. MASTER MIND (CONT'D) You can leave with us. You'll be safe. ROXANNE I'm not going anywhere. MASTER MIND Will you listen to me, no one can stop him. ROXANNE You have to try. The city needs your help. MASTER MIND I'm afraid you have an inflated opinion of me. ROXANNE What the hell's happened to you? The Master Mind I knew would never have run from a fight even though he knew deep in his heart that he didn't have a chance in hell of winning it. It was your best quality. You need to be that man right now...I... MASTER MIND What? ROXANNE (heart felt) I believe in you. Master Mind is taken aback, in a good way. But he catches himself before the words swell his heart. MASTER MIND Sweet words, but that man is dead. Please, Roxanne, just come with me. ROXANNE No...I guess you are a coward after all. Suddenly, there's a loud crash. 106. Roxanne looks up to see a huge hunk of her ceiling has been completely ripped off. Titan is flying above, holding the debris as casually as if it were a paper plate at a barbecue. He looks down at her and smiles. TITAN Man, have I got a story for you. Master Mind can hears Titan's familiar laugh from his side of the line. MASTER MIND Roxanne? Roxanne? EXT. KINGPIN BOWLING - DAY Titan is standing in front of the bowling alley, trying to decide on an appropriate pose for the occasion. TITAN What pose would be best? The corny folded arms thing? He demonstrates, arching his chin proudly in the air. TITAN Or maybe on the hips, like this. It's the classic Superman pose, only not as masculine. TITAN No, makes me look like a flamer pirate. As Titan starts to fix his hair in the window, Frank pretends to fix the lens on his camera as he speaks to Roxanne. FRANK (whispering) Shouldn't we be making a run for it right about now? ROXANNE (whispering) The guy can outrun bullets. I don't think either one of us is in that kind of shape. TITAN She's right, Frank. 107. Frank looks up, stunned that Titan could have possibly heard him. TITAN Also got super hearing. I promise not to keep the both of you long, but you'll thank me when this is all over. Frank and Roxanne exchange helpless expressions. INT. ABANDONED METRO CITY LIBRARY - DAY Master Mind reverently stares up at the painted portrait of his father. MASTER MIND Dad, it's me... (he looks around to make sure no one can hear) ...Bubsy. I know we haven't talked in a while, and I'm sorry. It's been a little crazy trying to live up to a legacy. The painting's menacing stare seems to reach into his very soul. MASTER MIND Anyway...You raised me to be the worst that I could possibly be. And I've tried to live up to that as best as I could - even dropping out of dentistry school like you wanted me to. But I'm about to do something now that would really piss you off. I'm going to go against everything you ever taught me. I hope...I hope that maybe you'll look down at what I'm about to do as not so much a good deed, but more like the outright defiance of a hateful and ungrateful, son. If you could do that, then maybe - in your own little way - you could - for probably the first time - find a reason to be proud of me. He looks back up at the picture. Is it our imagination, or does the painting's stare suddenly seem even angrier? 108. MASTER MIND Well...either way, you're probably going to see me real soon. (calling over his shoulder) Men? Plato and Da Vinci suddenly stop what they're doing and look up at him. PLATO AND DA VINCI Yes Sir? MASTER MIND Stop packing. Our work is not finished here. PLATO AND DA VINCI YES SIR! TELEVISION A news report shows an aerial shot of Titan setting the giant ball down in the middle of a vacant city street. REPORTER We interrupt your regular afternoon programming to show you live footage of a potential dangerous situation in downtown Metro. The former hero knows as Titan is placing what appears to be a giant ball... INT. ABANDONED METRO CITY LIBRARY - CONTINUOUS Da Vinci stops in front of a television set, seeing the news report in progress. REPORTER Hold on...It appears our own Roxanne Ritchi is somehow at the scene. We now go to her with a live report. DA VINCI Sir, I think you should see this! CUT TO: 109. EXT. CITY STREET - DAY Roxanne is standing in front of a camera with a mike in her hand. ROXANNE I'm here with the cause of the destruction in Metro City. He has kidnapped me and a cameraman to chronicle what he refers to as the creation of a monument to his invincibility and overall "Asskickiness." He will use this giant concrete bowling ball to play the largest game of bowling ever using the buildings of downtown Metro City as his pins. Titan suddenly steps into the shot. TITAN And I'm going for the biggest strike ever. He leans into the camera. TITAN And you, Metro City, have a ringside seat as I cement my name in the anal of history. ROXANNE Annals. TITAN What? ROXANNE Nevermind. EXT. CITY STREET - MOMENTS LATER Titan holds up the massive bowling ball, lining up his shot. TITAN (in quiet professional bowler announcer voice) Like Tiger before him, a young savior has come to raise a sport from the ashes. Rookie Hal Stewart, a young man with a dream, realizing that dream here today, folks. (MORE) 110. TITAN(cont'd) One might click there heels and say "There's no place like home" upon finding themselves in such a fantasy. Well, Hal looks very much at home right were he is - with a ball in hand and glory in his sights. INT. METRO CITY LIBRARY - CONTINUOUS In the bowels of Master Mind's hideout, the HYDROGEN REACTOR glows and HUMS MENACINGLY. BACK TO SCENE Roxanne just stand helpless as Frank films away. ROXANNE Hal, I know everyone treated you like shit, but you don't have to do this. TITAN You're right. I don't HAVE to do anything. Isn't that cool? Titan lines up his shot. TITAN Here's one for the record books! Titan flies a few feet and rolls the ball down the main street. ROXANNE Her face is utter horror as she watches the inevitable destruction of Metro City. As the ball rolls - it demolishes everything in it's wake; cars, street lamps - windows shatter as the giant concrete sphere brushes along side buildings. TITAN He smiles in anticipation and uses "body English" to direct the ball. GIANT BOWLING BALL POV It's nearly halfway to its target. ROXANNE 111. She closes her eyes. Titan's smile fades. He looks around as if he hears something we don't. About two hundred feet in front of the first building a GIANT SPIDER WEB flies across the path of the ball, creating a defensive barrier. An enormous letter "M" is etched in the web's center. TITAN (CONT'D) What the...? The ball breaks through the web, but it's speed is greatly reduced. FRANK Look, what's that flying in the air? We suddenly see MASTER MIND FLYING OVER THE ROLLING BALL IN A JET PACK. He quickly pulls out his goo gun and starts laying down a path of sticky plasm to stop the destructive sphere's path. MASTER MIND C'mon, slow down Master Mind looks down to see the meter of the gun close to empty. MASTER MIND C'mon. The ball slows drastically then starts rolling to the side. It heads off an embankment and rolls harmlessly into a CANAL. MASTER MIND Gutterball! TITAN He's furious to say the least. TITAN YOU! Master Mind gives him a mocking grin. MASTER MIND Bowling? What other trailer park sports can you play? 112. TITAN You are becoming a real pain in my ass. I should have done this a long time ago. Titan lunges at his tormentor. Master Mind hits the BOOSTER on his jet pack and heads back toward the other side of the city with Titan in hot pursuit. MASTER MIND (CONT'D) (into walkie talkie) Plato, Da Vinci. Secure Roxanne, he's falling for it. ELSEWHERE A flustered Titan lands. He begins searching the city streets, but Master Mind is nowhere in sight. He turns upon hearing an EEKING sound to his left. Sitting on the ground is a CHIMPANZEE wearing a strange collar. It smiles at him. TITAN What the hell? From behind, Titan is immediately set upon by five more RADIO CONTROLLED APES. TITAN (CONT'D) GODAMNIT! The critters bite hop and hit Titan. As soon as he throws one off two more jump him. Titan breaks free and with his mighty breath blows them across the street into a fruit stand. With Titan out of their sight they begin to attack the fruit. MASTER MIND He's a block away frantically hitting his remote. MASTER MIND Shit! Stupid monkeys and their fruit. Titan flies away from the mad monkeys and lands to find Master Mind sitting on the ground wrapped in a long cape with only his head sticking out. 113. TITAN (CONT'D) No more games. Titan FIRES HIS LASER VISION AT MASTER MIND's CHEST. Master Mind pulls the cloak away to reveal a FIRE HYDRANT. Titan's EYE LASERS burn through the hydrant releasing a high pressure stream of water. Master Mind uses the last remote which dumps two tons of CEMENT mix into the truck. The crowd, police and news crews move in closer when Titan doesn't emerge. Master Mind drops his last remote and walks toward the truck cautiously. MASTER MIND Could it really be that easy-- - BOOM - The back of the truck explodes, throwing dust and concrete everywhere. When the dust clears we see and enraged Titan. MASTER MIND (CONT'D) Didn't think so. As the villain walks toward him, he pulls back his fist to give Master Mind the killing blow. TITAN If you don't mind, I'm going to punch trough your face now. Preparing himself for the end, Master Mind shuts his eyes as a SUDDEN GUST OF WIND BEGINS TO PICK UP. AS Titan goes to strike, a BLURRY FIGURE RUNS IN AND SNATCHES MASTER MIND OUT OF THE AWAY. Stunned, Master Mind begins to feel around his body as if to make sure everything's still in place. MASTER MIND I'm alive. He turns to see UBERMAN standing next to him. MASTER MIND Uberman? 114. The terrified bystanders start to notice the figure standing next to Master Mind. BYSTANDER 1 It's Uberman! BYSTANDER 2 Uberman's alive! BYSTANDER 3 We're saved! As the CROWD CHEERS, A confused Master Mind turns to Metro City's newly resurrected champion. MASTER MIND I thought. UBERMAN So did I. He puts a hand on Master Mind's shoulder. UBERMAN Thank you, old enemy. MASTER MIND For what? UBERMAN Showing me the error of my ways, Showing me I'm meant to be this city's savior, showing me that, while we can try, there is no running away from our true destiny. With that, UBERMAN IS STRICKEN BY A LASER BLAST, INSTANTLY TURNING HIM INTO A CHARRED HUMAN SKELETON. Master Mind turns to see Titan smiling with his STILL SMOKING EYES. TITAN Oh...Did I interrupt something? Master Mind turns to run, but, suddenly Titan is before him. TITAN Where you going, buddy? Titan grabs Master Mind by the collar and throws him across the street into a parked car. 115. TITAN (CONT'D) Welcome to Paintown. Population: you. Master Mind manages to stand on shaky legs. He seems in a daze, unable to move. Titan flies up in the air. TITAN (CONT'D) Time to finish this. With his fist front and center, Titan speeds toward Master Mind. He's like a human torpedo, coming in for the killing blow. Master Mind comes to his senses and puts up his hands. MASTER MIND WAIT!!! Titan screeches to a halt and stops just in front of him like an old Warner Bros cartoon. TITAN What? MASTER MIND Quick joke - What's the capital of Thailand? TITAN Huh - I don't know. MASTER MIND It's bang cock! In a sudden surge of strength, MASTER MIND PUNCHES TITAN IN THE GROIN. The once mighty man instantly drops to his knees, searching, with tears in his eyes, for the proper word to express the pain suddenly surging through his member. TITAN (CONT'D) Ow. Baffled, he looks up at Master Mind's hand and sees his gauntlet is now made ENTIRELY OUT OF COPPER. MASTER MIND So, I guess pennies are good for something. 116. He punches Titan in the face, knocking him out cold. Master Mind looks down on Titan with more than a little pride. Suddenly he hears something behind him. He spins to see the crowd making a strange noise - APPLAUSE. Roxanne comes up to him. The crowd starts to go wild and cheers for Master Mind. He's not sure what to make of it. ROXANNE Pretty strange, huh? MASTER MIND They're cheering for me. ROXANNE You saved them. You saved everybody. How's it feel? Master Mind looks at the smiles all around him. He begins to well up a little. MASTER MIND It's a...it's nice, you know? I usually don't get a lot of feedback. (whispering) But I also kind of caused all this. What happens when they find that out I was the cause of some of this? Roxanne looks at the cheering crowd, then back at Master Mind. ROXANNE What they don't know won't hurt them. MASTER MIND I guess that is all in the past. ROXANNE You're the hero. MASTER MIND I don't think I'd go that far...I mean I just...er... ROXANNE Master Mind? 117. MASTER MIND Yes? ROXANNE Stop talking. She kisses him. The crowd erupts in a cheer. TELEVISION The channel 7 he channel 7 logo zooms in followed by the title "Eye on Metro City." A picture of Master Mind smiling appears on the screen behind her. SAMANTHA SUMMERS Who's bad? Well, not Master Mind. It seems the former villain has done a career 180 after defeating Tighten and saving Metro City from certain enslavement. And here he is getting a full pardon by Metro City's Mayor, Steve Dent. Cut to ceremony on capital steps. The MAYOR is shaking Master Mind's metal gauntlet when it suddenly STARTS TO CRUSH HIS HAND. MAYOR Ahhh! Secret service men quickly start to draw their weapons and take aim at Master Mind. Realizing what's happening, he quickly lets the mayor's hand go and puts his arms in the air. MASTER MIND Sorry - Metal hand. Force of habit. He elbows the mayor. MASTER MIND (CONT'D) We're okay, right? Wincing, the mayor signals the men to put their guns down. WE CUT to video of Titan behind bars in a regular prison. 118. BRAD HELMS And what about Tighten? Is there a prison in existence that can hold this super powered menace? Well, the answer we found is no. A man in a white lab coat stands in front of Titan's cell just out of reach. PRISON SCIENTIST Of course normally he could break out of there anytime, but as you can see we've taken some special precautions. The news camera pans over see Titan in his cell wearing a copper JOCK STRAP with electrical cables hooked to it. Back to Samantha at the desk. BRAD HELMS What is a Hero? It seems never has that question needed to be asked more than it does tonight. We go to our very own Roxanne Ritchi, making her triumphant return to our news desk for the answer. Brad turns. The camera pans over to Roxanne who we now see has been sitting beside him. ROXANNE What is a hero? Well, there are many different kinds. There are those who hear a call, like the policeman or doctor, then there's the kind the public creates in their search for meaning and hope. Then, there are those who have the courage to change. DARK ALLEY - NIGHT A woman is being chased by two large thugs. They're gaining on her. She comes to a brick wall - a dead end. The thugs laugh. THUG #1 Hey, gimme that purse? 119. MASTER MIND (O.S) I don't think it would go with your outfit. The thugs turn around to see Master Mind, standing with his arms folded across his chest. THUG #2 It's Master Mind! Thug #1 draws a knife. THUG #1 So? It's not like he has any superpowers. Thug #1 puts his fingers to his mouth and whistles. Suddenly two more Thugs appear behind Master Mind. MASTER MIND I'm gonna give you a chance to surrender. THUG #1 Four against one. For a Master Mind, you're really bad at math. Master Mind throws a hand signal up in the air. Suddenly a giant robotic foot crashes down on the two men behind him. Thug #1 and Thug #2 drop their knives and raise their hands in the air. Master Mind looks up and waves. MASTER MIND Way to take out those two goons, guys! We see Da Vinci and Plato at the wheel of a gigantic robot. DA VINCI What two goons? The giant robot lifts its foot to check the bottom of it's sole. It KNOCKS OVER WATER TOWER in the process. The woman looks at Master Mind, horrified. 120. MASTER MIND (apologetically) Sorry, we're new at this. THE END
bluishglc / BdpA prototype project of big data platform, the source codes of the book Big Data Platform Architecture and Prototype
NaiveSteven / Ideaz Element基于element-plus，支持Vue3.x的中后台业务组件库（Based on element-plus, it supports the middle and back office service component library of Vue3.x）
danderfer / Comp Sci Sem 2According to all known laws of aviation, there is no way that a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway. Because bees don’t care what humans think is impossible.” SEQ. 75 - “INTRO TO BARRY” INT. BENSON HOUSE - DAY ANGLE ON: Sneakers on the ground. Camera PANS UP to reveal BARRY BENSON’S BEDROOM ANGLE ON: Barry’s hand flipping through different sweaters in his closet. BARRY Yellow black, yellow black, yellow black, yellow black, yellow black, yellow black...oohh, black and yellow... ANGLE ON: Barry wearing the sweater he picked, looking in the mirror. BARRY (CONT’D) Yeah, let’s shake it up a little. He picks the black and yellow one. He then goes to the sink, takes the top off a CONTAINER OF HONEY, and puts some honey into his hair. He squirts some in his mouth and gargles. Then he takes the lid off the bottle, and rolls some on like deodorant. CUT TO: INT. BENSON HOUSE KITCHEN - CONTINUOUS Barry’s mother, JANET BENSON, yells up at Barry. JANET BENSON Barry, breakfast is ready! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 1. INT. BARRY’S ROOM - CONTINUOUS BARRY Coming! SFX: Phone RINGING. Barry’s antennae vibrate as they RING like a phone. Barry’s hands are wet. He looks around for a towel. BARRY (CONT’D) Hang on a second! He wipes his hands on his sweater, and pulls his antennae down to his ear and mouth. BARRY (CONT'D) Hello? His best friend, ADAM FLAYMAN, is on the other end. ADAM Barry? BARRY Adam? ADAM Can you believe this is happening? BARRY Can’t believe it. I’ll pick you up. Barry sticks his stinger in a sharpener. SFX: BUZZING AS HIS STINGER IS SHARPENED. He tests the sharpness with his finger. SFX: Bing. BARRY (CONT’D) Looking sharp. ANGLE ON: Barry hovering down the hall, sliding down the staircase bannister. Barry’s mother, JANET BENSON, is in the kitchen. JANET BENSON Barry, why don’t you use the stairs? Your father paid good money for those. "Bee Movie" - JS REVISIONS 8/13/07 2. BARRY Sorry, I’m excited. Barry’s father, MARTIN BENSON, ENTERS. He’s reading a NEWSPAPER with the HEADLINE, “Queen gives birth to thousandtuplets: Resting Comfortably.” MARTIN BENSON Here’s the graduate. We’re very proud of you, Son. And a perfect report card, all B’s. JANET BENSON (mushing Barry’s hair) Very proud. BARRY Ma! I’ve got a thing going here. Barry re-adjusts his hair, starts to leave. JANET BENSON You’ve got some lint on your fuzz. She picks it off. BARRY Ow, that’s me! MARTIN BENSON Wave to us. We’ll be in row 118,000. Barry zips off. BARRY Bye! JANET BENSON Barry, I told you, stop flying in the house! CUT TO: SEQ. 750 - DRIVING TO GRADUATION EXT. BEE SUBURB - MORNING A GARAGE DOOR OPENS. Barry drives out in his CAR. "Bee Movie" - JS REVISIONS 8/13/07 3. ANGLE ON: Barry’s friend, ADAM FLAYMAN, standing by the curb. He’s reading a NEWSPAPER with the HEADLINE: “Frisbee Hits Hive: Internet Down. Bee-stander: “I heard a sound, and next thing I knew...wham-o!.” Barry drives up, stops in front of Adam. Adam jumps in. BARRY Hey, Adam. ADAM Hey, Barry. (pointing at Barry’s hair) Is that fuzz gel? BARRY A little. It’s a special day. Finally graduating. ADAM I never thought I’d make it. BARRY Yeah, three days of grade school, three days of high school. ADAM Those were so awkward. BARRY Three days of college. I’m glad I took off one day in the middle and just hitchhiked around the hive. ADAM You did come back different. They drive by a bee who’s jogging. ARTIE Hi Barry! BARRY (to a bee pedestrian) Hey Artie, growing a mustache? Looks good. Barry and Adam drive from the suburbs into the city. ADAM Hey, did you hear about Frankie? "Bee Movie" - JS REVISIONS 8/13/07 4. BARRY Yeah. ADAM You going to his funeral? BARRY No, I’m not going to his funeral. Everybody knows you sting someone you die, you don’t waste it on a squirrel. He was such a hot head. ADAM Yeah, I guess he could’ve just gotten out of the way. The DRIVE through a loop de loop. BARRY AND ADAM Whoa...Whooo...wheee!! ADAM I love this incorporating the amusement park right into our regular day. BARRY I guess that’s why they say we don’t need vacations. CUT TO: SEQ. 95 - GRADUATION EXT. GRADUATION CEREMONY - CONTINUOUS Barry and Adam come to a stop. They exit the car, and fly over the crowd to their seats. * BARRY * (re: graduation ceremony) * Boy, quite a bit of pomp...under * the circumstances. * They land in their seats. BARRY (CONT’D) Well Adam, today we are men. "Bee Movie" - JS REVISIONS 8/13/07 5. ADAM We are. BARRY Bee-men. ADAM Amen! BARRY Hallelujah. Barry hits Adam’s forehead. Adam goes into the rapture. An announcement comes over the PA. ANNOUNCER (V.O) Students, faculty, distinguished bees...please welcome, Dean Buzzwell. ANGLE ON: DEAN BUZZWELL steps up to the podium. The podium has a sign that reads: “Welcome Graduating Class of:”, with train-station style flipping numbers after it. BUZZWELL Welcome New Hive City graduating class of... The numbers on the podium change to 9:15. BUZZWELL (CONT’D) ...9:15. (he clears his throat) And that concludes our graduation ceremonies. And begins your career at Honex Industries. BARRY Are we going to pick our job today? ADAM I heard it’s just orientation. The rows of chairs change in transformer-like mechanical motion to Universal Studios type tour trams. Buzzwell walks off stage. BARRY (re: trams) Whoa, heads up! Here we go. "Bee Movie" - JS REVISIONS 8/13/07 6. SEQ. 125 - “FACTORY” FEMALE VOICE (V.O) Keep your hands and antennas inside the tram at all times. (in Spanish) Dejen las manos y antennas adentro del tram a todos tiempos. BARRY I wonder what it’s going to be like? ADAM A little scary. Barry shakes Adam. BARRY AND ADAM AAHHHH! The tram passes under SIGNS READING: “Honex: A Division of Honesco: A Part of the Hexagon Group.” TRUDY Welcome to Honex, a division of Honesco, and a part of the Hexagon group. BARRY This is it! The Honex doors OPEN, revealing the factory. BARRY (CONT’D) Wow. TRUDY We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant pollen jocks bring the nectar to the hive where our top secret formula is automatically color-corrected, scent adjusted and bubble contoured into this... Trudy GRABS a TEST TUBE OF HONEY from a technician. "Bee Movie" - JS REVISIONS 8/13/07 7. TRUDY (CONT’D) ...soothing, sweet syrup with its distinctive golden glow, you all know as... EVERYONE ON THE TRAM (in unison) H-o-n-e-y. Trudy flips the flask into the crowd, and laughs as they all scramble for it. ANGLE ON: A GIRL BEE catching the honey. ADAM (sotto) That girl was hot. BARRY (sotto) She’s my cousin. ADAM She is? BARRY Yes, we’re all cousins. ADAM Right. You’re right. TRUDY At Honex, we also constantly strive to improve every aspect of bee existence. These bees are stress testing a new helmet technology. ANGLE ON: A STUNT BEE in a HELMET getting hit with a NEWSPAPER, then a SHOE, then a FLYSWATTER. He gets up, and gives a “thumb’s up”. The graduate bees APPLAUD. ADAM (re: stunt bee) What do you think he makes? BARRY Not enough. TRUDY And here we have our latest advancement, the Krelman. "Bee Movie" - JS REVISIONS 8/13/07 8. BARRY Wow, what does that do? TRUDY Catches that little strand of honey that hangs after you pour it. Saves us millions. ANGLE ON: The Krelman machine. Bees with hand-shaped hats on, rotating around a wheel to catch drips of honey. Adam’s hand shoots up. ADAM Can anyone work on the Krelman? TRUDY Of course. Most bee jobs are small ones. But bees know that every small job, if it’s done well, means a lot. There are over 3000 different bee occupations. But choose carefully, because you’ll stay in the job that you pick for the rest of your life. The bees CHEER. ANGLE ON: Barry’s smile dropping slightly. BARRY The same job for the rest of your life? I didn’t know that. ADAM What’s the difference? TRUDY And you’ll be happy to know that bees as a species haven’t had one day off in 27 million years. BARRY So you’ll just work us to death? TRUDY (laughing) We’ll sure try. Everyone LAUGHS except Barry. "Bee Movie" - JS REVISIONS 8/13/07 9. The tram drops down a log-flume type steep drop. Cameras flash, as all the bees throw up their hands. The frame freezes into a snapshot. Barry looks concerned. The tram continues through 2 doors. FORM DISSOLVE TO: SEQ. 175 - “WALKING THE HIVE” INT. HONEX LOBBY ANGLE ON: The log-flume photo, as Barry looks at it. ADAM Wow. That blew my mind. BARRY (annoyed) “What’s the difference?” Adam, how could you say that? One job forever? That’s an insane choice to have to make. ADAM Well, I’m relieved. Now we only have to make one decision in life. BARRY But Adam, how could they never have told us that? ADAM Barry, why would you question anything? We’re bees. We’re the most perfectly functioning society on Earth. They walk by a newspaper stand with A SANDWICH BOARD READING: “Bee Goes Berserk: Stings Seven Then Self.” ANGLE ON: A BEE filling his car’s gas tank from a honey pump. He fills his car some, then takes a swig for himself. NEWSPAPER BEE (to the bee guzzling gas) Hey! Barry and Adam begin to cross the street. "Bee Movie" - JS REVISIONS 8/13/07 10. BARRY Yeah but Adam, did you ever think that maybe things work a little too well around here? They stop in the middle of the street. The traffic moves perfectly around them. ADAM Like what? Give me one example. BARRY (thinks) ...I don’t know. But you know what I’m talking about. They walk off. SEQ. 400 - “MEET THE JOCKS” SFX: The SOUND of Pollen Jocks. PAN DOWN from the Honex statue. J-GATE ANNOUNCER Please clear the gate. Royal Nectar Force on approach. Royal Nectar Force on approach. BARRY Wait a second. Check it out. Hey, hey, those are Pollen jocks. ADAM Wow. FOUR PATROL BEES FLY in through the hive’s giant Gothic entrance. The Patrol Bees are wearing fighter pilot helmets with black visors. ADAM (CONT’D) I’ve never seen them this close. BARRY They know what it’s like to go outside the hive. ADAM Yeah, but some of them don’t come back. "Bee Movie" - JS REVISIONS 8/13/07 11. The nectar from the pollen jocks is removed from their backpacks, and loaded into trucks on their way to Honex. A SMALL CROWD forms around the Patrol Bees. Each one has a PIT CREW that takes their nectar. Lou Loduca hurries a pit crew along: LOU LODUCA You guys did great! You’re monsters. You’re sky freaks! I love it! I love it! SCHOOL GIRLS are jumping up and down and squealing nearby. BARRY I wonder where those guys have just been? ADAM I don’t know. BARRY Their day’s not planned. Outside the hive, flying who-knows-where, doing who-knows-what. ADAM You can’t just decide one day to be a Pollen Jock. You have to be bred for that. BARRY Right. Pollen Jocks cross in close proximity to Barry and Adam. Some pollen falls off, onto Barry and Adam. BARRY (CONT’D) Look at that. That’s more pollen than you and I will ever see in a lifetime. ADAM (playing with the pollen) It’s just a status symbol. I think bees make too big a deal out of it. BARRY Perhaps, unless you’re wearing it, and the ladies see you wearing it. ANGLE ON: Two girl bees. "Bee Movie" - JS REVISIONS 8/13/07 12. ADAM Those ladies? Aren’t they our cousins too? BARRY Distant, distant. ANGLE ON: TWO POLLEN JOCKS. JACKSON Look at these two. SPLITZ Couple of Hive Harrys. JACKSON Let’s have some fun with them. The pollen jocks approach. Barry and Adam continue to talk to the girls. GIRL 1 It must be so dangerous being a pollen jock. BARRY Oh yeah, one time a bear had me pinned up against a mushroom. He had one paw on my throat, and with the other he was slapping me back and forth across the face. GIRL 1 Oh my. BARRY I never thought I’d knock him out. GIRL 2 (to Adam) And what were you doing during all of this? ADAM Obviously I was trying to alert the authorities. The girl swipes some pollen off of Adam with a finger. BARRY (re: pollen) I can autograph that if you want. "Bee Movie" - JS REVISIONS 8/13/07 13. JACKSON Little gusty out there today, wasn’t it, comrades? BARRY Yeah. Gusty. BUZZ You know, we’re going to hit a sunflower patch about six miles from here tomorrow. BARRY Six miles, huh? ADAM (whispering) Barry. BUZZ It’s a puddle-jump for us. But maybe you’re not up for it. BARRY Maybe I am. ADAM (whispering louder) You are not! BUZZ We’re going, oh-nine hundred at JGate. ADAM (re: j-gate) Whoa. BUZZ (leaning in, on top of Barry) What do you think, Buzzy Boy? Are you bee enough? BARRY I might be. It all depends on what oh-nine hundred means. CUT TO: SEQ. 450 - “THE BALCONY” "Bee Movie" - JS REVISIONS 8/13/07 14. INT. BENSON HOUSE BALCONY - LATER Barry is standing on the balcony alone, looking out over the city. Martin Benson ENTERS, sneaks up behind Barry and gooses him in his ribs. MARTIN BENSON Honex! BARRY Oh, Dad. You surprised me. MARTIN BENSON (laughing) Have you decided what you’re interested in, Son? BARRY Well, there’s a lot of choices. MARTIN BENSON But you only get one. Martin LAUGHS. BARRY Dad, do you ever get bored doing the same job every day? MARTIN BENSON Son, let me tell you something about stirring. (making the stirring motion) You grab that stick and you just move it around, and you stir it around. You get yourself into a rhythm, it’s a beautiful thing. BARRY You know dad, the more I think about it, maybe the honey field just isn’t right for me. MARTIN BENSON And you were thinking of what, making balloon animals? That’s a bad job for a guy with a stinger. "Bee Movie" - JS REVISIONS 8/13/07 15. BARRY Well no... MARTIN BENSON Janet, your son’s not sure he wants to go into honey. JANET BENSON Oh Barry, you are so funny sometimes. BARRY I’m not trying to be funny. MARTIN BENSON You’re not funny, you’re going into honey. Our son, the stirrer. JANET BENSON You’re going to be a stirrer?! BARRY No one’s listening to me. MARTIN BENSON Wait until you see the sticks I have for you. BARRY I can say anything I want right now. I’m going to get an ant tattoo. JANET BENSON Let’s open some fresh honey and celebrate. BARRY Maybe I’ll pierce my thorax! MARTIN BENSON (toasting) To honey! BARRY Shave my antennae! JANET BENSON To honey! "Bee Movie" - JS REVISIONS 8/13/07 16. BARRY Shack up with a grasshopper, get a gold tooth, and start calling everybody “Dawg.” CUT TO: SEQ. 760 - “JOB PLACEMENT” EXT. HONEX LOBBY - CONTINUOUS ANGLE ON: A BEE BUS STOP. One group of bees stands on the pavement, as another group hovers above them. A doubledecker bus pulls up. The hovering bees get on the top level, and the standing bees get on the bottom. Barry and Adam pull up outside of Honex. ADAM I can’t believe we’re starting work today. BARRY Today’s the day. Adam jumps out of the car. ADAM (O.C) Come on. All the good jobs will be gone. BARRY Yeah, right... ANGLE ON: A BOARD READING: “JOB PLACEMENT BOARD”. Buzzwell, the Bee Processor, is at the counter. Another BEE APPLICANT, SANDY SHRIMPKIN is EXITING. SANDY SHRIMPKIN Is it still available? BUZZWELL Hang on. (he looks at changing numbers on the board) Two left. And...one of them’s yours. Congratulations Son, step to the side please. "Bee Movie" - JS REVISIONS 8/13/07 17. SANDY SHRIMPKIN Yeah! ADAM (to Sandy, leaving) What did you get? SANDY SHRIMPKIN Picking the crud out. That is stellar! ADAM Wow. BUZZWELL (to Adam and Barry) Couple of newbies? ADAM Yes Sir. Our first day. We are ready. BUZZWELL Well, step up and make your choice. ANGLE ON: A CHART listing the different sectors of Honex. Heating, Cooling, Viscosity, Krelman, Pollen Counting, Stunt Bee, Pouring, Stirrer, Humming, Regurgitating, Front Desk, Hair Removal, Inspector No. 7, Chef, Lint Coordinator, Stripe Supervisor, Antennae-ball polisher, Mite Wrangler, Swatting Counselor, Wax Monkey, Wing Brusher, Hive Keeper, Restroom Attendant. ADAM (to Barry) You want to go first? BARRY No, you go. ADAM Oh my. What’s available? BUZZWELL Restroom attendant is always open, and not for the reason you think. ADAM Any chance of getting on to the Krelman, Sir? BUZZWELL Sure, you’re on. "Bee Movie" - JS REVISIONS 8/13/07 18. He plops the KRELMAN HAT onto Adam’s head. ANGLE ON: The job board. THE COLUMNS READ: “OCCUPATION” “POSITIONS AVAILABLE”, and “STATUS”. The middle column has numbers, and the right column has job openings flipping between “open”, “pending”, and “closed”. BUZZWELL (CONT’D) Oh, I’m sorry. The Krelman just closed out. ADAM Oh! He takes the hat off Adam. BUZZWELL Wax Monkey’s always open. The Krelman goes from “Closed” to “Open”. BUZZWELL (CONT’D) And the Krelman just opened up again. ADAM What happened? BUZZWELL Well, whenever a bee dies, that’s an opening. (pointing at the board) See that? He’s dead, dead, another dead one, deady, deadified, two more dead. Dead from the neck up, dead from the neck down. But, that’s life. ANGLE ON: Barry’s disturbed expression. ADAM (feeling pressure to decide) Oh, this is so hard. Heating, cooling, stunt bee, pourer, stirrer, humming, inspector no. 7, lint coordinator, stripe supervisor, antenna-ball polisher, mite wrangler-- Barry, Barry, what do you think I should-- Barry? Barry? "Bee Movie" - JS REVISIONS 8/13/07 19. Barry is gone. CUT TO: SEQ. 775 - “LOU LODUCA SPEECH” EXT. J-GATE - SAME TIME Splitz, Jackson, Buzz, Lou and two other BEES are going through final pre-flight checks. Barry ENTERS. LOU LODUCA Alright, we’ve got the sunflower patch in quadrant nine. Geranium window box on Sutton Place... Barry’s antennae rings, like a phone. ADAM (V.O) What happened to you? Where are you? Barry whispers throughout. BARRY I’m going out. ADAM (V.O) Out? Out where? BARRY Out there. ADAM (V.O) (putting it together) Oh no. BARRY I have to, before I go to work for the rest of my life. ADAM (V.O) You’re going to die! You’re crazy! Hello? BARRY Oh, another call coming in. "Bee Movie" - JS REVISIONS 8/13/07 20. ADAM (V.O) You’re cra-- Barry HANGS UP. ANGLE ON: Lou Loduca. LOU LODUCA If anyone’s feeling brave, there’s a Korean Deli on 83rd that gets their roses today. BARRY (timidly) Hey guys. BUZZ Well, look at that. SPLITZ Isn’t that the kid we saw yesterday? LOU LODUCA (to Barry) Hold it son, flight deck’s restricted. JACKSON It’s okay Lou, we’re going to take him up. Splitz and Jackson CHUCKLE. LOU LODUCA Really? Feeling lucky, are ya? A YOUNGER SMALLER BEE THAN BARRY, CHET, runs up with a release waiver for Barry to sign. CHET Sign here. Here. Just initial that. Thank you. LOU LODUCA Okay, you got a rain advisory today and as you all know, bees cannot fly in rain. So be careful. As always, (reading off clipboard) watch your brooms, hockey sticks, dogs, birds, bears, and bats. "Bee Movie" - JS REVISIONS 8/13/07 21. Also, I got a couple reports of root beer being poured on us. Murphy’s in a home because of it, just babbling like a cicada. BARRY That’s awful. LOU LODUCA And a reminder for all you rookies, bee law number one, absolutely no talking to humans. Alright, launch positions! The Jocks get into formation, chanting as they move. LOU LODUCA (CONT’D) Black and Yellow! JOCKS Hello! SPLITZ (to Barry) Are you ready for this, hot shot? BARRY Yeah. Yeah, bring it on. Barry NODS, terrified. BUZZ Wind! - CHECK! JOCK #1 Antennae! - CHECK! JOCK #2 Nectar pack! - CHECK! JACKSON Wings! - CHECK! SPLITZ Stinger! - CHECK! BARRY Scared out of my shorts - CHECK. LOU LODUCA Okay ladies, let’s move it out. Everyone FLIPS their goggles down. Pit crew bees CRANK their wings, and remove the starting blocks. We hear loud HUMMING. "Bee Movie" - JS REVISIONS 8/13/07 22. LOU LODUCA (CONT'D) LOU LODUCA (CONT’D) Pound those petunia's, you striped stem-suckers! All of you, drain those flowers! A FLIGHT DECK GUY in deep crouch hand-signals them out the archway as the backwash from the bee wings FLUTTERS his jump suit. Barry follows everyone. SEQ. 800 - “FLYING WITH THE JOCKS” The bees climb above tree tops in formation. Barry is euphoric. BARRY Whoa! I’m out! I can’t believe I’m out! So blue. Ha ha ha! (a beat) I feel so fast...and free. (re: kites in the sky) Box kite! Wow! They fly by several bicyclists, and approach a patch of flowers. BARRY (CONT'D) Flowers! SPLITZ This is blue leader. We have roses visual. Bring it around thirty degrees and hold. BARRY (sotto) Roses. JACKSON Thirty degrees, roger, bringing it around. Many pollen jocks break off from the main group. They use their equipment to collect nectar from flowers. Barry flies down to watch the jocks collect the nectar. JOCK Stand to the side kid, it’s got a bit of a kick. The jock fires the gun, and recoils. Barry watches the gun fill up with nectar. "Bee Movie" - JS REVISIONS 8/13/07 23. BARRY Oh, that is one Nectar Collector. JOCK You ever see pollination up close? BARRY No, Sir. He takes off, and the excess pollen dust falls causing the flowers to come back to life. JOCK (as he pollinates) I pick some pollen up over here, sprinkle it over here, maybe a dash over there, pinch on that one...see that? It’s a little bit of magic, ain’t it? The FLOWERS PERK UP as he pollinates. BARRY Wow. That’s amazing. Why do we do that? JOCK ...that’s pollen power, Kid. More pollen, more flowers, more nectar, more honey for us. BARRY Cool. The Jock WINKS at Barry. Barry rejoins the other jocks in the sky. They swoop in over a pond, kissing the surface. We see their image reflected in the water; they’re really moving. They fly over a fountain. BUZZ I’m picking up a lot of bright yellow, could be daisies. Don’t we need those? SPLITZ Copy that visual. We see what appear to be yellow flowers on a green field. "Bee Movie" - JS REVISIONS 8/13/07 24. They go into a deep bank and dive. BUZZ Hold on, one of these flowers seems to be on the move. SPLITZ Say again...Are you reporting a moving flower? BUZZ Affirmative. SEQ. 900 - “TENNIS GAME” The pollen jocks land. It is a tennis court with dozens of tennis balls. A COUPLE, VANESSA and KEN, plays tennis. The bees land right in the midst of a group of balls. KEN (O.C) That was on the line! The other bees start walking around amongst the immense, yellow globes. SPLITZ This is the coolest. What is it? They stop at a BALL on a white line and look up at it. JACKSON I don’t know, but I’m loving this color. SPLITZ (smelling tennis ball) Smells good. Not like a flower. But I like it. JACKSON Yeah, fuzzy. BUZZ Chemical-y. JACKSON Careful, guys, it’s a little grabby. Barry LANDS on a ball and COLLAPSES. "Bee Movie" - JS REVISIONS 8/13/07 25. BARRY Oh my sweet lord of bees. JACKSON Hey, candy brain, get off there! Barry attempts to pulls his legs off, but they stick. BARRY Problem! A tennis shoe and a hand ENTER FRAME. The hand picks up the ball with Barry underneath it. BARRY (CONT'D) Guys! BUZZ This could be bad. JACKSON Affirmative. Vanessa walks back to the service line, BOUNCES the ball. Each time it BOUNCES, the other bees cringe and GASP. ANGLE ON: Barry, terrified. Pure dumb luck, he’s not getting squished. BARRY (with each bounce) Very close...Gonna Hurt...Mamma’s little boy. SPLITZ You are way out of position, rookie. ANGLE ON: Vanessa serving. We see Barry and the ball up against the racket as she brings it back. She tosses the ball into the air; Barry’s eyes widen. The ball is STRUCK, and the rally is on. KEN Coming in at you like a missile! Ken HITS the ball back. Barry feels the g-forces. ANGLE ON: The Pollen Jocks watching Barry pass by them in SLOW MOTION. "Bee Movie" - JS REVISIONS 8/13/07 26. BARRY (in slow motion) Help me! JACKSON You know, I don't think these are flowers. SPLITZ Should we tell him? JACKSON I think he knows. BARRY (O.S) What is this?! Vanessa HITS a high arcing lob. Ken waits, poised for the return. We see Barry having trouble maneuvering the ball from fatigue. KEN (overly confident) Match point! ANGLE ON: Ken running up. He has a killer look in his eyes. He’s going to hit the ultimate overhead smash. KEN (CONT'D) You can just start packing up Honey, because I believe you’re about to eat it! ANGLE ON: Pollen Jocks. JACKSON Ahem! Ken is distracted by the jock. KEN What? No! He misses badly. The ball rockets into oblivion. Barry is still hanging on. ANGLE ON: Ken, berating himself. KEN (CONT’D) Oh, you cannot be serious. We hear the ball WHISTLING, and Barry SCREAMING. "Bee Movie" - JS REVISIONS 8/13/07 27. BARRY Yowser!!! SEQ. 1000 - “SUV” The ball flies through the air, and lands in the middle of the street. It bounces into the street again, and sticks in the grille of an SUV. INT. CAR ENGINE - CONTINUOUS BARRY’S POV: the grille of the SUV sucks him up. He tumbles through a black tunnel, whirling vanes, and pistons. BARRY AHHHHHHHHHHH!! OHHHH!! EECHHH!! AHHHHHH!! Barry gets chilled by the A/C system, and sees a frozen grasshopper. BARRY (CONT’D) (re: grasshopper) Eww, gross. CUT TO: INT. CAR - CONTINUOUS The car is packed with a typical suburban family: MOTHER, FATHER, eight-year old BOY, LITTLE GIRL in a car seat and a GRANDMOTHER. A big slobbery DOG is behind a grate. Barry pops into the passenger compartment, hitting the Mother’s magazine. MOTHER There’s a bee in the car! They all notice the bee and start SCREAMING. BARRY Aaahhhh! Barry tumbles around the car. We see the faces from his POV. MOTHER Do something! "Bee Movie" - JS REVISIONS 8/13/07 28. FATHER I’m driving! Barry flies by the little girl in her CAR SEAT. She waves hello. LITTLE GIRL Hi, bee. SON He’s back here! He’s going to sting me! The car SWERVES around the road. Barry flies into the back, where the slobbery dog SNAPS at him. Barry deftly avoids the jaws and gross, flying SPITTLE. MOTHER Nobody move. If you don’t move, he won’t sting you. Freeze! Everyone in the car freezes. Barry freezes. They stare at each other, eyes going back and forth, waiting to see who will make the first move. Barry blinks. GRANNY He blinked! Granny pulls out a can of HAIR SPRAY. SON Spray him, Granny! Granny sprays the hair spray everywhere. FATHER What are you doing? GRANNY It’s hair spray! Extra hold! MOTHER Kill it! Barry gets sprayed back by the hair spray, then sucked out of the sunroof. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 29. EXT. CITY STREET - CONTINUOUS BARRY Wow. The tension level out here is unbelievable. I’ve got to get home. As Barry flies down the street, it starts to RAIN. He nimbly avoids the rain at first. BARRY (CONT’D) Whoa. Whoa! Can’t fly in rain! Can’t fly in rain! Can’t fly in-- A couple of drops hit him, his wings go limp and he starts falling. BARRY (CONT'D) Mayday! Mayday! Bee going down! Barry sees a window ledge and aims for it and just makes it. Shivering and exhausted, he crawls into an open window as it CLOSES. SEQ. 1100 - “VANESSA SAVES BARRY” INT. VANESSA’S APARTMENT - CONTINUOUS Inside the window, Barry SHAKES off the rain like a dog. Vanessa, Ken, Andy, and Anna ENTER the apartment. VANESSA Ken, can you close the window please? KEN Huh? Oh. (to Andy) Hey, check out my new resume. I made it into a fold-out brochure. You see? It folds out. Ken holds up his brochure, with photos of himself, and a resume in the middle. ANGLE ON: Barry hiding behind the curtains, as Ken CLOSES THE WINDOW. "Bee Movie" - JS REVISIONS 8/13/07 30. BARRY Oh no, more humans. I don’t need this. Barry HOVERS up into the air and THROWS himself into the glass. BARRY (CONT’D) (dazed) Ow! What was that? He does it again, and then multiple more times. BARRY (CONT'D) Maybe this time...this time, this time, this time, this time, this time, this time, this time. Barry JUMPS onto the drapes. BARRY (CONT'D) (out of breath) Drapes! (then, re: glass) That is diabolical. KEN It’s fantastic. It’s got all my special skills, even my top ten favorite movies. ANDY What’s your number one? Star Wars? KEN Ah, I don’t go for that, (makes Star Wars noises), kind of stuff. ANGLE ON: Barry. BARRY No wonder we’re not supposed to talk to them. They’re out of their minds. KEN When I walk out of a job interview they’re flabbergasted. They can’t believe the things I say. Barry looks around and sees the LIGHT BULB FIXTURE in the middle of the ceiling. "Bee Movie" - JS REVISIONS 8/13/07 31. BARRY (re: light bulb) Oh, there’s the sun. Maybe that’s a way out. Barry takes off and heads straight for the light bulb. His POV: The seventy-five watt label grows as he gets closer. BARRY (CONT’D) I don’t remember the sun having a big seventy five on it. Barry HITS the bulb and is KNOCKED SILLY. He falls into a BOWL OF GUACAMOLE. Andy dips his chip in the guacamole, taking Barry with it. ANGLE ON: Ken and Andy. KEN I’ll tell you what. You know what? I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Barry’s POV: Giant human mouth opening. KEN (CONT’D) Wait! Stop! Beeeeeee! ANNA Kill it! Kill it! They all JUMP up from their chairs. Andy looks around for something to use. Ken comes in for the kill with a big TIMBERLAND BOOT on each hand. KEN Stand back. These are winter boots. Vanessa ENTERS, and stops Ken from squashing Barry. VANESSA (grabs Ken’s arm) Wait. Don’t kill him. CLOSE UP: on Barry’s puzzled face. KEN You know I’m allergic to them. This thing could kill me. "Bee Movie" - JS REVISIONS 8/13/07 32. VANESSA Why does his life have any less value than yours? She takes a GLASS TUMBLER and places it over Barry. KEN Why does his life have any less value than mine? Is that your statement? VANESSA I’m just saying, all life has value. You don’t know what he’s capable of feeling. Barry looks up through the glass and watches this conversation, astounded. Vanessa RIPS Ken’s resume in half and SLIDES it under the glass. KEN (wistful) My brochure. There’s a moment of eye contact as she carries Barry to the window. She opens it and sets him free. VANESSA There you go, little guy. KEN (O.C) I’m not scared of them. But, you know, it’s an allergic thing. ANDY (O.C) * Hey, why don’t you put that on your * resume-brochure? * KEN (O.C) It’s not funny, my whole face could puff up. ANDY (O.C) Make it one of your “Special Skills.” KEN (O.C) You know, knocking someone out is also a special skill. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 33. EXT. WINDOWSILL - CONTINUOUS Barry stares over the window frame. He can’t believe what’s just happened. It is still RAINING. DISSOLVE TO: SEQ. 1200 - “BARRY SPEAKS” EXT. WINDOWSILL - LATER Barry is still staring through the window. Inside, everyone’s saying their good-byes. KEN Vanessa, next week? Yogurt night? VANESSA Uh, yeah sure Ken. You know, whatever. KEN You can put carob chips on there. VANESSA Good night. KEN (as he exits) Supposed to be less calories, or something. VANESSA Bye. She shuts the door. Vanessa starts cleaning up. BARRY I’ve got to say something. She saved my life. I’ve got to say something. Alright, here it goes. Barry flies in. "Bee Movie" - JS REVISIONS 8/13/07 34. INT. VANESSA’S APARTMENT - CONTINUOUS Barry hides himself on different PRODUCTS placed along the kitchen shelves. He hides on a Bumblebee Tuna can, and a “Greetings From Coney Island” MUSCLE-MAN POSTCARD on the fridge. BARRY (on fridge) What would I say? (landing on a bottle) I could really get in trouble. He stands looking at Vanessa. BARRY (CONT'D) It’s a bee law. You’re not supposed to talk to a human. I can’t believe I’m doing this. I’ve got to. Oh, I can’t do it! Come on! No, yes, no, do it! I can’t. How should I start it? You like jazz? No, that’s no good. Here she comes. Speak, you fool. As Vanessa walks by, Barry takes a DEEP BREATH. BARRY (CONT’D) (cheerful) Umm...hi. Vanessa DROPS A STACK OF DISHES, and HOPS BACK. BARRY (CONT’D) I’m sorry. VANESSA You’re talking. BARRY Yes, I know, I know. VANESSA You’re talking. BARRY I know, I’m sorry. I’m so sorry. VANESSA It’s okay. It’s fine. It’s just, I know I’m dreaming, but I don’t recall going to bed. "Bee Movie" - JS REVISIONS 8/13/07 35. BARRY Well, you know I’m sure this is very disconcerting. VANESSA Well yeah. I mean this is a bit of a surprise to me. I mean...you’re a bee. BARRY Yeah, I am a bee, and you know I’m not supposed to be doing this, but they were all trying to kill me and if it wasn’t for you...I mean, I had to thank you. It’s just the way I was raised. Vanessa intentionally JABS her hand with a FORK. VANESSA Ow! BARRY That was a little weird. VANESSA (to herself) I’m talking to a bee. BARRY Yeah. VANESSA I’m talking to a bee. BARRY Anyway... VANESSA And a bee is talking to me... BARRY I just want you to know that I’m grateful, and I’m going to leave now. VANESSA Wait, wait, wait, wait, how did you learn to do that? BARRY What? "Bee Movie" - JS REVISIONS 8/13/07 36. VANESSA The talking thing. BARRY Same way you did, I guess. Mama, Dada, honey, you pick it up. VANESSA That’s very funny. BARRY Yeah. Bees are funny. If we didn’t laugh, we’d cry. With what we have to deal with. Vanessa LAUGHS. BARRY (CONT’D) Anyway. VANESSA Can I, uh, get you something? BARRY Like what? VANESSA I don’t know. I mean, I don’t know. Coffee? BARRY Well, uh, I don’t want to put you out. VANESSA It’s no trouble. BARRY Unless you’re making anyway. VANESSA Oh, it takes two minutes. BARRY Really? VANESSA It’s just coffee. BARRY I hate to impose. "Bee Movie" - JS REVISIONS 8/13/07 37. VANESSA Don’t be ridiculous. BARRY Actually, I would love a cup. VANESSA Hey, you want a little rum cake? BARRY I really shouldn’t. VANESSA Have a little rum cake. BARRY No, no, no, I can’t. VANESSA Oh, come on. BARRY You know, I’m trying to lose a couple micrograms here. VANESSA Where? BARRY Well... These stripes don’t help. VANESSA You look great. BARRY I don’t know if you know anything about fashion. Vanessa starts POURING the coffee through an imaginary cup and directly onto the floor. BARRY (CONT'D) Are you alright? VANESSA No. DISSOLVE TO: SEQ. 1300 - “ROOFTOP COFFEE” "Bee Movie" - JS REVISIONS 8/13/07 38. EXT. VANESSA’S ROOF - LATER Barry and Vanessa are drinking coffee on her roof terrace. He is perched on her keychain. BARRY ...He can’t get a taxi. He’s making the tie in the cab, as they’re flying up Madison. So he finally gets there. VANESSA Uh huh? BARRY He runs up the steps into the church, the wedding is on... VANESSA Yeah? BARRY ...and he says, watermelon? I thought you said Guatemalan. VANESSA Uh huh? BARRY Why would I marry a watermelon? Barry laughs. Vanessa doesn’t. VANESSA Oh! Is that, uh, a bee joke? BARRY Yeah, that’s the kind of stuff that we do. VANESSA Yeah, different. A BEAT. VANESSA (CONT’D) So anyway...what are you going to do, Barry? "Bee Movie" - JS REVISIONS 8/13/07 39. BARRY About work? I don’t know. I want to do my part for the hive, but I can’t do it the way they want. VANESSA I know how you feel. BARRY You do? VANESSA Sure, my parents wanted me to be a lawyer or doctor, but I wanted to be a florist. BARRY Really? VANESSA My only interest is flowers. BARRY Our new queen was just elected with that same campaign slogan. VANESSA Oh. BARRY Anyway, see there’s my hive, right there. You can see it. VANESSA Oh, you’re in Sheep Meadow. BARRY (excited) Yes! You know the turtle pond? VANESSA Yes? BARRY I’m right off of that. VANESSA Oh, no way. I know that area. Do you know I lost a toe-ring there once? BARRY Really? "Bee Movie" - JS REVISIONS 8/13/07 40. VANESSA Yes. BARRY Why do girls put rings on their toes? VANESSA Why not? BARRY I don’t know. It’s like putting a hat on your knee. VANESSA Really? Okay. A JANITOR in the background changes a LIGHTBULB. To him, it appears that Vanessa is talking to an imaginary friend. JANITOR You all right, ma’am? VANESSA Oh, yeah, fine. Just having two cups of coffee. BARRY Anyway, this has been great. (wiping his mouth) Thanks for the coffee. Barry gazes at Vanessa. VANESSA Oh yeah, it’s no trouble. BARRY Sorry I couldn’t finish it. Vanessa giggles. BARRY (CONT'D) (re: coffee) If I did, I’d be up the rest of my life. Ummm. Can I take a piece of this with me? VANESSA Sure. Here, have a crumb. She takes a CRUMB from the plate and hands it to Barry. "Bee Movie" - JS REVISIONS 8/13/07 41. BARRY (a little dreamy) Oh, thanks. VANESSA Yeah. There is an awkward pause. BARRY Alright, well then, I guess I’ll see you around, or not, or... VANESSA Okay Barry. BARRY And thank you so much again, for before. VANESSA Oh that? BARRY Yeah. VANESSA Oh, that was nothing. BARRY Well, not nothing, but, anyway... Vanessa extends her hand, and shakes Barry’s gingerly. The Janitor watches. The lightbulb shorts out. The Janitor FALLS. CUT TO: SEQ. 1400 - “HONEX” INT. HONEX BUILDING - NEXT DAY ANGLE ON: A TEST BEE WEARING A PARACHUTE is in a wind tunnel, hovering through increasingly heavy wind. SIGNS UNDER A FLASHING LIGHT READ: “Test In Progress” & “Hurricane Survival Test”. 2 BEES IN A LAB COATS are observing behind glass. "Bee Movie" - JS REVISIONS 8/13/07 42. LAB COAT BEE 1 This can’t possibly work. LAB COAT BEE 2 Well, he’s all set to go, we may as well try it. (into the mic) Okay Dave, pull the chute. The test bee opens his parachute. He’s instantly blown against the rear wall. Adam and Barry ENTER. ADAM Sounds amazing. BARRY Oh, it was amazing. It was the scariest, happiest moment of my life. ADAM Humans! Humans! I can’t believe you were with humans! Giant scary humans! What were they like? BARRY Huge and crazy. They talk crazy, they eat crazy giant things. They drive around real crazy. ADAM And do they try and kill you like on TV? BARRY Some of them. But some of them don’t. ADAM How’d you get back? BARRY Poodle. ADAM Look, you did it. And I’m glad. You saw whatever you wanted to see out there, you had your “experience”, and now you’re back, you can pick out your job, and everything can be normal. "Bee Movie" - JS REVISIONS 8/13/07 43. ANGLE ON: LAB BEES examining a CANDY CORN through a microscope. BARRY Well... ADAM Well? BARRY Well, I met someone. ADAM You met someone? Was she Bee-ish? BARRY Mmm. ADAM Not a WASP? Your parents will kill you. BARRY No, no, no, not a wasp. ADAM Spider? BARRY You know, I’m not attracted to the spiders. I know to everyone else it’s like the hottest thing with the eight legs and all. I can’t get by that face. Barry makes a spider face. ADAM So, who is she? BARRY She’s a human. ADAM Oh no, no, no, no. That didn’t happen. You didn’t do that. That is a bee law. You wouldn’t break a bee law. BARRY Her name’s Vanessa. "Bee Movie" - JS REVISIONS 8/13/07 44. ADAM Oh, oh boy! BARRY She’s so-o nice. And she’s a florist! ADAM Oh, no. No, no, no! You’re dating a human florist? BARRY We’re not dating. ADAM You’re flying outside the hive. You’re talking to human beings that attack our homes with power washers and M-80’s. That’s 1/8 of a stick of dynamite. BARRY She saved my life. And she understands me. ADAM This is over. Barry pulls out the crumb. BARRY Eat this. Barry stuffs the crumb into Adam’s face. ADAM This is not over. What was that? BARRY They call it a crumb. ADAM That was SO STINGING STRIPEY! BARRY And that’s not even what they eat. That just falls off what they eat. Do you know what a Cinnabon is? ADAM No. "Bee Movie" - JS REVISIONS 8/13/07 45. BARRY It’s bread... ADAM Come in here! BARRY and cinnamon, ADAM Be quiet! BARRY and frosting...they heat it up-- ADAM Sit down! INT. ADAM’S OFFICE - CONTINUOUS BARRY Really hot! ADAM Listen to me! We are not them. We’re us. There’s us and there’s them. BARRY Yes, but who can deny the heart that is yearning... Barry rolls his chair down the corridor. ADAM There’s no yearning. Stop yearning. Listen to me. You have got to start thinking bee, my friend. ANOTHER BEE JOINS IN. ANOTHER BEE Thinking bee. WIDER SHOT AS A 3RD BEE ENTERS, popping up over the cubicle wall. 3RD BEE Thinking bee. EVEN WIDER SHOT AS ALL THE BEES JOIN IN. "Bee Movie" - JS REVISIONS 8/13/07 46. OTHER BEES Thinking bee. Thinking bee. Thinking bee. CUT TO: SEQ. 1500 - “POOLSIDE NAGGING” EXT. BACKYARD PARENT’S HOUSE - DAY Barry sits on a RAFT in a hexagon honey pool, legs dangling into the water. Janet Benson and Martin Benson stand over him wearing big, sixties sunglasses and cabana-type outfits. The sun shines brightly behind their heads. JANET BENSON (O.C) There he is. He’s in the pool. MARTIN BENSON You know what your problem is, Barry? BARRY I’ve got to start thinking bee? MARTIN BENSON Barry, how much longer is this going to go on? It’s been three days. I don’t understand why you’re not working. BARRY Well, I’ve got a lot of big life decisions I’m thinking about. MARTIN BENSON What life? You have no life! You have no job! You’re barely a bee! Barry throws his hands in the air. BARRY Augh. JANET BENSON Would it kill you to just make a little honey? Barry ROLLS off the raft and SINKS to the bottom of the pool. We hear his parents’ MUFFLED VOICES from above the surface. "Bee Movie" - JS REVISIONS 8/13/07 47. JANET BENSON (CONT'D) (muffled) Barry, come out from under there. Your father’s talking to you. Martin, would you talk to him? MARTIN BENSON Barry, I’m talking to you. DISSOLVE TO: EXT. PICNIC AREA - DAY MUSIC: “Sugar Sugar” by the Archies. Barry and Vanessa are having a picnic. A MOSQUITO lands on Vanessa’s leg. She SWATS it violently. Barry’s head whips around, aghast. They stare at each other awkwardly in a frozen moment, then BURST INTO HYSTERICAL LAUGHTER. Vanessa GETS UP. VANESSA You coming? BARRY Got everything? VANESSA All set. Vanessa gets into a one-man Ultra Light plane with a black and yellow paint scheme. She puts on her helmet. BARRY You go ahead, I’ll catch up. VANESSA (come hither wink) Don’t be too long. The Ultra Light takes off. Barry catches up. They fly sideby-side. VANESSA (CONT’D) Watch this! Vanessa does a loop, and FLIES right into the side of a mountain, BURSTING into a huge ball of flames. "Bee Movie" - JS REVISIONS 8/13/07 48. BARRY (yelling, anguished) Vanessa! EXT. BARRY’S PARENT’S HOUSE - CONTINUOUS ANGLE ON: Barry’s face bursting through the surface of the pool, GASPING for air, eyes opening in horror. MARTIN BENSON We’re still here, Barry. JANET BENSON I told you not to yell at him. He doesn’t respond when you yell at him. MARTIN BENSON Then why are you yelling at me? JANET BENSON Because you don’t listen. MARTIN BENSON I’m not listening to this. Barry is toweling off, putting on his sweater. BARRY Sorry Mom, I’ve got to go. JANET BENSON Where are you going? BARRY Nowhere. I’m meeting a friend. Barry JUMPS off the balcony and EXITS. JANET BENSON (calling after him) A girl? Is this why you can’t decide? BARRY Bye! JANET BENSON I just hope she’s Bee-ish. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 49. SEQ. 1700 - “STREETWALK/SUPERMARKET” EXT. VANESSA’S FLORIST SHOP - DAY Vanessa FLIPS the sign to say “Sorry We Missed You”, and locks the door. ANGLE ON: A POSTER on Vanessa’s door for the Tournament of Roses Parade in Pasadena. BARRY So they have a huge parade of just flowers every year in Pasadena? VANESSA Oh, to be in the Tournament of Roses, that’s every florist’s dream. Up on a float, surrounded by flowers, crowds cheering. BARRY Wow, a tournament. Do the roses actually compete in athletic events? VANESSA No. Alright, I’ve got one. How come you don’t fly everywhere? BARRY It’s exhausting. Why don’t you run everywhere? VANESSA Hmmm. BARRY Isn’t that faster? VANESSA Yeah, okay. I see, I see. Alright, your turn. Barry and Vanessa walk/fly down a New York side street, no other pedestrians near them. BARRY Ah! Tivo. You can just freeze live TV? That’s insane. "Bee Movie" - JS REVISIONS 8/13/07 50. VANESSA What, you don’t have anything like that? BARRY We have Hivo, but it’s a disease. It’s a horrible, horrible disease. VANESSA Oh my. They turn the corner onto a busier avenue and people start to swat at Barry. MAN Dumb bees! VANESSA You must just want to sting all those jerks. BARRY We really try not to sting. It’s usually fatal for us. VANESSA So you really have to watch your temper? They ENTER a SUPERMARKET. CUT TO: INT. SUPERMARKET BARRY Oh yeah, very carefully. You kick a wall, take a walk, write an angry letter and throw it out. You work through it like any emotion-- anger, jealousy, (under his breath) lust. Barry hops on top of some cardboard boxes in the middle of an aisle. A stock boy, HECTOR, whacks him with a rolled up magazine. VANESSA (to Barry) Oh my goodness. Are you okay? "Bee Movie" - JS REVISIONS 8/13/07 51. BARRY Yeah. Whew! Vanessa WHACKS Hector over the head with the magazine. VANESSA (to Hector) What is wrong with you?! HECTOR It’s a bug. VANESSA Well he’s not bothering anybody. Get out of here, you creep. Vanessa pushes him, and Hector EXITS, muttering. BARRY (shaking it off) What was that, a Pick and Save circular? VANESSA Yeah, it was. How did you know? BARRY It felt like about ten pages. Seventy-five’s pretty much our limit. VANESSA Boy, you’ve really got that down to a science. BARRY Oh, we have to. I lost a cousin to Italian Vogue. VANESSA I’ll bet. Barry stops, sees the wall of honey jars. BARRY What, in the name of Mighty Hercules, is this? How did this get here? Cute Bee? Golden Blossom? Ray Liotta Private Select? VANESSA Is he that actor? "Bee Movie" - JS REVISIONS 8/13/07 52. BARRY I never heard of him. Why is this here? VANESSA For people. We eat it. BARRY Why? (gesturing around the market) You don’t have enough food of your own? VANESSA Well yes, we-- BARRY How do you even get it? VANESSA Well, bees make it... BARRY I know who makes it! And it’s hard to make it! There’s Heating and Cooling, and Stirring...you need a whole Krelman thing. VANESSA It’s organic. BARRY It’s our-ganic! VANESSA It’s just honey, Barry. BARRY Just...what?! Bees don’t know about this. This is stealing. A lot of stealing! You’ve taken our homes, our schools, our hospitals. This is all we have. And it’s on sale? I’m going to get to the bottom of this. I’m going to get to the bottom of all of this! He RIPS the label off the Ray Liotta Private Select. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 53. SEQ. 1800 - “WINDSHIELD” EXT. BACK OF SUPERMARKET LOADING DOCK - LATER THAT DAY Barry disguises himself by blacking out his yellow lines with a MAGIC MARKER and putting on some war paint. He sees Hector, the stock boy, with a knife CUTTING open cardboard boxes filled with honey jars. MAN You almost done? HECTOR Almost. Barry steps in some honey, making a SNAPPING noise. Hector stops and turns. HECTOR (CONT’D) He is here. I sense it. Hector grabs his BOX CUTTER. Barry REACTS, hides himself behind the box again. HECTOR (CONT’D) (talking too loud, to no one in particular) Well, I guess I’ll go home now, and just leave this nice honey out, with no one around. A BEAT. Hector pretends to exit. He takes a couple of steps in place. ANGLE ON: The honey jar. Barry steps out into a moody spotlight. BARRY You’re busted, box boy! HECTOR Ah ha! I knew I heard something. So, you can talk. Barry flies up, stinger out, pushing Hector up against the wall. As Hector backs up, he drops his knife. BARRY Oh, I can talk. And now you’re going to start talking. "Bee Movie" - JS REVISIONS 8/13/07 54. Where are you getting all the sweet stuff? Who’s your supplier?! HECTOR I don’t know what you’re talking about. I thought we were all friends. The last thing we want to do is upset any of you...bees! Hector grabs a PUSHPIN. Barry fences with his stinger. HECTOR (CONT’D) You’re too late. It’s ours now! BARRY You, sir, have crossed the wrong sword. HECTOR You, sir, are about to be lunch for my iguana, Ignacio! Barry and Hector get into a cross-swords, nose-to-nose confrontation. BARRY Where is the honey coming from? Barry knocks the pushpin out of his hand. Barry puts his stinger up to Hector’s nose. BARRY (CONT'D) Tell me where?! HECTOR (pointing to a truck) Honey Farms. It comes from Honey Farms. ANGLE ON: A Honey Farms truck leaving the parking lot. Barry turns, takes off after the truck through an alley. He follows the truck out onto a busy street, dodging a bus, and several cabs. CABBIE Crazy person! He flies through a metal pipe on the top of a truck. BARRY OOOHHH! "Bee Movie" - JS REVISIONS 8/13/07 55. BARRY (CONT'D) Barry grabs onto a bicycle messenger’s backpack. The honey farms truck starts to pull away. Barry uses the bungee cord to slingshot himself towards the truck. He lands on the windshield, where the wind plasters him to the glass. He looks up to find himself surrounded by what appear to be DEAD BUGS. He climbs across, working his way around the bodies. BARRY (CONT’D) Oh my. What horrible thing has happened here? Look at these faces. They never knew what hit them. And now they’re on the road to nowhere. A MOSQUITO opens his eyes. MOOSEBLOOD Pssst! Just keep still. BARRY What? You’re not dead? MOOSEBLOOD Do I look dead? Hey man, they will wipe anything that moves. Now, where are you headed? BARRY To Honey Farms. I am onto something huge here. MOOSEBLOOD I’m going to Alaska. Moose blood. Crazy stuff. Blows your head off. LADYBUG I’m going to Tacoma. BARRY (to fly) What about you? MOOSEBLOOD He really is dead. BARRY Alright. The WIPER comes towards them. "Bee Movie" - JS REVISIONS 8/13/07 56. MOOSEBLOOD Uh oh. BARRY What is that? MOOSEBLOOD Oh no! It’s a wiper, triple blade! BARRY Triple blade? MOOSEBLOOD Jump on. It’s your only chance, bee. They hang on as the wiper goes back and forth. MOOSEBLOOD (CONT'D) (yelling to the truck driver through the glass) Why does everything have to be so dog-gone clean?! How much do you people need to see? Open your eyes! Stick your head out the window! CUT TO: INT. TRUCK CAB SFX: Radio. RADIO VOICE For NPR News in Washington, I’m Carl Kasell. EXT. TRUCK WINDSHIELD MOOSEBLOOD But don’t kill no more bugs! The Mosquito is FLUNG off of the wiper. MOOSEBLOOD (CONT'D) Beeeeeeeeeeeeee! BARRY Moose blood guy! "Bee Movie" - JS REVISIONS 8/13/07 57. Barry slides toward the end of the wiper, is thrown off, but he grabs the AERIAL and hangs on for dear life. Barry looks across and sees a CRICKET on another vehicle in the exact same predicament. They look at each other and SCREAM in unison. BARRY AND CRICKET Aaaaaaaaaah! ANOTHER BUG grabs onto the aerial, and screams as well. INT. TRUCK CAB - SAME TIME DRIVER You hear something? TRUCKER PASSENGER Like what? DRIVER Like tiny screaming. TRUCKER PASSENGER Turn off the radio. The driver reaches down and PRESSES a button, lowering the aerial. EXT. TRUCK WINDSHIELD - SAME TIME Barry and the other bug do a “choose up” to the bottom, Barry wins. BARRY Aha! Then he finally has to let go and gets thrown into the truck horn atop cab. Mooseblood is inside. MOOSEBLOOD Hey, what’s up bee boy? BARRY Hey, Blood! DISSOLVE TO: "Bee Movie" - JS REVISIONS 8/13/07 58. INT. TRUCK HORN - LATER BARRY ...and it was just an endless row of honey jars as far as the eye could see. MOOSEBLOOD Wow. BARRY So I’m just assuming wherever this honey truck goes, that’s where they’re getting it. I mean, that honey’s ours! MOOSEBLOOD Bees hang tight. BARRY Well, we’re all jammed in there. It’s a close community. MOOSEBLOOD Not us, man. We’re on our own. Every mosquito is on his own. BARRY But what if you get in trouble? MOOSEBLOOD Trouble? You're a mosquito. You're in trouble! Nobody likes us. They’re just all smacking. People see a mosquito, smack, smack! BARRY At least you’re out in the world. You must meet a lot of girls. MOOSEBLOOD Mosquito girls try to trade up; get with a moth, dragonfly...mosquito girl don’t want no mosquito. A BLOOD MOBILE pulls up alongside. MOOSEBLOOD (CONT'D) Whoa, you have got to be kidding me. Mooseblood’s about to leave the building. So long bee. "Bee Movie" - JS REVISIONS 8/13/07 59. Mooseblood EXITS the horn, and jumps onto the blood mobile. MOOSEBLOOD (CONT'D) Hey guys. I knew I’d catch you all down here. Did you bring your crazy straws? CUT TO: SEQ. 1900 - “THE APIARY” EXT. APIARY - LATER Barry sees a SIGN, “Honey Farms” The truck comes to a stop. SFX: The Honey farms truck blares its horn. Barry flies out, lands on the hood. ANGLE ON: Two BEEKEEPERS, FREDDY and ELMO, walking around to the back of the gift shop. Barry follows them, and lands in a nearby tree FREDDY ...then we throw it in some jars, slap a label on it, and it’s pretty much pure profit. BARRY What is this place? ELMO Bees got a brain the size of a pinhead. FREDDY They are pinheads. The both LAUGH. ANGLE ON: Barry REACTING. They arrive at the back of the shop where one of them opens a SMOKER BOX. FREDDY (CONT’D) Hey, check out the new smoker. "Bee Movie" - JS REVISIONS 8/13/07 60. ELMO Oh, Sweet. That’s the one you want. FREDDY The Thomas 3000. BARRY Smoker? FREDDY 90 puffs a minute, semi-automatic. Twice the nicotine, all the tar. They LAUGH again, nefariously. FREDDY (CONT’D) Couple of breaths of this, and it knocks them right out. They make the honey, and we make the money. BARRY “They make the honey, and we make the money?” Barry climbs onto the netting of Freddy’s hat. He climbs up to the brim and looks over the edge. He sees the apiary boxes as Freddy SMOKES them. BARRY (CONT'D) Oh my. As Freddy turns around, Barry jumps into an open apiary box, and into an apartment. HOWARD and FRAN are just coming to from the smoking. BARRY (CONT’D) What’s going on? Are you okay? HOWARD Yeah, it doesn’t last too long. HE COUGHS a few times. BARRY How did you two get here? Do you know you’re in a fake hive with fake walls? HOWARD (pointing to a picture on the wall) "Bee Movie" - JS REVISIONS 8/13/07 61. Our queen was moved here, we had no choice. BARRY (looking at a picture on the wall) This is your queen? That’s a man in women’s clothes. That’s a dragqueen! The other wall opens. Barry sees the hundreds of apiary boxes. BARRY (CONT'D) What is this? Barry pulls out his camera, and starts snapping. BARRY (CONT’D) Oh no. There’s hundreds of them. (V.O, as Barry takes pictures) Bee honey, our honey, is being brazenly stolen on a massive scale. CUT TO: SEQ. 2100 - “BARRY TELLS FAMILY” INT. BARRY’S PARENT’S HOUSE - LIVING ROOM - LATER Barry has assembled his parents, Adam, and Uncle Carl. BARRY This is worse than anything the bears have done to us. And I intend to do something about it. JANET BENSON Oh Barry, stop. MARTIN BENSON Who told you that humans are taking our honey? That’s just a rumor. BARRY Do these look like rumors? Barry throws the PICTURES on the table. Uncle Carl, cleaning his glasses with his shirt tail, digs through a bowl of nuts with his finger. "Bee Movie" - JS REVISIONS 8/13/07 62. HOWARD (CONT'D) UNCLE CARL That’s a conspiracy theory. These are obviously doctored photos. JANET BENSON Barry, how did you get mixed up in all this? ADAM (jumping up) Because he’s been talking to humans! JANET BENSON Whaaat? MARTIN BENSON Talking to humans?! Oh Barry. ADAM He has a human girlfriend and they make out! JANET BENSON Make out? Barry? BARRY We do not. ADAM You wish you could. BARRY Who’s side are you on? ADAM The bees! Uncle Carl stands up and pulls his pants up to his chest. UNCLE CARL I dated a cricket once in San Antonio. Man, those crazy legs kept me up all night. Hotcheewah! JANET BENSON Barry, this is what you want to do with your life? BARRY This is what I want to do for all our lives. Nobody works harder than bees. "Bee Movie" - JS REVISIONS 8/13/07 63. Dad, I remember you coming home some nights so overworked, your hands were still stirring. You couldn’t stop them. MARTIN BENSON Ehhh... JANET BENSON (to Martin) I remember that. BARRY What right do they have to our hardearned honey? We’re living on two cups a year. They’re putting it in lip balm for no reason what-soever. MARTIN BENSON Even if it’s true, Barry, what could one bee do? BARRY I’m going to sting them where it really hurts. MARTIN BENSON In the face? BARRY No. MARTIN BENSON In the eye? That would really hurt. BARRY No. MARTIN BENSON Up the nose? That’s a killer. BARRY No. There’s only one place you can sting the humans. One place where it really matters. CUT TO: SEQ. 2300 - “HIVE AT 5 NEWS/BEE LARRY KING” "Bee Movie" - JS REVISIONS 8/13/07 64. BARRY (CONT'D) INT. NEWS STUDIO - DAY DRAMATIC NEWS MUSIC plays as the opening news sequence rolls. We see the “Hive at Five” logo, followed by shots of past news events: A BEE freeway chase, a BEE BEARD protest rally, and a BEAR pawing at the hive as the BEES flee in panic. BOB BUMBLE (V.O.) Hive at Five, the hive’s only full hour action news source... SHOTS of NEWSCASTERS flash up on screen. BOB BUMBLE (V.O.) (CONT'D) With Bob Bumble at the anchor desk... BOB has a big shock of anchorman hair, gray temples and overly white teeth. BOB BUMBLE (V.O.) (CONT'D) ...weather with Storm Stinger, sports with Buzz Larvi, and Jeanette Chung. JEANETTE is an Asian bee. BOB BUMBLE (CONT'D) Good evening, I’m Bob Bumble. JEANETTE CHUNG And I’m Jeanette Chung. BOB BUMBLE Our top story, a tri-county bee, Barry Benson... INSERT: Barry’s graduation picture. BOB BUMBLE (CONT'D) ...is saying he intends to sue the human race for stealing our honey, packaging it, and profiting from it illegally. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 65. INT. BEENN STUDIO - BEE LARRY KING LIVE BEE LARRY KING, wearing suspenders and glasses, is interviewing Barry. A LOWER-THIRD CHYRON reads: “Bee Larry King Live.” BEE LARRY KING Don’t forget, tomorrow night on Bee Larry King, we are going to have three former Queens all right here in our studio discussing their new book, “Classy Ladies,” out this week on Hexagon. (to Barry) Tonight, we’re talking to Barry Benson. Did you ever think, I’m just a kid from the hive, I can’t do this? BARRY Larry, bees have never been afraid to change the world. I mean, what about Bee-Columbus? Bee-Ghandi? Be-geesus? BEE LARRY KING Well, where I’m from you wouldn’t think of suing humans. We were thinking more like stick ball, candy stores. BARRY How old are you? BEE LARRY KING I want you to know that the entire bee community is supporting you in this case, which is certain to be the trial of the bee century. BARRY Thank you, Larry. You know, they have a Larry King in the human world, too. BEE LARRY KING It’s a common name. Next week on Bee Larry King... "Bee Movie" - JS REVISIONS 8/13/07 66. BARRY No, I mean he looks like you. And he has a show with suspenders and different colored dots behind him. BEE LARRY KING Next week on Bee Larry King... BARRY Old guy glasses, and there’s quotes along the bottom from the guest you’re watching even though you just heard them... BEE LARRY KING Bear week next week! They’re scary, they’re hairy, and they’re here live. Bee Larry King EXITS. BARRY Always leans forward, pointy shoulders, squinty eyes... (lights go out) Very Jewish. CUT TO: SEQ. 2400 - “FLOWER SHOP” INT. VANESSA’S FLOWER SHOP - NIGHT Stacks of law books are piled up, legal forms, etc. Vanessa is talking with Ken in the other room. KEN Look, in tennis, you attack at the point of weakness. VANESSA But it was my grandmother, Ken. She’s 81. KEN Honey, her backhand’s a joke. I’m not going to take advantage of that? "Bee Movie" - JS REVISIONS 8/13/07 67. BARRY (O.C) Quiet please. Actual work going on here. KEN Is that that same bee? BARRY (O.C) Yes it is. VANESSA I’m helping him sue the human race. KEN What? Barry ENTERS. BARRY Oh, hello. KEN Hello Bee. Barry flies over to Vanessa. VANESSA This is Ken. BARRY Yeah, I remember you. Timberland, size 10 1/2, Vibram sole I believe. KEN Why does he talk again, Hun? VANESSA (to Ken, sensing the tension) Listen, you’d better go because we’re really busy working. KEN But it’s our yogurt night. VANESSA (pushing him out the door) Oh...bye bye. She CLOSES the door. KEN Why is yogurt night so difficult?! "Bee Movie" - JS REVISIONS 8/13/07 68. Vanessa ENTERS the back room carrying coffee. VANESSA Oh you poor thing, you two have been at this for hours. BARRY Yes, and Adam here has been a huge help. ANGLE ON: A EMPTY CINNABON BOX with Adam asleep inside, covered in frosting. VANESSA How many sugars? BARRY Just one. I try not to use the competition. So, why are you helping me, anyway? VANESSA Bees have good qualities. BARRY (rowing on the sugar cube like a gondola) Si, Certo. VANESSA And it feels good to take my mind off the shop. I don’t know why, instead of flowers, people are giving balloon bouquets now. BARRY Yeah, those are great...if you’re 3. VANESSA And artificial flowers. BARRY (re: plastic flowers) Oh, they just get me psychotic! VANESSA Yeah, me too. BARRY The bent stingers, the pointless pollination. "Bee Movie" - JS REVISIONS 8/13/07 69. VANESSA Bees must hate those fake plastic things. BARRY There’s nothing worse than a daffodil that’s had work done. VANESSA (holding up the lawsuit documents) Well, maybe this can make up for it a little bit. CUT TO: EXT. VANESSA’S FLORIST SHOP They EXIT the store, and cross to the mailbox. VANESSA You know Barry, this lawsuit is a pretty big deal. BARRY I guess. VANESSA Are you sure that you want to go through with it? BARRY Am I sure? (kicking the envelope into the mailbox) When I’m done with the humans, they won’t be able to say, “Honey, I’m home,” without paying a royalty. CUT TO: SEQ. 2700 - “MEET MONTGOMERY” EXT. MANHATTAN COURTHOUSE - DAY P.O.V SHOT - A camera feed turns on, revealing a newsperson. "Bee Movie" - JS REVISIONS 8/13/07 70. PRESS PERSON #2 (talking to camera) Sarah, it’s an incredible scene here in downtown Manhattan where all eyes and ears of the world are anxiously waiting, because for the first time in history, we’re going to hear for ourselves if a honey bee can actually speak. ANGLE ON: Barry, Vanessa, and Adam getting out of the cab. The press spots Barry and Vanessa and pushes in. Adam sits on Vanessa’s shoulder. INT. COURTHOUSE - CONTINUOUS Barry, Vanessa, and Adam sit at the Plaintiff’s Table. VANESSA (turns to Barry) What have we gotten into here, Barry? BARRY I don’t know, but it’s pretty big, isn’t it? ADAM I can’t believe how many humans don’t have to be at work during the day. BARRY Hey, you think these billion dollar multinational food companies have good lawyers? CUT TO: EXT. COURTHOUSE STEPS - CONTINUOUS A BIG BLACK CAR pulls up. ANGLE ON: the grill filling the frame. We see the “L.T.M” monogram on the hood ornament. The defense lawyer, LAYTON T. MONTGOMERY comes out, squashing a bug on the pavement. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 71. INT. COURTHOUSE - CONTINUOUS Barry SHUDDERS. VANESSA What’s the matter? BARRY I don’t know. I just got a chill. Montgomery ENTERS. He walks by Barry’s table shaking a honey packet. MONTGOMERY Well, if it isn’t the B-Team. (re: the honey packet) Any of you boys work on this? He CHUCKLES. The JUDGE ENTERS. SEQ. 3000 - “WITNESSES” BAILIFF All rise! The Honorable Judge Bumbleton presiding. JUDGE (shuffling papers) Alright...Case number 4475, Superior Court of New York. Barry Bee Benson vs. the honey industry, is now in session. Mr. Montgomery, you are representing the five major food companies, collectively. ANGLE ON: Montgomery’s BRIEFCASE. It has an embossed emblem of an EAGLE, holding a gavel in one talon and a briefcase in the other. MONTGOMERY A privilege. JUDGE Mr. Benson. Barry STANDS. JUDGE (CONT’D) You are representing all bees of the world? "Bee Movie" - JS REVISIONS 8/13/07 72. Montgomery, the stenographer, and the jury lean in. CUT TO: EXT. COURTHOUSE - CONTINUOUS The spectators outside freeze. The helicopters angle forward to listen closely. CUT TO: INT. COURTHOUSE BARRY Bzzz bzzz bzzz...Ahh, I’m kidding, I’m kidding. Yes, your honor. We are ready to proceed. ANGLE ON: Courtroom hub-bub. JUDGE And Mr. Montgomery, your opening statement, please. Montgomery rises. MONTGOMERY (grumbles, clears his throat) Ladies and gentlemen of the jury. My grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we were to live in the topsy-turvy world Mr. Benson imagines, just think of what it would mean. Maybe I would have to negotiate with the silk worm for the elastic in my britches. Talking bee. How do we know this isn’t some sort of holographic motion picture capture Hollywood wizardry? They could be using laser beams, robotics, ventriloquism, cloning...for all we know he could be on steroids! Montgomery leers at Barry, who moves to the stand. "Bee Movie" - JS REVISIONS 8/13/07 73. JUDGE Mr. Benson? Barry makes his opening statement. BARRY Ladies and Gentlemen of the jury, there’s no trickery here. I’m just an ordinary bee. And as a bee, honey’s pretty important to me. It’s important to all bees. We invented it, we make it, and we protect it with our lives. Unfortunately, there are some people in this room who think they can take whatever they want from us cause we’re the little guys. And what I’m hoping is that after this is all over, you’ll see how by taking our honey, you’re not only taking away everything we have, but everything we are. ANGLE ON: Vanessa smiling. ANGLE ON: The BEE GALLERY wiping tears away. CUT TO: INT. BENSON HOUSE Barry’s family is watching the case on TV. JANET BENSON Oh, I wish he would dress like that all the time. So nice... CUT TO: INT. COURTROOM - LATER JUDGE Call your first witness. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 74. INT. COURTHOUSE - LATER BARRY So, Mr. Klauss Vanderhayden of Honey Farms. Pretty big company you have there? MR. VANDERHAYDEN I suppose so. BARRY And I see you also own HoneyBurton, and Hon-Ron. MR. VANDERHAYDEN Yes. They provide beekeepers for our farms. BARRY Beekeeper. I find that to be a very disturbing term, I have to say. I don’t imagine you employ any bee free-ers, do you? MR. VANDERHAYDEN No. BARRY I’m sorry. I couldn’t hear you. MR. VANDERHAYDEN (louder) No. BARRY No. Because you don’t free bees. You keep bees. And not only that, it seems you thought a bear would be an appropriate image for a jar of honey? MR. VANDERHAYDEN Well, they’re very lovable creatures. Yogi-bear, Fozzy-bear, Build-a-bear. BARRY Yeah, you mean like this?! Vanessa and the SUPERINTENDANT from her building ENTER with a GIANT FEROCIOUS GRIZZLY BEAR. He has a neck collar and chains extending from either side. "Bee Movie" - JS REVISIONS 8/13/07 75. By pulling the chains, they bring him directly in front of Vanderhayden. The bear LUNGES and ROARS. BARRY (CONT'D) Bears kill bees! How would you like his big hairy head crashing into your living room? Biting into your couch, spitting out your throwpillows...rowr, rowr! The bear REACTS. BEAR Rowr!! BARRY Okay, that’s enough. Take him away. Vanessa and the Superintendant pull the bear out of the courtroom. Vanderhayden TREMBLES. The judge GLARES at him. CUT TO: INT. COURTROOM- A LITTLE LATER Barry questions STING. BARRY So, Mr. Sting. Thank you for being here. Your name intrigues me, I have to say. Where have I heard it before? STING I was with a band called "The Police". BARRY But you've never been a police officer of any kind, have you? STING No, I haven't. "Bee Movie" - JS REVISIONS 8/13/07 76. BARRY No, you haven’t. And so, here we have yet another example of bee culture being casually stolen by a human for nothing more than a prance-about stage name. STING Oh please. BARRY Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say, (looking in folder) Mr. Gordon M. Sumner? The jury GASPS. MONTGOMERY (to his aides) That’s not his real name? You idiots! CUT TO: INT. COURTHOUSE- LATER BARRY Mr. Liotta, first may I offer my belated congratulations on your Emmy win for a guest spot on E.R. in 2005. LIOTTA Thank you. Thank you. Liotta LAUGHS MANIACALLY. BARRY I also see from your resume that you’re devilishly handsome, but with a churning inner turmoil that’s always ready to blow. LIOTTA I enjoy what I do. Is that a crime? "Bee Movie" - JS REVISIONS 8/13/07 77. BARRY Not yet it isn’t. But is this what it’s come to for you, Mr. Liotta? Exploiting tiny helpless bees so you don’t have to rehearse your part, and learn your lines, Sir? LIOTTA Watch it Benson, I could blow right now. BARRY This isn’t a goodfella. This is a badfella! LIOTTA (exploding, trying to smash Barry with the Emmy) Why doesn’t someone just step on this little creep and we can all go home? You’re all thinking it. Say it! JUDGE Order! Order in this courtroom! A MONTAGE OF NEWSPAPER HEADLINES FOLLOWS: NEW YORK POST: “Bees to Humans: Buzz Off”. NEW YORK TELEGRAM: “Sue Bee”. DAILY VARIETY: “Studio Dumps Liotta Project. Slams Door on Unlawful Entry 2.” CUT TO: SEQ. 3175 - “CANDLELIGHT DINNER” INT. VANESSA’S APARTMENT Barry and Vanessa are having a candle light dinner. Visible behind Barry is a “LITTLE MISSY” SET BOX, with the flaps open. BARRY Well, I just think that was awfully nice of that bear to pitch in like that. "Bee Movie" - JS REVISIONS 8/13/07 78. VANESSA I’m telling you, I think the jury’s on our side. BARRY Are we doing everything right...you know, legally? VANESSA I’m a florist. BARRY Right, right. Barry raises his glass. BARRY (CONT’D) Well, here’s to a great team. VANESSA To a great team. They toast. Ken ENTERS KEN Well hello. VANESSA Oh...Ken. BARRY Hello. VANESSA I didn’t think you were coming. KEN No, I was just late. I tried to call. But, (holding his cell phone) the battery... VANESSA I didn’t want all this to go to waste, so I called Barry. Luckily he was free. BARRY Yeah. KEN (gritting his teeth) Oh, that was lucky. "Bee Movie" - JS REVISIONS 8/13/07 79. VANESSA Well, there’s still a little left. I could heat it up. KEN Yeah, heat it up. Sure, whatever. Vanessa EXITS. Ken and Barry look at each other as Barry eats. BARRY So, I hear you’re quite a tennis player. I’m not much for the game myself. I find the ball a little grabby. KEN That’s where I usually sit. Right there. VANESSA (O.C) Ken, Barry was looking at your resume, and he agreed with me that “eating with chopsticks” isn’t really a special skill. KEN (to Barry) You think I don’t see what you’re doing? BARRY Hey look, I know how hard it is trying to find the right job. We certainly have that in common. KEN Do we? BARRY Well, bees have 100% employment, of course. But we do jobs like taking the crud out. KEN That’s just what I was thinking about doing. Ken holds his table knife up. It slips out of his hand. He goes under the table to pick it up. "Bee Movie" - JS REVISIONS 8/13/07 80. VANESSA Ken, I let Barry borrow your razor for his fuzz. I hope that was alright. Ken hits his head on the table. BARRY I’m going to go drain the old stinger. KEN Yeah, you do that. Barry EXITS to the bathroom, grabbing a small piece of a VARIETY MAGAZINE on the way. BARRY Oh, look at that. Ken slams the champagne down on the table. Ken closes his eyes and buries his face in his hands. He grabs a magazine on the way into the bathroom. SEQ. 2800 - “BARRY FIGHTS KEN” INT. BATHROOM - CONTINUOUS Ken ENTERS, closes the door behind him. He’s not happy. Barry is washing his hands. He glances back at Ken. KEN You know, I’ve just about had it with your little mind games. BARRY What’s that? KEN Italian Vogue. BARRY Mamma Mia, that’s a lot of pages. KEN It’s a lot of ads. BARRY Remember what Van said. Why is your life any more valuable than mine? "Bee Movie" - JS REVISIONS 8/13/07 81. KEN It’s funny, I just can’t seem to recall that! Ken WHACKS at Barry with the magazine. He misses and KNOCKS EVERYTHING OFF THE VANITY. Ken grabs a can of AIR FRESHENER. KEN (CONT'D) I think something stinks in here. He sprays at Barry. BARRY I love the smell of flowers. KEN Yeah? How do you like the smell of flames? Ken lights the stream. BARRY Not as much. Barry flies in a circle. Ken, trying to stay with him, spins in place. ANGLE ON: Flames outside the bathroom door. Ken slips on the Italian Vogue, falls backward into the shower, pulling down the shower curtain. The can hits him in the head, followed by the shower curtain rod, and the rubber duck. Ken reaches back, grabs the handheld shower head. He whips around, looking for Barry. ANGLE ON: A WATERBUG near the drain. WATERBUG Waterbug. Not taking sides. Barry is on the toilet tank. He comes out from behind a shampoo bottle, wearing a chapstick cap as a helmet. BARRY Ken, look at me! I’m wearing a chapstick hat. This is pathetic. ANGLE ON: Ken turning the hand shower nozzle from “GENTLE”, to “TURBO”, to “LETHAL”. "Bee Movie" - JS REVISIONS 8/13/07 82. KEN I’ve got issues! Ken fires the water at Barry, knocking him into the toilet. The items from the vanity (emory board, lipstick, eye curler, etc.) are on the toilet seat. Ken looks down at Barry. KEN (CONT'D) Well well well, a royal flush. BARRY You’re bluffing. KEN Am I? Ken flushes the toilet. Barry grabs the Emory board and uses it to surf. He puts his hand in the water while he’s surfing. Some water splashes on Ken. BARRY Surf’s up, dude! KEN Awww, poo water! He does some skate board-style half-pipe riding. Barry surfs out of the toilet. BARRY That bowl is gnarly. Ken tries to get a shot at him with the toilet brush. KEN Except for those dirty yellow rings. Vanessa ENTERS. VANESSA Kenneth! What are you doing? KEN You know what? I don’t even like honey! I don’t eat it! VANESSA We need to talk! "Bee Movie" - JS REVISIONS 8/13/07 83. She pulls Ken out by his ear. Ken glares at Barry. CUT TO: INT. HALLWAY - CONTINUOUS VANESSA He’s just a little bee. And he happens to be the nicest bee I’ve met in a long time. KEN Long time? What are you talking about? Are there other bugs in your life? VANESSA No, but there are other things bugging me in life. And you’re one of them! KEN Fine! Talking bees, no yogurt night...my nerves are fried from riding on this emotional rollercoaster. VANESSA Goodbye, Ken. KEN Augh! VANESSA Whew! Ken EXITS, then re-enters frame. KEN And for your information, I prefer sugar-free, artificial sweeteners, made by man! He EXITS again. The DOOR SLAMS behind him. VANESSA (to Barry) I’m sorry about all that. Ken RE-ENTERS. "Bee Movie" - JS REVISIONS 8/13/07 84. KEN I know it’s got an aftertaste! I like it! BARRY (re: Ken) I always felt there was some kind of barrier between Ken and me. (puts his hands in his pockets) I couldn’t overcome it. Oh well. VANESSA Are you going to be okay for the trial tomorrow? BARRY Oh, I believe Mr. Montgomery is about out of ideas. CUT TO: SEQ. 3300 - “ADAM STINGS MONTY” INT. COURTROOM - NEXT DAY ANGLE ON: Medium shot of Montgomery standing at his table. MONTGOMERY We would like to call Mr. Barry Benson Bee to the stand. ADAM (whispering to Vanessa) Now that’s a good idea. (to Barry) You can really see why he’s considered one of the very best lawyers-- Oh. Barry rolls his eyes. He gets up, takes the stand. A juror in a striped shirt APPLAUDS. MR. GAMMIL (whispering) Layton, you’ve got to weave some magic with this jury, or it’s going to be all over. Montgomery is holding a BOOK, “The Secret Life of Bees”. "Bee Movie" - JS REVISIONS 8/13/07 85. MONTGOMERY (confidently whispering) Oh, don’t worry Mr. Gammil. The only thing I have to do to turn this jury around is to remind them of what they don’t like about bees. (to Gammil) You got the tweezers? Mr. Gammil NODS, and pats his breast pocket. MR. GAMMIL Are you allergic? MONTGOMERY Only to losing, son. Only to losing. Montgomery approaches the stand. MONTGOMERY (CONT’D) Mr. Benson Bee. I’ll ask you what I think we’d all like to know. What exactly is your relationship to that woman? Montgomery points to Vanessa. BARRY We’re friends. MONTGOMERY Good friends? BARRY Yes. MONTGOMERY (softly in Barry’s face) How good? BARRY What? MONTGOMERY Do you live together? BARRY Wait a minute, this isn’t about-- "Bee Movie" - JS REVISIONS 8/13/07 86. MONTGOMERY Are you her little... (clearing throat) ... bed bug? BARRY (flustered) Hey, that’s not the kind of-- MONTGOMERY I’ve seen a bee documentary or two. Now, from what I understand, doesn’t your Queen give birth to all the bee children in the hive? BARRY Yeah, but-- MONTGOMERY So those aren’t even your real parents! ANGLE ON: Barry’s parents. MARTIN BENSON Oh, Barry. BARRY Yes they are! ADAM Hold me back! Vanessa holds him back with a COFFEE STIRRER. Montgomery points to Barry’s parents. MONTGOMERY You’re an illegitimate bee, aren’t you Benson? ADAM He’s denouncing bees! All the bees in the courtroom start to HUM. They’re agitated. MONTGOMERY And don’t y’all date your cousins? "Bee Movie" - JS REVISIONS 8/13/07 87. VANESSA (standing, letting go of Adam) Objection! Adam explodes from the table and flies towards Montgomery. ADAM I’m going to pin cushion this guy! Montgomery turns around and positions himself by the judge’s bench. He sticks his butt out. Montgomery winks at his team. BARRY Adam, don’t! It’s what he wants! Adam shoves Barry out of the way. Adam STINGS Montgomery in the butt. The jury REACTS, aghast. MONTGOMERY Ow! I’m hit! Oh, lordy, I am hit! The judge BANGS her gavel. JUDGE Order! Order! Please, Mr. Montgomery. MONTGOMERY The venom! The venom is coursing through my veins! I have been felled by a wing-ed beast of destruction. You see? You can’t treat them like equals. They’re strip-ed savages! Stinging’s the only thing they know! It’s their way! ANGLE ON: Adam, collapsed on the floor. Barry rushes to his side. BARRY Adam, stay with me. ADAM I can’t feel my legs. Montgomery falls on the Bailiff. BAILIFF Take it easy. "Bee Movie" - JS REVISIONS 8/13/07 88. MONTGOMERY Oh, what angel of mercy will come forward to suck the poison from my heaving buttocks? The JURY recoils. JUDGE Please, I will have order in this court. Order! Order, please! FADE TO: SEQ. 3400 - “ADAM AT HOSPITAL” INT. HOSPITAL - STREET LEVEL ROOM - DAY PRESS PERSON #1 (V.O) The case of the honey bees versus the human race took a pointed turn against the bees yesterday, when one of their legal team stung Layton T. Montgomery. Now here’s Don with the 5-day. A NURSE lets Barry into the room. Barry CARRIES a FLOWER. BARRY Thank you. Barry stands over Adam, in a bed. Barry lays the flower down next to him. The TV is on. BARRY (CONT'D) Hey buddy. ADAM Hey. BARRY Is there much pain? Adam has a BEE-SIZED PAINKILLER HONEY BUTTON near his head that he presses. ADAM (pressing the button) Yeah...I blew the whole case, didn’t I? "Bee Movie" - JS REVISIONS 8/13/07 89. BARRY Oh, it doesn’t matter. The important thing is you’re alive. You could have died. ADAM I’d be better off dead. Look at me. Adam THROWS the blanket off his lap, revealing a GREEN SANDWICH SWORD STINGER. ADAM (CONT’D) (voice cracking) They got it from the cafeteria, they got it from downstairs. In a tuna sandwich. Look, there’s a little celery still on it. BARRY What was it like to sting someone? ADAM I can’t explain it. It was all adrenaline...and then...ecstasy. Barry looks at Adam. BARRY Alright. ADAM You think that was all a trap? BARRY Of course. I’m sorry. I flew us right into this. What were we thinking? Look at us, we’re just a couple of bugs in this world. ADAM What do you think the humans will do to us if they win? BARRY I don’t know. ADAM I hear they put the roaches in motels. That doesn’t sound so bad. "Bee Movie" - JS REVISIONS 8/13/07 90. BARRY Adam, they check in, but they don’t check out. Adam GULPS. ADAM Oh my. ANGLE ON: the hospital window. We see THREE PEOPLE smoking outside on the sidewalk. The smoke drifts in. Adam COUGHS. ADAM (CONT’D) Say, could you get a nurse to close that window? BARRY Why? ADAM The smoke. Bees don’t smoke. BARRY Right. Bees don’t smoke. Bees don’t smoke! But some bees are smoking. Adam, that’s it! That’s our case. Adam starts putting his clothes on. ADAM It is? It’s not over? BARRY No. Get up. Get dressed. I’ve got to go somewhere. You get back the court and stall. Stall anyway you can. CUT TO: SEQ. 3500 - “SMOKING GUN” INT. COURTROOM - THE NEXT DAY Adam is folding a piece of paper into a boat. ADAM ...and assuming you’ve done step 29 correctly, you’re ready for the tub. "Bee Movie" - JS REVISIONS 8/13/07 91. ANGLE ON: The jury, all with paper boats of their own. JURORS Ooh. ANGLE ON: Montgomery frustrated with Gammil, who’s making a boat also. Monty crumples Gammil’s boat, and throws it at him. JUDGE Mr. Flayman? ADAM Yes? Yes, Your Honor? JUDGE Where is the rest of your team? ADAM (fumbling with his swordstinger) Well, your honor, it’s interesting. You know Bees are trained to fly kind of haphazardly and as a result quite often we don’t make very good time. I actually once heard a pretty funny story about a bee-- MONTGOMERY Your Honor, haven’t these ridiculous bugs taken up enough of this court’s valuable time? Montgomery rolls out from behind his table. He’s suspended in a LARGE BABY CHAIR with wheels. MONTGOMERY (CONT'D) How much longer are we going to allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients who have all run perfectly legitimate businesses. I move for a complete dismissal of this entire case. JUDGE Mr. Flayman, I am afraid I am going to have to consider Mr. Montgomery’s motion. "Bee Movie" - JS REVISIONS 8/13/07 92. ADAM But you can’t. We have a terrific case. MONTGOMERY Where is your proof? Where is the evidence? Show me the smoking gun. Barry bursts through the door. BARRY Hold it, your honor. You want a smoking gun? Here is your smoking gun. Vanessa ENTERS, holding a bee smoker Vanessa slams the beekeeper's SMOKER onto the judge’s bench. JUDGE What is that? BARRY It’s a Bee smoker. Montgomery GRABS the smoker. MONTGOMERY What, this? This harmless little contraption? This couldn’t hurt a fly, let alone a bee. He unintentionally points it towards the bee gallery, KNOCKING THEM ALL OUT. The jury GASPS. The press SNAPS pictures of them. BARRY Members of the jury, look at what has happened to bees who have never been asked, "Smoking or Non?" Is this what nature intended for us? To be forcibly addicted to these smoke machines in man-made wooden slat work camps? Living out our lives as honey slaves to the white man? Barry gestures dramatically towards Montgomery's racially mixed table. The BLACK LAWYER slowly moves his chair away. GAMMIL What are we going to do? "Bee Movie" - JS REVISIONS 8/13/07 93. MONTGOMERY (to Pross) He's playing the species card. Barry lands on the scale of justice, by the judge’s bench. It balances as he lands. BARRY Ladies and gentlemen, please, FreeThese-Bees! ANGLE ON: Jury, chanting "Free the bees". JUDGE The court finds in favor of the bees. The chaos continues. Barry flies over to Vanessa, with his hand up for a “high 5”. BARRY Vanessa, we won! VANESSA Yay! I knew you could do it. Highfive! She high 5’s Barry, sending him crashing to the table. He bounces right back up. VANESSA (CONT'D) Oh, sorry. BARRY Ow!! I’m okay. Vanessa, do you know what this means? All the honey is finally going to belong to the bees. Now we won’t have to work so hard all the time. Montgomery approaches Barry, surrounded by the press. The cameras and microphones go to Montgomery. MONTGOMERY (waving a finger) This is an unholy perversion of the balance of nature, Benson! You’ll regret this. ANGLE ON: Barry’s ‘deer in headlights’ expression, as the press pushes microphones in his face. "Bee Movie" - JS REVISIONS 8/13/07 94. PRESS PERSON 1 Barry, how much honey do you think is out there? BARRY Alright, alright, one at a time... SARAH Barry, who are you wearing? BARRY Uhhh, my sweater is Ralph Lauren, and I have no pants. The Press follows Barry as he EXITS. ANGLE ON: Adam and Vanessa. ADAM (putting papers away) What if Montgomery’s right? VANESSA What do you mean? ADAM We’ve been living the bee way a long time. 27 million years. DISSOLVE TO: SEQ. 3600 - “HONEY ROUNDUP” EXT. HONEY FARMS APIARY - MONTAGE SARAH (V.O) Congratulations on your victory. What are you going to demand as a settlement? BARRY (V.O) (over montage) First, we’re going to demand a complete shutdown of all bee work camps. Then, we want to get back all the honey that was ours to begin with. Every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, big-headed, bad breath, stink-machine. "Bee Movie" - JS REVISIONS 8/13/07 95. I believe we’re all aware of what they do in the woods. We will no longer tolerate derogatory beenegative nick-names, unnecessary inclusion of honey in bogus health products, and la-dee-da tea-time human snack garnishments. MONTAGE IMAGES: Close-up on an ATF JACKET, with the YELLOW LETTERS. Camera pulls back. We see an ARMY OF BEE AND HUMAN AGENTS wearing hastily made “Alcohol, Tobacco, Firearms, and Honey” jackets. Barry supervises. The gate to Honey Farms is locked permanently. All the smokers are collected and locked up. All the bees leave the Apiary. CUT TO: EXT. ATF OUTSIDE OF SUPERMARKET - MONTAGE Agents begin YANKING honey off the supermarket shelves, and out of shopping baskets. CUT TO: EXT. NEW HIVE CITY - MONTAGE The bees tear down a honey-bear statue. CUT TO: EXT. YELLOWSTONE FOREST - MONTAGE POV of a sniper’s crosshairs. An animated BEAR character looka-like, turns his head towards camera. BARRY Wait for my signal. ANGLE ON: Barry lowering his binoculars. BARRY (CONT'D) Take him out. The sniper SHOOTS the bear. It hits him in the shoulder. The bear looks at it. He gets woozy and the honey jar falls out of his lap, an ATF&H agent catches it. "Bee Movie" - JS REVISIONS 8/13/07 96. BARRY (V.O) (CONT'D) ATF&H AGENT (to the bear’s pig friend) He’ll have a little nausea for a few hours, then he’ll be fine. CUT TO: EXT. STING’S HOUSE - MONTAGE ATF&H agents SLAP CUFFS on Sting, who is meditating. STING But it’s just a prance-about stage name! CUT TO: INT. A WOMAN’S SHOWER - MONTAGE A WOMAN is taking a shower, and using honey shampoo. An ATF&H agent pulls the shower curtain aside, and grabs her bottle of shampoo. The woman SCREAMS. The agent turns to the 3 other agents, and Barry. ANGLE ON: Barry looking at the label on the shampoo bottle, shaking his head and writing in his clipboard. CUT TO: EXT. SUPERMARKET CAFE - MONTAGE Another customer, an old lady having her tea with a little jar of honey, gets her face pushed down onto the table and turned to the side by two agents. One of the agents has a gun on her. OLD LADY Can’t breathe. CUT TO: EXT. CENTRAL PARK - MONTAGE An OIL DRUM of honey is connected to Barry’s hive. "Bee Movie" - JS REVISIONS 8/13/07 97. BARRY Bring it in, boys. CUT TO: SEQ. 3650 - “NO MORE WORK” INT. HONEX - MONTAGE ANGLE ON: The honey goes past the 3-cup hash-mark, and begins to overflow. A WORKER BEE runs up to Buzzwell. WORKER BEE 1 Mr. Buzzwell, we just passed 3 cups, and there’s gallons mores coming. I think we need to shutdown. KEYCHAIN BEE (to Buzzwell) Shutdown? We’ve never shutdown. ANGLE ON: Buzzwell overlooking the factory floor. BUZZWELL Shutdown honey production! Stop making honey! ANGLE ON: TWO BEES, each with a KEY. BUZZWELL (CONT’D) Turn your key, Sir! They turn the keys simultaneously, War Games-style, shutting down the honey machines. ANGLE ON: the Taffy-Pull machine, Centrifuge, and Krelman all slowly come to a stop. The bees look around, bewildered. WORKER BEE 5 What do we do now? A BEAT. WORKER BEE 6 Cannon ball!! He jumps into a HONEY VAT, doesn’t penetrate the surface. He looks around, and slowly sinks down to his waist. "Bee Movie" - JS REVISIONS 8/13/07 98. EXT. HONEX FACTORY THE WHISTLE BLOWS, and the bees all stream out the exit. CUT TO: INT. J-GATE - CONTINUOUS Lou Loduca gives orders to the pollen jocks. LOU LODUCA We’re shutting down honey production. Mission abort. CUT TO: EXT. CENTRAL PARK Jackson receives the orders, mid-pollination. JACKSON Aborting pollination and nectar detail. Returning to base. CUT TO: EXT. NEW HIVE CITY ANGLE ON: Bees, putting sun-tan lotion on their noses and antennae, and sunning themselves on the balconies of the gyms. CUT TO: EXT. CENTRAL PARK ANGLE ON: THE FLOWERS starting to DROOP. CUT TO: INT. J-GATE J-Gate is deserted. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 99. EXT. NEW HIVE CITY ANGLE ON: Bees sunning themselves. A TIMER DINGS, and they all turn over. CUT TO: EXT. CENTRAL PARK TIME LAPSE of Central Park turning brown. CUT TO: EXT. VANESSA’S FLORIST SHOP CLOSE-UP SHOT: Vanessa writes “Sorry. No more flowers.” on a “Closed” sign, an turns it facing out. CUT TO: SEQ. 3700 - “IDLE HIVE” EXT. NEW HIVE CITY - DAY Barry flies at high speed. TRACKING SHOT into the hive, through the lobby of Honex, and into Adam’s office. CUT TO: INT. ADAM’S OFFICE - CONTINUOUS Barry meets Adam in his office. Adam’s office is in disarray. There are papers everywhere. He’s filling up his cardboard hexagon box. BARRY (out of breath) Adam, you wouldn’t believe how much honey was out there. ADAM Oh yeah? BARRY What’s going on around here? Where is everybody? Are they out celebrating? "Bee Movie" - JS REVISIONS 8/13/07 100. ADAM (exiting with a cardboard box of belongings) No, they’re just home. They don’t know what to do. BARRY Hmmm. ADAM They’re laying out, they’re sleeping in. I heard your Uncle Carl was on his way to San Antonio with a cricket. BARRY At least we got our honey back. They walk through the empty factory. ADAM Yeah, but sometimes I think, so what if the humans liked our honey? Who wouldn’t? It’s the greatest thing in the world. I was excited to be a part of making it. ANGLE ON: Adam’s desk on it’s side in the hall. ADAM (CONT’D) This was my new desk. This was my new job. I wanted to do it really well. And now...and now I can’t. Adam EXITS. CUT TO: SEQ. 3900 - “WORLD WITHOUT BEES” INT. STAIRWELL Vanessa and Barry are walking up the stairs to the roof. BARRY I don’t understand why they’re not happy. We have so much now. I thought their lives would be better. "Bee Movie" - JS REVISIONS 8/13/07 101. VANESSA Hmmm. BARRY They’re doing nothing. It’s amazing, honey really changes people. VANESSA You don’t have any idea what’s going on, do you? BARRY What did you want to show me? VANESSA This. They reach the top of the stairs. Vanessa opens the door. CUT TO: EXT. VANESSA’S ROOFTOP - CONTINUOUS Barry sees Vanessa’s flower pots and small garden have all turned brown. BARRY What happened here? VANESSA That is not the half of it... Vanessa turns Barry around with her two fingers, revealing the view of Central Park, which is also all brown. BARRY Oh no. Oh my. They’re all wilting. VANESSA Doesn’t look very good, does it? BARRY No. VANESSA And who’s fault do you think that is? "Bee Movie" - JS REVISIONS 8/13/07 102. BARRY Mmmm...you know, I’m going to guess, bees. VANESSA Bees? BARRY Specifically me. I guess I didn’t think that bees not needing to make honey would affect all these other things. VANESSA And it’s not just flowers. Fruits, vegetables...they all need bees. BARRY Well, that’s our whole SAT test right there. VANESSA So, you take away the produce, that affects the entire animal kingdom. And then, of course... BARRY The human species? VANESSA (clearing throat) Ahem! BARRY Oh. So, if there’s no more pollination, it could all just go south here, couldn’t it? VANESSA And I know this is also partly my fault. Barry takes a long SIGH. BARRY How about a suicide pact? VANESSA (not sure if he’s joking) How would we do it? BARRY I’ll sting you, you step on me. "Bee Movie" - JS REVISIONS 8/13/07 103. VANESSA That just kills you twice. BARRY Right, right. VANESSA Listen Barry. Sorry but I’ve got to get going. She EXITS. BARRY (looking out over the park) Had to open my mouth and talk... (looking back) Vanessa..? Vanessa is gone. CUT TO: SEQ. 3935 - “GOING TO PASADENA” EXT. NY STREET - CONTINUOUS Vanessa gets into a cab. Barry ENTERS. BARRY Vanessa. Why are you leaving? Where are you going? VANESSA To the final Tournament of Roses parade in Pasadena. They moved it up to this weekend because all the flowers are dying. It’s the last chance I’ll ever have to see it. BARRY Vanessa, I just want to say I’m sorry. I never meant it to turn out like this. VANESSA I know. Me neither. Vanessa cab drives away. "Bee Movie" - JS REVISIONS 8/13/07 104. BARRY (chuckling to himself) Tournament of Roses. Roses can’t do sports. Wait a minute...roses. Roses? Roses!? Vanessa! Barry follows shortly after. He catches up to it, and he pounds on the window. Barry follows shortly after Vanessa’s cab. He catches up to it, and he pounds on the window. INT. TAXI - CONTINUOUS Barry motions for her to roll the window down. She does so. BARRY Roses?! VANESSA Barry? BARRY (as he flies next to the cab) Roses are flowers. VANESSA Yes, they are. BARRY Flowers, bees, pollen! VANESSA I know. That’s why this is the last parade. BARRY Maybe not. The cab starts pulling ahead of Barry. BARRY (CONT'D) (re: driver) Could you ask him to slow down? VANESSA Could you slow down? The cabs slows. Barry flies in the window, and lands in the change box, which closes on him. "Bee Movie" - JS REVISIONS 8/13/07 105. VANESSA (CONT'D) Barry! Vanessa lets him out. Barry stands on the change box, in front of the driver’s license. BARRY Okay, I made a huge mistake! This is a total disaster, and it’s all my fault! VANESSA Yes, it kind of is. BARRY I’ve ruined the planet. And, I wanted to help with your flower shop. Instead, I’ve made it worse. VANESSA Actually, it’s completely closed down. BARRY Oh, I thought maybe you were remodeling. Nonetheless, I have another idea. And it’s greater than all my previous great ideas combined. VANESSA I don’t want to hear it. Vanessa closes the change box on Barry. BARRY (opening it again) Alright, here’s what I’m thinking. They have the roses, the roses have the pollen. I know every bee, plant, and flower bud in this park. All we’ve got to do is get what they’ve got back here with what we’ve got. VANESSA Bees... BARRY Park... VANESSA Pollen... "Bee Movie" - JS REVISIONS 8/13/07 106. BARRY Flowers... VANESSA Repollination! BARRY (on luggage handle, going up) Across the nation! CUT TO: SEQ. 3950 - “ROSE PARADE” EXT. PASADENA PARADE BARRY (V.O) Alright. Tournament of Roses. Pasadena, California. They’ve got nothing but flowers, floats, and cotton candy. Security will be tight. VANESSA I have an idea. CUT TO: EXT. FLOAT STAGING AREA ANGLE ON: Barry and Vanessa approaching a HEAVILY ARMED GUARD in front of the staging area. VANESSA Vanessa Bloome, FTD. Official floral business. He leans in to look at her badge. She SNAPS IT SHUT, VANESSA (CONT’D) Oh, it’s real. HEAVILY ARMED GUARD Sorry ma’am. That’s a nice brooch, by the way. VANESSA Thank you. It was a gift. "Bee Movie" - JS REVISIONS 8/13/07 107. They ENTER the staging area. BARRY (V.O) Then, once we’re inside, we just pick the right float. VANESSA How about the Princess and the Pea? BARRY Yeah. VANESSA I can be the princess, and-- BARRY ...yes, I think-- VANESSA You could be-- BARRY I’ve-- VANESSA The pea. BARRY Got it. CUT TO: EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER Barry, dressed as a PEA, flies up and hovers in front of the princess on the “Princess and the Pea” float. The float is sponsored by Inflat-a-bed and a SIGN READS: “Inflat-a-bed: If it blows, it’s ours.” BARRY Sorry I’m late. Where should I sit? PRINCESS What are you? BARRY I believe I’m the pea. PRINCESS The pea? It’s supposed to be under the mattresses. "Bee Movie" - JS REVISIONS 8/13/07 108. BARRY Not in this fairy tale, sweetheart. PRINCESS I’m going to go talk to the marshall. BARRY You do that. This whole parade is a fiasco! She EXITS. Vanessa removes the step-ladder. The princess FALLS. Barry and Vanessa take off in the float. BARRY (CONT’D) Let’s see what this baby will do. ANGLE ON: Guy with headset talking to drivers. HEADSET GUY Hey! The float ZOOMS by. A young CHILD in the stands, TIMMY, cries. CUT TO: EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER ANGLE ON: Vanessa putting the princess hat on. BARRY (V.O) Then all we do is blend in with traffic, without arousing suspicion. CUT TO: EXT. THE PARADE ROUTE - CONTINUOUS The floats go flying by the crowds. Barry and Vanessa’s float CRASHES through the fence. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 109. EXT. LA FREEWAY Vanessa and Barry speed, dodging and weaving, down the freeway. BARRY (V.O) And once we’re at the airport, there’s no stopping us. CUT TO: EXT. LAX AIRPORT Barry and Vanessa pull up to the curb, in front of an TSA AGENT WITH CLIPBOARD. TSA AGENT Stop. Security. Did you and your insect pack your own float? VANESSA (O.C) Yes. TSA AGENT Has this float been in your possession the entire time? VANESSA (O.C) Since the parade...yes. ANGLE ON: Barry holding his shoes. TSA AGENT Would you remove your shoes and everything in your pockets? Can you remove your stinger, Sir? BARRY That’s part of me. TSA AGENT I know. Just having some fun. Enjoy your flight. CUT TO: EXT. RUNWAY Barry and Vanessa’s airplane TAKES OFF. "Bee Movie" - JS REVISIONS 8/13/07 110. BARRY (O.C) Then, if we’re lucky, we’ll have just enough pollen to do the job. DISSOLVE TO: SEQ. 4025 - “COCKPIT FIGHT” INT. AIRPLANE Vanessa is on the aisle. Barry is on a laptop calculating flowers, pollen, number of bees, airspeed, etc. He does a “Stomp” dance on the keyboard. BARRY Can you believe how lucky we are? We have just enough pollen to do the job. I think this is going to work, Vanessa. VANESSA It’s got to work. PILOT (V.O) Attention passengers. This is Captain Scott. I’m afraid we have a bit of bad weather in the New York area. And looks like we’re going to be experiencing a couple of hours delay. VANESSA Barry, these are cut flowers with no water. They’ll never make it. BARRY I’ve got to get up there and talk to these guys. VANESSA Be careful. Barry flies up to the cockpit door. CUT TO: INT. COCKPIT - CONTINUOUS A female flight attendant, ANGELA, is in the cockpit with the pilots. "Bee Movie" - JS REVISIONS 8/13/07 111. There’s a KNOCK at the door. BARRY (C.O) Hey, can I get some help with this Sky Mall Magazine? I’d like to order the talking inflatable travel pool filter. ANGELA (to the pilots, irritated) Excuse me. CUT TO: EXT. CABIN - CONTINUOUS Angela opens the cockpit door and looks around. She doesn’t see anybody. ANGLE ON: Barry hidden on the yellow and black “caution” stripe. As Angela looks around, Barry zips into the cockpit. CUT TO: INT. COCKPIT BARRY Excuse me, Captain. I am in a real situation here... PILOT (pulling an earphone back, to the co-pilot) What did you say, Hal? CO-PILOT I didn’t say anything. PILOT (he sees Barry) Ahhh! Bee! BARRY No, no! Don’t freak out! There’s a chance my entire species-- CO-PILOT (taking off his earphones) Ahhh! "Bee Movie" - JS REVISIONS 8/13/07 112. The pilot grabs a “DUSTBUSTER” vacuum cleaner. He aims it around trying to vacuum up Barry. The co-pilot faces camera, as the pilot tries to suck Barry up. Barry is on the other side of the co-pilot. As they dosey-do, the toupee of the co-pilot begins to come up, still attached to the front. CO-PILOT (CONT'D) What are you doing? Stop! The toupee comes off the co-pilot’s head, and sticks in the Dustbuster. Barry runs across the bald head. BARRY Wait a minute! I’m an attorney! CO-PILOT Who’s an attorney? PILOT Don’t move. The pilot uses the Dustbuster to try and mash Barry, who is hovering in front of the co-pilot’s nose, and knocks out the co-pilot who falls out of his chair, hitting the life raft release button. The life raft inflates, hitting the pilot, knocking him into a wall and out cold. Barry surveys the situation. BARRY Oh, Barry. CUT TO: INT. AIRPLANE CABIN Vanessa studies her laptop, looking serious. SFX: PA CRACKLE. BARRY (V.O) (in captain voice) Good afternoon passengers, this is your captain speaking. Would a Miss Vanessa Bloome in 24F please report to the cockpit. And please hurry! "Bee Movie" - JS REVISIONS 8/13/07 113. ANGLE ON: The aisle, and Vanessa head popping up. CUT TO: INT. COCKPIT Vanessa ENTERS. VANESSA What happened here? BARRY I tried to talk to them, but then there was a Dustbuster, a toupee, a life raft exploded...Now one’s bald, one’s in a boat, and they’re both unconscious. VANESSA Is that another bee joke? BARRY No. No one’s flying the plane. The AIR TRAFFIC CONTROLLER, BUD, speaks over the radio. BUD This is JFK control tower. Flight 356, what’s your status? Vanessa presses a button, and the intercom comes on. VANESSA This is Vanessa Bloome. I’m a florist from New York. BUD Where’s the pilot? VANESSA He’s unconscious and so is the copilot. BUD Not good. Is there anyone onboard who has flight experience? A BEAT. BARRY As a matter of fact, there is. "Bee Movie" - JS REVISIONS 8/13/07 114. BUD Who’s that? VANESSA Barry Benson. BUD From the honey trial? Oh great. BARRY Vanessa, this is nothing more than a big metal bee. It’s got giant wings, huge engines. VANESSA I can’t fly a plane. BARRY Why not? Isn’t John Travolta a pilot? VANESSA Yes? BARRY How hard could it be? VANESSA Wait a minute. Barry, we’re headed into some lightning. CUT TO: Vanessa shrugs, and takes the controls. SEQ. 4150 - “BARRY FLIES PLANE” INT. BENSON HOUSE The family is all huddled around the TV at the Benson house. ANGLE ON: TV. Bob Bumble is broadcasting. BOB BUMBLE This is Bob Bumble. We have some late-breaking news from JFK airport, where a very suspenseful scene is developing. Barry Benson, fresh off his stunning legal victory... "Bee Movie" - JS REVISIONS 8/13/07 115. Adam SPRAYS a can of HONEY-WHIP into his mouth. ADAM That’s Barry. BOB BUMBLE ...is now attempting to land a plane, loaded with people, flowers, and an incapacitated flight crew. EVERYONE Flowers?! CUT TO: INT. AIR TRAFFIC CONTROL TOWER BUD Well, we have an electrical storm in the area, and two individuals at the controls of a jumbo jet with absolutely no flight experience. JEANETTE CHUNG Just a minute, Mr. Ditchwater, there’s a honey bee on that plane. BUD Oh, I’m quite familiar with Mr. Benson’s work, and his no-account compadres. Haven’t they done enough damage already? JEANETTE CHUNG But isn’t he your only hope right now? BUD Come on, technically a bee shouldn’t be able to fly at all. CUT TO: INT. COCKPIT. Barry REACTS BUD The wings are too small, their bodies are too big-- "Bee Movie" - JS REVISIONS 8/13/07 116. BARRY (over PA) Hey, hold on a second. Haven’t we heard this million times? The surface area of the wings, and the body mass doesn’t make sense? JEANETTE CHUNG Get this on the air. CAMERAMAN You got it! CUT TO: INT. BEE TV CONTROL ROOM An engineer throws a switch. BEE ENGINEER Stand by. We’re going live. The “ON AIR” sign illuminates. CUT TO: INT. VARIOUS SHOTS OF NEW HIVE CITY The news report plays on TV. The pollen jocks are sitting around, playing paddle-ball, Wheel-o, and one of them is spinning his helmet on his finger. Buzzwell is in an office cubicle, playing computer solitaire. Barry’s family and Adam watch from their living room. Bees sitting on the street curb turn around to watch the TV. BARRY Mr. Ditchwater, the way we work may be a mystery to you, because making honey takes a lot of bees doing a lot of small jobs. But let me tell you something about a small job. If you do it really well, it makes a big difference. More than we realized. To us, to everyone. That’s why I want to get bees back to doing what we do best. "Bee Movie" - JS REVISIONS 8/13/07 117. Working together. That’s the bee way. We’re not made of Jello. We get behind a fellow. Black and yellow. CROWD OF BEES Hello! CUT TO: INT. COCKPIT Barry is giving orders to Vanessa. BARRY Left, right, down, hover. VANESSA Hover? BARRY Forget hover. VANESSA You know what? This isn’t so hard. Vanessa pretends to HONK THE HORN. VANESSA (CONT’D) Beep, beep! Beep, beep! A BOLT OF LIGHTNING HITS the plane. The plane takes a sharp dip. VANESSA (CONT’D) Barry, what happened? BARRY (noticing the control panel) Wait a minute. I think we were on autopilot that whole time. VANESSA That may have been helping me. BARRY And now we’re not! VANESSA (V.O.) (folding her arms) Well, then it turns out I cannot fly a plane. "Bee Movie" - JS REVISIONS 8/13/07 118. BARRY (CONT'D) Vanessa struggles with the yoke. CUT TO: EXT. AIRPLANE The airplane goes into a steep dive. CUT TO: SEQ. 4175 - “CRASH LANDING” INT. J-GATE An ALERT SIGN READING: “Hive Alert. We Need:” Then the SIGNAL goes from “Two Bees” “Some Bees” “Every Bee There Is” Lou Loduca gathers the pollen jocks at J-Gate. LOU LODUCA All of you, let’s get behind this fellow. Move it out! The bees follow Lou Loduca, and EXIT J-Gate. CUT TO: INT. AIRPLANE COCKPIT BARRY Our only chance is if I do what I would do, and you copy me with the wings of the plane! VANESSA You don’t have to yell. BARRY I’m not yelling. We happen to be in a lot of trouble here. VANESSA It’s very hard to concentrate with that panicky tone in your voice. BARRY It’s not a tone. I’m panicking! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 119. EXT. JFK AIRPORT ANGLE ON: The bees arriving and massing at the airport. CUT TO: INT. COCKPIT Barry and Vanessa alternately SLAP EACH OTHER IN THE FACE. VANESSA I don’t think I can do this. BARRY Vanessa, pull yourself together. Listen to me, you have got to snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! CUT TO: EXT. AIRPLANE A GIGANTIC SWARM OF BEES flies in to hold the plane up. CUT TO: INT. COCKPIT - CONTINUOUS BARRY You snap out of it! VANESSA You snap out of it! "Bee Movie" - JS REVISIONS 8/13/07 120. BARRY You snap-- VANESSA Hold it! BARRY (about to slap her again) Why? Come on, it’s my turn. VANESSA How is the plane flying? Barry’s antennae ring. BARRY I don’t know. (answering) Hello? CUT TO: EXT. AIRPLANE ANGLE ON: The underside of the plane. The pollen jocks have massed all around the underbelly of the plane, and are holding it up. LOU LODUCA Hey Benson, have you got any flowers for a happy occasion in there? CUT TO: INT. COCKPIT Lou, Buzz, Splitz, and Jackson come up alongside the cockpit. BARRY The pollen jocks! VANESSA They do get behind a fellow. BARRY Black and yellow. LOU LODUCA (over headset) Hello. "Bee Movie" - JS REVISIONS 8/13/07 121. Alright you two, what do you say we drop this tin can on the blacktop? VANESSA What blacktop? Where? I can’t see anything. Can you? BARRY No, nothing. It’s all cloudy. CUT TO: EXT. RUNWAY Adam SHOUTS. ADAM Come on, you’ve got to think bee, Barry. Thinking bee, thinking bee. ANGLE ON: Overhead shot of runway. The bees are in the formation of a flower. In unison they move, causing the flower to FLASH YELLOW AND BLACK. BEES (chanting) Thinking bee, thinking bee. CUT TO: INT. COCKPIT We see through the swirling mist and clouds. A GIANT SHAPE OF A FLOWER is forming in the middle of the runway. BARRY Wait a minute. I think I’m feeling something. VANESSA What? BARRY I don’t know, but it’s strong. And it’s pulling me, like a 27 million year old instinct. Bring the nose of the plane down. "Bee Movie" - JS REVISIONS 8/13/07 122. LOU LODUCA (CONT'D) EXT. RUNWAY All the bees are on the runway chanting “Thinking Bee”. CUT TO: INT. CONTROL TOWER RICK What in the world is on the tarmac? ANGLE ON: Dave OTS onto runway seeing a flower being formed by millions of bees. BUD Get some lights on that! CUT TO: EXT. RUNWAY ANGLE ON: AIRCRAFT LANDING LIGHT SCAFFOLD by the side of the runway, illuminating the bees in their flower formation. INT. COCKPIT BARRY Vanessa, aim for the flower! VANESSA Oh, okay? BARRY Cut the engines! VANESSA Cut the engines? BARRY We’re going in on bee power. Ready boys? LOU LODUCA Affirmative. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 123. INT. AIRPLANE COCKPIT BARRY Good, good, easy now. Land on that flower! Ready boys? Give me full reverse. LOU LODUCA Spin it around! The plane attempts to land on top of an “Aloha Airlines” plane with flowers painted on it. BARRY (V.O) I mean the giant black and yellow pulsating flower made of millions of bees! VANESSA Which flower? BARRY That flower! VANESSA I’m aiming at the flower! The plane goes after a FAT GUY IN A HAWAIIAN SHIRT. BARRY (V.O) That’s a fat guy in a flowered shirt! The other other flower! The big one. He snaps a photo and runs away. BARRY (CONT'D) Full forward. Ready boys? Nose down. Bring your tail up. Rotate around it. VANESSA Oh, this is insane, Barry. BARRY This is the only way I know how to fly. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 124. AIR TRAFFIC CONTROL TOWER BUD Am I koo-koo kachoo, or is this plane flying in an insect-like pattern? CUT TO: EXT. RUNWAY BARRY (V.O) Get your nose in there. Don’t be afraid of it. Smell it. Full reverse! Easy, just drop it. Be a part of it. Aim for the center! Now drop it in. Drop it in, woman! The plane HOVERS and MANEUVERS, landing in the center of the giant flower, like a bee. The FLOWERS from the cargo hold spill out onto the runway. INT. AIPLANE CABIN The passengers are motionless for a beat. PASSENGER Come on already! They hear the “ding ding”, and all jump up to grab their luggage out of the overheads. SEQ. 4225 - “RUNWAY SPEECH” EXT. RUNWAY - CONTINUOUS The INFLATABLE SLIDES pop out the side of the plane. The passengers escape. Barry and Vanessa slide down out of the cockpit. Barry and Vanessa exhale a huge breath. VANESSA Barry, we did it. You taught me how to fly. Vanessa raises her hand up for a high five. "Bee Movie" - JS REVISIONS 8/13/07 125. BARRY Yes. No high five. VANESSA Right. ADAM Barry, it worked. Did you see the giant flower? BARRY What giant flower? Where? Of course I saw the flower! That was genius, man. Genius! ADAM Thank you. BARRY But we’re not done yet. Barry flies up to the wing of the plane, and addresses the bee crowd. BARRY (CONT’D) Listen everyone. This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We’re the only ones who make honey, pollinate flowers, and dress like this. If we’re going to survive as a species, this is our moment. So what do you all say? Are we going to be bees, or just Museum of Natural History key chains? BEES We’re bees! KEYCHAIN BEE Keychain! BARRY Then follow me... Except Keychain. BUZZ Hold on Barry. You’ve earned this. Buzz puts a pollen jock jacket and helmet with Barry’s name on it on Barry. "Bee Movie" - JS REVISIONS 8/13/07 126. BARRY I’m a pollen jock! (looking at the jacket. The sleeves are a little long) And it’s a perfect fit. All I’ve got to do are the sleeves. The Pollen Jocks toss Barry a gun. BARRY (CONT’D) Oh yeah! ANGLE ON: Martin and Janet Benson. JANET BENSON That’s our Barry. All the bees descend upon the flowers on the tarmac, and start collecting pollen. CUT TO: SEQ. 4250 - “RE-POLLINATION” EXT. SKIES - CONTINUOUS The squadron FLIES over the city, REPOLLINATING trees and flowers as they go. Barry breaks off from the group, towards Vanessa’s flower shop. CUT TO: EXT. VANESSA’S FLOWER SHOP - CONTINUOUS Barry REPOLLINATES Vanessa’s flowers. CUT TO: EXT. CENTRAL PARK - CONTINUOUS ANGLE ON: Timmy with a frisbee, as the bees fly by. TIMMY Mom, the bees are back! "Bee Movie" - JS REVISIONS 8/13/07 127. Central Park is completely repollinated by the bees. DISSOLVE TO: INT. HONEX - CONTINUOUS Honex is back to normal and everyone is busily working. ANGLE ON: Adam, putting his Krelman hat on. ADAM If anyone needs to make a call, now’s the time. I’ve got a feeling we’ll be working late tonight! The bees CHEER. CUT TO: SEQ. 4355 EXT: VANESSA’S FLOWER SHOP With a new sign out front. “Vanessa & Barry: Flowers, Honey, Legal Advice” DISSOLVE TO: INT: FLOWER COUNTER Vanessa doing a brisk trade with many customers. CUT TO: INT: FLOWER SHOP - CONTINUOUS Vanessa is selling flowers. In the background, there are SHELVES STOCKED WITH HONEY. VANESSA (O.C.) Don’t forget these. Have a great afternoon. Yes, can I help who’s next? Who’s next? Would you like some honey with that? It is beeapproved. SIGN ON THE BACK ROOM DOOR READS: “Barry Benson: Insects at Law”. "Bee Movie" - JS REVISIONS 8/13/07 128. Camera moves into the back room. ANGLE ON: Barry. ANGLE ON: Barry’s COW CLIENT. COW Milk, cream, cheese...it’s all me. And I don’t see a nickel. BARRY Uh huh? Uh huh? COW (breaking down) Sometimes I just feel like a piece of meat. BARRY I had no idea. VANESSA Barry? I’m sorry, have you got a moment? BARRY Would you excuse me? My mosquito associate here will be able to help you. Mooseblood ENTERS. MOOSEBLOOD Sorry I’m late. COW He’s a lawyer too? MOOSEBLOOD Ma’am, I was already a bloodsucking parasite. All I needed was * a briefcase. * ANGLE ON: Flower Counter. VANESSA (to customer) Have a great afternoon! (to Barry) Barry, I just got this huge tulip order for a wedding, and I can’t get them anywhere. "Bee Movie" - JS REVISIONS 8/13/07 129. BARRY Not a problem, Vannie. Just leave it to me. Vanessa turns back to deal with a customer. VANESSA You’re a life-saver, Barry. (to the next customer) Can I help who’s next? Who’s next? ANGLE ON: Vanessa smiling back at Barry. Barry smiles too, then snaps himself out of it. BARRY (speaks into his antennae) Alright. Scramble jocks, it’s time to fly! VANESSA Thank you, Barry! EXT. FLOWER SHOP - CONTINUOUS ANGLE ON: Ken and Andy walking down the street. KEN (noticing the new sign) Augh! What in the world? It’s that bee again! ANDY (guiding Ken protectively) Let it go, Kenny. KEN That bee is living my life! When will this nightmare end? ANDY Let it all go. They don’t break stride. ANGLE ON: Camera in front of Barry as he flies out the door and up into the sky. Pollen jocks fold in formation behind him as they zoom into the park. BARRY (to Splitz) Beautiful day to fly. "Bee Movie" - JS REVISIONS 8/13/07 130. JACKSON Sure is. BARRY Between you and me, I was dying to get out of that office. FADE OUT: "Bee Movie" - JS REVISIONS 8/13/07 131.
jettbrains / L W3C Strategic Highlights September 2019 This report was prepared for the September 2019 W3C Advisory Committee Meeting (W3C Member link). See the accompanying W3C Fact Sheet — September 2019. For the previous edition, see the April 2019 W3C Strategic Highlights. For future editions of this report, please consult the latest version. A Chinese translation is available. ☰ Contents Introduction Future Web Standards Meeting Industry Needs Web Payments Digital Publishing Media and Entertainment Web & Telecommunications Real-Time Communications (WebRTC) Web & Networks Automotive Web of Things Strengthening the Core of the Web HTML CSS Fonts SVG Audio Performance Web Performance WebAssembly Testing Browser Testing and Tools WebPlatform Tests Web of Data Web for All Security, Privacy, Identity Internationalization (i18n) Web Accessibility Outreach to the world W3C Developer Relations W3C Training Translations W3C Liaisons Introduction This report highlights recent work of enhancement of the existing landscape of the Web platform and innovation for the growth and strength of the Web. 33 working groups and a dozen interest groups enable W3C to pursue its mission through the creation of Web standards, guidelines, and supporting materials. We track the tremendous work done across the Consortium through homogeneous work-spaces in Github which enables better monitoring and management. We are in the middle of a period where we are chartering numerous working groups which demonstrate the rapid degree of change for the Web platform: After 4 years, we are nearly ready to publish a Payment Request API Proposed Recommendation and we need to soon charter follow-on work. In the last year we chartered the Web Payment Security Interest Group. In the last year we chartered the Web Media Working Group with 7 specifications for next generation Media support on the Web. We have Accessibility Guidelines under W3C Member review which includes Silver, a new approach. We have just launched the Decentralized Identifier Working Group which has tremendous potential because Decentralized Identifier (DID) is an identifier that is globally unique, resolveable with high availability, and cryptographically verifiable. We have Privacy IG (PING) under W3C Member review which strengthens our focus on the tradeoff between privacy and function. We have a new CSS charter under W3C Member review which maps the group's work for the next three years. In this period, W3C and the WHATWG have succesfully completed the negotiation of a Memorandum of Understanding rooted in the mutual belief that that having two distinct specifications claiming to be normative is generally harmful for the Web community. The MOU, signed last May, describes how the two organizations are to collaborate on the development of a single authoritative version of the HTML and DOM specifications. W3C subsequently rechartered the HTML Working Group to assist the W3C community in raising issues and proposing solutions for the HTML and DOM specifications, and for the production of W3C Recommendations from WHATWG Review Drafts. As the Web evolves continuously, some groups are looking for ways for specifications to do so as well. So-called "evergreen recommendations" or "living standards" aim to track continuous development (and maintenance) of features, on a feature-by-feature basis, while getting review and patent commitments. We see the maturation and further development of an incredible number of new technologies coming to the Web. Continued progress in many areas demonstrates the vitality of the W3C and the Web community, as the rest of the report illustrates. Future Web Standards W3C has a variety of mechanisms for listening to what the community thinks could become good future Web standards. These include discussions with the Membership, discussions with other standards bodies, the activities of thousands of participants in over 300 community groups, and W3C Workshops. There are lots of good ideas. The W3C strategy team has been identifying promising topics and invites public participation. Future, recent and under consideration Workshops include: Inclusive XR (5-6 November 2019, Seattle, WA, USA) to explore existing and future approaches on making Virtual and Augmented Reality experiences more inclusive, including to people with disabilities; W3C Workshop on Data Models for Transportation (12-13 September 2019, Palo Alto, CA, USA) W3C Workshop on Web Games (27-28 June 2019, Redmond, WA, USA), view report Second W3C Workshop on the Web of Things (3-5 June 2019, Munich, Germany) W3C Workshop on Web Standardization for Graph Data; Creating Bridges: RDF, Property Graph and SQL (4-6 March 2019, Berlin, Germany), view report Web & Machine Learning. The Strategy Funnel documents the staff's exploration of potential new work at various phases: Exploration and Investigation, Incubation and Evaluation, and eventually to the chartering of a new standards group. The Funnel view is a GitHub Project where new area are issues represented by “cards” which move through the columns, usually from left to right. Most cards start in Exploration and move towards Chartering, or move out of the funnel. Public input is welcome at any stage but particularly once Incubation has begun. This helps W3C identify work that is sufficiently incubated to warrant standardization, to review the ecosystem around the work and indicate interest in participating in its standardization, and then to draft a charter that reflects an appropriate scope. Ongoing feedback can speed up the overall standardization process. Since the previous highlights document, W3C has chartered a number of groups, and started discussion on many more: Newly Chartered or Rechartered Web Application Security WG (03-Apr) Web Payment Security IG (17-Apr) Patent and Standards IG (24-Apr) Web Applications WG (14-May) Web & Networks IG (16-May) Media WG (23-May) Media and Entertainment IG (06-Jun) HTML WG (06-Jun) Decentralized Identifier WG (05-Sep) Extended Privacy IG (PING) (30-Sep) Verifiable Claims WG (30-Sep) Service Workers WG (31-Dec) Dataset Exchange WG (31-Dec) Web of Things Working Group (31-Dec) Web Audio Working Group (31-Dec) Proposed charters / Advance Notice Accessibility Guidelines WG Privacy IG (PING) RDF Literal Direction WG Timed Text WG CSS WG Web Authentication WG Closed Internationalization Tag Set IG Meeting Industry Needs Web Payments All Web Payments specifications W3C's payments standards enable a streamlined checkout experience, enabling a consistent user experience across the Web with lower front end development costs for merchants. Users can store and reuse information and more quickly and accurately complete online transactions. The Web Payments Working Group has republished Payment Request API as a Candidate Recommendation, aiming to publish a Proposed Recommendation in the Fall 2019, and is discussing use cases and features for Payment Request after publication of the 1.0 Recommendation. Browser vendors have been finalizing implementation of features added in the past year (view the implementation report). As work continues on the Payment Handler API and its implementation (currently in Chrome and Edge Canary), one focus in 2019 is to increase adoption in other browsers. Recently, Mastercard demonstrated the use of Payment Request API to carry out EMVCo's Secure Remote Commerce (SRC) protocol whose payment method definition is being developed with active participation by Visa, Mastercard, American Express, and Discover. Payment method availability is a key factor in merchant considerations about adopting Payment Request API. The ability to get uniform adoption of a new payment method such as Secure Remote Commerce (SRC) also depends on the availability of the Payment Handler API in browsers, or of proprietary alternatives. Web Monetization, which the Web Payments Working Group will discuss again at its face-to-face meeting in September, can be used to enable micropayments as an alternative revenue stream to advertising. Since the beginning of 2019, Amazon, Brave Software, JCB, Certus Cybersecurity Solutions and Netflix have joined the Web Payments Working Group. In April, W3C launched the Web Payment Security Group to enable W3C, EMVCo, and the FIDO Alliance to collaborate on a vision for Web payment security and interoperability. Participants will define areas of collaboration and identify gaps between existing technical specifications in order to increase compatibility among different technologies, such as: How do SRC, FIDO, and Payment Request relate? The Payment Services Directive 2 (PSD2) regulations in Europe are scheduled to take effect in September 2019. What is the role of EMVCo, W3C, and FIDO technologies, and what is the current state of readiness for the deadline? How can we improve privacy on the Web at the same time as we meet industry requirements regarding user identity? Digital Publishing All Digital Publishing specifications, Publication milestones The Web is the universal publishing platform. Publishing is increasingly impacted by the Web, and the Web increasingly impacts Publishing. Topic of particular interest to Publishing@W3C include typography and layout, accessibility, usability, portability, distribution, archiving, offline access, print on demand, and reliable cross referencing. And the diverse publishing community represented in the groups consist of the traditional "trade" publishers, ebook reading system manufacturers, but also publishers of audio book, scholarly journals or educational materials, library scientists or browser developers. The Publishing Working Group currently concentrates on Audiobooks which lack a comprehensive standard, thus incurring extra costs and time to publish in this booming market. Active development is ongoing on the future standard: Publication Manifest Audiobook profile for Web Publications Lightweight Packaging Format The BD Comics Manga Community Group, the Synchronized Multimedia for Publications Community Group, the Publishing Community Group and a future group on archival, are companions to the working group where specific work is developed and incubated. The Publishing Community Group is a recently launched incubation channel for Publishing@W3C. The goal of the group is to propose, document, and prototype features broadly related to: publications on the Web reading modes and systems and the user experience of publications The EPUB 3 Community Group has successfully completed the revision of EPUB 3.2. The Publishing Business Group fosters ongoing participation by members of the publishing industry and the overall ecosystem in the development of Web infrastructure to better support the needs of the industry. The Business Group serves as an additional conduit to the Publishing Working Group and several Community Groups for feedback between the publishing ecosystem and W3C. The Publishing BG has played a vital role in fostering and advancing the adoption and continued development of EPUB 3. In particular the BG provided critical support to the update of EPUBCheck to validate EPUB content to the new EPUB 3.2 specification. This resulted in the development, in conjunction with the EPUB3 Community Group, of a new generation of EPUBCheck, i.e., EPUBCheck 4.2 production-ready release. Media and Entertainment All Media specifications The Media and Entertainment vertical tracks media-related topics and features that create immersive experiences for end users. HTML5 brought standard audio and video elements to the Web. Standardization activities since then have aimed at turning the Web into a professional platform fully suitable for the delivery of media content and associated materials, enabling missing features to stream video content on the Web such as adaptive streaming and content protection. Together with Microsoft, Comcast, Netflix and Google, W3C received an Technology & Engineering Emmy Award in April 2019 for standardization of a full TV experience on the Web. Current goals are to: Reinforce core media technologies: Creation of the Media Working Group, to develop media-related specifications incubated in the WICG (e.g. Media Capabilities, Picture-in-picture, Media Session) and maintain maintain/evolve Media Source Extensions (MSE) and Encrypted Media Extensions (EME). Improve support for Media Timed Events: data cues incubation. Enhance color support (HDR, wide gamut), in scope of the CSS WG and in the Color on the Web CG. Reduce fragmentation: Continue annual releases of a common and testable baseline media devices, in scope of the Web Media APIs CG and in collaboration with the CTA WAVE Project. Maintain the Road-map of Media Technologies for the Web which highlights Web technologies that can be used to build media applications and services, as well as known gaps to enable additional use cases. Create the future: Discuss perspectives for Media and Entertainment for the Web. Bring the power of GPUs to the Web (graphics, machine learning, heavy processing), under incubation in the GPU for the Web CG. Transition to a Working Group is under discussion. Determine next steps after the successful W3C Workshop on Web Games of June 2019. View the report. Timed Text The Timed Text Working Group develops and maintains formats used for the representation of text synchronized with other timed media, like audio and video, and notably works on TTML, profiles of TTML, and WebVTT. Recent progress includes: A robust WebVTT implementation report poises the specification for publication as a proposed recommendation. Discussions around re-chartering, notably to add a TTML Profile for Audio Description deliverable to the scope of the group, and clarify that rendering of captions within XR content is also in scope. Immersive Web Hardware that enables Virtual Reality (VR) and Augmented Reality (AR) applications are now broadly available to consumers, offering an immersive computing platform with both new opportunities and challenges. The ability to interact directly with immersive hardware is critical to ensuring that the web is well equipped to operate as a first-class citizen in this environment. The Immersive Web Working Group has been stabilizing the WebXR Device API while the companion Immersive Web Community Group incubates the next series of features identified as key for the future of the Immersive Web. W3C plans a workshop focused on the needs and benefits at the intersection of VR & Accessibility (Inclusive XR), on 5-6 November 2019 in Seattle, WA, USA, to explore existing and future approaches on making Virtual and Augmented Reality experiences more inclusive. Web & Telecommunications The Web is the Open Platform for Mobile. Telecommunication service providers and network equipment providers have long been critical actors in the deployment of Web technologies. As the Web platform matures, it brings richer and richer capabilities to extend existing services to new users and devices, and propose new and innovative services. Real-Time Communications (WebRTC) All Real-Time Communications specifications WebRTC has reshaped the whole communication landscape by making any connected device a potential communication end-point, bringing audio and video communications anywhere, on any network, vastly expanding the ability of operators to reach their customers. WebRTC serves as the corner-stone of many online communication and collaboration services. The WebRTC Working Group aims to bringing WebRTC 1.0 (and companion specification Media Capture and Streams) to Recommendation by the end of 2019. Intense efforts are focused on testing (supported by a dedicated hackathon at IETF 104) and interoperability. The group is considering pushing features that have not gotten enough traction to separate modules or to a later minor revision of the spec. Beyond WebRTC 1.0, the WebRTC Working Group will focus its efforts on WebRTC NV which the group has started documenting by identifying use cases. Web & Networks Recently launched, in the wake of the May 2018 Web5G workshop, the Web & Networks Interest Group is chaired by representatives from AT&T, China Mobile and Intel, with a goal to explore solutions for web applications to achieve better performance and resource allocation, both on the device and network. The group's first efforts are around use cases, privacy & security requirements and liaisons. Automotive All Automotive specifications To create a rich application ecosystem for vehicles and other devices allowed to connect to the vehicle, the W3C Automotive Working Group is delivering a service specification to expose all common vehicle signals (engine temperature, fuel/charge level, range, tire pressure, speed, etc.) The Vehicle Information Service Specification (VISS), which is a Candidate Recommendation, is seeing more implementations across the industry. It provides the access method to a common data model for all the vehicle signals –presently encapsulating a thousand or so different data elements– and will be growing to accommodate the advances in automotive such as autonomous and driver assist technologies and electrification. The group is already working on a successor to VISS, leveraging the underlying data model and the VIWI submission from Volkswagen, for a more robust means of accessing vehicle signals information and the same paradigm for other automotive needs including location-based services, media, notifications and caching content. The Automotive and Web Platform Business Group acts as an incubator for prospective standards work. One of its task forces is using W3C VISS in performing data sampling and off-boarding the information to the cloud. Access to the wealth of information that W3C's auto signals standard exposes is of interest to regulators, urban planners, insurance companies, auto manufacturers, fleet managers and owners, service providers and others. In addition to components needed for data sampling and edge computing, capturing user and owner consent, information collection methods and handling of data are in scope. The upcoming W3C Workshop on Data Models for Transportation (September 2019) is expected to focus on the need of additional ontologies around transportation space. Web of Things All Web of Things specifications W3C's Web of Things work is designed to bridge disparate technology stacks to allow devices to work together and achieve scale, thus enabling the potential of the Internet of Things by eliminating fragmentation and fostering interoperability. Thing descriptions expressed in JSON-LD cover the behavior, interaction affordances, data schema, security configuration, and protocol bindings. The Web of Things complements existing IoT ecosystems to reduce the cost and risk for suppliers and consumers of applications that create value by combining multiple devices and information services. There are many sectors that will benefit, e.g. smart homes, smart cities, smart industry, smart agriculture, smart healthcare and many more. The Web of Things Working Group is finishing the initial Web of Things standards, with support from the Web of Things Interest Group: Web of Things Architecture Thing Descriptions Strengthening the Core of the Web HTML The HTML Working Group was chartered early June to assist the W3C community in raising issues and proposing solutions for the HTML and DOM specifications, and to produce W3C Recommendations from WHATWG Review Drafts. A few days before, W3C and the WHATWG signed a Memorandum of Understanding outlining the agreement to collaborate on the development of a single version of the HTML and DOM specifications. Issues and proposed solutions for HTML and DOM done via the newly rechartered HTML Working Group in the WHATWG repositories The HTML Working Group is targetting November 2019 to bring HTML and DOM to Candidate Recommendations. CSS All CSS specifications CSS is a critical part of the Open Web Platform. The CSS Working Group gathers requirements from two large groups of CSS users: the publishing industry and application developers. Within W3C, those groups are exemplified by the Publishing groups and the Web Platform Working Group. The former requires things like better pagination support and advanced font handling, the latter needs intelligent (and fast!) scrolling and animations. What we know as CSS is actually a collection of almost a hundred specifications, referred to as ‘modules’. The current state of CSS is defined by a snapshot, updated once a year. The group also publishes an index defining every term defined by CSS specifications. Fonts All Fonts specifications The Web Fonts Working Group develops specifications that allow the interoperable deployment of downloadable fonts on the Web, with a focus on Progressive Font Enrichment as well as maintenance of WOFF Recommendations. Recent and ongoing work includes: Early API experiments by Adobe and Monotype have demonstrated the feasibility of a font enrichment API, where a server delivers a font with minimal glyph repertoire and the client can query the full repertoire and request additional subsets on-the-fly. In other experiments, the Brotli compression used in WOFF 2 was extended to support shared dictionaries and patch update. Metrics to quantify improvement are a current hot discussion topic. The group will meet at ATypi 2019 in Japan, to gather requirements from the international typography community. The group will first produce a report summarizing the strengths and weaknesses of each prototype solution by Q2 2020. SVG All SVG specifications SVG is an important and widely-used part of the Open Web Platform. The SVG Working Group focuses on aligning the SVG 2.0 specification with browser implementations, having split the specification into a currently-implemented 2.0 and a forward-looking 2.1. Current activity is on stabilization, increased integration with the Open Web Platform, and test coverage analysis. The Working Group was rechartered in March 2019. A new work item concerns native (non-Web-browser) uses of SVG as a non-interactive, vector graphics format. Audio The Web Audio Working Group was extended to finish its work on the Web Audio API, expecting to publish it as a Recommendation by year end. The specification enables synthesizing audio in the browser. Audio operations are performed with audio nodes, which are linked together to form a modular audio routing graph. Multiple sources — with different types of channel layout — are supported. This modular design provides the flexibility to create complex audio functions with dynamic effects. The first version of Web Audio API is now feature complete and is implemented in all modern browsers. Work has started on the next version, and new features are being incubated in the Audio Community Group. Performance Web Performance All Web Performance specifications There are currently 18 specifications in development in the Web Performance Working Group aiming to provide methods to observe and improve aspects of application performance of user agent features and APIs. The W3C team is looking at related work incubated in the W3C GPU for the Web (WebGPU) Community Group which is poised to transition to a W3C Working Group. A preliminary draft charter is available. WebAssembly All WebAssembly specifications WebAssembly improves Web performance and power by being a virtual machine and execution environment enabling loaded pages to run native (compiled) code. It is deployed in Firefox, Edge, Safari and Chrome. The specification will soon reach Candidate Recommendation. WebAssembly enables near-native performance, optimized load time, and perhaps most importantly, a compilation target for existing code bases. While it has a small number of native types, much of the performance increase relative to Javascript derives from its use of consistent typing. WebAssembly leverages decades of optimization for compiled languages and the byte code is optimized for compactness and streaming (the web page starts executing while the rest of the code downloads). Network and API access all occurs through accompanying Javascript libraries -- the security model is identical to that of Javascript. Requirements gathering and language development occur in the Community Group while the Working Group manages test development, community review and progression of specifications on the Recommendation Track. Testing Browser testing plays a critical role in the growth of the Web by: Improving the reliability of Web technology definitions; Improving the quality of implementations of these technologies by helping vendors to detect bugs in their products; Improving the data available to Web developers on known bugs and deficiencies of Web technologies by publishing results of these tests. Browser Testing and Tools The Browser Testing and Tools Working Group is developing WebDriver version 2, having published last year the W3C Recommendation of WebDriver. WebDriver acts as a remote control interface that enables introspection and control of user agents, provides a platform- and language-neutral wire protocol as a way for out-of-process programs to remotely instruct the behavior of Web, and emulates the actions of a real person using the browser. WebPlatform Tests The WebPlatform Tests project now provides a mechanism which allows to fully automate tests that previously needed to be run manually: TestDriver. TestDriver enables sending trusted key and mouse events, sending complex series of trusted pointer and key interactions for things like in-content drag-and-drop or pinch zoom, and even file upload. Since 2014 W3C began work on this coordinated open-source effort to build a cross-browser test suite for the Web Platform, which WHATWG, and all major browsers adopted. Web of Data All Data specifications There have been several great success stories around the standardization of data on the web over the past year. Verifiable Claims seems to have significant uptake. It is also significant that the Distributed Identifier WG charter has received numerous favorable reviews, and was just recently launched. JSON-LD has been a major success with the large deployment on Web sites via schema.org. JSON-LD 1.1 completed technical work, about to transition to CR More than 25% of websites today include schema.org data in JSON-LD The Web of Things description is in CR since May, making use of JSON-LD Verifiable Credentials data model is in CR since July, also making use of JSON-LD Continued strong interest in decentralized identifiers Engagement from the TAG with reframing core documents, such as Ethical Web Principles, to include data on the web within their scope Data is increasingly important for all organizations, especially with the rise of IoT and Big Data. W3C has a mature and extensive suite of standards relating to data that were developed over two decades of experience, with plans for further work on making it easier for developers to work with graph data and knowledge graphs. Linked Data is about the use of URIs as names for things, the ability to dereference these URIs to get further information and to include links to other data. There are ever-increasing sources of open Linked Data on the Web, as well as data services that are restricted to the suppliers and consumers of those services. The digital transformation of industry is seeking to exploit advanced digital technologies. This will facilitate businesses to integrate horizontally along the supply and value chains, and vertically from the factory floor to the office floor. W3C is seeking to make it easier to support enterprise-wide data management and governance, reflecting the strategic importance of data to modern businesses. Traditional approaches to data have focused on tabular databases (SQL/RDBMS), Comma Separated Value (CSV) files, and data embedded in PDF documents and spreadsheets. We're now in midst of a major shift to graph data with nodes and labeled directed links between them. Graph data is: Faster than using SQL and associated JOIN operations More favorable to integrating data from heterogeneous sources Better suited to situations where the data model is evolving In the wake of the recent W3C Workshop on Graph Data we are in the process of launching a Graph Standardization Business Group to provide a business perspective with use cases and requirements, to coordinate technical standards work and liaisons with external organizations. Web for All Security, Privacy, Identity All Security specifications, all Privacy specifications Authentication on the Web As the WebAuthn Level 1 W3C Recommendation published last March is seeing wide implementation and adoption of strong cryptographic authentication, work is proceeding on Level 2. The open standard Web API gives native authentication technology built into native platforms, browsers, operating systems (including mobile) and hardware, offering protection against hacking, credential theft, phishing attacks, thus aiming to end the era of passwords as a security construct. You may read more in our March press release. Privacy An increasing number of W3C specifications are benefitting from Privacy and Security review; there are security and privacy aspects to every specification. Early review is essential. Working with the TAG, the Privacy Interest Group has updated the Self-Review Questionnaire: Security and Privacy. Other recent work of the group includes public blogging further to the exploration of anti-patterns in standards and permission prompts. Security The Web Application Security Working Group adopted Feature Policy, aiming to allow developers to selectively enable, disable, or modify the behavior of some of these browser features and APIs within their application; and Fetch Metadata, aiming to provide servers with enough information to make a priori decisions about whether or not to service a request based on the way it was made, and the context in which it will be used. The Web Payment Security Interest Group, launched last April, convenes members from W3C, EMVCo, and the FIDO Alliance to discuss cooperative work to enhance the security and interoperability of Web payments (read more about payments). Internationalization (i18n) All Internationalization specifications, educational articles related to Internationalization, spec developers checklist Only a quarter or so current Web users use English online and that proportion will continue to decrease as the Web reaches more and more communities of limited English proficiency. If the Web is to live up to the "World Wide" portion of its name, and for the Web to truly work for stakeholders all around the world engaging with content in various languages, it must support the needs of worldwide users as they engage with content in the various languages. The growth of epublishing also brings requirements for new features and improved typography on the Web. It is important to ensure the needs of local communities are captured. The W3C Internationalization Initiative was set up to increase in-house resources dedicated to accelerating progress in making the World Wide Web "worldwide" by gathering user requirements, supporting developers, and education & outreach. For an overview of current projects see the i18n radar. W3C's Internationalization efforts progressed on a number of fronts recently: Requirements: New African and European language groups will work on the gap analysis, errata and layout requirements. Gap analysis: Japanese, Devanagari, Bengali, Tamil, Lao, Khmer, Javanese, and Ethiopic updated in the gap-analysis documents. Layout requirements document: notable progress tracked in the Southeast Asian Task Force while work continues on Chinese layout requirements. Developer support: Spec reviews: the i18n WG continues active review of specifications of the WHATWG and other W3C Working Groups. Short review checklist: easy way to begin a self-review to help spec developers understand what aspects of their spec are likely to need attention for internationalization, and points them to more detailed checklists for the relevant topics. It also helps those reviewing specs for i18n issues. Strings on the Web: Language and Direction Metadata lays out issues and discusses potential solutions for passing information about language and direction with strings in JSON or other data formats. The document was rewritten for clarity, and expanded. The group is collaborating with the JSON-LD and Web Publishing groups to develop a plan for updating RDF, JSON-LD and related specifications to handle metadata for base direction of text (bidi). User-friendly test format: a new format was developed for Internationalization Test Suite tests, which displays helpful information about how the test works. This particularly useful because those tests are pointed to by educational materials and gap-analysis documents. Web Platform Tests: a large number of tests in the i18n test suite have been ported to the WPT repository, including: css-counter-styles, css-ruby, css-syntax, css-test, css-text-decor, css-writing-modes, and css-pseudo. Education & outreach: (for all educational materials, see the HTML & CSS Authoring Techniques) Web Accessibility All Accessibility specifications, WAI resources The Web Accessibility Initiative supports W3C's Web for All mission. Recent achievements include: Education and training: Inaccessibility of CAPTCHA updated to bring our analysis and recommendations up to date with CAPTCHA practice today, concluding two years of extensive work and invaluable input from the public (read more on the W3C Blog Learn why your web content and applications should be accessible. The Education and Outreach Working Group has completed revision and updating of the Business Case for Digital Accessibility. Accessibility guidelines: The Accessibility Guidelines Working Group has continued to update WCAG Techniques and Understanding WCAG 2.1; and published a Candidate Recommendation of Accessibility Conformance Testing Rules Format 1.0 to improve inter-rater reliability when evaluating conformance of web content to WCAG An updated charter is being developed to host work on "Silver", the next generation accessibility guidelines (WCAG 2.2) There are accessibility aspects to most specifications. Check your work with the FAST checklist. Outreach to the world W3C Developer Relations To foster the excellent feedback loop between Web Standards development and Web developers, and to grow participation from that diverse community, recent W3C Developer Relations activities include: @w3cdevs tracks the enormous amount of work happening across W3C W3C Track during the Web Conference 2019 in San Francisco Tech videos: W3C published the 2019 Web Games Workshop videos The 16 September 2019 Developer Meetup in Fukuoka, Japan, is open to all and will combine a set of technical demos prepared by W3C groups, and a series of talks on a selected set of W3C technologies and projects W3C is involved with Mozilla, Google, Samsung, Microsoft and Bocoup in the organization of ViewSource 2019 in Amsterdam (read more on the W3C Blog) W3C Training In partnership with EdX, W3C's MOOC training program, W3Cx offers a complete "Front-End Web Developer" (FEWD) professional certificate program that consists of a suite of five courses on the foundational languages that power the Web: HTML5, CSS and JavaScript. We count nearly 900K students from all over the world. Translations Many Web users rely on translations of documents developed at W3C whose official language is English. W3C is extremely grateful to the continuous efforts of its community in ensuring our various deliverables in general, and in our specifications in particular, are made available in other languages, for free, ensuring their exposure to a much more diverse set of readers. Last Spring we developed a more robust system, a new listing of translations of W3C specifications and updated the instructions on how to contribute to our translation efforts. W3C Liaisons Liaisons and coordination with numerous organizations and Standards Development Organizations (SDOs) is crucial for W3C to: make sure standards are interoperable coordinate our respective agenda in Internet governance: W3C participates in ICANN, GIPO, IGF, the I* organizations (ICANN, IETF, ISOC, IAB). ensure at the government liaison level that our standards work is officially recognized when important to our membership so that products based on them (often done by our members) are part of procurement orders. W3C has ARO/PAS status with ISO. W3C participates in the EU MSP and Rolling Plan on Standardization ensure the global set of Web and Internet standards form a compatible stack of technologies, at the technical and policy level (patent regime, fragmentation, use in policy making) promote Standards adoption equally by the industry, the public sector, and the public at large Coralie Mercier, Editor, W3C Marketing & Communications $Id: Overview.html,v 1.60 2019/10/15 12:05:52 coralie Exp $ Copyright © 2019 W3C ® (MIT, ERCIM, Keio, Beihang) Usage policies apply.
bermufine / Dcmp{"categories":[{"name":"Movies","videos":[{"description":"La Radio-Télévision nationale congolaise est créée en 1945. Elle prend le nom de « Office zaïrois de radiodiffusion et de télévision (OZRT) » à l'époque du Zaïre de 1971 à 1997, elle était d'ailleurs la seule agence zaïroise à diffuser sur les ondes hertziennes depuis la loi de 1972. Elle a pris son nom actuel le 17 mai 1997, à la suite de l'arrivée au pouvoir d'AFDL, le parti de Laurent-Désiré Kabila.","sources":["http://178.33.237.146/rtnc1.m3u8"],"subtitle":"By Radio Télévision Nationale Congolaise","thumb":"https://od.lk/s/M18yNDU0Njk2MjZf/RTNC.jpegg","title":"RTNC"},{"description":"Tele Congo est une chaine nationale du congo brazza en diffusant des emissions, informations, sports, theatres, musique et autres....","sources":["https://stream.mmsiptv.com/droid/rtnc/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODYwMjFf/telecongo.jpg","title":"TELE CONGO TV / BRAZZAVILLE"},{"description":"Bein Sports 1 est une chaine televisee sportives","sources":["https://stream.mmsiptv.com/droid/bein1/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODU4MzBf/beinone.png","title":"BEIN SPORT 1 / SPORTS"},{"description":"Bein Sport 2 est une chaine televisee sportives","sources":["https://stream.mmsiptv.com/droid/bein2/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODU4MThf/beintwo.png","title":"BEIN SPORT 2 / SPORTS"},{"description":"Bein Sport 3 est une chaine televisee sportives","sources":["https://stream.mmsiptv.com/droid/bein3/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODU4MDZf/beintree.png","title":"BEIN SPORTS 3 / SPORTS"},{"description":"La Radio-Télévision nationale congolaise est créée en 1945. Elle prend le nom de « Office zaïrois de radiodiffusion et de télévision (OZRT) » à l'époque du Zaïre de 1971 à 1997, elle était d'ailleurs la seule agence zaïroise à diffuser sur les ondes hertziennes depuis la loi de 1972. Elle a pris son nom actuel le 17 mai 1997, à la suite de l'arrivée au pouvoir d'AFDL, le parti de Laurent-Désiré Kabila.","sources":["https://stream.mmsiptv.com/droid/rtnc/playlist.m3u8"],"subtitle":"By Radio Télévision Nationale Congolaise","https://od.lk/s/M18yNDU0Nzc4NDZf/rtnc3.png","title":"RTNC 1 / RDC (lien2)"},{"description":"Canal Plus Sports 1 est une chaine televisee sportives","sources":["https://stream.mmsiptv.com/droid/cpsport/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODczMzhf/canalsport.png","title":"CANAL + 1 / SPORTS"},{"description":"Canal Plus Sports 2 est une chaine televisee sportives.","sources":["https://stream.mmsiptv.com/droid/cplus/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODczMzlf/canalsporttwoo.jpg","title":"CANAL + 2 / SPORTS"},{"description":"RMC 1 est une chaine televisee sportuive","sources":["https://stream.mmsiptv.com/droid/rmc1/playlist.m3u8"],"subtitle":"By 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France","sources":["https://stream.mmsiptv.com/droid/equipe/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODg0ODhf/equipe.png","title":"L'EQUIPE TV / SPORTS"},{"description":"Sky Sport est une chaine televisee sportives","sources":["http://stream.tvtap.live:8081/live/skysports-premier-league.stream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODg2MjNf/skysport.jpg","title":"SKY SPORTS / SPORTS"},{"description":"Azam Sports 1 Tanzanie est l'une des chaines privées que l'on retrouve en tanzanie, possédant des émissions Sportives variées","sources":["https://1446000130.rsc.cdn77.org/1446000130/index.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNDg1NzQwMjJf/azam.jpg","title":"AZAM SPORTS / TANZANIA"},{"description":"ADSPORTS 1 est une chaine televisee sportives emettant a Dubai","sources":["http://admdn1.cdn.mangomolo.com/adsports1/smil:adsports1.stream.smil/playlist.m3u8"],"subtitle":"By 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des film et series Africains surtout beaucoup plus nigerians","sources":["https://stream.mmsiptv.com/droid/nollywoodfr/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODk3MDhf/nollywood.jpg","title":"NOLLYWOOD TV / NOVELAS"},{"description":"AfricaWood TV est une chaine televisee qui diffuse que des film et series Africains surtout beaucoup plus nigerians","sources":["https://stream.mmsiptv.com/droid/africawood/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNDg1Nzc2ODJf/vision4.jpg","title":"AFRICAWOOD TV / NOVELAS"},{"description":"NOVELAS TV 1 est une chaine televisee qui diffuse que des series mexicaines, bresiliens, phillipinesn et autres....","sources":["https://stream.mmsiptv.com/droid/novelas/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxOTAwMDFf/novelasone.jpg","title":"NOVELAS TV 1 / SERIE"},{"description":"RTI 2 est une chaine televisee ivoiriens qui diffuse que des informations, musiques, series mexicaines, bresiliens, phillipinesn et autres....","sources":["https://stream.mmsiptv.com/droid/rti2/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODU4NDdf/rtid.jpg","title":"RTI 2 / COTE D'IVOIRE"},{"description":"NOVELAS TV est la chaine qui diffuset des Series Mexicaines, Philipiennes et Bresiliennes....","sources":["https://stormcast-telenovelatv-1-fr.samsung.wurl.com/manifest/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTQyMjA4MDVf/novelastv.jpg","title":"NOVELAS TV{"description":"NW INFOS est la chaine du togo en diffusant des Informations Emissions et autres....","sources":["https://hls.newworldtv.com/nw-info/video/live_1024x576.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTQyMjY0NzNf/nwInfos.jpg","title":"NW INFOS TV / TOGO"},{"description":"NW Muzik est la chaine du togo en diffusant des musiques Africaine et autres....","sources":["https://hls.newworldtv.com/nw-muzik/video/live_1024x576.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTQyMjY0NTZf/nwMuzik.webp","title":"NW MUZIK TV / TOGO"},{"description":"Al Hadath est la chaine du Lybie en diffusant des Emissions ainsi que des infos, musique et autres....","sources":["https://master.starmena-cloud.com/hls/hd.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTQyMjcxNDBf/alhad.png","title":"AL HADATH TV / LYBIE"},{"description":"Vox Of Africa est la chaine des americains qui emette a Brazzaville en diffusant des informations et autres....","sources":["https://voa-lh.akamaihd.net/i/voa_mpls_tvmc3_3@320295/master.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTQyMjY1NDFf/VOX_AFRICA.jpg","title":"VOX OF AFRICA TV"},{"description":"Resurrection TV est l'une des chaines privées Chretienne que l'on retrouve dans la ville d'ACCRA, possédant des émissions variées","sources":["http://rtmp.ottdemo.rrsat.com/rrsatrtv1/rrsatrtvmulti.smil/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNDg1NzczODRf/mychannel.jpg","title":"RESURRECTION TV / GHANA"},{"description":"CDIRECT TV est la chaîne une chaîne généraliste présente une vitrine positive du Congo, conçoit des programmes inédits et innovants qui s'adressent aux congolais résidents, la diaspora congolaise, ainsi qu'à l'ensemble des africains francophones à travers le monde entier. Sa ligne éditoriale est axée sur les deux Congo décomplexé, un Congo qui va de l'avant et gagne !.","sources":["http://cms-streamaniak.top/Cdirect/CDIRECT/index.m3u8"],"subtitle":"By Channel","thumb":"https://cdirect.tv/assets/img/logo-cdirect.ico","title":"CDIRECT TV / Kinshasa-Brazzaville"},{"description":"DBM TV ou digital black Music est une Chaîne TV à thématique musicale, DBM a pour vocation de révéler et promouvoir la musique Afro Urbaine, qu’elle soit d’Afrique ou d’ailleurs info@dbm-tv.com. .","sources":["https://dbmtv.vedge.infomaniak.com/livecast/smil:dbmtv.smil/manifest.m3u8"],"subtitle":"By Channel","thumb":"https://www.dbm-tv.fr/wp-content/uploads/2017/12/logo-dbm.png","title":"DBM TV / Music "},{"description":"La LUMIÈRE, ministère Chrétien pour annoncer l’évangile de Jésus Christ partout dans le monde, toucher changer et sauver des vies par la puissance de la parole de DIEU avec des enseignements prédications adorations louanges partages de prières, d’exhortations et de témoignages","sources":["https://video1.getstreamhosting.com:1936/8248/8248/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://cdn.shortpixel.ai/client/q_glossy,ret_img,w_124,h_124/https://telepack.net/wp-content/uploads/2020/05/lumiere-tv.png","title":"La Lumiere TV / Gospel"},{"description":"La Télévision Togolaise (TVT) est le nom de l'unique chaîne de télévision publique togolaise, Crée depuis 1979.","sources":["http://54.38.92.12/tvt.m3u8"],"subtitle":"By Google","thumb":"https://amp.live-tv-channels.org/pt-data/uploads/logo/tg-tv.jpg","title":"Télévision Togolais"},{"description":"CRTV est un service de radio et de télévision contrôlé par le gouvernement au Cameroun. Cela a commencé sous le nom de Cameroon Television (CTV) et a ensuite fusionné avec le service de radio pour devenir CRTV. Il couvre l'ensemble des dix régions du Cameroun, ce qui en fait le diffuseur indomptable parmi plusieurs chaînes de télévision privées du pays. Sa couverture des événements est généralement considérée comme pro-gouvernementale. Les programmes de la CRTV comprennent des documentaires, des magazines, des analyses d'actualités et des séries importées d'Asie et du Brésil..","sources":["http://178.33.237.146/crtv.m3u8"],"subtitle":"By Channel","thumb":"http://www.cameroonconcordnews.com/wp-content/uploads/2018/03/CRTV-new.jpg","title":"Cameroune Radio Télévision"},{"description":"Impact TV c'est une premiere Chaine televisee chretienne diffusant au Burkina-Fasso sur satelite innauguree le 07/03/2008 par Marie Sophie.","sources":["https://edge10.vedge.infomaniak.com/livecast/impacttele/chunklist_w973675047.m3u8"],"subtitle":"By Channel","thumb":"https://i1.wp.com/www.livetvliveradio.com/wp-content/uploads/2017/07/impact-tv.jpg?fit=259%2C194","title":"Impact TV / Burkina Fasso"},{"description":"Kigali Channel 2 ( Là pour vous) est une chaine televisee Rwandaise emmetant a Kigali. KC2 se diversite par sa diffusion des emitions exceptionnelle ainsi que des films nouveautes et plein d'autres.","sources":["https://5c46fa289c89f.streamlock.net/kc2/kc2/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://encrypted-tbn0.gstatic.com/images?q=tbn%3AANd9GcQfQjI8jUhMPReWg0MOdw1xpAAXMP7YAuZKBg&usqp=CAU","title":"KC2 TV / Rwanda"},{"description":"Equinox est une chaîne de télévision basée au Cameroun. Peu de temps après son lancement, il est devenu l'un des critiques les plus virulents du régime de Paul Biya. La station était connue pour avoir diffusé des images en direct d'une manifestation politique contre le changement constitutionnel au Cameroun qui favorisait le maintien au pouvoir du président Biya après 2011, alors qu'il lui était interdit par la Constitution de se présenter à nouveau. La télévision appartient au magnat des affaires de la région ouest du Cameroun, Severin Tchounke, qui possède également un quotidien critique, La Nouvelle Expression.","sources":["http://178.33.237.146/equinoxetv.m3u8"],"subtitle":"By Channel","thumb":"https://camer-press.com/wp-content/uploads/2020/04/Equinoxe-Tv.jpg","title":"Equinoxetv"},{"description":"Rwanda Télévision (RTV) est la premiere chaîne public du Rwanda qui fournit des informations et des divertissements quotidiens au public rwandais en trois langues: anglais, français et kinyarwanda géré par l'industrie de la télévision rwandaise , mais ce derniere est composée de 12 chaînes de télévision dont 84% télévisions sont détenues par des privés (10 sur 12) tandis que 8% appartiennent respectivement à des organisations publiques et religieuses. L'Agence nationale de radiodiffusion rwandaise.","sources":["https://5c46fa289c89f.streamlock.net/rtv/rtv/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://maps.prodafrica.com/wp-content/uploads/2020/03/10191_RBA_002.png","title":"RTV"},{"description":"IBN TV est un radiodiffuseur islamique de télévision et de radio qui transmet IBN TV et Radio Maarifa de Dar es Salaam et Tanga respectivement. Il a été crée sous la direction de la Fondation Al Itrah et a été diffusé officiellement depuis Mars 2003. IBN TV est un média privé qui a commencé après la libéralisation de l’industrie des médias en Tanzanie. IBN TV est la première chaîne islamique en Tanzanie. Il couvre presque toute la région de Dar es Salaam, Tanga, Arusha et Mwanza. IBN TV diffuse en quatre langues différentes, à savoir l’anglais, le swahili, le gujarati et l’ourdou.","sources":["http://138.68.138.119:8080/low/5a8993709ea19/index.m3u8"],"subtitle":"By Channel","thumb":"http://www.alitrah.co.tz/wp-content/uploads/sites/3/2015/10/ibntvafrica.png","title":"IBN TV"},{"description":"RTB est une chaîne de télévision publique générale dirigée par l’Établissement public d’État. Son siège social est situé dans la capitale du Burkina Faso, à Ouagadougou. Il est diffusé en direct à la télévision terrestre et sur Internet. Cette chaîne africaine diffuse des nouvelles télévisées en Français. Mais en général, les flashs de nouvelles sont dans la langue nationale comme Lobiri, Bwamu, Gulmancéma ainsi que Bissa. RTB offre un programme avec de nombreux magazines sur le sport, l’économie, la culture, la santé et la jeunesse.","sources":["https://edge8.vedge.infomaniak.com/livecast/ik:rtbtvlive1/manifest.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/en/c/c0/RTB_Sukmaindera.png","title":"Radio Television Burkina Fasso"},{"description":"Eri-TV est une chaîne de télévision érythréenne appartenant à l'État. Basée dans la capitale du pays, Asmara, elle diffuse 24 heures sur 24. La station propose des bulletins d'information 24 heures sur 24, des émissions-débats et des programmes culturels et éducatifs. Eri-TV a une large base d'audience en dehors de l'Érythrée, que la chaîne publique reconnaît et utilise pour communiquer avec les Érythréens vivant à l'étranger. Le réseau compte environ 1 à 2 millions de téléspectateurs par semaine. Eri-TV reconnaît la culture minoritaire érythréenne et a largement adopté un partage de temps égal entre chacune des langues parlées du pays.","sources":["http://217.182.137.206/eri.m3u8"],"subtitle":"By Channel","thumb":"https://eri.tv/images/eri-tv-live.png","title":"ERITRIE TV"},{"description":"Créée au Sénégal par le GROUPE D-MEDIA, SENTV, 1ère Chaîne Urbaine au Sénégal, consacre sa programmation au traitement de l'actualité nationale et internationale et à la culture urbaine sénégalaise et africaine en générale. Elle émet sur hertzien depuis 2009 et est désormais disponible sur satellite via le bouquet Canal + Afrique et les bouquets IPTV à l'international. Une chaîne généraliste et orientée urbaine, constituant ainsi une offre originale et unique au Sénégal. Une part importante de ses programmes est constituée par des rendez-vous d’actualité sur une rythmique quotidienne et des émissions phares orientées Société et Divertissement.","sources":["http://46.105.114.82/tfm_senegal.m3u8"],"subtitle":"By Channel","thumb":"https://www.xalat.info/wp-content/uploads/2019/02/maxresdefault-2.jpg","title":"SENEGAL TV"},{"description":"RTB diffuse des emissions ainsi que les Sports, Musique, Culture et Films d'Action.","sources":["http://46.105.114.82/rtb1.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/bf-rtb-tv-8682.jpg","title":"RTB"},{"description":"LEEEKO est un ensemble de médias web radio et tv, créé le 1er Decembre 2016 par Serges OLUBI, passionné de musiques. LEEEKO diffuse une diversité des musique telsque: Rhumba, Zouk, Ndombolo, Rnb, Classic, Jazz et autres à travers l'Afrique.","sources":["http://livetvsteam.com:1935/leeeko/leeeko/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://is2-ssl.mzstatic.com/image/thumb/Purple113/v4/c9/76/95/c9769524-8604-49ac-108e-efca1d025a99/source/512x512bb.jpg","title":"LEEKO MUSIQUE TV"},{"description":"La Radio Télévision Guinéenne (RTG), l’un des premiers organes de presse public du pays, est absente dans plusieurs villes de l’intérieur du pays. Et ce après 42 ans depuis sa création. Par endroits, les signaux de la RTG sont totalement absents depuis plusieurs années. Par contre, dans certaines préfectures, malgré la réception des signaux, faute d’énergie, les populations sont privées des émissions de la RTG, a-t-on constaté.","sources":["http://178.33.237.146/rtg.m3u8"],"subtitle":"By Blender Channel","thumb":"http://maliactu.info/wp-content/uploads/2019/08/rtg-radio-television-guineenne.png","title":"Radio Television Guinéenne "},{"description":"MTA Africa 1 (anciennement MTA Africa) est la quatrième chaîne de télévision par satellite du réseau MTA International. Il a été lancé début août 2016, diffusant spécifiquement pour les téléspectateurs africains, à travers l'Afrique et l'Europe. La chaîne a été créée sous les auspices de Mirza Masroor Ahmad, le chef spirituel de la communauté musulmane Ahmadiyya. MTA Africa est géré et financé volontairement par les Ahmadis.","sources":["https://ooyalahd2-f.akamaihd.net/i/mtaengaudio_delivery@138280/index_3000_av-p.m3u8"],"subtitle":"By Blender Channel","thumb":"https://pbs.twimg.com/profile_images/950498775893774338/XKhzDO2.jpg","title":"MTA AFRICA"},{"description":"L’Office de Radiodiffusion et Télévision du Bénin (ORTB) est le service public de l’audiovisuel du Bénin. C’est un établissement public à caractères social, culturel et scientifique doté de la personnalité morale et de l’autonomie financière. ORTB, pas sans vous !/ Tél: +229 21 30 00 48/ Whatsapp: +229 69 70 55 55/ Email: contact@ortb.bj","sources":["http://51.77.223.83/ortb.m3u8"],"subtitle":"By Channel","thumb":"https://www.lavoixduconsommateur.org/images/services/1533219563.jpg","title":"ORTB / Bénin"},{"description":"Dream Channel est une chaine télévisée ematant au cameroune qui diffuse de la musique de toutes tendances.","sources":["http://connectiktv.ddns.net:5000/dreamchannel/dreamchannel/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://connectik.tv/wp-content/uploads/2019/06/c1b45634-2f8c-47e7-8849-e6d7ea620465-300x169.jpg","title":"DREAM CHANNEL TV / Cameroune"},{"description":"Canal Algérie est la deuxième chaîne de télévision nationale grand public algérienne. La chaîne fait partie du groupe EPTV qui comprend également TV1, TV3, TV4, TV5, TV6 et TV7. C'est une chaîne francophone. La chaîne diffuse ses programmes 24h / 24 et 7j / 7 via différentes plateformes et partout dans le monde.","sources":["http://46.105.114.82/canal_algerie.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Logo_Canal_Algerie.svg/800px-Logo_Canal_Algerie.svg.png","title":"Canal Algerie"},{"description":"Radio Télévision Sénegalaise est une station de radio diffusée sur le réseau de Radiodiffusion Télévision Sénégalaise (RTS1 HD) de Dakar, au Sénégal, fournissant des informations, des sports, des débats, des émissions en direct et des informations sur la culture ainsi que la musique.","sources":["http://46.105.114.82/rts1.m3u8"],"subtitle":"By Channel","thumb":"https://lh3.googleusercontent.com/VZyPxURRRo-C0lEWHggT8C-dDJvFNFTVxKrn1yKUNROoT85XnOl9VcmM5HFzyRDwvgs","title":"Radio Télévision Sénegalaise 1 HD"},{"description":"Kalsan est une chaîne de télévision Somalienne dont le siège est à Londres. Elle a commencé à diffuser en 2013. La chaîne est axée sur les Somaliens. La programmation est principalement axée sur les actualités et les divertissements.","sources":["http://cdn.mediavisionuae.com:1935/live/kalsantv.stream/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://xogdoonnews.net/wp-content/uploads/2017/11/kalsan-tv.jpg","title":"KALSAN TV / Somalie"},{"description":"One Africa Television est une chaine de television namibien crée en 2003 et couvrant à l'origine uniquement Windhoek, Rehoboth et Okahandja, One Africa Television a connu une croissance significative, avec son signal diffusé via 29 émetteurs analogiques à travers la Namibie. En 2013, One Africa Television a rejoint l'ère numérique, et la chaîne est depuis disponible sur le réseau de télévision numérique terrestre de la Namibian Broadcasting Corporation (Channel 301) ainsi que sur la plateforme DStv Namibia de MultiChoice (Channel 284) ainsi que sur le réseau numérique terrestre GoTV de MultiChoice. Président du groupe d'Africa Television, Paul van Schalkwyk, a été tué dans un accident d'avion le 10 mars 2014.","sources":["https://za-tv2a-wowza-origin02.akamaized.net/oneafrica/smil:oneafrica/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://neweralive.na/uploads/2016/11/Untitled-1.jpg","title":"ONE AFRICA TV / Namibia"},{"description":"VISION4 TV est une chaine television panafricanisme Camerounais crée en 2008. qui diffuse des Émissions hauts de gamme telsque : Afro Café, Matinale infos, le journal d'afrique, tour d'horizon, journal de 12, women's story, The 6h00 pm news, Let's talk, Meeting point le grand live, le grand journal de 20h, santé spirituelle, sport time, Arrêt majeur, Au cœur du mystère, parole d'artistes, Femme attitude, Panafritude, Rendez-vous santé, afro zik, Club d'élites, Plateau du Jaguar, Dimanche bonheur, face aux dinosaures. Vision 4 Le Groupe Anecdote Vision 4 TV, Satelite FM, Africa Express Siège social : Yaoundé - Cameroun (Nsam) Secrétariat PDG : Tel : +237 242 71 88 13 / Fax : +237 222 31 67 81 Service de l'information : Tel : +237 242 71 87 68 Yaoundé Centre B.P 25070 Cameroun","sources":["http://cdnamd-hls-globecast.akamaized.net/live/ramdisk/vision4/hls_video/index.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/Vision_4.jpg/600px-Vision_4.jpg","title":"VISION 4"},{"description":"Nago TV is a Haitian television channel 100% devoted to music videos(Compass, Rap Creole, Racine).","sources":["http://haititivi.com:8088/haititv/tele6NY/index.m3u8"],"subtitle":"By Channel","thumb":"https://lh3.googleusercontent.com/GdAVtX7AU8834RaKoUC4c3itv2A_R1k8XATBf26G_IgQKnvxEtAew0cJOr_kWOpWkpY","title":"NAGO TV / Haiti"},{"description":"Lagos Television has been a trail blazer right from inception. Apart from being the first TV station outside the NTA family, the station took the Nigerian TV industry by storm in the early 80s with the introduction of a 60-hour non stop weekend from 7pm on Fridays till 7am on Mondays. The then Lagos weekend Television was the first marathon TV station in Africa. It’s unprecedented public approval transformed TV viewership especially within the Lagos precinct and brought a change in the call sign LTV/LWT.","sources":["http://185.105.4.193:1935/ltv/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://www.lagostelevision.com/wp-content/uploads/2015/10/logo.png","title":"Lagos Television"},{"description":"Emmanuel TV is the television station of The Synagogue, Church Of All Nations, broadcasting 24/7 around the globe via satellite and on the internet. The purpose of Emmanuel TV is to preach the Good News to all mankind. That is what we are born for, living for and what we shall die for. Emmanuel TV is committed to changing lives, changing nations and changing the whole world through the Gospel of our Lord Jesus Christ. Jesus Christ is the inspiration behind Emmanuel TV; as such, God’s purpose is our purpose.","sources":["https://api.new.livestream.com/accounts/23202872/events/7200883/live.m3u8"],"subtitle":"By Channel","thumb":"https://scoan-website-emmanueltv.netdna-ssl.com/wp-content/blogs.dir/12/files/2016/09/emmanuel_tv_icon.png","title":"Emmanuel TV"},{"description":"Addis TV is a City Channel based in Addis Ababa, Ethiopia, which broadcasts News and Programs 24/7.","sources":["https://rrsatrtmp.tulix.tv/addis1/addis1multi.smil/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://et.heytv.org/wp-content/uploads/2019/04/Addis-webtvonlive-com.jpg","title":"Addis TV / Ethiopia"},{"description":"Resurrection TV is a Christian based station aimed at uplifting your soul with an unadulterated word of God. it ensures a distinction between sin and righteousness.","sources":["http://rtmp.ottdemo.rrsat.com/rrsatrtv1/rrsatrtvmulti.smil/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/564x/9e/f5/ae/9ef5aeb5c1ddd05a20d27faaf5d9b931.jpg","title":"Résurrection TV/ Ghana"},{"description":"CTV frique est une television camerounaise basee a yaounde.","sources":["http://connectiktv.ddns.me:8080/ctv-africa/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/01/CTV-1-300x212.jpeg","title":"CTV AFRICA"},{"description":"BEL TV est une station de télévision haïtienne qui diffuse sur le web via diverses plateformes et par câble. Notre vision est de créer une télévision standard dont la qualité du programme est aussi instructive que divertissante. À cote de cette vision, BEL TV s’est fixé pour mission de promouvoir la Culture haïtienne, à savoir le Cinéma, la musique, la littérature et bien plus encore, ce à travers la Caraïbe et le monde entier. BEL TV c’est une toute autre façon de faire la télé.","sources":["http://connectiktv.ddns.me:8080/afriqueplustv/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2019/07/NEW-LOGO0047_00000_00000-300x169.png","title":"AFRICA PLUS TV "},{"description":"1 ok.","sources":["http://connectiktv.ddns.me:8080/mygospel/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/mygospel-300x140.png","title":"MY GOSPEL TV"},{"description":"2 ok.","sources":["http://connectiktv.ddns.me:8080/media-prime/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/myprime15-300x140.png","title":"MEDIA PRIME TV"},{"description":"3 ok.","sources":["http://connectiktv.ddns.me:8080/mymusic/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/mymusic1.png","title":"MY MUSIC TV "},{"description":"4 ok.","sources":["http://connectiktv.ddns.me:8080/mymovie-en/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/myenglish-300x140.png","title":"MY MOVIE TV / English"},{"description":"5 ok.","sources":["http://connectiktv.ddns.me:8080/mymovie-fr/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/myfresh-300x140.png","title":"MY MOVIE TV / Francais"},{"description":"6 ok","sources":["http://connectiktv.ddns.me:8080/bikutsitv/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2019/09/bikutsi-300x63.jpeg","title":"BIKUTSI TV"},{"description":"7 ok.","sources":["http://connectiktv.ddns.me:8080/cam10tv/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/07/CAM10-REVUE.jpg","title":"CAM 10 TV / Cameroune"},{"description":"8 ok.","sources":["http://connectiktv.ddns.me:8080/leadergospel/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/leader-cable.jpg","title":"LEADER GOSPEL TV / Religion"},{"description":"9 ok.","sources":["http://connectiktv.ddns.me:8080/vstv/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/VS-TV-300x168.jpg","title":"VS tv"},{"description":"10 0k.","sources":["http://connectiktv.ddns.me:8080/mytv/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2019/04/mytv-channel-hd-300x169.jpg","title":"MY TV CHANNEL"},{"description":"Radio Tele Puissance est une chaine chrétienne qui diffuse en direct des programmes chrétien avec des vidéos et des films Gospel de premier ordre, des documentaires. radio Tele Puissance est une station très divertissante..","sources":["https://video1.getstreamhosting.com:1936/8560/8560/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://radioendirect.net/assets/images/radio/item/119251.jpg","title":"Radio Tele Puissance"},{"description":"Christ live est une chaine télévision de divertissement chrétienne disponible sur le satellite.","sources":["https://raw.githubusercontent.com/exodiver/IPTV/master/M3U8/Token/Cliv.m3u8"],"subtitle":"By Channel","thumb":"http://www.centraltv.fr/wp-content/uploads/christ-tv_logo.jpg","title":"CHRIST TV / Religion"},{"description":"QTV Gambia is the First Private Television Station","sources":["https://player.qtv.gm/hls/live.stream.m3u8"],"subtitle":"By Channel","thumb":"https://standard.gm/wp-content/uploads/2020/08/QTV-696x495.jpg","title":"QTV / Gambia"},{"description":"TVM International, or TVM Internacional, is the international channel of Mozambique's national TV broadcaster, Televisão de Moçambique (TVM), broadcasting for 24 hours per day. The channel will showcase local programming featuring Mozambican culture, tourism and sports.","sources":["http://196.28.226.121:1935/live/smil:Channel2.smil/chunklist_b714000_slpor.m3u8"],"subtitle":"By Channel","thumb":"https://clubofmozambique.com/wp-content/uploads/2020/03/tvmint.rm.jpg","title":"TVM Internacional"},{"description":"K24 TV est une chaine de télévision généraliste Kényane fondée en 2007 basé à Longonot Place, P. O. Box 49640 Kijabe St Tél : +254 20 2124801. K24 TV diffuse sur la télévision terrestre et en streaming sur Dailymotion et sur son site internet..","sources":["https://raw.githubusercontent.com/exodiver/IPTV/master/M3U8/Token/K24.m3u8"],"subtitle":"By Channel","thumb":"http://www.centraltv.fr/wp-content/uploads/k24-tv_logo.jpg","title":"K24 TV / Kenya"},{"description":"Afrobeat tv is a division of kaycee records .Kaycee Records is an independent record label established in the United Kingdom, and Nigeria Owned by Kennedy Kesidi Richard from Oguta in Imo State Nigeria .Afro beat tv is the new musical innovation to promote African art and and as a platform to promote and create awareness for up coming African artist all around the globe","sources":["http://connectiktv.ddns.net:8080/afrobit/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2019/05/AFROBIT-png-300x168.png","title":"AFROBITS / Music"},{"description":"Dunamis International Gospel Centre (DIGC) Jos Central is a powerfully anointed church, where God's Presence and power are saving, healing and restoring human destinies and dignities! Located in Alheri, Jos, Plateau State with HQT in Abuja Nigeria. Dunamis (Doo'na-mis) is the Greek word that means POWER.","sources":["https://christianworld.ashttp9.visionip.tv/live/visiontvuk-religion-dunamistv-SD/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/ng-dunamis-tv-2163-300x225.jpg","title":"DUNAMIS TV / Religion"},{"description":"France tv sport, c’est d’abord l’actualité de TOUS les sports. De l’analyse en temps réel, du live ou encore des replays vidéo sont disponibles à tout moment. Enrichissez votre expérience et plongez au cœur de l'actualité du sport.","sources":["https://streamserv.mytvchain.com/sportenfrance/SP1564435593_720p/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://liberador.net/media/images/FranceTv_Sport.max-640x640.jpg","title":"SPORTS FRANCE TV"},{"description":"Darut Tarbiyah La télévision en direct du Réseau islamique de Trinité-et-Tobago Chaîne de télévision religieuse / Darut Tarbiyah Le Réseau islamique (T.I.N.) est une chaîne de télévision câblée locale de Trinité-et-Tobago diffusant des programmes islamiques. La station est transportée sur le canal 96 ou 116 sur le système de câble Flow Trinidad. DARUT TARBIYAH - LE RÉSEAU ISLAMIQUE. Darut Tarbiyah Drive, Ramgoolie Trace North, Cunupia, Trinidad Antilles. Tél: (868) 693-1722, 693-1393","sources":["http://162.244.81.145:2215/live/livestream/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://theislamicnetwork.org/wp-content/uploads/musicpro/bd-uploads/logo_logo_TIN-Logo-White-Text.png","title":"THE ISLAMIC NETWORK"},{"description":"D Sports HD est une chaine qui se fcalise sur les Sports en General : WWE, BOX, Football: Ligue brésilienne, Super League chinoise, Ligue portugaise, Major League Soccer (USA) Courses hippiques: courses quotidiennes diffusées en direct du Royaume-Uni et d'Irlande Golf: British Open (The Open Championship), US Open, PGA Championship, LPGA Motorsports: NASCAR, Championnat du Monde de Rallycross FIA Rugby: 6 Nations Rugby Cyclisme: Tour de France (propriété d'Eurosport).","sources":["http://jiocgehub.jio.ril.com/Dsports_HD/Dsports_HD.m3u8?fluxustv.m3u8"],"subtitle":"By Channel","thumb":"https://kccl.tv/sites/default/files/dsportjpg.jpg","title":"D Sports TV"},{"description":"Africa Sports TV est la première chaîne francophone d’information en continue de sport en Afrique. C’est un média fédérateur des sports africains. On parle de compétition locales, des ligues nationales sur toutes les disciplines du continent, dont le basketball, le football, la lutte… Il y aura beaucoup de lutte, qui prend un essor important sur le continent. Il y a tout un lobby autour de la lutte. Africa Sports TV est disponible Sur Le Canal 56 de la BbOX – Sur Le Canal 614 du Bouquet Africain Max de TV ORANGE.","sources":["https://strhls.streamakaci.tv/str_africasportstv_africasportstv/str_africasportstv_multi/str_africasportstv_africasportstv/str_africasportstv_player_1080p/chunks.m3u8"],"subtitle":"By Channel","thumb":"https://pbs.twimg.com/profile_images/1215646342812401668/SOnvVloX_400x400.jpg","title":"Africa Sports TV"},{"description":"Real Madrid TV est une chaîne de télévision numérique gratuite, exploitée par le Real Madrid, spécialisée dans le club de football espagnol. La chaîne est disponible en espagnol et en anglais. Il est situé à Ciudad Real Madrid à Valdebebas (Madrid), le centre de formation du Real Madrid.","sources":["http://rmtv24hweblive-lh.akamaihd.net/i/rmtv24hwebes_1@300661/index_3_av-b.m3u8"],"subtitle":"By Channel","thumb":"https://files.cults3d.com/uploaders/13539675/illustration-file/9c08780f-eb52-427b-aad7-b0a8c0fb83a1/real_madrid_ref1_large.JPG","title":"Real Madrid TV"},{"description":"Real Madrid Club de Fútbol, ce qui signifie Royal Madrid Football Club), communément appelé Real Madrid, est un club de football professionnel espagnol basé à Madrid. Fondé le 6 mars 1902 sous le nom de Madrid Football Club, le club porte traditionnellement un maillot blanc à domicile depuis sa création. Le mot réel est espagnol pour royal et a été accordé au club par le roi Alfonso XIII en 1920 avec la couronne royale dans l'emblème. L'équipe a disputé ses matchs à domicile dans le stade Santiago Bernabéu d'une capacité de 81 044 places au centre-ville de Madrid depuis 1947.","sources":["http://rmtv24hweblive-lh.akamaihd.net/i/rmtv24hweben_1@300662/master.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/564x/e4/de/18/e4de1869c0eba3beab9ffc9d01660e65.jpg","title":"Real Madrid TV"},{"description":" EPT SPORTS HD est la nouvelle chaîne exclusivement sportive de l’audiovisuel public, ERT Sports HD, sa première officielle à 06h00 le matin du samedi 9 février 2019.","sources":["https://ert-live.siliconweb.com/media/ert_sports/ert_sportshigh.m3u8"],"subtitle":"By Channel","thumb":"https://png.pngitem.com/pimgs/s/681-6814150_ert-sports-hd-logo-ert-sports-hd-hd.png","title":"EPT Sports HD"},{"description":"Sports Tonight Live, branded simply as Sports Tonight, was a British television show and channel, owned by VISION247 based in Central London. It was launched online on 29 August 2011.","sources":["http://sports.ashttp9.visionip.tv/live/visiontvuk-sports-sportstonightlive-hsslive-25f-4x3-SD/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://embeddedplayer.visionip.tv/portals/Sports_Tonight_Live/Sports_Tonight_Live/overlay_logos/Sports%20Tonight%20Live-plBackground-1308.png","title":"Sports Tonight"},{"description":"Arryadia HD TV est une chaîne sportive de télévision publique marocaine. Il fait partie du groupe public SNRT avec Al Aoula, Athaqafia, Al Maghribia, Assadissa, Aflam TV, Tamazight TV et Laayoune TV. La chaîne a été lancée le 16 septembre 2006. Arryadia est le diffuseur officiel de la ligue marocaine Botola.","sources":["http://cdn-hls.globecast.tv/live/ramdisk/arriadia/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://4.bp.blogspot.com/-lnh_8LWuXaw/WZ09LDkMsZI/AAAAAAAAEeI/9FKtxdQjbl4UVqmZjqN4R-fE9uOLG2ccQCLcBGAs/s1600/FB_IMG_1503465850383.jpg","title":"Arryadia TV / Maroc"},{"description":"Assadissa TV est une chaîne de télévision publique marocaine dédiée aux affaires religieuses. Il fait partie du groupe public SNRT avec Al Aoula, Arryadia, Athaqafia, Al Maghribia, Aflam TV, Tamazight TV et Laayoune TV. La chaîne a été lancée le 3 novembre 2005. Outre les lectures du Coran, il existe également des programmes de services religieux, de débats et de documentaires. Il est diffusé tous les jours de 2h00 à 23h00. Le samedi, il est de 6h00 à 21h00.","sources":["http://cdn-hls.globecast.tv/live/ramdisk/assadissa/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/commons/7/7e/Assadissa.png","title":"Assadissa TV/ Maroc"},{"description":"Al Aoula, anciennement appelée TVM (Télévision marocaine, arabe: ??????? ????????), est la première chaîne de télévision publique marocaine. Il fait partie du groupe public SNRT avec Arryadia, Athaqafia, Al Maghribia, Assadissa, Aflam TV, Tamazight TV et Laayoune TV. Le réseau diffuse des programmes en arabe, berbère, français et espagnol. Son siège est situé à Rabat. Lancé en 1962, Al Aoula a été le premier réseau de télévision à produire et à diffuser ses propres programmes dans le pays. En 1962, il a commencé des émissions en couleur.","sources":["http://cdn-hls.globecast.tv/live/ramdisk/al_aoula_inter/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://live.staticflickr.com/1853/44065447112_7a93bb434f.jpg","title":"Al Aoula TV/ Maroc"},{"description":"2M TV est une chaîne de télévision marocaine gratuite. Il a été créé par le conglomérat royal, ONA, avant d'être en partie vendu à l'État marocain. 20,7% de 2M appartiennent à la société holding de Mohammed VI SNI. Alors qu'environ 60% sont contrôlés par l'État marocain. Il est basé à Casablanca. Il est disponible gratuitement localement sur signal numérique avec une couverture sur tout le Maroc et sur la télévision par satellite via Globecast, Nilesat et Arabsat. 2M propose des services en arabe, français et berbère.","sources":["https://cdnamd-hls-globecast.akamaized.net/live/ramdisk/2m_monde/hls_video_ts/2m_monde.m3u8"],"subtitle":"By Channel","thumb":"https://caidal.ma/wp-content/uploads/2019/04/ob_febd69_2-m-maroc-en-ligne.jpg","title":"2M TV / Maroc"},{"description":"La chaîne Al Magharibia diffuse des programmes politiques, sociaux et économiques depuis sa base privée de Londres. La chaîne est diffusée en arabe et s'adresse aux pays du Mahgreb, l'Algérie en particulier. Le ton d'Al Magharibia est fermement basé sur un discours politique et idéologique. Le ton d'Al Magharibia est fermement basé sur un discours politique et idéologique.","sources":["https://cdnamd-hls-globecast.akamaized.net/live/ramdisk/al_maghribia_snrt/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://cdn.sat.tv/wp-content/uploads/2016/05/SNRT-AlMaghribia.png","title":"Al maghribia TV / Maroc"},{"description":"Athaqafia TV est une chaîne gratuite disponible sur le satellite Hotbird et propose une gamme de programmes allant des documentaires et des programmes éducatifs ainsi que de la musique, des dessins animés et des divertissements familiaux. La chaîne s'adresse principalement aux familles et est diffusée principalement en arabe mais parfois en langue française et berbère. La chaîne a été créée par la société de production marocaine appartenant à l'État, SNRT.","sources":["http://cdn-hls.globecast.tv/live/ramdisk/arrabiaa/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://cdn.sat.tv/wp-content/uploads/2016/05/SNRTAThaqafia.png","title":"Athaqafia TV / Maroc"},{"description":"Tele Maroc est la nouvelle chaîne satellitaire généraliste marocaine créée par rachid Niny. Siège à Madrid. « C’est donc une chaéne de télévision légalement espagnole avec un contenu marocain.","sources":["https://api.new.livestream.com/accounts/27130247/events/8196478/live.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/564x/9e/1d/b5/9e1db51201d4debce634f6e8b44a2424.jpg","title":"Tele Maroc"},{"description":"Tamazinght TV est une chaîne de télévision publique marocaine créée le 6 janvier 2010, propriété de la Société nationale de radiodiffusion et de télévision. La chaîne a pour objectif la promotion et la préservation de la culture amazighe au Maroc et dans la région de l'Afrique du Nord. en langue berbère. 70% en tashelhit, tarifit et tamazight (les 3 variantes du berbère du Maroc), le reste en arabe.","sources":["https://cdnamd-hls-globecast.akamaized.net/live/ramdisk/tamazight_tv8_snrt/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"http://hub.tv-ark.org.uk/images/International/international_images/morocco_images/tamazight/Tamazight_TV_ident4_060912a.jpg","title":"Tamazight TV / Maroc"},{"description":"EMCI TV est une chaîne de télévision chrétienne évangélique francophone. Les studios de la chaîne se trouvent dans la ville de Québec, Canada. Le contenu de la programmation est assez varié et provient de divers pays francophones d’Afrique, d’Europe et d’Amérique. Des clips musicaux, des enseignements bibliques, des prédications, la Bible en vidéo, des temps de prière, des reportages, des documentaires, des films ainsi que des séries y sont présentés.","sources":["https://emci-fr-hls.akamaized.net/hls/live/2007265/emcifrhls/index.m3u8"],"subtitle":"By Channel","thumb":"https://www.enseignemoi-files.com/site/view/images/dyn-cache/pages/image/img/23/62/1522940482_236277_1200x630x1.f.jpg?v=2018021301","title":"EMCI TV / Religion"},{"description":"CIS TV est une chaine tv guinéen consacré au sport et à la culture. basée à Conakry, fondé en 2016 par Mamadou Antonio Souaré. CIS TV est diffuse via le satellite Fréquence Tv 3689: Symbole 1083: Satelite eutelsat 10a ZONES DE DIFFUSION : tiers d'Afrique.","sources":["http://51.81.109.113:1935/CDNLIVE/CISTV/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://www.senegal7.com/wp-content/uploads/2019/03/f9180cb9286c49c4f3a6c793798b9ddf.png","title":"CIS TV / Guinee"},{"description":"Faso TV est une initiative de Magic Communication et Médias, une société à responsabilité limitée basée à Ouagadougou, capitale du Burkina Faso. C’est une chaîne de télévision en ligne destinée à l’événementiel. Nous entendons par événementiel toutes manifestations ou activités à caractère culturel, économique, éducatif ou sportif dont l’objectif est de susciter la mobilisation, l’adhésion, l’engouement de la population ou d’un public cible au plan local, national ou international. Autrement dit, notre stratégie éditoriale consiste à faire la promotion de toutes activités qui contribuent au développement socio-économique et culturel, à l’éducation, au divertissement et au bien être de la population burkinabé et de sa diaspora.","sources":["https://playtv4kpro.com:5443/LiveApp/streams/163893638025530331068059.m3u8"],"subtitle":"By Channel","thumb":"https://fasotv.net/wp-content/uploads/2019/10/logo-final-sans-slogan.png","title":"FASO TV / Burkina Fasso "},{"description":"Plex tv une chaîne généraliste spécialisé dans la retransmissions des événement. émission et qui diffuse aussi des films, musiques, divertissement, sport, magasine etc et une multitude de programme en haute définition.","sources":["http://connectiktv.ddns.net:5000/plextv/@plextv/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://www.lifetimepremiumaccounts.com/wp-content/uploads/2019/03/plex-logo.jpg","title":"PLEX TV / "},{"description":"PLAY TV est une chaine de télévision musicale Camerounaise basée à Yaoundé, elle diffuse un programme 100% musicale la musique d’ici et d’ailleurs en haute définition..","sources":["http://connectiktv.ddns.net:5000/playtv/@playtv/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2019/04/logo-play-tv-300x113.jpg","title":"PLAT TV / Cameroune "},{"description":"TVR Rennes 35 Bretagne est une chaîne de télévision locale née en mars 1987 sous le nom de TV Rennes. TVR Rennes 35 Bretagne fut inaugurée à son lancement par le président de la République, elle fut la première télévision locale créée en France elle est diffusée Canal 35 sur la TNT / Canal 30 sur Orange, Freebox et BBox / Canal 95 sur Numéricable et en direct streaming sur son site Internet.","sources":["https://streamtv.cdn.dvmr.fr/TVR/ngrp:tvr.stream_all/master.m3u8"],"subtitle":"By Channel","thumb":"https://w0.pngwave.com/png/890/19/tvr-tv-rennes-35-logo-television-channel-tvr-t350-png-clip-art.png","title":"Rennes TV / France Sports "},{"description":"Chaîne franco-marocaine basée à Tanger et destinée au Maghreb. Programmation culturelle avec information, reportages et documentaires. En arabe et en Français. Fin 2010, elle a également commencé à diffuser à la télévision analogique terrestre au Maroc, en plus de la télévision numérique par satellite. Il a été rebaptisé Medi 1 TV.","sources":["http://streaming.medi1tv.com/live/Medi1tvmaghreb.sdp/chunklist.m3u8"],"subtitle":"By Channel","thumb":"http://www.logotypes101.com/logos/807/C85CC3231EAD10CEC61C182C7DED072D/medi1tvlogo.png","title":"Medi 1 TV / Maroc"},{"description":"M24 Television est la chaîne d’info en continu de l’agence marocaine de presse (MAP). Une chaîne qui couvre l’actualité marocaine et internationale. Une chaîne fidèle aux valeurs de la MAP qui est le premier producteur d'information au Maroc. Le fil de la MAP se décline en cinq langues : Arabe, Amazighe, Français, Anglais et Espagnol. la MAP présente dans toutes les régions du Royaume et dans les cinq continents, elle fournit tous les médias en informations, reportages, analyses et portraits.","sources":["https://www.m24tv.ma/live/smil:OutStream1.smil/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://is5-ssl.mzstatic.com/image/thumb/Purple114/v4/e4/c6/3e/e4c63e4e-b8ff-a14e-cacd-3593f09c1f78/source/512x512bb.jpg","title":"M24 TV / Maroc"},{"description":"La chaîne Al Magharibia diffuse des programmes politiques, sociaux et économiques depuis sa base privée de Londres. La chaîne est diffusée en arabe et s'adresse aux pays du Mahgreb, l'Algérie en particulier. Le ton d'Al Magharibia est fermement basé sur un discours politique et idéologique. Le ton d'Al Magharibia est fermement basé sur un discours politique et idéologique.","sources":["https://cdnamd-hls-globecast.akamaized.net/live/ramdisk/al_maghribia_snrt/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://cdn.sat.tv/wp-content/uploads/2016/05/SNRT-AlMaghribia.png","title":"Al maghribia TV / Maroc"},{"description":"Athaqafia TV est une chaîne gratuite disponible sur le satellite Hotbird et propose une gamme de programmes allant des documentaires et des programmes éducatifs ainsi que de la musique, des dessins animés et des divertissements familiaux. La chaîne s'adresse principalement aux familles et est diffusée principalement en arabe mais parfois en langue française et berbère. La chaîne a été créée par la société de production marocaine appartenant à l'État, SNRT.","sources":["http://cdn-hls.globecast.tv/live/ramdisk/arrabiaa/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://cdn.sat.tv/wp-content/uploads/2016/05/SNRTAThaqafia.png","title":"Athaqafia TV / Maroc"},{"description":"Al-Fath channel is the property of Sheikh Ahmed Awad Abdo, and is considered the satellite channel of the Islamic religious channels that follow the Sunnah, and offers a series of programs interpretation for the Quran Al-Kareem, and many true prophetic and the CEO is Prof. Ahmed Abdou Awad, the Islamic Scholar.","sources":["https://svs.itworkscdn.net/alfatehlive/fatehtv/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/eg-alfath-tv.jpg","title":"Al Fath TV / Egypte"},{"description":"Al Hayah started broadcasting in 2008 during the last years of Mubarak's rule, which saw a revival in the ownership of the media. It was founded by businessman El Sayed El Badawi as part of Al Hayah Channels Network. El Badawi assumed the presidency of the Wafd Party from May 2010 until March 2018. El Badawi is one of the businessmen who played political roles in addition to owning media outlets, such as Al Dostor (link to profile). ","sources":["http://media.islamexplained.com:1935/live/_definst_mp4:ahme.stream_360p/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/474x/76/1a/a4/761aa46eb54c24d21ca5866f21442426.jpg","title":"Al hayat TV / Maroc"},{"description":"The El Sharq channel broadcasts Various programs, from Egypt country in the Arabic language, last updated time on March 25, 2016. El Sharq which considered to view as a Free to air satellite TV channel.","sources":["https://mn-nl.mncdn.com/elsharq_live/live/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://egytvs.com/wp-content/uploads/2014/06/al-sharq-200x75.jpg","title":"Al sharq TV / Maroc"},{"description":"Guinée TV1 est une chaine de télévision généraliste Guinéenne basée à Conakry. Elle diffuse de la musique des informations des documentaires. des programmes religieux et autre.","sources":["https://playtv4kpro.com:5443/LiveApp/streams/664825404798849938149128.m3u8"],"subtitle":"By Channel","thumb":"https://gtv1love.com/wp-content/uploads/2019/10/logo4.png","title":"GUINEE TV / Guinee "},{"description":"Inooro TV chaînes de télévision généraliste Kényane en langue Kikuyu lancé le 26 octobre 2015. Elle diffuse 24 heures sur 24. Inooro TV est une chaine du groupe Royal Media Services (RMS).","sources":["https://vidcdn.vidgyor.com/inoorotv-origin/liveabr/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://royalmedia.s3.amazonaws.com/wp-content/uploads/2019/10/inoorotv.jpg","title":"INOORO TV / Kenya "},{"description":"Citizen TV Kenya est une station nationale Kényane détenue par Royal Media Services Ltd.Elle diffuse principalement en anglais et en swahili. Elle a été lancé en 1999 et relancé en Juin 2006 c’est la station de télévision avec la plus forte croissance au Kenya avec un fort accent sur ??la programmation locale Basé au Communication Centre,Maalim Juma Road,Off Dennis Pritt Road, Nairobi, 7498-00300.","sources":["https://vidcdn.vidgyor.com/citizentv-origin/liveabr/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://www.innocirc.com/wp-content/uploads/2017/07/citizen.jpg","title":"CITIZEN TV / Kenya "},{"description":"RTJ TV ( Radio Télévision Jeune ) est une chaine de télévision culturel Sénégalaise. Elle diffuse des programme de divertissement( WatZapp le Zapping), Musique (playlist Mix Afro Mix Zouk Mix Hip Hop Musique sénégalaise), bien être, documentaire, Émission éducatif qui consiste à joindre l’utile à l’agréable à travers l'éducation des enfants, interviews ect.","sources":["http://public.acangroup.org:1935/output/rtjtv.stream/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://rtjtv.com/images/rtjtv.png","title":"RTJ TV / Senegal"},{"description":"Mouride tv est une chaine de télévision généraliste sénégalaise basé à touba, Senegal. Mouride tv c’est la télévision base au coeur des événement mourides magal, thiante, wakhtane, khassaide, kourel en direct..","sources":["http://51.81.109.113:1935/Livemouridetv/mouridetv/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/sn-mouride-tv.jpg","title":"MOURIDE TV / Senegal"},{"description":"ANN TV est une chaîne d’Informations générales et de Divertissement. Elle est produite par JUUF COMMUNICATION et diffusée sur le site d’informations générales multimédia ANN. La plateforme ANN comporte un journal en ligne (ANN), une WebRadio (ANN FM) et une WebTV (ANN TV).","sources":["http://vod.acangroup.org:1935/output/anntv.stream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://an-news.com/wp-content/uploads/2019/05/aan.png","title":"ANN TV / Senegal"},{"description":"Louga TV est une chaine culturelle et religieuse Senegalaise qui se veut attractive et objective. En temps réel, elle produit des vidéos de qualité qui tiennent compte de la spécificité de l’information et de la crédibilité de ses sources. Également, l’équipe technique et rédactionnelle est constituée de techniciens chevronnés aux compétences avérées. Dans son approche des enjeux de l’information capitale, la chaine louga tv offre des vidéos qui informent, forment et transforment le citoyen dans l’approche de son monde en devenir..","sources":["http://ira.dyndns.tv:8080/live/louga/CAnhiMtR6C/1708.m3u8"],"subtitle":"By Channel","thumb":"https://i.ytimg.com/vi/3Gnt2_SndXw/maxresdefault.jpg","title":"LOUGA TV / Senegal"},{"description":"Dieu TV est une chaine de télévision généraliste chrétienne pour la Francophonie.Elle proclame la Bonne Nouvelle du Salut en Jésus-Christ pour atteindre les 400 millions de Francophones dans le monde. Fondée en 2007. Dieu TV diffuse sur le Satellite Eutelsat 5WA (Europe et Afrique du Nord), et le Satellite Amos 5 et en streaming sur son site interne","sources":["https://katapy.hs.llnwd.net/dieutvwza1/DIEUTVLIVE/smil:dieutv.smil/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/fr-dieu-tv.jpg","title":"DIEU TV / Religion "},{"description":"Radio Télévision Hirondelle : La nouvelle couleur du Sud. Elle diffuse des émissions pour divers catégories nouvelles locales, nationales et internationales le sport du monde Entier la musique et videos clips Promotions des artistes Locaux.","sources":["http://play.acwstream.com:2000/live/acw_01/index.m3u8"],"subtitle":"By Channel","thumb":"https://radiotelehirondelle.com/wp-content/uploads/2020/08/logo.png","title":"HIRONDELLE TV"},{"description":"BEL TV est une station de télévision haïtienne qui diffuse sur le web via diverses plateformes et par câble. Notre vision est de créer une télévision standard dont la qualité du programme est aussi instructive que divertissante. À cote de cette vision, BEL TV s’est fixé pour mission de promouvoir la Culture haïtienne, à savoir le Cinéma, la musique, la littérature et bien plus encore, ce à travers la Caraïbe et le monde entier. BEL TV c’est une toute autre façon de faire la télé.","sources":["https://hbiptv.live/player/sakchotv/index.m3u8"],"subtitle":"By Channel","thumb":"https://image.roku.com/developer_channels/prod/1de97a21d9bd773a115a5467974be0b859d1157256316bd1e72ed48965c0191a.png","title":"BEL TV / Haiti "},{"description":"The Middle East Broadcasting Center (MBC) Group is the first private free-to-air satellite broadcasting company in the Arab World. It was launched in London in 1991 and later moved to its headquarters in Dubai in 2002. MBC Group provides multiple channels of information, interaction and entertainment. MBC Group includes 10 television channels: MBC1 (general family entertainment via terrestrial), MBC2 and MBC MAX (24-hour movies), MBC3 (children’s entertainment), MBC4 (entertainment for new Arab women via terrestrial).","sources":["https://shls-masr-prod.shahid.net/masr-prod.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/commons/7/7c/MBC_Masr_Logo.png","title":"MBC MSR 1 / Egypte"},{"description":"The Middle East Broadcasting Center (MBC) Group is the first private free-to-air satellite broadcasting company in the Arab World. It was launched in London in 1991 and later moved to its headquarters in Dubai in 2002. MBC Group provides multiple channels of information, interaction and entertainment. MBC Group includes 10 television channels: MBC1 (general family entertainment via terrestrial), MBC2 and MBC MAX (24-hour movies), MBC3 (children’s entertainment), MBC4 (entertainment for new Arab women via terrestrial).","sources":["https://shls-masr2-prod.shahid.net/masr2-prod.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/564x/01/3c/21/013c218c3ce9b3cfc883bdcdb121e5e6.jpg","title":"MBC MSR 2 / Egypte"},{"description":"Mekameleen TV is an Egyptian opposition TV Channel. It is based in Istanbul. 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D5Music entend devenir la chaîne référence musicale des 5 continents","sources":["https://www.rti.ci/direct_rti2.html"],"subtitle":"By Channel","thumb":"https://d5music.tv/wp-content/uploads/2020/07/cropped-LOGO-D5-MUSIC-BLANCROUGE_carre-192x192.png","title":"RTI 2 TV"},{"description":"A2iTV la chaine 100% immigration Senegalais, qui est née de la synergie de personnes qui ont décidé d’ unir leur force, leur compétence et leur ressources matérielles et financiéres pour participer avec l’aide des nouvelles technologies à informer sur l’ immigration .","sources":["http://51.158.31.93:1935/a2itv/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://www.centraltv.fr/wp-content/uploads/A2itv_logo.jpg","title":"A2i TV / Senegal"},{"description":"A2i music est une chaine culturelle destinée à la Diaspora avec des programmes musicales et des dramatiques. A2i music couvre aussi les autres parties du monde, notament les Etats Unis, le Canada, l’Asie, etc. à travers les boitiers Roku fournis par AfricaAstv, Acantv, My African pack de Invevo et Sénégal.","sources":["http://51.158.31.93:1935/a2itvtwo/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://www.centraltv.fr/wp-content/uploads/a2i-music_logo.jpg","title":"A2i TV / Music "},{"description":"A2i tv Relegion est une chaine culturelle destinée à la Diasporat senegalais avec des programme chretiens.","sources":["http://51.158.31.93:1935/a2itvthree/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://lh3.googleusercontent.com/wwumXcAbY83D0q-NgUv2veS-p54FJTq6LAvsPRwYwWo-70ggeDkCM1VdhqhibRQNk4o=s180-rw","title":"A2i TV / Religion "},{"description":"Love World Plus TV is your Christian faith and lifestyle channel destined to bring a new level of dynamism into Christian television programming through satellite and the internet. The reach of LoveWorld Plus is limitless.","sources":["http://hls.live.metacdn.com/2450C7/bedkcjfty/lwplus_628.m3u8"],"subtitle":"By Channel","thumb":"https://d3c5pcohbexzc4.cloudfront.net/videos/thumbs/be214-loveworldplus.jpg","title":"Love World Plus TV"},{"description":"A2i naija est une nouvelle chaîne de télévision musicale internationale, elle est dédiée aux musiques et aux cultures urbaines du monde entier (Rap, R&B, Hip-Hop, Pop, Rai, Naija, Olschool etc.) ciblant un public très large. D5Music entend devenir la chaîne référence musicale des 5 continents","sources":["http://51.158.31.93:1935/devtv/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://image.winudf.com/v2/image/YTVjZW50cy5hMmlfc2NyZWVuXzVfMTUxNTk5NTEyNl8wNTQ/screen-5.jpg?fakeurl=1&type=.jpg","title":"A2i / naija Music"},{"description":"BOK TV is an online and public access variety show and the show's log line what would happen if In Living Color and The Daily Show had a bastard child! BOKTV is what would happen and he show is split into segments: MONOLOGUE, SKETCH, ROUND TABLE, COMMERCIAL, BLACK TWITTER. create a platform of discourse that encourages exchange as opposed to polarity, and to showcase the talents of the host and other cast members.","sources":["http://boktv.interworks.in:1935/live/boktv/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://bokradio.co.za/wp-content/uploads/2017/07/button_cameratv.jpg","title":"BOK TV"},{"description":"Salt TV is a Christian television channel station from Uganda. Salt TV is based in Kampala. Matthew 5:13-16 (NKJV) Believers Are Salt and Light 13 You are the salt of the earth, but if the salt loses its flavor, how shall it be seasoned? It is then good for nothing but to be thrown out and trampled underfoot by men.","sources":["http://dcunilive38-lh.akamaihd.net/i/dclive_1@692676/index_150_av-p.m3u8"],"subtitle":"By Channel","thumb":"https://www.saltmedia.ug/images/NOV/SALT-TV.jpg","title":"Salt TV/ Uganda"},{"description":"TFM is Senegal’s privately-owned television channel.Owned by Senegalese musician Youssou N Dour, who owns a major media group in Dakar.","sources":["http://46.105.114.82/tfm_senegal.m3u8"],"subtitle":"By Channel","thumb":"https://3.bp.blogspot.com/-eyo4UyKqjlI/WWTobvXxLqI/AAAAAAAAB_g/BFn1KiR6vcYQMilgX4nWhGJHbHMEP_l0ACLcBGAs/s1600/tfm%2Bsenegal.png","title":"TFM TV/ Senegal"},{"description":"Africa tv1 est une télévision africaine qui travaille pour aider les peuples a se communiquer avec DIEU et surtout sensibiliser les Africains musulmans de partout.","sources":["http://africatv.live.net.sa:1935/live/africatv/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://www.africagroup.tv/img/bgTV1.png","title":"Africa TV 1"},{"description":"Africa tv2 est une télévision africaine qui travaille pour aider les peuples a se communiquer avec DIEU et surtout sensibiliser les Africains musulmans de partout.","sources":["http://africatv.live.net.sa:1935/live/africatv2/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://www.africagroup.tv/img/bgTV2.png","title":"Africa TV 2"},{"description":"Africa tv3 est une télévision africaine qui travaille pour aider les peuples a se communiquer avec DIEU et surtout sensibiliser les Africains de langue haoussa.","sources":["http://africatv.live.net.sa:1935/live/africatv3/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://www.africagroup.tv/img/bgTV3.png","title":"Africa TV 3"},{"description":"La télévision nationale tunisienne 1 est la chaîne publique nationale tunisienne. Il a été officiellement lancé le 31 mai 1966, mais diffuse des programmes pilotes de manière irrégulière depuis octobre 1965, puis régulièrement depuis janvier 1966 et s’appelle la radio et la télévision tunisienne (ATT). Elle est devenue Channel 7 en 1992 et Tunisia 7 en 1997, mais elle est restée une filiale de la Société tunisienne de radio et de télévision jusqu’en 2008, a conservé le siège qu’elle partageait et la Société tunisienne de télévision avec ses chaînes de télévision nationales tunisiennes et La Tunisie 21 plus tard connue sous le nom de Télévision nationale tunisienne 2 est devenue son nouveau siège. Après le déclenchement de la révolution populaire tunisienne et la défection de zine El Abidine Ben Ali du pays, il est devenu Télévision nationale tunisienne.","sources":["http://54.36.122.126/tunisie1.m3u8"],"subtitle":"By Channel.","thumb":"https://www.histoiredesfax.com/wp-content/uploads/2015/11/Television-nationale-watania.jpg","title":"TUNISIA 1"},{"description":"Sahel TV est la plateforme unique, ouverte à la société civile, aux citoyens et à l'autorité locale de la ville et de sa région pour leur permettre de s’exprimer librement, proposer leurs idées et accéder à toutes les informations économiques, environnementale, culturelle, sportive. Vos idées et vos propositions sont les bienvenues.","sources":["http://142.44.214.231:1935/saheltv/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://mobiletv.mobibase.com/html/logo/hd/channel_ld_747.png","title":"SAHEL TV / Tunisie"},{"description":"NIGERIA TELEVISION AUTORTEAutorité a commencé sous le nom de Western Nigerian Television Services (WNTV), qui a transmis ses premiers signaux au peuple nigérian et à toute l'Afrique le 31 octobre 1959. Au début de 1962, les trois gouvernements régionaux qui existaient au Nigéria avaient mis en place le Service de télévision nigérian (NTS). Télévision ont été créés et en 1976, l'Autorité de la télévision nigériane est née en tant que seule entité responsable de Diffusion télévisée au Nigéria.","sources":["http://54.38.93.93/nta.m3u8"],"subtitle":"By Channel","thumb":"https://static.squarespace.com/static/53d2a092e4b0125510bfe57d/53d2a2c6e4b018cd23e33d7b/53d2a2c6e4b018cd23e33f6f/1362042333867/1000w/nta.jpg","title":"NTA TV / Nigeria"},{"description":"ESPACE TV est une télévision basée à Conakry dans la commune de Matoto Kondeboungny au bord de l'autoroute Fidèle Castro (République de Guinée). La télé diffuse des informations du pays et du monde en temps réel. Des magazines axés sur les réalités des terroirs et des séries de divertissement. Détenue par le groupe Hadafo Médias, cette chaîne est la première du pays en terme d'audience; selon le rapport de Stat view international en 2019.","sources":["http://46.105.114.82/espacetv.m3u8"],"subtitle":"By Channel","thumb":"https://lh3.googleusercontent.com/ric-bS2gzvt-UyrhBIEdWENN9U-fL9Bnlhv12GEYSzSkZFWEIr7hc74k83kfLPqZDk0","title":"Espace TV / Guinée"},{"description":" Movies Now is an Indian high-definition television channel featuring Hollywood films. It was launched on 19 December 2010 with a picture quality of 1080i and 5.1 surround sound. The channel is owned by The Times Group. It has exclusive content licensing from films produced or distributed by MGM and has content licensing from Universal Studios, Walt Disney Studios, Marvel Studios, 20th Century Studios, Warner Bros and Paramount Pictures.","sources":["https://timesnow.airtel.tv/live/MN_pull/master.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/en/4/49/Movies_Now_logo.png","title":"Movies Now HD"},{"description":"Tunisie Immobilier TV, la première chaîne de l’immobilier en Tunisie Vous présente toutes les semaines, les actualités immobilières et économiques en Tunisie et dans le monde à travers des reportages.contact; E-mail:tunisieimmob@planet.tn/ Tel:(+216) 71 894500.","sources":["https://5ac31d8a4c9af.streamlock.net/tunimmob/myStream/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://i2.wp.com/www.tunisieimmobiliertv.net/wp-content/uploads/2016/10/fb.jpg?fit=1024%2C500&ssl=1","title":"Tunisie Immobilier TV"}]}]}
datasphere-oss / Datasphere Servicean open source dataworks platform
ananya2001gupta / Bitcoin Price Prediction Using AI ML.Identify the software project, create business case, arrive at a problem statement. REQUIREMENT: Window XP, Internet, MS Office, etc. Problem Description: - 1. Introduction of AI and Machine Learning: - Artificial Intelligence applies machine learning, deep learning and other techniques to solve actual problems. Artificial intelligence (AI) brings the genuine human-to-machine interaction. Simply, Machine Learning is the algorithm that give computers the ability to learn from data and then make decisions and predictions, AI refers to idea where machines can execute tasks smartly. It is a faster process in learning the risk factors, and profitable opportunities. They have a feature of learning from their mistakes and experiences. When Machine learning is combined with Artificial Intelligence, it can be a large field to gather an immense amount of information and then rectify the errors and learn from further experiences, developing in a smarter, faster and accuracy handling technique. The main difference between Machine Learning and Artificial Intelligence is , If it is written in python then it is probably machine learning, If it is written in power point then it is artificial intelligence. As there are many existing projects that are implemented using AI and Machine Learning , And one of the project i.e., Bitcoin Price Prediction :- Bitcoin (₿ ) (founder - Satoshi Nakamoto , Ledger start: 3 January 2009 ) is a digital currency, a type of electronic money. It is decentralized advanced cash without a national bank or single chairman that can be sent from client to client on the shared Bitcoin arrange without middle people's requirement. Machine learning models can likely give us the insight we need to learn about the future of Cryptocurrency. It will not tell us the future but it might tell us the general trend and direction to expect the prices to move. These machine learning models predict the future of Bitcoin by coding them out in Python. Machine learning and AI-assisted trading have attracted growing interest for the past few years. this approach is to test the hypothesis that the inefficiency of the cryptocurrency market can be exploited to generate abnormal profits. the application of machine learning algorithms to the cryptocurrency market has been limited so far to the analysis of Bitcoin prices, using random forests , Bayesian neural network , long short-term memory neural network , and other algorithms. 2. Applications/Scope of AI and Machine Learning :- a) Sentiment Analysis :- It is the classification of subjective opinions or emotions (positive, negative, and neutral) within text data using natural language processing. b) It is Characterized as a use of computerized reasoning where accessible data is utilized through calculations to process or help the handling of factual information. BITCOIN PRICE PREDICTION USING AI AND MACHINE LEARNING: - The main aim of this is to find the actual Bitcoin price in US dollars can be predicted. The chance to make a model equipped for anticipating digital currencies fundamentally Bitcoin. # It works the prediction by taking the coinMarkup cap. # CoinMarketCap provides with historical data for Bitcoin price changes, keep a record of all the transactions by recording the amount of coins in circulation and the volume of coins traded in the last 24-hours. # Quandl is used to filter the dataset by using the MAT Lab properties. 3. Problem statement: - Some AI and Machine Learning problem statements are: - a) Data Privacy and Security: Once a company has dug up the data, privacy and security is eye-catching aspect that needs to be taken care of. b) Data Scarcity: The data is a very important aspect of AI, and labeled data is used to train machines to learn and make predictions. c) Data acquisition: In the process of machine learning, a large amount of data is used in the process of training and learning. d) High error susceptibility: In the process of artificial intelligence and machine learning, the high amount of data is used. Some problem statements of Bitcoin Price Prediction using AI and Machine Learning: - a) Experimental Phase Risk: It is less experimental than other counterparts. In addition, relative to traditional assets, its level can be assessed as high because this asset is not intended for conservative investors. b) Technology Risks: There is a technological risk to other cryptocurrencies in the form of the potential appearance of a more advanced cryptocurrency. Investors may simply not notice the moment when their virtual assets lose their real value. c) Price Variability: The variability of the value of cryptocurrency are the large volumes of exchange trading, the integration of Bitcoin with various companies, legislative initiatives of regulatory bodies and many other, sometimes disregarded phenomena. d) Consumer Protection: The property of the irreversibility of transactions in itself has little effect on the risks of investing in Bitcoin as an asset. e) Price Fluctuation Prediction: Since many investors care more about whether the sudden rise or fall is worth following. Bitcoin price often fluctuates by more than 10% (or even more than 30%) at some times. f) Lacks Government Regulation: Regulators in traditional financial markets are basically missing in the field of cryptocurrencies. For instance, fake news frequently affects the decisions of individual investors. g) It is difficult to use large interval data (e.g., day-level, and month-level data) . h) The change time of mining difficulties is much longer. Moreover, do not consider the news information since it is hard to determine the authenticity of a news or predict the occurrence of emergencies.
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1BC827B4DD438800 ;IMG Asia (100.5°E) - 3700 V 30000 T 06EC 01 70AF5CBBE6AE3600 ;IMG Asia (100.5°E) - 3700 V 30000 T 06F4 01 C785192D37D34100 ;IMG Asia (100.5°E) - 3700 V 30000 T 06F5 01 FC8D04A0D08C6E00 ;IMG Asia (100.5°E) - 3700 V 30000 T 06F7 01 29F6BFA4F194D700 ;IMG Asia (100.5°E) - 3700 V 30000 T 06F9 01 907BA1CDE77C3C00 ;IMG Asia (100.5°E) - 3700 V 30000 T 06FC 01 42091073E1CEE300 ;IMG Asia (100.5°E) - 3700 V 30000 T 06FD 01 45E2D915B7761E00 ;IMG Asia (100.5°E) - 3700 V 30000 T 06FE 01 8279A503E28E4400 ;IMG Asia (100.5°E) - 3700 V 30000 T 06FF 01 4785D1D6183D8000 ;IMG Asia (100.5°E) - 3700 V 30000 T 0700 01 794171490CB43B00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0701 01 00EF34E7134C0000 ;IMG Asia (100.5°E) - 3700 V 30000 T 0702 01 0EA9D5125F21C800 ;IMG Asia (100.5°E) - 3700 V 30000 T 0703 01 2D4D640338D5E200 ;IMG Asia (100.5°E) - 3700 V 30000 T 0704 01 A511447B0092BE00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0705 01 5A4006C95B65BE00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0706 01 D53ACCC0A0A22F00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0707 01 E1A2FD0BB4962500 ;IMG Asia (100.5°E) - 3700 V 30000 T 0709 01 F10378E187746B00 ;IMG Asia (100.5°E) - 3700 V 30000 T 070A 01 3EC7AAFF76975400 ;IMG Asia (100.5°E) - 3700 V 30000 T 070B 01 1B2B5A63C8E8E300 ;IMG Asia (100.5°E) - 3700 V 30000 T 070C 01 388158C2FE107300 ;IMG Asia (100.5°E) - 3700 V 30000 T 070D 01 CBABBFAA84E6F800 ;IMG Asia (100.5°E) - 3700 V 30000 T 070E 01 CBABBFFA1A3C1B00 ;IMG Asia (100.5°E) - 3700 V 30000 T 070F 01 BCBFB1035029C500 ;IMG Asia (100.5°E) - 3700 V 30000 T 0710 01 71C21288C9ED1C00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0711 01 14FE08A5B89D6C00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0712 01 971394EB7B550A00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0713 01 F4825CD9B20B0B00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0714 01 8FF9B482352D8200 ;IMG Asia (100.5°E) - 3700 V 30000 T 0715 01 B1A06954A54F3400 ;IMG Asia (100.5°E) - 3700 V 30000 T 0716 01 6E182D3D3B328F00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0717 01 54A824DFF1305300 ;IMG Asia (100.5°E) - 3700 V 30000 T 0718 01 B271E187ED4DD300 ;IMG Asia (100.5°E) - 3700 V 30000 T 0719 01 8D21635CF99CE400 ;IMG Asia (100.5°E) - 3700 V 30000 T 071A 01 8E2208E28B115300 ;IMG Asia (100.5°E) - 3700 V 30000 T 071B 01 E8B1CF202D4D9100 ;IMG Asia (100.5°E) - 3700 V 30000 T 2706 01 D22D9D72FBB4B200 ;Wimbledon World Feed (100.5°E) - 3700 V 30000 T 2710 01 D35184AEEC8BE800 ;Wimbledon World Feed (100.5°E) - 3700 V 30000 T 1605 01 F384528231F80300 ;ADS 7 (100.5°E) - 3720 H 30000 T 1606 01 677F3A34205E0500 ;ADS 8 (100.5°E) - 3720 H 30000 T 1607 01 DB445F86ADC23800 ;ADS 9 (100.5°E) - 3720 H 30000 T 1608 01 F4C1ECFF64C9A700 ;ADS 10 (100.5°E) - 3720 H 30000 T 1609 01 C72CD9ABB6CC0800 ;ADS 11 (100.5°E) - 3720 H 30000 T 160A 01 5DECE324A52B2400 ;ADS 12 (100.5°E) - 3720 H 30000 T 0A26 01 B7D9C24C62827700 ;MDS09,10,11,12 50 (100.5°E) - 3860 V 30000 T 045B 01 32C718C11FF46D00 ;U21 (100.5°E) - 3869 H 7120 T 0A26 01 B7D9C24C62827700 ;MDS05,06,07,08 50 (100.5°E) - 3880 H 30000 T 0083 01 4DB639DF3C4A2D00 ;ARQ-PL7 GOALS (100.5°E) - 3915 V 7120 T 0084 01 EDB30CBA1EFB0500 ;ARQ-PL9 GOALS (100.5°E) - 3915 V 7120 T 1839 01 67392044053A9700 ;Service 01 (100.5°E) - 3918 H 22500 T 183A 01 70B5118415394400 ;Service 02 (100.5°E) - 3918 H 22500 T 183B 01 737AFC24357EE900 ;Service 03 (100.5°E) - 3918 H 22500 T 183C 01 9EE1C959DABDBB00 ;Service 04 (100.5°E) - 3918 H 22500 T 183D 01 5D243DE3E2934600 ;Service 05 (100.5°E) - 3918 H 22500 T 03E8 01 8BAD71EFB7A83C00 ;Service 1 (100.5°E) - 3920 H 30000 T 03E9 01 8BAD71EFB7A83C00 ;Service 2 (100.5°E) - 3920 H 30000 T 03EA 01 8BAD71EFB7A83C00 ;Service 3 (100.5°E) - 3920 H 30000 T 03EB 01 8BAD71EFB7A83C00 ;Service 4 (100.5°E) - 3920 H 30000 T 03EC 01 8BAD71EFB7A83C00 ;Service 5 (100.5°E) - 3920 H 30000 T 03ED 01 8BAD71EFB7A83C00 ;Service 6 (100.5°E) - 3920 H 30000 T 1603 01 BE363F46A0380400 ;ADS 5 (100.5°E) - 3924 H 7300 T 16E5 01 C33C139292471600 ;ONC50 (100.5°E) - 3954 V 7200 T 1959 01 405E18941A49DA00 :MDS01,02,03,04 50 (100.5°E) - 3954 V 7200 T 224A 01 7293AFF5D46C2D00 ;ONC 50 (100.5°E) - 3954 V 7200 T 0001 01 5FDB06AA1364E500 ;MDS01 50 (100.5°E) - 4080 H 30000 T 0A26 01 B7D9C24C62827700 ;MDS02,04 50 (100.5°E) - 4080 H 30000 T 2140 01 0660C5AFE5251800 ;MDS03 50 (100.5°E) - 4080 H 30000 ------------------------------------------------------ T 0002 01 CA138BF89FBE0E00 ;RTM 2 Malaysia (91.5°E) - 3918 H 18385 T 0004 01 345E9B5B97D5BC01 ;RTM 4 Malaysia (91.5°E) - 3918 H 18385 T 0005 01 9EFB52CDD0FBA101 ;RTM 5 Malaysia (91.5°E) - 3918 H 18385 ------------------------------------------------------ T 1FE1 01 9949B980E7C58200 ;Tandberg CAS T 1FE2 01 4EE1E799EFB4D100 ;Tandberg CAS T 1FE3 01 D1DA152B295BC400 ;Tandberg CAS T 1FE4 01 75BEB21A50820900 ;Tandberg CAS T 1FE5 01 9CB8C8C1ED2B0000 ;Tandberg CAS T 1FE6 01 58AC530EE1A5A400 ;Tandberg CAS T 1FE7 01 A04B3B54D990AA00 ;Tandberg CAS ------------------------------------------------------ T 07D7 01 EF35D1892E2FD000 ;U21 (10.0°E) - 11125 H 7120 T 07DE 01 332B97C503956200 ;PITCH TEST (10.0°E) - 11125 H 7120 T 03E8 01 8BAD71EFB7A83C00 ;MDS01,02,03,04,05 50 (10.0°E) - 11387 V 30000 T 1959 01 405E18941A49DA00 ;MDS01,02,03,04 50 (10.0°E) - 11387 V 30000 T 1ED5 01 67A8578D03D5C400 ;MDS01 50 (10.0°E) - 11387 V 30000 T 2140 01 0660C5AFE5251800 ;MDS01,02,03,04 50 (10.0°E) - 11387 V 30000 T 0084 01 EDB30CBA1EFB0500 ;ARQ-PL9 CLIPS (10.0°E) - 11605 H 7200 T 1839 01 67392044053A9700 ;SERVICE 1 (10.0°E) - 11637 V 22500 T 183A 01 70B5118415394400 ;SERVICE 2 (10.0°E) - 11637 V 22500 T 183B 01 737AFC24357EE900 ;SERVICE 3 (10.0°E) - 11637 V 22500 T 183C 01 9EE1C959DABDBB00 ;SERVICE 4 (10.0°E) - 11637 V 22500 T 183D 01 5D243DE3E2934600 ;SERVICE 5 (10.0°E) - 11637 V 22500 T 1839 01 67392044053A9700 ;SERVICE 1 (10.0°E) - 12634 H 15000 T 183A 01 70B5118415394400 ;SERVICE 2 (10.0°E) - 12634 H 15000 T 183B 01 737AFC24357EE900 ;SERVICE 3 (10.0°E) - 12634 H 15000 ------------------------------------------------------ T 2705 01 3AC4EAEA7CA2EC00 ;Wimbledon World Feed (7.0°E) - 10960 H 9875 3/4 T 2706 01 D22D9D72FBB4B200 ;WF50 Wimbledon (7.0°E) - 10960 H 9875 3/4 T 2710 01 D35184AEEC8BE800 ;Wimbledon World Feed (7.0°E) - 10960 H 9875 3/4 T 04FE 01 8E75452BFEBF3F00 ;IMG A Studio (7.0°E) - 11020 V 7200 T 0691 01 D6B8F64C9AD2C000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0692 01 D6B8F69CE5612200 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0693 01 E71E624D1EDB3B00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0694 01 EB62121C009B8A00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0695 01 8D4A0B4EEA27DE00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0696 01 559DBE62B3947A00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0697 01 B7ED31D476BA9000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0698 01 2BB8F2CD65578F00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0699 01 9BD67458CF5DA900 ;IMG3 EU (7.0°E) - 11020 V 7200 T 069A 01 800123885DA12500 ;IMG3 EU (7.0°E) - 11020 V 7200 T 069B 01 C6825C05FD5DC700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 069C 01 C122F250366C2F00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 069D 01 27904CA5A5A7D700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 069E 01 4618FCB0B03AAF00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 069F 01 428EBDA9392D9200 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A0 01 F61D2EA2C8AA9F00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A1 01 9971A078E3051000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A2 01 BF538FA113116D00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A3 01 D028080CD00F0700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A3 01 D07448EDD0E20700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A4 01 DAD06D00AE187600 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A5 01 D6FFFD6184C91300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A6 01 DF4E07D7E1EB2900 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A7 01 8005CDDECE661B00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A8 01 E2CF78630B05DE00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A9 01 1F3CEF98BDDAD000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06AA 01 45BF4929CB5AA100 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06AB 01 76FAE104CC992700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06AC 01 131AF25142BCDF00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06AD 01 334E284293193E00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06AE 01 C59BE490A41A6D00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06AF 01 191547A11D534500 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B0 01 3F76A21EBA443C00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B1 01 5057B34A7111DF00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B2 01 17A7D5868E5D6500 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B3 01 9CF9F31197D74900 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B4 01 6C186179163D1300 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B5 01 BB0A1DB27E16E600 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B6 01 502A1B329BEB8C00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B7 01 3026040327ACB200 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B8 01 DE94751062D35400 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B9 01 E50266791A663A00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06BA 01 75878DB5E6097E00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06BB 01 3AA5C5571DEA6800 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06BC 01 A82264A361B01C00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06BD 01 AF73935FEB51B100 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06BE 01 680E27BCD45A2C00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06BF 01 1BE03EA95364B600 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06C0 01 424265AB464A5400 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06C1 01 7C777A9034296800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06C2 01 7C777A7043D18A00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06C3 01 1EE30D0192026500 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06C4 01 93BB7B743EE6A800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06C5 01 C4A334C1D814FB00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06CD 01 4ABC1224FAEF5800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06CC 01 2538600B17D90A00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06CE 01 4ABC12242A9AB300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06CF 01 CD2EFBD98E0CC000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D0 01 CD2EFB597E558000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D1 01 364C9FC2F307DC00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D2 01 472AA83AF065E700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D4 01 148B1057D3C7B100 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D5 01 504517CE48271300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D6 01 32A03B66435B8E00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D7 01 3087CCA158E35300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D8 01 48ED360FA371FC00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D9 01 D3216EC5F0CC0700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06DA 01 80D64B3567990700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06DB 01 A6B539A669827600 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06DC 01 B0E1E98275E6D100 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06DD 01 5EFF1C1EDB73C300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06DE 01 083EC62B3DD2C800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06DF 01 94A3C50960865200 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06E1 01 10213703B7097E00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06E2 01 102137F3E2294500 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06E3 01 B1EB88562DFEE900 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06E5 01 901D56235A9B1600 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06E7 01 A682A0838B1ADE00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06E8 01 1BC827B4DD438800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06EC 01 70AF5CBBE6AE3600 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06F4 01 C785192D37D34100 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06F5 01 FC8D04A0D08C6E00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06F7 01 29F6BFA4F194D700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06F9 01 907BA1CDE77C3C00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06FC 01 42091073E1CEE300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06FD 01 45E2D915B7761E00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06FE 01 8279A503E28E4400 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06FF 01 4785D1D6183D8000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0700 01 794171490CB43B00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0701 01 00EF34E7134C0000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0702 01 0EA9D5125F21C800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0703 01 2D4D640338D5E200 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0704 01 A511447B0092BE00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0705 01 5A4006C95B65BE00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0706 01 D53ACCC0A0A22F00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0707 01 E1A2FD0BB4962500 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0709 01 F10378E187746B00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 070A 01 3EC7AAFF76975400 ;IMG3 EU (7.0°E) - 11020 V 7200 T 070B 01 1B2B5A63C8E8E300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 070C 01 388158C2FE107300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 070D 01 CBABBFAA84E6F800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 070E 01 CBABBFFA1A3C1B00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 070F 01 BCBFB1035029C500 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0710 01 71C21288C9ED1C00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0711 01 14FE08A5B89D6C00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0712 01 971394EB7B550A00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0713 01 F4825CD9B20B0B00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0714 01 8FF9B482352D8200 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0715 01 B1A06954A54F3400 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0716 01 6E182D3D3B328F00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0717 01 54A824DFF1305300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0718 01 B271E187ED4DD300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0719 01 8D21635CF99CE400 ;IMG3 EU (7.0°E) - 11020 V 7200 T 071A 01 8E2208E28B115300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 071B 01 E8B1CF202D4D9100 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0E91 01 C31DADBCBB72D800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0A26 01 B7D9C24C62827700 ;MDS05 50 & MDS08 50 (7.0°E) - 11055 V 30000 T 1959 01 405E18941A49DA00 ;MDS05,06,07,08,09,10,11,12 50 - 11055 V 30000 T 1600 01 37C82448CE4F2000 ;ONC 50 (7.0°E) - 11087 H 7200 T 16E5 01 C33C139292471600 ;ONC 50 (7.0°E) - 11087 H 7200 T 2140 01 0660C5AFE5251800 ;MDS09,10,11,12 50 (7.0°E) - 11092 V 30000 T 07E8 01 ED5151642DD1D300 ;FA Cup FEED (7.0°E) - 11144 V 7120 T 07E7 01 8EFD3EA3A5F9FD00 ;FA Cup FEED (7.0°E) - 11163 V 7120 T 07ED 01 FCA4C1A310581000 ;FA Cup FEED (7.0°E) - 11163 V 7120 T 0083 01 4DB639DF3C4A2D00 ;ARQ-PL7 CLIPS (7.0°E) - 12555 H 7120 T 0084 01 EDB30CBA1EFB0500 ;ARQ-PL9 CLIPS (7.0°E) - 12555 H 7120 ------------------------------------------------------ T 0001 01 5FDB06AA1364E500 ;Arena Sport 1 (1.9°E) - 12380 H 30000 T 0002 01 CA138BF89FBE0E00 ;Arena Sport 2 (1.9°E) - 12380 H 30000 T 0003 01 52614F2CB05D3801 ;Arena Sport 3 (1.9°E) - 12380 H 30000 T 0004 01 345E9B5B97D5BC01 ;Arena Sport 4 (1.9°E) - 12380 H 30000 ------------------------------------------------------ T 0001 01 5FDB06AA1364E500 ;America TV HD (40.5°W) - 3923 L 7000 T 0002 01 CA138BF89FBE0E00 ;America TV HD (40.5°W) - 3923 L 7000 T 0003 01 52614F2CB05D3801 ;America TV HD (40.5°W) - 3923 L 7000 T 0001 01 5FDB06AA1364E500 ;RCN TV (40.5°W) - 4021 R 3200 T 0001 01 5FDB06AA1364E500 ;RCN Telenovelas (40.5°W) - 4028 R 8000 ------------------------------------------------------ T 0084 01 EDB30CBA1EFB0500 ;ARQ-PL8-10 Clips/Goals (47.5°W) - 3766 H 7200 ------------------------------------------------------ T 000C 01 E326D5546DD03E01 ;Caracol TV Alterno (58.0°W) - 3785 H 5200 T 0001 01 5FDB06AA1364E500 ;Band Internacional (58.0°W) - 4156 V 4300 T 0002 01 CA138BF89FBE0E00 ;Band News (58.0°W) - 4156 V 4300 ------------------------------------------------------ T 000B 01 8913EDA56DE5BC00 ;Univision East (103.0°W) - 4120 H 30000 T 000C 01 E326D5546DD03E00 ;Univision West(103.0°W) - 4120 H 30000 T 000D 01 B7A28B41A38C9500 ;Univision Mountain (103.0°W) - 4120 H 30000 T 0015 01 0517DC6537166F00 ;Unimas EastHD (103.0°W) - 4120 H 30000 T 0016 01 235751D97F32C201 ;Unimas West HD (103.0°W) - 4120 H 30000 T 0017 01 6DC7ECD00BCD2301 ;Unimas Mountain HD (103.0°W) - 4120 H 30000 T 00CF 01 5B70F00700000000 ;GetTV (103.0°W) - 4120 H 30000 ------------------------------------------------------ T 0009 01 5FDB06AA1364E500 ;TeleXitos (105.0°W) - 3940 H 30000 T 0014 01 5FDB06AA1364E500 ;Telemundo Este (105.0°W) - 3940 H 30000 T 0015 01 5FDB06AA1364E500 ;Telemundo Oeste (105.0°W) - 3940 H 30000 T 0016 01 5FDB06AA1364E500 ;Telemundo feeds (105.0°W) - 3940 H 30000 T 0018 01 5FDB06AA1364E500 ;Telemundo feeds (105.0°W) - 3940 H 30000 ############################################# #_______________POWERVU KEYS________________# ############################################# P 0014 00 064B9E34F3A287 ;Coral TV1 PVU4, 4.8E, 12149 P 0014 01 98A4C6FF291C1D ;Coral TV1 PVU4, 4.8E, 12149 P 0017 00 064B9E34F3A287 ;Coral TV2 PVU6, 4.8E, 12149 P 0017 01 98A4C6FF291C1D ;Coral TV2 PVU6, 4.8E, 12149 P 001D 00 064B9E34F3A287 ;Coral TV1 SIS Data -PVU4, 4.8E, 12149 P 001D 01 98A4C6FF291C1D ;Coral TV1 SIS Data -PVU4, 4.8E, 12149 P 0042 00 064B9E34F3A287 ;Ladbrokes 1 PVU 3, 4.8E, 12149 P 0042 01 98A4C6FF291C1D ;Ladbrokes 1 PVU 3, 4.8E, 12149 P 0058 00 064B9E34F3A287 ;Ladbrokes Extra PVU5, 4.8E, 12149 P 0058 01 98A4C6FF291C1D ;Ladbrokes Extra PVU5, 4.8E, 12149 P 005C 00 064B9E34F3A287 ;SIS Spanish PVU2, 4.8E, 12149 P 005C 01 98A4C6FF291C1D ;SIS Spanish PVU2, 4.8E, 12149 P 006C 00 064B9E34F3A287 ;SIS MK Test PVU 8, 4.8E, 12149 P 006C 01 98A4C6FF291C1D ;SIS MK Test PVU 8, 4.8E, 12149 P 0070 00 064B9E34F3A287 ;PPTV2, 4.8E, 12149 P 0070 01 98A4C6FF291C1D ;PPTV2, 4.8E, 12149 P 0071 00 064B9E34F3A287 ;PPTV1-IE, 4.8E, 12149 P 0071 01 98A4C6FF291C1D ;PPTV1-IE, 4.8E, 12149 P 0072 00 064B9E34F3A287 ;PPTV1-UK, 4.8E, 12149 P 0072 01 98A4C6FF291C1D ;PPTV1-UK, 4.8E, 12149 P 0074 00 064B9E34F3A287 ;PPTV3, 4.8E, 12149 P 0074 01 98A4C6FF291C1D ;PPTV3, 4.8E, 12149 P 0078 00 064B9E34F3A287 ;Alphameric Studio and SIS+(PVU1), 4.8E, 12149 P 0078 01 98A4C6FF291C1D ;Alphameric Studio and SIS+(PVU1), 4.8E, 12149 P 0082 00 064B9E34F3A287 ;Alphameric Studio with BTC Audio, 4.8E, 12149 P 0082 01 98A4C6FF291C1D ;Alphameric Studio with BTC Audio, 4.8E, 12149 P 0088 00 064B9E34F3A287 ;SIS+ with BTC Audio, 4.8E, 12149 P 0088 01 98A4C6FF291C1D ;SIS+ with BTC Audio, 4.8E, 12149 P 00C9 00 064B9E34F3A287 ;MK Test, 4.8E, 12149 P 00C9 01 98A4C6FF291C1D ;MK Test, 4.8E, 12149 P 00CB 00 064B9E34F3A287 ;VBI Test, 4.8E, 12149 P 00CB 01 98A4C6FF291C1D ;VBI Test, 4.8E, 12149 P 00FA 00 064B9E34F3A287 ;SIS BarOne Indep, 4.8E, 12149 P 00FA 01 98A4C6FF291C1D ;SIS BarOne Indep, 4.8E, 12149 P 0190 00 064B9E34F3A287 ;SIS+ (PVU1), 4.8E, 12149 P 0190 01 98A4C6FF291C1D ;SIS+ (PVU1), 4.8E, 12149 P 0004 00 064B9E34F3A287 ;VBC TEMP, 4.8E, 12418 P 0004 01 98A4C6FF291C1D ;VBC TEMP, 4.8E, 12418 P 000B 00 064B9E34F3A287 ;SIS Racing, 4.8E, 12418 P 000B 01 98A4C6FF291C1D ;SIS Racing, 4.8E, 12418 P 0021 00 064B9E34F3A287 ;Ladbrokes SIS LES2 CISCO 1, 4.8E, 12418 P 0021 01 98A4C6FF291C1D ;Ladbrokes SIS LES2 CISCO 1, 4.8E, 12418 P 0027 00 064B9E34F3A287 ;Ladbrokes SIS DATA, 4.8E, 12418 P 0027 01 98A4C6FF291C1D ;Ladbrokes SIS DATA, 4.8E, 12418 P 0031 00 064B9E34F3A287 ;Betfred TOTE 2 CISCO 1, 4.8E, 12418 P 0031 01 98A4C6FF291C1D ;Betfred TOTE 2 CISCO 1, 4.8E, 12418 P 0035 00 064B9E34F3A287 ;WILLIAM HILL IP CLEAR-CISCO 6, 4.8E, 12418 P 0035 01 98A4C6FF291C1D ;WILLIAM HILL IP CLEAR-CISCO 6, 4.8E, 12418 P 0036 00 064B9E34F3A287 ;WILLIAM HILL 2, 4.8E, 12418 P 0036 01 98A4C6FF291C1D ;WILLIAM HILL 2, 4.8E, 12418 P 003B 00 064B9E34F3A287 ;WILLIAM HILL SIS DATA-CISCO 6, 4.8E, 12418 P 003B 01 98A4C6FF291C1D ;WILLIAM HILL SIS DATA-CISCO 6, 4.8E, 12418 P 0046 00 064B9E34F3A287 ;SIS VISION BTC AUDIO (Ch11), 4.8E, 12418 P 0046 01 98A4C6FF291C1D ;SIS VISION BTC AUDIO (Ch11), 4.8E, 12418 P 004B 00 064B9E34F3A287 ;ALPHAMERIC UK WITH BTC, 4.8E, 12418 P 004B 01 98A4C6FF291C1D ;ALPHAMERIC UK WITH BTC, 4.8E, 12418 P 004F 00 064B9E34F3A287 ;SIS UK WITH BTC, 4.8E, 12418 P 004F 01 98A4C6FF291C1D ;SIS UK WITH BTC, 4.8E, 12418 P 0057 00 064B9E34F3A287 ;SIS 2 GFX - ENC9, 4.8E, 12418 P 0057 01 98A4C6FF291C1D ;SIS 2 GFX - ENC9, 4.8E, 12418 P 005A 00 064B9E34F3A287 ;SIS Euro Racing, 4.8E, 12418 P 005A 01 98A4C6FF291C1D ;SIS Euro Racing, 4.8E, 12418 P 005B 00 064B9E34F3A287 ;SIS Europe (NO DATA) CISCO 2, 4.8E, 12418 P 005B 01 98A4C6FF291C1D ;SIS Europe (NO DATA) CISCO 2, 4.8E, 12418 P 005F 00 064B9E34F3A287 ;RTVi, 4.8E, 12418 P 005F 01 98A4C6FF291C1D ;RTVi, 4.8E, 12418 P 006F 00 064B9E34F3A287 ;PPTV1, 4.8E, 12418 P 006F 01 98A4C6FF291C1D ;PPTV1, 4.8E, 12418 P 0073 00 064B9E34F3A287 ;Test Channel CISCO 1, 4.8E, 12418 P 0073 01 98A4C6FF291C1D ;Test Channel CISCO 1, 4.8E, 12418 P 007A 00 064B9E34F3A287 ;Alphameric UK CISCO 1, 4.8E, 12418 P 007A 01 98A4C6FF291C1D ;Alphameric UK CISCO 1, 4.8E, 12418 P 0093 00 064B9E34F3A287 ;New Boyles Sports CISCO 1, 4.8E, 12418 P 0093 01 98A4C6FF291C1D ;New Boyles Sports CISCO 1, 4.8E, 12418 P 0098 00 064B9E34F3A287 ;SIS UK with 2DB, 4.8E, 12418 P 0098 01 98A4C6FF291C1D ;SIS UK with 2DB, 4.8E, 12418 P 0099 00 064B9E34F3A287 ;SIS UK with BTC and 2DB, 4.8E, 12418 P 0099 01 98A4C6FF291C1D ;SIS UK with BTC and 2DB, 4.8E, 12418 P 00A0 00 064B9E34F3A287 ;Betfred TOG CISCO 3, 4.8E, 12418 P 00A0 01 98A4C6FF291C1D ;Betfred TOG CISCO 3, 4.8E, 12418 P 00A2 00 064B9E34F3A287 ;Betfred TV (TTV) CISCO 4, 4.8E, 12418 P 00A2 01 98A4C6FF291C1D ;Betfred TV (TTV) CISCO 4, 4.8E, 12418 P 00A3 00 064B9E34F3A287 ;Betfred TV Virtual CISCO 5, 4.8E, 12418 P 00A3 01 98A4C6FF291C1D ;Betfred TV Virtual CISCO 5, 4.8E, 12418 P 00A8 00 064B9E34F3A287 ;Betfred SIS CISCO 1, 4.8E, 12418 P 00A8 01 98A4C6FF291C1D ;Betfred SIS CISCO 1, 4.8E, 12418 P 00A9 00 064B9E34F3A287 ;ALT VC 168, 4.8E, 12418 P 00A9 01 98A4C6FF291C1D ;ALT VC 168, 4.8E, 12418 P 00C8 00 064B9E34F3A287 ;MCUK Test, 4.8E, 12418 P 00C8 01 98A4C6FF291C1D ;MCUK Test, 4.8E, 12418 P 012E 00 064B9E34F3A287 ;SIS UK CISCO 1, 4.8E, 12418 P 012E 01 98A4C6FF291C1D ;SIS UK CISCO 1, 4.8E, 12418 P 00558020 BFC4EF57666AC9 ;EMM Key P 002B8EF7 B7F1C5CBCD1867 ;EMM Key P 00595C6A 9A724EA38306C3 ;EMM Key P 004042D8 D70A0BD206B274 ;EMM Key P 004D61BC 850F8ECDA2D356 ;EMM Key P 004D6864 7EA4FAA3A09FE3 ;EMM Key P 00530ABD ECF4B073C7F8A4 ;EMM Key --------------------------------------------- P 0001 00 96365F795B54FC ;Bootstrap Master, 4.8E, 12303 P 0001 01 01104AD73016C3 ;Bootstrap Master, 4.8E, 12303 P 0005 00 96365F795B54FC ;Software Update, 4.8E, 12303 P 0005 01 01104AD73016C3 ;SoftwareUpdate, 4.8E, 12303 P 01F5 00 96365F795B54FC ;Diva Universal Romania, 4.8E, 12303 P 01F5 01 01104AD73016C3 ;Diva Universal Romania, 4.8E, 12303 P 01F6 00 96365F795B54FC ;Diva Balkans, 4.8E, 12303 P 01F6 01 01104AD73016C3 ;Diva Balkans, 4.8E, 12303 P 0262 00 96365F795B54FC ;Diva Romania, 4.8E, 12303 P 0262 01 01104AD73016C3 ;Diva Romania, 4.8E, 12303 P 026C 00 96365F795B54FC ;Diva Balkans, 4.8E, 12303 P 026C 01 01104AD73016C3 ;Diva Balkans, 4.8E, 12303 P 026D 00 96365F795B54FC ;Universal Hungary, 4.8E, 12303 P 026D 01 01104AD73016C3 ;Universal Hungary, 4.8E, 12303 P 026F 00 96365F795B54FC ;Universal Hungary, 4.8E, 12303 P 026F 01 01104AD73016C3 ;Universal Hungary, 4.8E, 12303 P 0024B5A6 159F14C861263F ;EMM Key --------------------------------------------- P 0064 00 61396394BD36A6 ;Animal Planet Europe, 4.8E, 12322 P 0064 01 541C56ABA95BB2 ;Animal Planet Europe, 4.8E, 12322 P 0065 00 61396394BD36A6 ;Animal Planet Europe, 4.8E, 12322 P 0065 01 541C56ABA95BB2 ;Animal Planet Europe, 4.8E, 12322 P 0066 00 61396394BD36A6 ;Animal Planet Europe, 4.8E, 12322 P 0066 01 541C56ABA95BB2 ;Animal Planet Europe, 4.8E, 12322 P 00C8 00 61396394BD36A6 ;Discovery Central Europe, 4.8E, 12322 P 00C8 01 541C56ABA95BB2 ;Discovery Central Europe, 4.8E, 12322 P 00C9 00 61396394BD36A6 ;Discovery Central Europe, 4.8E, 12322 P 00C9 01 541C56ABA95BB2 ;Discovery Central Europe, 4.8E, 12322 P 0190 00 61396394BD36A6 ;Investigation Discovery Xtra, 4.8E, 12322 P 0190 01 541C56ABA95BB2 ;Investigation Discovery Xtra, 4.8E, 12322 P 0191 00 61396394BD36A6 ;ID Xtra Europe, 4.8E, 12322 P 0191 01 541C56ABA95BB2 ;ID Xtra Europe, 4.8E, 12322 P 01F4 00 61396394BD36A6 ;Discovery Channel Europe, 4.8E, 12322 P 01F4 01 541C56ABA95BB2 ;Discovery Channel Europe, 4.8E, 12322 P 0384 00 61396394BD36A6 ;Discovery Science, 4.8E, 12322 P 0384 01 541C56ABA95BB2 ;Discovery Science, 4.8E, 12322 P 0385 00 61396394BD36A6 ;Science Europe, 4.8E, 12322 P 0385 01 541C56ABA95BB2 ;Science Europe, 4.8E, 12322 P 0386 00 61396394BD36A6 ;Science Europe, 4.8E, 12322 P 0386 01 541C56ABA95BB2 ;Science Europe, 4.8E, 12322 P 03E8 00 61396394BD36A6 ;Discovery World, 4.8E, 12322 P 03E8 01 541C56ABA95BB2 ;Discovery World, 4.8E, 12322 P 03E9 00 61396394BD36A6 ;Discovery World, 4.8E, 12322 P 03E9 01 541C56ABA95BB2 ;Discovery World, 4.8E, 12322 P 03EA 00 61396394BD36A6 ;Discovery World, 4.8E, 12322 P 03EA 01 541C56ABA95BB2 ;Discovery World, 4.8E, 12322 P 044C 00 61396394BD36A6 ;Discovery Channel Turkey HD, 4.8E, 12322 P 044C 01 541C56ABA95BB2 ;Discovery Channel Turkey HD, 4.8E, 12322 P 0514 00 61396394BD36A6 ;Animal Planet Turkey HD, 4.8E, 12322 P 0514 01 541C56ABA95BB2 ;Animal Planet Turkey HD, 4.8E, 12322 P 05DC 00 61396394BD36A6 ;Discovery Science Turkey HD, 4.8E, 12322 P 05DC 01 541C56ABA95BB2 ;Discovery Science Turkey HD, 4.8E, 12322 P 0060DA46 800C6A38D4765C ;EMM Key P 00622ACE 64E07EC76FF416 ;EMM Key P 00622EE5 B80EA84B841E29 ;EMM Key --------------------------------------------- P 0258 00 D0B11BD8B1B43F ;Discovery Turbo Xtra Poland, 4.8E, 12360 P 0258 01 96181B21DC0F47 ;Discovery Turbo Xtra Poland, 4.8E, 12360 P 0320 00 D0B11BD8B1B43F ;TLC Balkans, 4.8E, 12360 P 0320 01 96181B21DC0F47 ;TLC Balkans, 4.8E, 12360 P 03E8 00 D0B11BD8B1B43F ;TLC Hungary, 4.8E, 12360 P 03E8 01 96181B21DC0F47 ;TLC Hungary, 4.8E, 12360 P 04B0 00 D0B11BD8B1B43F ;Discovery Channel Polska, 4.8E, 12360 P 04B0 01 96181B21DC0F47 ;Discovery Channel Polska, 4.8E, 12360 P 0640 00 D0B11BD8B1B43F ;Investigation Discovery Sweden, 4.8E, 12360 P 0640 01 96181B21DC0F47 ;Investigation Discovery Sweden, 4.8E, 12360 P 06A4 00 D0B11BD8B1B43F ;Animal Planet Poland HD, 4.8E, 12360 P 06A4 01 96181B21DC0F47 ;Animal Planet Poland HD, 4.8E, 12360 P 0708 00 D0B11BD8B1B43F ;Discovery Science Poland HD, 4.8E, 12360 P 0708 01 96181B21DC0F47 ;Discovery Science Poland HD, 4.8E, 12360 P 0834 00 D0B11BD8B1B43F ;Investigation Discovery Polska, 4.8E, 12360 P 0834 01 96181B21DC0F47 ;Investigation Discovery Polska, 4.8E, 12360 P 0898 00 D0B11BD8B1B43F ;Discovery Channel Sweden, 4.8E, 12360 P 0898 01 96181B21DC0F47 ;Discovery Channel Sweden, 4.8E, 12360 P 0B54 00 D0B11BD8B1B43F ;TLC Europe, 4.8E, 12360 P 0B54 01 96181B21DC0F47 ;TLC Europe, 4.8E, 12360 P 0B55 00 D0B11BD8B1B43F ;TLC Pan Regional Portuguese, 4.8E, 12360 P 0B55 01 96181B21DC0F47 ;TLC Pan Regional Portuguese, 4.8E, 12360 P 0C1C 00 D0B11BD8B1B43F ;TLC Poland HD, 4.8E, 12360 P 0C1C 01 96181B21DC0F47 ;TLC Poland HD, 4.8E, 12360 P 0053C199 6DAF8122F475F8 ;EMM Key P 005615CE 3413710D15C765 ;EMM Key P 0061CB56 DF1FA983F1986E ;EMM Key P 00623910 D6795F87CC1CBC ;EMM Key --------------------------------------------- P 0001 00 CF8F8EBA3286A4 ;Unire TV 1, 16E, 12654 P 0001 01 8C0993635C22EA ;Unire TV 1, 16E, 12654 P 0002 00 CF8F8EBA3286A4 ;Unire TV 2, 16E, 12654 P 0002 01 8C0993635C22EA ;Unire TV 2, 16E, 12654 P 000A 00 CF8F8EBA3286A4 ;Unire Blu, 16E, 12654 P 000A 01 8C0993635C22EA ;Unire Blu, 16E, 12654 P 004F1DF6 28D3FD510949EB ;EMM Key --------------------------------------------- P 0004 00 0123456789ABCD ;Snai Sat, 16E, 12699 P 0004 01 97D6968EEC34A3 ;Snai Sat, 16E, 12699 P 0007 00 0123456789ABCD ;SNAI TV Virtuali1, 16E, 12699 P 0007 01 97D6968EEC34A3 ;SNAI TV Virtuali1, 16E, 12699 P 002C 00 0123456789ABCD ;SNAI TV Virtuali1, 16E, 12699 P 002C 01 97D6968EEC34A3 ;SNAI TV Virtuali1, 16E, 12699 P 004D 00 0123456789ABCD ;Radio Unico, 16E, 12699 P 004D 01 97D6968EEC34A3 ;Radio Unico, 16E, 12699 P 004E8EC0 C574482270F77E ;EMM Key --------------------------------------------- P 0384 00 D0B11BD8B1B43F ;Discovery Channel Hungary HD, 1W, 12303 P 0384 01 96181B21DC0F47 ;Discovery Channel Hungary HD, 1W, 12303 P 044C 00 D0B11BD8B1B43F ;Discovery Central Europe HD, 1W, 12303 P 044C 01 96181B21DC0F47 ;Discovery Central Europe HD, 1W, 12303 P 044D 00 D0B11BD8B1B43F ;Discovery Central Europe HD, 1W, 12303 P 044D 01 96181B21DC0F47 ;Discovery Central Europe HD, 1W, 12303 P 044E 00 D0B11BD8B1B43F ;Discovery Central Europe HD, 1W, 12303 P 044E 01 96181B21DC0F47 ;Discovery Central Europe HD, 1W, 12303 P 0514 00 D0B11BD8B1B43F ;Discovery Historia Polska, 1W, 12303 P 0514 01 96181B21DC0F47 ;Discovery Historia Polska, 1W, 12303 P 0578 00 D0B11BD8B1B43F ;Discovery Iberia, 1W, 12303 P 0578 01 96181B21DC0F47 ;Discovery Iberia, 1W, 12303 P 0579 00 D0B11BD8B1B43F ;Discovery Spain, 1W, 12303 P 0579 01 96181B21DC0F47 ;Discovery Spain, 1W, 12303 P 057A 00 D0B11BD8B1B43F ;Discovery Portugal, 1W, 12303 P 057A 01 96181B21DC0F47 ;Discovery Portugal, 1W, 12303 P 08FC 00 D0B11BD8B1B43F ;Discovery Turbo Xtra, 1W, 12303 P 08FC 01 96181B21DC0F47 ;Discovery Turbo Xtra, 1W, 12303 P 09C4 00 D0B11BD8B1B43F ;Discovery HD Showcase, 1W, 12303 P 09C4 01 96181B21DC0F47 ;Discovery HD Showcase, 1W, 12303 P 09C5 00 D0B11BD8B1B43F ;Discovery HD Czech/Hun, 1W, 12303 P 09C5 01 96181B21DC0F47 ;Discovery HD Czech/Hun, 1W, 12303 P 09C6 00 D0B11BD8B1B43F ;Discovery HD Russia, 1W, 12303 P 09C6 01 96181B21DC0F47 ;Discovery HD Russia, 1W, 12303 P 09C7 00 D0B11BD8B1B43F ;Discovery HD Czech, 1W, 12303 P 09C7 01 96181B21DC0F47 ;Discovery HD Czech, 1W, 12303 P 09C8 00 D0B11BD8B1B43F ;Discovery HD Turkish, 1W, 12303 P 09C8 01 96181B21DC0F47 ;Discovery HD Turkish, 1W, 12303 P 09C9 00 D0B11BD8B1B43F ;Discovery HD Hungarian, 1W, 12303 P 09C9 01 96181B21DC0F47 ;Discovery HD Hungarian, 1W, 12303 P 09CA 00 D0B11BD8B1B43F ;Discovery HD Showcase Europe, 1W, 12303 P 09CA 01 96181B21DC0F47 ;Discovery HD Showcase Europe, 1W, 12303 P 0A28 00 D0B11BD8B1B43F ;Animal Planet HD, 1W, 12303 P 0A28 01 96181B21DC0F47 ;Animal Planet HD, 1W, 12303 P 0A29 00 D0B11BD8B1B43F ;Animal Planet HD Polish, 1W, 12303 P 0A29 01 96181B21DC0F47 ;Animal Planet HD Polish, 1W, 12303 P 0A2A 00 D0B11BD8B1B43F ;Animal Planet HD Russian, 1W, 12303 P 0A2A 01 96181B21DC0F47 ;Animal Planet HD Russian, 1W, 12303 P 0A2B 00 D0B11BD8B1B43F ;Animal Planet HD Czech, 1W, 12303 P 0A2B 01 96181B21DC0F47 ;Animal Planet HD Czech, 1W, 12303 P 0A2C 00 D0B11BD8B1B43F ;Animal Planet HD Turkish, 1W, 12303 P 0A2C 01 96181B21DC0F47 ;Animal Planet HD Turkish, 1W, 12303 P 0A2D 00 D0B11BD8B1B43F ;Animal Planet HD Hungarian, 1W, 12303 P 0A2D 01 96181B21DC0F47 ;Animal Planet HD Hungarian, 1W, 12303 P 0A2E 00 D0B11BD8B1B43F ;Animal Planet HD, 1W, 12303 P 0A2E 01 96181B21DC0F47 ;Animal Planet HD, 1W, 12303 P 0A8C 00 D0B11BD8B1B43F ;ID Xtra Europe HD, 1W, 12303 P 0A8C 01 96181B21DC0F47 ;ID Xtra Europe HD, 1W, 12303 P 0A8D 00 D0B11BD8B1B43F ;ID Xtra Europe HD, 1W, 12303 P 0A8D 01 96181B21DC0F47 ;ID Xtra Europe HD, 1W, 12303 P 0A8E 00 D0B11BD8B1B43F ;ID Xtra Europe HD, 1W, 12303 P 0A8E 01 96181B21DC0F47 ;ID Xtra Europe HD, 1W, 12303 P 0AF0 00 D0B11BD8B1B43F ;Discovery Poland HD, 1W, 12303 P 0AF0 01 96181B21DC0F47 ;Discovery Poland HD, 1W, 12303 P 0BB8 00 D0B11BD8B1B43F ;Discovery Turbo Xtra HD, 1W, 12303 P 0BB8 01 96181B21DC0F47 ;Discovery Turbo Xtra HD, 1W, 12303 P 0BB9 00 D0B11BD8B1B43F ;Discovery Turbo Xtra, 1W, 12303 P 0BB9 01 96181B21DC0F47 ;Discovery Turbo Xtra, 1W, 12303 P 0BBA 00 D0B11BD8B1B43F ;Discovery Turbo Xtra, 1W, 12303 P 0BBA 01 96181B21DC0F47 ;Discovery Turbo Xtra, 1W, 12303 P 0C80 00 D0B11BD8B1B43F ;Discovery Science Europe HD, 1W, 12303 P 0C80 01 96181B21DC0F47 ;Discovery Science Europe HD, 1W, 12303 P 0C81 00 D0B11BD8B1B43F ;Science Europe HD Hungarian, 1W, 12303 P 0C81 01 96181B21DC0F47 ;Science Europe HD Hungarian, 1W, 12303 P 0C82 00 D0B11BD8B1B43F ;Science Europe HD Turkish, 1W, 12303 P 0C82 01 96181B21DC0F47 ;Science Europe HD Turkish, 1W, 12303 P 0C83 00 D0B11BD8B1B43F ;Science Europe HD Russian, 1W, 12303 P 0C83 01 96181B21DC0F47 ;Science Europe HD Russian, 1W, 12303 P 0C84 00 D0B11BD8B1B43F ;Science Europe HD Czech, 1W, 12303 P 0C84 01 96181B21DC0F47 ;Science Europe HD Czech, 1W, 12303 P 0C85 00 D0B11BD8B1B43F ;Discovery Science Europe HD, 1W, 12303 P 0C85 01 96181B21DC0F47 ;Discovery Science Europe HD, 1W, 12303 P 0053C199 6DAF8122F475F8 ;EMM Key P 005615CE 3413710D15C765 ;EMM Key P 0061CB56 DF1FA983F1986E ;EMM Key P 00623910 D6795F87CC1CBC ;EMM Key --------------------------------------------- P 01FE 00 B07EC58F412BD7 ;The Fight Network, 15W, 12707 H P 01FE 01 A52E79D341F87F ;The Fight Network, 15W, 12707 H P 005D8013 22C3627C45D633 ;EMM Key P 0060A424 6C01ECC7ADC342 ;EMM Key P 0060AF19 723F737A57370E ;EMM Key P 00612C35 A800B5CF633602 ;EMM Key P 00612C62 F5003FD8BE08A2 ;EMM Key --------------------------------------------- P 0002 00 56596630737AE2 ;BYU TV, 15W, 11568 H P 0002 01 5D52F62E082733 ;BYU TV, 15W, 11568 H P 0000 00648E11 D8E6985B24D02C ;EMM Key --------------------------------------------- P 00CC 00 191F1B713B6777 ;Agencia EFE, 30W, 12563 H P 00CC 01 1D1BE37186BEA0 ;Agencia EFE, 30W, 12563 H P 00CD 00 191F1B713B6777 ;EFE Radio, 30W, 12563 H P 00CD 01 1D1BE37186BEA0 ;EFE Radio, 30W, 12563 H P 005B5030 8FF6FBD0AF7218 ;EMM Key ############################################# #______________BISS KEYS RADIO______________# ############################################# F 056F1FFF 00 DEDE00BC00000000 ;SERVICE 1 (42.0°E) F 056F1FFF 01 DEDE00BC00000000 ;SERVICE 1 (42.0°E) F 05711FFF 00 DEDE00BC00000000 ;SERVICE 2 (42.0°E) F 05711FFF 01 DEDE00BC00000000 ;SERVICE 2 (42.0°E) F 05731FFF 00 DEDE00BC00000000 ;SERVICE 3 (42.0°E) F 05731FFF 01 DEDE00BC00000000 ;SERVICE 3 (42.0°E) F 05751FFF 00 DEDE00BC00000000 ;SERVICE 4 (42.0°E) F 05751FFF 01 DEDE00BC00000000 ;SERVICE 4 (42.0°E) F 291A1FFF 00 1000001000000000 ;INTERCOM (42.0°E) F 291A1FFF 01 1000001000000000 ;INTERCOM (42.0°E) F 2A9A1FFF 00 FDFDCFC9CFABBA34 ;INTERCOMM (42.0°E) F 2A9A1FFF 01 FDFDCFC9CFABBA34 ;INTERCOMM (42.0°E) F 2B5D1FFF 00 002123441361188C ;INTERCOM (42.0°E) F 2B5D1FFF 01 002123441361188C ;INTERCOM (42.0°E) F 2BC31FFF 00 002123441361188C ;INTERCOM (42.0°E) F 2BC31FFF 01 002123441361188C ;INTERCOM (42.0°E) F 2BC41FFF 00 002123441361188C ;INTERCOM HT (42.0°E) F 2BC41FFF 01 002123441361188C ;INTERCOM HT (42.0°E) F 2BC51FFF 00 002123441361188C ;INTERCOM BL (42.0°E) F 2BC51FFF 01 002123441361188C ;INTERCOM BL (42.0°E) ############################################# #_________________BISS KEYS_________________# ############################################# F 00011FFF 00 0327022C106251C3 ;Russian Channels (90.0°E) F 00011FFF 01 0327022C106251C3 ;Russian Channels (90.0°E) F 00071FFF 00 C12345006789AB00 ;STS +4h (90.0°E) F 00071FFF 01 C12345006789AB00 ;STS +4h (90.0°E) F 00081FFF 00 ABC1238F45678935 ;Telekanal Che +4h (90.0°E) F 00081FFF 01 ABC1238F45678935 ;Telekanal Che +4h (90.0°E) F 00091FFF 00 D12345006789AB00 ;Domashnij Telekanal +4h (90.0°E) F 00091FFF 01 D12345006789AB00 ;Domashnij Telekanal +4h (90.0°E) F 00091FFF 00 6BA1E5F174BBCAF9 ;Kanal Disney +7h (90.0°E) F 00091FFF 01 6BA1E5F174BBCAF9 ;Kanal Disney +7h (90.0°E) F 000E1FFF 00 C12345006789AB00 ;STS +7h (90.0°E) F 000E1FFF 01 C12345006789AB00 ;STS +7h (90.0°E) F 000F1FFF 00 ABC1238F45678935 ;Telekanal Che +7h (90.0°E) F 000F1FFF 01 ABC1238F45678935 ;Telekanal Che +7h (90.0°E) F 00101FFF 00 D12345006789AB00 ;Domashnij Telekanal +7h (90.0°E) F 00101FFF 01 D12345006789AB00 ;Domashnij Telekanal +7h (90.0°E) F 00111FFF 00 2608396712043811 ;Match! (90.0°E) F 00111FFF 01 2608396712043811 ;Match! (90.0°E) --------------------------------------------- F 000B1FFF 00 02BE5A1ABC67F81B ;BTV National (76.0°E) F 000B1FFF 01 02BE5A1ABC67F81B ;BTV National (76.0°E) --------------------------------------------- F 06401FFF 00 6BA1E5F174BBCAF9 ;Kanal Disney (75.0°E) F 06401FFF 01 6BA1E5F174BBCAF9 ;Kanal Disney (75.0°E) F 06A41FFF 00 EFC065145D2E8611 ;MIR Service (75.0°E) F 06A41FFF 01 EFC065145D2E8611 ;MIR Service (75.0°E) --------------------------------------------- F 00011FFF 00 1234599F8761230B ;Palestine Today (70.5°E) F 00011FFF 01 1234599F8761230B ;Palestine Today (70.5°E) --------------------------------------------- F 00031FFF 00 1111113311111133 ;IRIB TV 3 (62.0°E) F 00031FFF 01 1111113311111133 ;IRIB TV 3 (62.0°E) F 00CB1FFF 00 1010101010101010 ;IRIB feed (62.0°E) F 00CB1FFF 01 1010101010101010 ;IRIB feed (62.0°E) --------------------------------------------- F 00011FFF 00 1234569C7890ABB3 ;Armenia Public TV (60.0°E) F 00011FFF 01 1234569C7890ABB3 ;Armenia Public TV (60.0°E) F 00021FFF 00 1234569C7890ABB3 ;Shoghakat TV (60.0°E) F 00021FFF 01 1234569C7890ABB3 ;Shoghakat TV (60.0°E) F 00031FFF 00 1234569C7890ABB3 ;Armenia TV Satellite (60.0°E) F 00031FFF 01 1234569C7890ABB3 ;Armenia TV Satellite (60.0°E) F 00041FFF 00 1234569C7890ABB3 ;Shant TV (60.0°E) F 00041FFF 01 1234569C7890ABB3 ;Shant TV (60.0°E) F 00051FFF 00 1234569C7890ABB3 ;H2 (60.0°E) F 00051FFF 01 1234569C7890ABB3 ;H2 (60.0°E) F 00061FFF 00 1234569C7890ABB3 ;Kentron (60.0°E) F 00061FFF 01 1234569C7890ABB3 ;Kentron (60.0°E) F 00071FFF 00 1234569C7890ABB3 ;Yerkir Media TV (60.0°E) F 00071FFF 01 1234569C7890ABB3 ;Yerkir Media TV (60.0°E) F 00081FFF 00 1234569C7890ABB3 ;RTR Planeta (60.0°E) F 00081FFF 01 1234569C7890ABB3 ;RTR Planeta (60.0°E) F 01011FFF 00 1234569C7890ABB3 ;Artsakh TV HD (60.0°E) F 01011FFF 01 1234569C7890ABB3 ;Artsakh TV HD (60.0°E) --------------------------------------------- F 00051FFF 00 12340046ABCD0078 ;Varzish Sport HD (57.0°E) F 00051FFF 01 12340046ABCD0078 ;Varzish Sport HD (57.0°E) F 00081FFF 00 12340046ABCD0078 ;Football HD (57.0°E) F 00081FFF 01 12340046ABCD0078 ;Football HD (57.0°E) F 000A1FFF 00 1278008AABCD0078 ;TV Khatlon (57.0°E) F 000A1FFF 01 1278008AABCD0078 ;TV Khatlon (57.0°E) F 000B1FFF 00 12560068ABCD0078 ;TV Badakhshon (57.0°E) F 000B1FFF 01 12560068ABCD0078 ;TV Badakhshon (57.0°E) F 000C1FFF 00 129900ABABCD0078 ;TV Kulob (57.0°E) F 000C1FFF 01 129900ABABCD0078 ;TV Kulob (57.0°E) --------------------------------------------- F 00021FFF 00 62696E39676F7349 ;Kanal Disney +2 (54.9°E) F 00021FFF 01 62696E39676F7349 ;Kanal Disney +2 (54.9°E) F 00011FFF 00 62696E39676F7349 ;Bingo Boom HD 1 (54.9°E) F 00011FFF 01 62696E39676F7349 ;Bingo Boom HD 1 (54.9°E) F 00021FFF 00 62696E39676F7349 ;Bingo Boom HD 2 (54.9°E) F 00021FFF 01 62696E39676F7349 ;Bingo Boom HD 2 (54.9°E) F 00031FFF 00 62696E39676F7349 ;Bingo Boom HD 3 (54.9°E) F 00031FFF 01 62696E39676F7349 ;Bingo Boom HD 3 (54.9°E) F 00041FFF 00 62696E39676F7349 ;Bingo Boom HD 4 (54.9°E) F 00041FFF 01 62696E39676F7349 ;Bingo Boom HD 4 (54.9°E) F 00051FFF 00 62696E39676F7349 ;Bingo Boom HD 5 (54.9°E) F 00051FFF 01 62696E39676F7349 ;Bingo Boom HD 5 (54.9°E) F 00081FFF 00 ABC1238F45678935 ;Telekanal Che 0h (54.9°E) F 00081FFF 01 ABC1238F45678935 ;Telekanal Che 0h (54.9°E) F 00091FFF 00 C12345296789AB9B ;STS +2h (54.9°E) F 00091FFF 01 C12345296789AB9B ;STS +2h (54.9°E) F 000A1FFF 00 D12345396789AB9B ;Domashnij Telekanal +2h (54.9°E) F 000A1FFF 01 D12345396789AB9B ;Domashnij Telekanal +2h (54.9°E) F 000B1FFF 00 ABC1238F45678935 ;Telekanal Che 0h (54.9°E) F 000B1FFF 01 ABC1238F45678935 ;Telekanal Che 0h (54.9°E) F 000C1FFF 00 1234569C789ABCCE ;STS Love 0h (54.9°E) F 000C1FFF 01 1234569C789ABCCE ;STS Love 0h (54.9°E) F 000D1FFF 00 C12345296789AB9B ;STS 0h (54.9°E) F 000D1FFF 01 C12345296789AB9B ;STS 0h (54.9°E) F 000E1FFF 00 D12345396789AB9B ;Domashnij Telekanal 0h (54.9°E) F 000E1FFF 01 D12345396789AB9B ;Domashnij Telekanal 0h (54.9°E) --------------------------------------------- F 00011FFF 00 135790FAAABBCC31 ;Fox Life HD (52.5°E) F 00011FFF 01 135790FAAABBCC31 ;Fox Life HD (52.5°E) F 00051FFF 00 2020ABEBCD0103D1 ;Varzish Sport HD (52.5°E) F 00051FFF 01 2020ABEBCD0103D1 ;Varzish Sport HD (52.5°E) F 06141FFF 00 786AF4D632ABC5A2 ;Tolo TV HD (52.5°E) F 06141FFF 01 786AF4D632ABC5A2 ;Tolo TV HD (52.5°E) F 06151FFF 00 312DBA18741F55E8 ;Lemar TV HD (52.5°E) F 06151FFF 01 312DBA18741F55E8 ;Lemar TV HD (52.5°E) F 064C1FFF 00 ABABAB011234569C ;Maiwand TV (52.5°E) F 064C1FFF 01 ABABAB011234569C ;Maiwand TV (52.5°E) F 064E1FFF 00 ABABAB011234569C ;Tamadon TV (52.5°E) F 064E1FFF 01 ABABAB011234569C ;Tamadon TV (52.5°E) F 06561FFF 00 A9F8E788B1C2D346 ;Arezo TV (52.5°E) F 06561FFF 01 A9F8E788B1C2D346 ;Arezo TV (52.5°E) F 06591FFF 00 ABCDEF671234569C ;Rah-e-Farda TV (52.5°E) F 06591FFF 01 ABCDEF671234569C ;Rah-e-Farda TV (52.5°E) F 065B1FFF 00 1256D73F5D01AC0A ;ATN (52.5°E) F 065B1FFF 01 1256D73F5D01AC0A ;ATN (52.5°E) F 14C91FFF 00 12AA12CEBB12CC99 ;Rotana HD (52.5°E) F 14C91FFF 01 12AA12CEBB12CC99 ;Rotana HD (52.5°E) F 14CA1FFF 00 12AA12CEBB12CC99 ;Rotana Aflam+ HD (52.5°E) F 14CA1FFF 01 12AA12CEBB12CC99 ;Rotana Aflam+ HD (52.5°E) F 14CB1FFF 00 12AA12CEBB12CC99 ;Rotana HD (52.5°E) F 14CB1FFF 01 12AA12CEBB12CC99 ;Rotana HD (52.5°E) --------------------------------------------- F 00021FFF 00 123ABD09456ABD6C ;RTA Afghanistan HD (52.0°E) F 00021FFF 01 123ABD09456ABD6C ;RTA Afghanistan HD (52.0°E) --------------------------------------------- F 000A1FFF 00 407150015A0160BB ;VTV HD (51.5°E) F 000A1FFF 01 407150015A0160BB ;VTV HD (51.5°E) --------------------------------------------- F 00011FFF 00 0327022C106251C3 ;Russian Channels (49.0°E) F 00011FFF 01 0327022C106251C3 ;Russian Channels (49.0°E) F 00021FFF 00 0327022C106251C3 ;Telekanal Rossiya Tyumen (49.0°E) F 00021FFF 00 0327022C106251C3 ;Telekanal Rossiya Tyumen (49.0°E) --------------------------------------------- F 00010025 00 0020050000195600 ;1TV Georgia (46.0°E) F 00010025 01 0020050000195600 ;1TV Georgia (46.0°E) F 00011BB2 00 1234560065432100 ;Az TV 1 (46.0°E) F 00011BB2 01 1234560065432100 ;Az TV 1 (46.0°E) F 00041F9A 00 1212121212121212 ;Ictimai TV (46.0°E) F 00041F9A 01 1212121212121212 ;Ictimai TV (46.0°E) F 000B17CA 00 1001102110017081 ;Idman TV (46.0°E) F 000B17CA 01 1001102110017081 ;Idman TV (46.0°E) F 00151FFF 00 A9E746D68358E5C0 ;Topaz 1 (46.0°E) F 00151FFF 01 A9E746D68358E5C0 ;Topaz 1 (46.0°E) F 08011FFF 00 1313133913131339 ;CBC Sport HD (46.0°E) F 08011FFF 01 1313133913131339 ;CBC Sport HD (46.0°E) --------------------------------------------- F 00011FFF 00 1001102110017081 ;Idman Azerbaycan (45.0°E) F 00011FFF 01 1001102110017081 ;Idman Azerbaycan (45.0°E) F 00021FFF 00 1313133913131339 ;CBC Sport HD (45.0°E) F 00021FFF 01 1313133913131339 ;CBC Sport HD (45.0°E) --------------------------------------------- F 00011FFF 00 1000001000000000 ;TRT 1 (42.0°E) F 00011FFF 01 1000001000000000 ;TRT 1 (42.0°E) F 00051FFF 00 1000001000000000 ;TRT Haber (42.0°E) F 00051FFF 01 1000001000000000 ;TRT Haber (42.0°E) F 00191FFF 00 0100000101201839 ;TRT(feed) Müzik HD (42E) F 00191FFF 01 0100000101201839 ;TRT(feed) Müzik HD (42E) F 001B1FFF 00 D78D7FE375CB4080 ;STD-A (42E) F 001B1FFF 01 D78D7FE375CB4080 ;STD-A (42E) F 001C1FFF 00 D78D7FE375CB4080 ;TRT(feed) Spor HD (42E) F 001C1FFF 01 D78D7FE375CB4080 ;TRT(feed) Spor HD (42E) F 00191FFF 00 1000001000000000 ;TRT Spor (42.0°E) F 00191FFF 01 1000001000000000 ;TRT Spor (42.0°E) F 001C1FFF 00 1000001000000000 ;TRT 3-Spor (42.0°E) F 001C1FFF 01 1000001000000000 ;TRT 3-Spor (42.0°E) F 29041FFF 00 1000001000000000 ;TRT 1 (42.0°E) F 29041FFF 01 1000001000000000 ;TRT 1 (42.0°E) F 29051FFF 00 1000001000000000 ;TRT Haber (42.0°E) F 29051FFF 01 1000001000000000 ;TRT Haber (42.0°E) F 29071FFF 00 1000001000000000 ;TRT 3-Spor (42.0°E) F 29071FFF 01 1000001000000000 ;TRT 3-Spor (42.0°E) F 29681FFF 00 1000001000000000 ;TRT HD (42.0°E) F 29681FFF 01 1000001000000000 ;TRT HD (42.0°E) F 29691FFF 00 1000001000000000 ;TRT 1 HD (42.0°E) F 29691FFF 01 1000001000000000 ;TRT 1 HD (42.0°E) F 296A1FFF 00 1000001000000000 ;TRT Haber HD (42.0°E) F 296A1FFF 01 1000001000000000 ;TRT Haber HD (42.0°E) F 296B1FFF 00 1000001000000000 ;TRT Spor HD (42.0°E) F 296B1FFF 01 1000001000000000 ;TRT Spor HD (42.0°E) F 296D1FFF 00 0100000101201839 ;TRT(feed) World HD (42E) F 296D1FFF 01 0100000101201839 ;TRT(feed) World HD (42E) F 39D11FFF 00 1000001000000000 ;Tivibu Spor HD (42.0°E) F 39D11FFF 01 1000001000000000 ;Tivibu Spor HD (42.0°E) F 39D81FFF 00 1000001000000000 ;Tivibu Spor HD (42.0°E) F 39D81FFF 01 1000001000000000 ;Tivibu Spor HD (42.0°E) F 3E811FFF 00 1000001000000000 ;Tivibu Spor SD (42.0°E) F 3E811FFF 01 1000001000000000 ;Tivibu Spor SD (42.0°E) F C41D1FFF 00 AF1913DB2371BC50 ;TRT Avaz HD (42.0°E) F C41D1FFF 01 AF1913DB2371BC50 ;TRT Avaz HD (42.0°E) --------------------------------------------- F 00011FFF 00 0327022C106251C3 ;Russian Channels (40.0°E) F 00011FFF 01 0327022C106251C3 ;Russian Channels (40.0°E) F 00641FFF 00 0327022C106251C3 ;GTRK Nizhny Novgorod (40.0°E) F 00641FFF 01 0327022C106251C3 ;GTRK Nizhny Novgorod (40.0°E) --------------------------------------------- F 00011FFF 00 1181982A2ABCDEC4 ;The Media Office HD (39.0°E) F 00011FFF 01 1181982A2ABCDEC4 ;The Media Office HD (39.0°E) F 000A1FFF 00 A1B2C316D4E5F8B1 ;ERT 1 (39.0°E) F 000A1FFF 01 A1B2C316D4E5F8B1 ;ERT 1 (39.0°E) F 00141FFF 00 A1B2C316D4E5F8B1 ;ERT 2 (39.0°E) F 00141FFF 01 A1B2C316D4E5F8B1 ;ERT 2 (39.0°E) F 00281FFF 00 A1B2C316D4E5F8B1 ;ERT HD (39.0°E) F 00281FFF 01 A1B2C316D4E5F8B1 ;ERT HD (39.0°E) F 00011FFF 00 E876F04E8BA51141 ;Eurofootball 1 (39.0°E) F 00011FFF 01 E876F04E8BA51141 ;Eurofootball 1 (39.0°E) F 00021FFF 00 E876F04E8BA51141 ;Eurofootball 2 (39.0°E) F 00021FFF 01 E876F04E8BA51141 ;Eurofootball 2 (39.0°E) F 00031FFF 00 E876F04E8BA51141 ;Eurofootball 3 (39.0°E) F 00031FFF 01 E876F04E8BA51141 ;Eurofootball 3 (39.0°E) --------------------------------------------- F 00011FFF 00 BEFA27DF0117BCD4 ;A-Plus Europe (38.0°E) F 00011FFF 01 BEFA27DF0117BCD4 ;A-Plus Europe (38.0°E) F 00011FFF 00 D29965D056F4A1EB ;Dunya TV International (38.0°E) F 00011FFF 01 D29965D056F4A1EB ;Dunya TV International (38.0°E) F 000B1FFF 00 308410C476BEC9FD ;Geo Middle East (38.0°E) F 000B1FFF 01 308410C476BEC9FD ;Geo Middle East (38.0°E) --------------------------------------------- F 00011FFF 00 121233575733129C ;LPC (36.0°E) F 00011FFF 01 121233575733129C ;LPC (36.0°E) F 00011FFF 00 169845F373001285 ;Focus TV (36.0°E) F 00011FFF 01 169845F373001285 ;Focus TV (36.0°E) F 00011FFF 00 1111113311111133 ;Imedi TV (36.0°E) F 00011FFF 01 1111113311111133 ;Imedi TV (36.0°E) F 00021FFF 00 2222226622222266 ;GDS TV (36.0°E) F 00021FFF 01 2222226622222266 ;GDS TV (36.0°E) F 00061FFF 00 1111113311111133 ;Mesame (36.0°E) F 00061FFF 01 1111113311111133 ;Mesame (36.0°E) F 21391FFF 00 002005250019566F ;1TV Georgia (36.0°E) F 21391FFF 01 002005250019566F ;1TV Georgia (36.0°E) F 213A1FFF 00 002005250019566F ;2TV Georgia (36.0°E) F 213A1FFF 01 002005250019566F ;2TV Georgia (36.0°E) --------------------------------------------- F 20121FFF 00 B155454BE520191E ;STS Kids (31.5°E) F 20121FFF 01 B155454BE520191E ;STS Kids (31.5°E) --------------------------------------------- F 00391FFF 00 12AB34F1CD56EF12 ;MBC Masr (26.0°E) F 00391FFF 01 12AB34F1CD56EF12 ;MBC Masr (26.0°E) F 003A1FFF 00 12AB34F1CD56EF12 ;MBC Masr2 (26.0°E) F 003A1FFF 01 12AB34F1CD56EF12 ;MBC Masr2 (26.0°E) F 003B1FFF 00 11122245333444AB ;MBC Test 3 (26.0°E) F 003B1FFF 01 11122245333444AB ;MBC Test 3 (26.0°E) F 00671FFF 00 1111113311111133 ;IRIB TV3 (26.0°E) F 00671FFF 01 1111113311111133 ;IRIB TV3 (26.0°E) F 00751FFF 00 1111113311111133 ;IRIB Varzesh (26.0°E) F 00751FFF 01 1111113311111133 ;IRIB Varzesh (26.0°E) F 01A11FFF 00 1111113311111133 ;IRIB Varzesh (26.0°E) F 01A11FFF 01 1111113311111133 ;IRIB Varzesh (26.0°E) --------------------------------------------- F 00011FFF 00 2020206020202060 ;Gazzoul (21.6°E) F 00011FFF 01 2020206020202060 ;Gazzoul (21.6°E) F 00011FFF 00 12AB34F1CD56EF12 ;MBC Hotbird (21.6°E) F 00011FFF 01 12AB34F1CD56EF12 ;MBC Hotbird (21.6°E) F 00011FFF 00 BAEC27CD0320BCDF ;MBC Feed HD (21.6°E) F 00011FFF 01 BAEC27CD0320BCDF ;MBC Feed HD (21.6°E) F 00011FFF 00 BFDE24FD0715BCD8 ;MBC 1 North Africa (21.6°E) F 00011FFF 01 BFDE24FD0715BCD8 ;MBC 1 North Africa (21.6°E) F 00011FFF 00 12AB34F1CD56EF12 ;MBC Maser 1 (21.6°E) F 00011FFF 01 12AB34F1CD56EF12 ;MBC Maser 1 (21.6°E) F 00021FFF 00 12AB34F1CD56EF12 ;MBC Maser 2 (21.6°E) F 00021FFF 01 12AB34F1CD56EF12 ;MBC Maser 2 (21.6°E) F 07D01FFF 00 FEDCBA94198012AB ;Flowers International HD (21.6°E) F 07D01FFF 01 FEDCBA94198012AB ;Flowers International HD (21.6°E) --------------------------------------------- F 00011FFF 00 1111113311111133 ;ALB-007 RTSH (16.0°E) F 00011FFF 01 1111113311111133 ;ALB-007 RTSH (16.0°E) F 00011FFF 00 124578CF875421FC ;SIC International (16.0°E) F 00011FFF 01 124578CF875421FC ;SIC International (16.0°E) F 00011FFF 00 C48DAF008FDA9700 ;Kanal D Romania (16.0°E) F 00011FFF 01 C48DAF008FDA9700 ;Kanal D Romania (16.0°E) F 00011FFF 00 2B3C1A811A1A7EB2 ;SNAI Quad Race (16.0°E) F 00011FFF 01 2B3C1A811A1A7EB2 ;SNAI Quad Race (16.0°E) F 00011FFF 00 1B5C69E0AA08E99B ;Snai Live (16.0°E) F 00011FFF 01 1B5C69E0AA08E99B ;Snai Live (16.0°E) F 00021FFF 00 1B5C69E0AA08E99B ;Snai Live 2 (16.0°E) F 00021FFF 01 1B5C69E0AA08E99B ;Snai Live 2 (16.0°E) F 00071FFF 00 1111113311111133 ;RTRS (16.0°E) F 00071FFF 01 1111113311111133 ;RTRS (16.0°E) F 000A1FFF 00 458825F27453682F ;National TV (16.0°E) F 000A1FFF 01 458825F27453682F ;National TV (16.0°E) F 00161FFF 00 CDEF12CE5678905E ;N24 Plus (16.0°E) F 00161FFF 01 CDEF12CE5678905E ;N24 Plus (16.0°E) F 00C81FFF 00 C00C7E4A7D49E6AC ;SRTV Feed (16.0°E) F 00C81FFF 01 C00C7E4A7D49E6AC ;SRTV Feed (16.0°E) F 01101FFF 00 E876F04E8BA51141 ;EFB 1 (16.0°E) F 01101FFF 01 E876F04E8BA51141 ;EFB 1 (16.0°E) F 03FA1FFF 00 BC5896AA3DE12341 ;NHL Feed (16.0°E) F 03FA1FFF 01 BC5896AA3DE12341 ;NHL Feed (16.0°E) F 08841FFF 00 355147CD123898E2 ;SS Service 1 (16.0°E) F 08841FFF 01 355147CD123898E2 ;SS Service 1 (16.0°E) F 08A21FFF 00 355147CD241871AD ;SS Service 2 (16.0°E) F 08A21FFF 01 355147CD241871AD ;SS Service 2 (16.0°E) --------------------------------------------- F 00011FFF 00 ACE0018D0220193B ;Vida TV (10.0°E) F 00011FFF 01 ACE0018D0220193B ;Vida TV (10.0°E) F 00011FFF 00 0204757B6840751D ;ORTC (10.0°E) F 00011FFF 01 0204757B6840751D ;ORTC (10.0°E) F 00011FFF 00 AAAAAAFEAAAAABFF ;RTNC (10.0°E) F 00011FFF 01 AAAAAAFEAAAAABFF ;RTNC (10.0°E) F 00021FFF 00 AAAAAAFEAAAAABFF ;RTNC 3 (10.0°E) F 00021FFF 01 AAAAAAFEAAAAABFF ;RTNC 3 (10.0°E) F 00031FFF 00 1010103010101030 ;KaSat Event (10.0°E) F 00031FFF 01 1010103010101030 ;KaSat Event (10.0°E) F 00041FFF 00 486004AC2E838D3E ;AFP 2 HD Europe (10.0°E) F 00041FFF 01 486004AC2E838D3E ;AFP 2 HD Europe (10.0°E) F 00051FFF 00 AAAAAAFEAAAAABFF ;Télé 50 (10.0°E) F 00051FFF 01 AAAAAAFEAAAAABFF ;Télé 50 (10.0°E) F 00061FFF 00 AAAAAAFEAAAAABFF ;Digital Congo TV (10.0°E) F 00061FFF 01 AAAAAAFEAAAAABFF ;Digital Congo TV (10.0°E) --------------------------------------------- F 0DB71FFF 00 E876F04E8BA51141 ;Eurobet 11 (9.0°E) F 0DB71FFF 01 E876F04E8BA51141 ;Eurobet 11 (9.0°E) F 0DB81FFF 00 E876F04E8BA51141 ;Eurobet 12 (9.0°E) F 0DB81FFF 01 E876F04E8BA51141 ;Eurobet 12 (9.0°E) F 0DB91FFF 00 E876F04E8BA51141 ;Eurobet 13 (9.0°E) F 0DB91FFF 01 E876F04E8BA51141 ;Eurobet 13 (9.0°E) F 0DBA1FFF 00 E876F04E8BA51141 ;Eurobet 14 (9.0°E) F 0DBA1FFF 01 E876F04E8BA51141 ;Eurobet 14 (9.0°E) --------------------------------------------- F 00011FFF 00 A1AD2270BBBB9170 ;Simaye Azadi Iran National TV (7.0°E) F 00011FFF 01 A1AD2270BBBB9170 ;Simaye Azadi Iran National TV (7.0°E) F 00081FFF 00 555555FF444444CC ;Corallo Sat (7.0°E) F 00081FFF 01 555555FF444444CC ;Corallo Sat (7.0°E) F 000C1FFF 00 1234569C7890121A ;RTVGE (7.0°E) F 000C1FFF 01 1234569C7890121A ;RTVGE (7.0°E) --------------------------------------------- F 0B671FFF 00 A5EB22B2576F753B ;34 Telekanal (4.8°E) F 0B671FFF 01 A5EB22B2576F753B ;34 Telekanal (4.8°E) F 17ED1FFF 00 1A2B3C814D5E6F1A ;1+1 International (4.8°E) F 17ED1FFF 01 1A2B3C814D5E6F1A ;1+1 International (4.8°E) F 1CDE1FFF 00 1234ACF21234ACF2 ;Inter+ (4.8°E) F 1CDE1FFF 01 1234ACF21234ACF2 ;Inter+ (4.8°E) F 1EF61FFF 00 1234ACF21234ACF2 ;Inter+ (4.8°E) F 1EF61FFF 01 1234ACF21234ACF2 ;Inter+ (4.8°E) --------------------------------------------- F 00641FFF 00 DD5AACE3B667708D ;Alpha TV (3.0°E) F 00641FFF 01 DD5AACE3B667708D ;Alpha TV (3.0°E) F 00651FFF 00 201302352EAD01DC ;2M National (3.0°E) F 00651FFF 01 201302352EAD01DC ;2M National (3.0°E) F 00671FFF 00 201302352EAD03DE ;2M MENA (3.0°E) F 00671FFF 01 201302352EAD03DE ;2M MENA (3.0°E) F 012C1FFF 00 1111113311111133 ;ANT 1 (3.0°E) F 012C1FFF 01 1111113311111133 ;ANT 1 (3.0°E) F 01901FFF 00 1111113311111133 ;Macedonia TV (3.0°E) F 01901FFF 01 1111113311111133 ;Macedonia TV (3.0°E) F 02581FFF 00 1111113311111133 ;Skai (3.0°E) F 02581FFF 01 1111113311111133 ;Skai (3.0°E) F 02BC1FFF 00 1111113311111133 ;Star Channel (3.0°E) F 02BC1FFF 01 1111113311111133 ;Star Channel (3.0°E) F 03201FFF 00 1111113311111133 ;Open Beyond TV (3.0°E) F 03201FFF 01 1111113311111133 ;Open Beyond TV (3.0°E) F 03841FFF 00 1111113311111133 ;Mega Channel (3.0°E) F 03841FFF 01 1111113311111133 ;Mega Channel (3.0°E) --------------------------------------------- F 00011FFF 00 1122336633221166 ;X Sport (4.0°W) F 00011FFF 01 1122336633221166 ;X Sport (4.0°W) F 00091FFF 00 1006102611071229 ;Culture (4.0°W) F 00091FFF 01 1006102611071229 ;Culture (4.0°W) F 000D1FFF 00 1006102611071129 ;Pershiy Nacionalniy (4.0°W) F 000D1FFF 01 1006102611071129 ;Pershiy Nacionalniy (4.0°W) --------------------------------------------- F 00011FFF 00 1100000000000000 ;ENTV (7.0°W) F 00011FFF 01 1100000000000000 ;ENTV (7.0°W) --------------------------------------------- F 00021FFF 00 80DBE03B8424F59D ;TV1 (11.0°W) F 00021FFF 01 80DBE03B8424F59D ;TV1 (11.0°W) --------------------------------------------- F 03851FFF 00 124395EA4683AD76 ;ESPN Caribbean 901 (15.0°W) F 03851FFF 01 124395EA4683AD76 ;ESPN Caribbean 901 (15.0°W) F 03861FFF 00 4456851F3267BC55 ;ESPN Syndication 902 (15.0°W) F 03861FFF 01 4456851F3267BC55 ;ESPN Syndication 902 (15.0°W) --------------------------------------------- F 00011FFF 00 1100000000000000 ;ENTV & ENTV HD (24.5°W) F 00011FFF 01 1100000000000000 ;ENTV & ENTV HD (24.5°W) --------------------------------------------- F 10441FFF 00 D581F94F24112D62 ;BBC One London (27.5°W) F 10441FFF 01 D581F94F24112D62 ;BBC One London (27.5°W) F 107C1FFF 00 D581F94F24112D62 ;BBC One Scotland (27.5°W) F 107C1FFF 01 D581F94F24112D62 ;BBC One Scotland (27.5°W) F 107D1FFF 00 D581F94F24112D62 ;BBC One Northern Ireland (27.5°W) F 107D1FFF 01 D581F94F24112D62 ;BBC One Northern Ireland (27.5°W) F 107E1FFF 00 D581F94F24112D62 ;BBC One Wales (27.5°W) F 107E1FFF 01 D581F94F24112D62 ;BBC One Wales (27.5°W) F 10BF1FFF 00 D581F94F24112D62 ;BBC Two England (27.5°W) F 10BF1FFF 01 D581F94F24112D62 ;BBC Two England (27.5°W) F 11001FFF 00 D581F94F24112D62 ;BBC News (27.5°W) F 11001FFF 01 D581F94F24112D62 ;BBC News (27.5°W) F 11C01FFF 00 D581F94F24112D62 ;BBC Four (27.5°W) F 11C01FFF 01 D581F94F24112D62 ;BBC Four (27.5°W) F 12001FFF 00 D581F94F24112D62 ;CBBC (27.5°W) F 12001FFF 01 D581F94F24112D62 ;CBBC (27.5°W) F 12401FFF 00 D581F94F24112D62 ;CBeebies UK (27.5°W) F 12401FFF 01 D581F94F24112D62 ;CBeebies UK (27.5°W) F 12801FFF 00 D581F94F24112D62 ;BBC Parliament (27.5°W) F 12801FFF 01 D581F94F24112D62 ;BBC Parliament (27.5°W) F 1C001FFF 00 D581F94F24112D62 ;BBC Red Button (27.5°W) F 1C001FFF 01 D581F94F24112D62 ;BBC Red Button (27.5°W) F 44401FFF 00 D581F94F24112D62 ;BBC Two HD (27.5°W) F 44401FFF 01 D581F94F24112D62 ;BBC Two HD (27.5°W) F 44841FFF 00 D581F94F24112D62 ;BBC One HD (27.5°W) F 44841FFF 01 D581F94F24112D62 ;BBC One HD (27.5°W) F 44C81FFF 00 D581F94F24112D62 ;ITV 1 HD (27.5°W) F 44C81FFF 01 D581F94F24112D62 ;ITV 1 HD (27.5°W) F 45001FFF 00 D581F94F24112D62 ;Channel 4 HD (27.5°W) F 45001FFF 01 D581F94F24112D62 ;Channel 4 HD (27.5°W) F 45401FFF 00 D581F94F24112D62 ;Channel 5 HD (27.5°W) F 45401FFF 01 D581F94F24112D62 ;Channel 5 HD (27.5°W) F 46C01FFF 00 D581F94F24112D62 ;CBBC HD (27.5°W) F 46C01FFF 01 D581F94F24112D62 ;CBBC HD (27.5°W) F 4F801FFF 00 D581F94F24112D62 ;Film 4+1 UK (27.5°W) F 4F801FFF 01 D581F94F24112D62 ;Film 4+1 UK (27.5°W) --------------------------------------------- F 00031FFF 00 6F5E4D1A3C2B1A81 ;RTP 3 (30.0°W) F 00031FFF 01 6F5E4D1A3C2B1A81 ;RTP 3 (30.0°W) F 00051FFF 00 1234569C78998798 ;Feeds 2 TSA (30.0°W) F 00051FFF 01 1234569C78998798 ;Feeds 2 TSA (30.0°W) F 0AF01FFF 00 441CC323AA2BB388 ;Feeds HD (30.0°W) F 0AF01FFF 01 441CC323AA2BB388 ;Feeds HD (30.0°W) F 07D01FFF 00 12481670326412A8 ;TVI Internacional (30.0°W) F 07D01FFF 01 12481670326412A8 ;TVI Internacional (30.0°W) F 03E91FFF 00 2E4E9511A3155C14 ;ABERTIS 8001 (30.0°W) F 03E91FFF 01 2E4E9511A3155C14 ;ABERTIS 8001 (30.0°W) F 03EA1FFF 00 DBCEC36CA05806FE ;ABERTIS 8002 (30.0°W) F 03EA1FFF 01 DBCEC36CA05806FE ;ABERTIS 8002 (30.0°W) F 03EB1FFF 00 C53AF0EFB178FC25 ;ABERTIS 8003 (30.0°W) F 03EB1FFF 01 C53AF0EFB178FC25 ;ABERTIS 8003 (30.0°W) F 03EC1FFF 00 759EC4D7AA7F658E ;ABERTIS 8004 (30.0°W) F 03EC1FFF 01 759EC4D7AA7F658E ;ABERTIS 8004 (30.0°W) F 03ED1FFF 00 759EC4D7AA7F658E ;ABERTIS 8005 (30.0°W) F 03ED1FFF 01 759EC4D7AA7F658E ;ABERTIS 8005 (30.0°W) F 03EE1FFF 00 C53AF0EFB178FC25 ;ABERTIS 8006 (30.0°W) F 03EE1FFF 01 C53AF0EFB178FC25 ;ABERTIS 8006 (30.0°W) F 05151FFF 00 254AA110F3CFDB9D ;ABERTIS 301 (30.0°W) F 05151FFF 01 254AA110F3CFDB9D ;ABERTIS 301 (30.0°W) F 05171FFF 00 254AA110F3CFDB9D ;ABERTIS 303 (30.0°W) F 05171FFF 01 254AA110F3CFDB9D ;ABERTIS 303 (30.0°W) F 058C1FFF 00 19103C655FDC9CD7 ;ABERTIS 420 (30.0°W) F 058C1FFF 01 19103C655FDC9CD7 ;ABERTIS 420 (30.0°W) F 058D1FFF 00 19103C655FDC9CD7 ;ABERTIS 421 (30.0°W) F 058D1FFF 01 19103C655FDC9CD7 ;ABERTIS 421 (30.0°W) F 058F1FFF 00 FCF5190A9481A4B9 ;ABERTIS 423 (30.0°W) F 058F1FFF 01 FCF5190A9481A4B9 ;ABERTIS 423 (30.0°W) F 0BD11FFF 00 2A1F90D961EA97E2 ;ABERTIS 2025 (30.0°W) F 0BD11FFF 01 2A1F90D961EA97E2 ;ABERTIS 2025 (30.0°W) F 0BD21FFF 00 2A1F90D961EA97E2 ;ABERTIS 2026 (30.0°W) F 0BD21FFF 01 2A1F90D961EA97E2 ;ABERTIS 2026 (30.0°W) F 0BD31FFF 00 2A1F90D961EA97E2 ;ABERTIS 2027 (30.0°W) F 0BD31FFF 01 2A1F90D961EA97E2 ;ABERTIS 2027 (30.0°W) F 0BD41FFF 00 081C62868233A75C ;ABERTIS 2028 (30.0°W) F 0BD41FFF 01 081C62868233A75C ;ABERTIS 2028 (30.0°W) F 0CC61FFF 00 19103C655FDC9CD7 ;ABERTIS 2270 (30.0°W) F 0CC61FFF 01 19103C655FDC9CD7 ;ABERTIS 2270 (30.0°W) F 0CC71FFF 00 19103C655FDC9CD7 ;ABERTIS 2271 (30.0°W) F 0CC71FFF 01 19103C655FDC9CD7 ;ABERTIS 2271 (30.0°W) F 0CC81FFF 00 19103C655FDC9CD7 ;ABERTIS 2272 (30.0°W) F 0CC81FFF 01 19103C655FDC9CD7 ;ABERTIS 2272 (30.0°W) F 0CC91FFF 00 19103C655FDC9CD7 ;ABERTIS 2273 (30.0°W) F 0CC91FFF 01 19103C655FDC9CD7 ;ABERTIS 2273 (30.0°W) F 0CCA1FFF 00 19103C655FDC9CD7 ;ABERTIS 2274 (30.0°W) F 0CCA1FFF 01 19103C655FDC9CD7 ;ABERTIS 2274 (30.0°W) F 0CE51FFF 00 71FD58C6E72F93A9 ;ABERTIS 2301 (30.0°W) F 0CE51FFF 01 71FD58C6E72F93A9 ;ABERTIS 2301 (30.0°W) F 0CE61FFF 00 71FD58C6E72F93A9 ;ABERTIS 2302 (30.0°W) F 0CE61FFF 01 71FD58C6E72F93A9 ;ABERTIS 2302 (30.0°W) F 0CE71FFF 00 71FD58C6E72F93A9 ;ABERTIS 2303 (30.0°W) F 0CE71FFF 01 71FD58C6E72F93A9 ;ABERTIS 2303 (30.0°W) F 0CE81FFF 00 71FD58C6E72F93A9 ;ABERTIS 2304 (30.0°W) F 0CE81FFF 01 71FD58C6E72F93A9 ;ABERTIS 2304 (30.0°W) F 0CE91FFF 00 71FD58C6E72F93A9 ;ABERTIS 2305 (30.0°W) F 0CE91FFF 01 71FD58C6E72F93A9 ;ABERTIS 2305 (30.0°W) F 0CEA1FFF 00 71FD58C6E72F93A9 ;ABERTIS 2306 (30.0°W) F 0CEA1FFF 01 71FD58C6E72F93A9 ;ABERTIS 2306 (30.0°W) F 0CEB1FFF 00 71FD58C6E72F93A9 ;ABERTIS 2307 (30.0°W) F 0CEB1FFF 01 71FD58C6E72F93A9 ;ABERTIS 2307 (30.0°W) F 125D1FFF 00 71FD58C6E72F93A9 ;ABERTIS 3701 (30.0°W) F 125D1FFF 01 71FD58C6E72F93A9 ;ABERTIS 3701 (30.0°W) F 0DC01FFF 00 EB86E152E78C6DE0 ;ABERTIS 2520 (30.0°W) F 0DC01FFF 01 EB86E152E78C6DE0 ;ABERTIS 2520 (30.0°W) F 0DC11FFF 00 EB86E152E78C6DE0 ;ABERTIS 2521 (30.0°W) F 0DC11FFF 01 EB86E152E78C6DE0 ;ABERTIS 2521 (30.0°W) F 0DC21FFF 00 EB86E152E78C6DE0 ;ABERTIS 2522 (30.0°W) F 0DC21FFF 01 EB86E152E78C6DE0 ;ABERTIS 2522 (30.0°W) F 0DC31FFF 00 EB86E152E78C6DE0 ;ABERTIS 2523 (30.0°W) F 0DC31FFF 01 EB86E152E78C6DE0 ;ABERTIS 2523 (30.0°W) F 0DC41FFF 00 EB86E152E78C6DE0 ;ABERTIS 2524 (30.0°W) F 0DC41FFF 01 EB86E152E78C6DE0 ;ABERTIS 2524 (30.0°W) --------------------------------------------- F 00011FFF 00 3011206117301158 ;TV Brasil (40.5°W) F 00011FFF 01 3011206117301158 ;TV Brasil (40.5°W)
