54 skills found · Page 1 of 2
tsduck / TsduckMPEG Transport Stream Toolkit
Chinachu / MirakurunA Japanese digital TV tuner API server specifically designed for "Air"
google / RadioreceiverAn application to listen to broadcast stereo FM and AM radio from your Chrome browser or your ChromeBook computer using a $15 USB digital TV tuner.
rprokap / Pset 9CREDITS SEQUENCE NEWSPAPER HEADLINE MONTAGE: HEADLINES flash before us, displaying their accompanying photographs. "UBERMAN - METRO CITY'S HERO AFTER DEFEATING MASTER MIND! PHOTO: A chiseled, statuesque man wearing the COOLEST SUPER HERO SUIT IMAGINABLE, COMPLETE WITH FLOWING CAPE, shines a confident smile at the lens. This is UBERMAN, champion of METRO CITY. "UBERMAN DEFEATS MASTER MIND'S GIANT ROBOT!" PHOTO: Wide-shot of Uberman in mid-flight lifting the GIANT ROBOT in the sky above the city buildings. "MASTER MIND ALL WET AFTER UBERMAN FOILS AQUARIUM HEIST!" PHOTO: Uberman stands knee-deep in water. He has his enemy by the collar. The villain blocks his face from the shot with a METALLIC GAUNTLET. The images start to flash by even quicker, each showing the MYSTERIOUS VILLAIN in various stages of humiliation. In each photograph he successfully blocks his face with his armored glove. We ZOOM IN to the last headline. "MASTER MIND BEHIND BARS ONCE AGAIN - THANKS TO UBERMAN!" PHOTO: Uberman stands in a gallant pose with his fists on his hips, obviously trying to accentuate the "U" insignia on his chest. END OF CREDITS SEQUENCE EXT. BUILDING - DAY We DISSOLVE from the photograph to Uberman standing in the exact same position. WE PULL BACK showing him atop a BUILDING overlooking the city below. A perfect view for our guardian hero. He watches the thriving metropolis, bristling with life as people happily go about their day. Yet, we can't help but detect a hint of sadness in Uberman's expression. 2. UBERMAN You look so peaceful from up here. His serenity is suddenly interrupted by a loud BEEPING SOUND coming from his wrist. He looks down at a BRACELET (a manly one) on his right arm. It's a silver band with a FLASHING red letter "U". UBERMAN (CONT'D) Looks like Roxanne's in trouble again. Uberman leaps off the building and into the air. His cape gracefully flows in the breeze behind him as he shoots off into the distance like a speeding bullet. EXT. OBSERVATORY HIDEOUT - ESTABLISHING SHOT Grime and moss decorate the outside of this long abandoned building overlooking the COAST. Once a place of knowledge and wonder - now home to a great evil. INT. OBSERVATORY HIDEOUT - DAY The inside is in complete contrast to the exterior. The huge hall with a GIANT TELESCOPE teems with advanced ELECTRONIC EQUIPMENT. Computers, monitors and machines which do not have an obvious function FLASH and HUM. A STEEL DOOR slides open, revealing the subject of our story MASTER MIND - a villainous sight to behold. His FACE IS INEXPLICABLY LIGHT BLUE, topped by an OVERSIZED, MUSHROOM- SHAPED HEAD with a CIRCULAR PATCH OF WHITE HAIR ON TOP. He's dressed in the kind of costume only a super villain could pull off: a PURPLE JUMPSUIT AND BLACK BOOT ENSEMBLE WITH A GIANT GREEN "M" ON THE CHEST. His right hand, hanging at his side, is a METAL GAUNTLET WITH THREE SHORT SPIKES PROTRUDING BETWEEN HIS KNUCKLES. Master Mind begins to survey the room with his TWO PERMANENTLY ARCHED EYEBROWS. A man dressed as ALBERT EINSTEIN is busy ranting to two other men. One, a hulking brute, is dressed as LEONARDO DA VINCI. The other, a small intellectual-type carrying a clip-board, is dressed as the philosopher PLATO. EINSTEIN I hate the outfits. I mean, I get it: we're all supposed to be "masterminds" - very clever. (MORE) 3. EINSTEIN(cont'd) I just feel stupid. I mean, what the hell did Einstein really do anyway? PLATO Theory of relativity. Einstein starts feverishly scratching his side. EINSTEIN Well, you'd think he'd invent a wool sweater that didn't itch so much. Da Vinci and Plato's eyes suddenly grow with concern as they see Master Mind walk up behind Einstein. Einstein notices his colleague's staring over his right shoulder and turns around. He turns around and Master Mind SEIZES HIM BY HIS THROAT with his metal gauntlet. MASTER MIND The real Einstein once said, "God does not play dice with the world." He was right, because the world is MY dice. Is that understood? DA VINCI & PLATO Sir! Yes, sir! EINSTEIN (gasping for air) Yes, sir. Master Mind undoes his grip on Einstein's throat. MASTER MIND Alright, then - clean slate. Do we have the girl? DA VINCI Yes, sir. She fell into our trap just like you knew she would. MASTER MIND Reporters are a curious lot, and easily manipulated. He quickly checks his physique in a GIANT MIRROR, adjusts his posture and sucks in his gut. 4. MASTER MIND Alright, let's not keep the lady waiting. MOMENTS LATER Da Vinci escorts a BLINDFOLDED and bound woman, ROXANNE RITCHI, to the back of the room where Plato and Einstein are standing guard over a large BLACK SWIVEL-CHAIR facing away from us. She pulls free of Da Vinci's grasp and waits for him to undo the blindfold. Her face uncovered, we finally see Roxanne's striking features - all of which seem overshadowed by piercing eyes that seem more put off by the situation than afraid of it. MASTER MIND (O.S.) Miss Ritchi, we meet again. The chair turns menacingly slow, finally revealing Master Mind. ROXANNE You didn't need to turn around like that. I can recognize the stench of failure. Master Mind unleashes a wicked laugh. MASTER MIND I trust you gentlemen know the very sassy Roxanne Ritchi, highly regarded investigative journalist who some say has a more than friendly relationship with our super powered foe Uberman. And Miss Ritchi, I trust you've already met my new crew: The Mad Geniuses! Roxanne gives Einstein a once over. ROXANNE Looks like a real group of winners. At the risk of sounding cliche', you'll never get away with this. MASTER MIND In a way, I already have. Roxanne unleashes an exhausted SIGH. 5. ROXANNE We go through this every time. You kidnap me to get to Uberman, he immediately finds your hideout, escapes whatever lame trap you've come up with, and takes you and your cronies to jail. I propose we just save everybody some heartache this time by YOU letting me go, and ME forgetting this whole thing ever happened? MASTER MIND What about my revenge? ROXANNE We can say it was wasting everyone's time. MASTER MIND You have a wicked tongue. I hope you rid yourself of that when you're my queen. Roxanne unleashes a snort-filled laugh. ROXANNE I'm sorry. What makes you think I would want to be your queen? MASTER MIND Power corrupts absolutely, Miss Ritchi. And when I have ultimate power over this city, I have absolutely every intention of corrupting you with it. PLATO Sir! Master Mind turns to Plato who's now standing at a computer terminal. MASTER MIND (annoyed) What is it!? EXT. OBSERVATORY HIDEOUT - DAY Uberman flies toward the Observatory like a rocket. 6. INT. OBSERVATORY HIDEOUT - DAY Uberman crashes through the wall to the room we were just in. He looks around, but there's suddenly NOT A SOUL IN SIGHT. CUT TO: EXT. MASTER MIND'S HYDROFOIL - DAY The boat is shooting through the ocean, away from the observatory. INT. HYDROFOIL CONTROL ROOM - DAY Machines, cables and terminals criss-cross the craft's main bridge. Through the enormous surrounding windows we can see the observatory shrinking in the distance. Master Mind watches Uberman on a small TV monitor as the hero intently searches his hideout. UBERMAN (on monitor) Master Mind! INT. OBSERVATORY HIDEOUT - DAY Uberman throws up his arms in frustration when suddenly - MASTER MIND (O.S.) Over here, old friend. He turns to see a FAMILIAR BLUE FACE OF EVIL ON A GIANT SCREEN. UBERMAN What's the matter, miss your old jail cell? Uberman starts walking toward the monitor. MASTER MIND (ON MONITOR) Actually, I wanted to share the experience with my oldest friend. A MECHANIZED CAGE shoots out of the floor, suddenly trapping Metro City's protector. Totally unfazed, our hero stares on. 7. UBERMAN You can't possibly believe this will work. Master Mind pulls out a SMALL BLACK BOX with a SINGLE RED BUTTON on it. MASTER MIND (ON MONITOR) Oh, can't I? I have attained control of the Earth's most abundant energy source. I doubt even you are strong enough to withstand the FULL CONCENTRATED POWER OF THE SUN!!! He presses the button. EXT. OUTER SPACE A sinister-looking SATELLITE orbits Earth's atmosphere. Its bay doors suddenly open, deploying two huge SOLAR PANELS. The panels shift, angling themselves in the direction of the sun. They immediately start GLOWING as they absorb the burning star's power. The front of the satellite begins to make a loud HUMMING SOUND as it prepares to unleash its unholy power. INT. HYDROFOIL CONTROL ROOM - DAY From the giant window we can see the boat is a good mile from the observatory. PLATO We're now at minimum safe distance, master. Master Mind turns from the CAMERA he was broadcasting on and puts down the control box. MASTER MIND Excellent. Stop here, I like this view. PLATO Twenty seconds until impact. Master Mind turns to Roxanne who is being held by Da Vinci and Einstein. She almost appears a little bored. Disappointed by her lack of horror, he walks over to the monitor now showing Uberman trapped in the cage. 8. MASTER MIND Any last words? Uberman looks up at the screen with a cocky smile. UBERMAN (ON MONITOR) Yes: there's no caging the power of justice. PLATO Ten seconds to impact. On the screen we see Uberman take two of the cage's bars in his hands. He yanks...NOTHING. PLATO (CONT'D) Nine... Master Mind stares at the monitor, slightly confused. PLATO (CONT'D) Eight... Uberman yanks on the bars again, this time using his foot as leverage. MASTER MIND (genuinely concerned) What's going on? UBERMAN (straining) Hold...on...a second. Master Mind looks back at Plato and Einstein. They're equally befuddled at the hero's sudden weakness. PLATO Seven... Uberman loses his grip and FALLS BACKWARD ON HIS ASS. UBERMAN SON OF A BITCH!! Master Mind and the minions all cringe in unison. Da Vinci turns to Roxanne not believing his ears. DA VINCI What did he just say? 9. PLATO Six......Five... Master Mind begins to laugh. MASTER MIND What kind of trick is this? Uberman looks up at the camera with a very grave expression. UBERMAN Like you don't know. These bars are made of copper, aren't they? PLATO Four... MASTER MIND Yeah, so? Uberman tries to shield his grief with his hand. UBERMAN You figured out my weakness, damn you. I CAN'T BEND COPPER! PLATO Three... MASTER MIND Your weakness is copper? PLATO Two...one. Everyone turns to the window. EXT. OUTER SPACE The satellite fires a giant BEAM OF LIGHT toward the earth. EXT. OBSERVATORY HIDEOUT - DAY The beam hits the observatory. The building instantly EXPLODES in a white nova blast of fire. INT. HYDROFOIL CONTROL ROOM - DAY The blast is so bright everyone turns away from the window. Then, as suddenly as it began, the awesome light dies out. One by one, the passengers unshield their eyes and look out toward the observatory. 10. All we can see through the haze of destruction is fire and smoke. PLATO I don't think even he could have survived that. Einstein suddenly turns giddy with excitement. EINSTEIN Whoa! Is it me or did you just finally destroy Uberman? MASTER MIND (carefully skeptical) Well...let's not get ahead of ourselves. Da Vinci suddenly sees something outside. DA VINCI Look, there's something in the sky, coming this way. ROXANNE Uberman! Master Mind turns toward the window. An object is in the air, flying directly toward them. As it closes in we can just make out the FAMILIAR OUTLINE OF A CAPPED FIGURE. MASTER MIND I KNEW IT! PREPARE YOURSELVES! HE'S GONNA RAM US!!! Everyone scatters and braces themselves for the impact. Master Mind, seeing all the good places taken, doesn't know what to do with himself. He just covers his giant head with his hands. The figure CRASHES THROUGH THE WINDOW and lands at his feet. He looks down to see a CHARRED BLACK HUMAN SKELETON. Around its neck is the unmistakable black cape of Uberman. MASTER MIND (CONT'D) (horrified) HOLY SHIT! 11. Roxanne breaks out of Da Vinci's hold and runs over to the body. ROXANNE Uberman? She stares down at the still smoking corpse, the tattered black cape with the yellow "U" on it. Roxanne turns to Master Mind, who's still visibly dumbfounded at the grotesque sight before him. ROXANNE (CONT'D) You killed him! Roxanne's eyes roll back. Da Vinci catches her from behind as she FAINTS. Einstein turns to Master Mind, looking at him as if he's just walked on water. EINSTEIN You did it! Now that he's committed the impossible - our villain is at a complete loss. MASTER MIND ...so I did. EINSTEIN I mean, I know you always wanted to. I mean, all the schemes all the plots - I never thought you'd actually be capable of it. Giddy as a school girl, Einstein turns to his fellow henchmen. EINSTEIN This is history. Every villain and lackey in the history of villains and lackeys dream of this moment, but when does it actually EVER happen? A sudden realization comes over his face. EINSTEIN Good lord...You do all realize what we get to do now, don't you? 12. His question is met with acquisitive looks from Master Mind and the others. EINSTEIN We get to go on a crime wave. CRIME WAVE MONTAGE - SET TO "Fun Fun Fun" by The Beach Boys. SPINNING HEADLINE: "UBERMAN'S DEATH IGNITES CITY WIDE CRIME WAVE!" ARMORED TRUCK It's driving along when the men inside suddenly notice something - THEY'RE FLYING HIGH ABOVE THE CITY STREETS. We PULL BACK to see the truck being carried by a giant claw at the bottom of a BRAIN COPTER. Inside the cockpit Master Mind and his henchmen laugh maniacally. SPINNING HEADLINE: "CHAMPION-LESS CITY AT THE MERCY OF HOOLIGANS." METRO CITY BANK Da Vinci and Einstein run out the front of the bank holding BAGS OF MONEY. Two beat officers see them and take chase after them around the corner and into an alley. After a moment the police reemerge from the alley screaming and running for their lives as a GIANT ROBOT CHASES after them. The robot stops, then suddenly it's head opens up like convertible car top with Master Mind and Plato at the driver's wheel. They smile and shake hands at a bad deed well done. SPINNING HEADLINE: "MASTER MIND BLACKMAILS METRO!!!" A VICIOUS TORNADO It's heading for downtown Metro as Master Mind and the lackeys coolly look on. Three large DUMP TRUCKS pull up, filled to the brim with bricks of CASH. 13. The DRIVERS jump out as the lackeys take the driver seats in the three trucks. Master Mind is about to climb into the passenger seat of one when a drivers taps him on the shoulder and motions toward the tornado. MASTER MIND (absentmindedly) Oh, right. Master Mind pulls a television REMOTE from his pocket and aims it at approaching windstorm of death. He presses the button marked "Tornado Off." The tornado shrinks and disappears just before it hits the city. As they drive through the city streets, Master stares out the window with a hint of something in his eyes. Is it melancholy? END OF MONTAGE EXT. KINGPIN BOWLING - DAY It's Metro City's premier bowling alley. On top of the neon lit building is a GIANT 30 FOOT TALL CEMENT BOWLING BALL. INT. KINGPIN BOWLING - DAY HAL STEWART (early 30's) takes careful aim with his BOWLING BALL. HAL It's a sport of honor, focus and grace. Honor the ball, focus on the pins, release the ball not hard and fast, but as if you were releasing a baby dove. He takes a step, pulls back his arm, and releases the ball, following it with his eyes. It's a horrible shot - INSTANT GUTTER BALL. An aged barmaid type with a cigarette hanging from her mouth looks over at him. HAL Okay, do something like that - but center it more. 14. She picks up her custom made FOGHAT BALL and takes aim. ATTRACTIVE BLOND Tell me how my form looks, honey. Hal focuses on the misshapen bumps of her enormous Johnson administration era derriere. HAL Oh, it's lookin' good. It's lookin' REAL good. It doesn't get anymore clear. This man is a pig. VINNIE (O.S.) Hal, I want to see you in my office! Hal turns to see VINNIE, owner of the bowling alley, calling him. VINNIE Now! INT. KINGPIN BOWLING - VINNIE'S OFFICE - MOMENTS LATER Hal sits down, facing Vinnie who's sitting at his desk. VINNIE You're fired. Leave your shirt and locker key. This bit of news hits Hal like a freight train. HAL Fired? Are you going to tell me why? VINNIE Showing up to work late. Showing up to work late drunk. Sexually harassing customers. Stealing from the register. HAL Vinnie, I don't know where you're getting these accusations - Vinnie takes out a video tape from his desk drawer and puts in a VCR. 15. HAL Oh, which one do you supposedly have here? VINNIE This is all of them at once. TELEVISION A WOMAN walks up to a BOWLING EMPLOYEE and hands him a pair of shoes. As the employee turns to the wall of shoes, a very drunk and disheveled Hal comes running in and pushes him aside. HAL I've got this one, Benny. So, Cinderella. Can I help you find your glass slipper? WOMAN Yeah, I'm looking for a seven. He folds his arms on the counter and leans into her with a cat-like grin on his face. HAL (with a leer) Seven - Well, maybe I could interest you in something in an EIGHT. Namely, me. Disgusted, she walks off screen. HAL Lesbo. Suddenly realizing the register's open, he quickly grabs a stack of cash and shoves it in his pocket. BACK TO OFFICE Vinnie turns off the television and waits for Hal to respond. HAL From the angle of the camera, I can see where you might have gotten the wrong idea. Listen, Vinnie, I don't think you've thought this through. If you fire me, who's gonna be captain of the alley's bowling team? 16. VINNIE Um, I don't know. Maybe somebody who can actually bowl. You guys have never won a game. I hired you because you said you were on the pro circuit. HAL No, I said I WILL BE on the pro circuit. VINNIE Please, a loser like you will never amount to anything. This harsh remark seems to leave Hal genuinely stunned. HAL Wow...If that's how you feel...I guess we should then talk about what kind of severance I'm gonna get. EXT. KINGPIN BOWLING - DAY TWO BRUISERS open the door and throw Hal out onto the street. He quickly picks himself up and turns back toward the building. HAL Hey...what about my ball? A bowling ball sails past him, just missing his head. HAL Thank-you! EXT. CHANNEL 7 NEWS BUILDING - DAY The massive building with a giant 7 on the roof stands in the heart of Metro City. INT. CHANNEL 7 NEWS BUILDING - OFFICE - DAY The cubicles and offices are alive with the hustle and bustle of a busy news day. Phones are RINGING, REPORTERS are TALKING, and Editors are SHOUTING. The elevator doors open and out steps Roxanne Ritchi. 17. Everything stops as the entire office suddenly falls SILENT. Somewhat taken aback by the reaction, Roxanne scans the room to see every eye on her. ROXANNE It's...um...It's good to be back. Thanks for everyone's cards and concerns. I really appreciated it - now I'm ready to climb back on the horse. No one is budging - their looks of pity are really starting to make her uncomfortable. The back office door suddenly opens and out comes FRANK BONIN, the gruff, middle-aged Producer of Channel 7 News. Noticing the silence, he looks up and sees the sad expressions on everybody's face. FRANK Someone die or something? He suddenly notices Roxanne - both feet are placed firmly in his mouth. FRANK (cursing himself) Oh, Jesus. ROXANNE It's okay. Frank quickly walks up to Roxanne and takes her gently by the arm. FRANK Come on into my office, sweetie. INT. CHANNEL 7 NEWS BUILDING - FRANK'S OFFICE - CONTINUOUS He sits her down on his leather couch, then quickly turns toward his door. FRANK Can we get this woman some water for God's sake? (to Rebecca) I gave you two months off. What're you doing back? People are gonna think I'm a slave driver. 18. ROXANNE Aren't you? FRANK Yeah, but I don't want people to think it. ROXANNE Frank, listen. I want to go back to work. I NEED to go back to work. FRANK ...You're hysterical, aren't you? Frank sits down on the couch and blankets Roxanne with A WARM EMBRACE. ROXANNE What're you doing? FRANK Keeping you warm before you go into shock. (toward the open door) DO I HAVE SLICE OPEN A CAMEL HUMP TO GET A GLASS OF WATER AROUND HERE? A SECRETARY quickly enters with a bottled water. She sets it on the table in front of them and leaves. Roxanne pulls herself out of Frank's grasp and stands up to face him. ROXANNE It was a traumatic experience. Yes, everyone knows Uberman and me were...close. But what I really need - what would really make me better is getting back to work. There's a sudden awkward silence from Frank. FRANK Well, that's going to be... ROXANNE I thought you'd be happy to have me back. 19. FRANK Oh, we are. Honey, nothing makes us happier than to have our girl back, but... ROXANNE Yes? FRANK Things have sorta...changed. ROXANNE In three weeks? FRANK Listen, I'm not one who likes to open up wounds - especially ones that are just starting to scab, but you were sorta our go to girl for the exclusive on Uberman. And now that he's gone...I moved Brad into your anchor spot. ROXANNE (disgusted) Brad? Brad Helms? The man is an idiot. FRANK It's the suits. They think it's time to switch things up. ROXANNE Oh, because they can't use me to get the big story. FRANK C'mon, Roxie. Using is in the nature of what we do. They used you, you used Uberman. Everybody's happy. ROXANNE (defensive) I didn't use him. FRANK Oh, I didn't mean that. I know you two were in love or something. My bad. ROXANNE We were. 20. FRANK And that's great. ROXANNE Very in love. There's a hind of self-doubt in Roxanne's expression, as if she's failed to convince even herself of this. ROXANNE Okay. So, where are they going to move me if Brad has my spot? FRANK ...Human interest. ROXANNE Bake sales and pet stories. FRANK I told them I wouldn't be surprised if you just upped and quit. You busted your ass for that desk. Roxanne can hardly get it out - she's busy swallowing her pride ROXANNE I'll take it. Frank looks up at her, not believing what he's hearing. FRANK What? EXT. ABANDONED METRO CITY LIBRARY - NIGHT Amongst the jungle of high rises, one small building stands out from the rest - A tiny, forgotten piece of 19th century Gothic architecture. LIGHTENING FLASHES, revealing TWO CONCRETE GARGOYLES holding a cracked plaque, reading: METRO CITY LIBRARY. INT. ABANDONED METRO CITY LIBRARY - NIGHT A mixture of old and new. Dusty Victorian furniture and dilapidated bookshelves sit side by side with pristinely futuristic machinery. The building has been converted into Master Mind's new SECRET LAIR. 21. In the center of the main room is a three storey tall GLOWING BLUE ORB. At the base of it is a sign that reads "Reactor - Don't Touch." We PAN OVER to the READING ROOM where Master Mind is sitting on a couch watching TELEVISION. REPORTER ON TELEVISION (O.S.) It's been nearly six weeks, and still no word on the whereabouts of billionaire playboy, and philanthropist, Wayne Scott. Tune in at 11:00 as we look into what has become Metro City's biggest mystery. TELEVISION NARRATOR (O.S.) We now return to "The Hero of our Hearts: The Uberman story." Einstein and Plato come into the room holding a BAG OF LOOT. EINSTEIN Just robbed the diamond exchange. MASTER MIND (feigning pleasure) Great, great. Put it on the pile. Einstein tosses it on a LARGE PILE of purloined valuables in the corner of the room. EINSTEIN Anything else today? MASTER MIND No. Master Mind turns his attention back to the screen. Plato sees that Master Mind is in a funk and tries to snap him out of it. PLATO (cheerfully) Sir, the new reactor is installed. Plato nods to the giant orb. PLATO Do you want to throw the switch? I know how you love to start reactors. 22. MASTER MIND Maybe later. Einstein gives Master Mind a funny look then exchanges glances with Plato before leaving the two of them alone. Without turning away from the TV, Master Mind addresses Plato. MASTER MIND (CONT'D) What is it, Plato? PLATO (nervously) Sir, I can't help but notice that you've been...a little down lately. MASTER MIND When I want your opinion I'll beat it out of you. PLATO Yes, sir, I know, but please forgive my impertinence. It's just that you seem to have lost your lust for our profession. You've stopped going on jobs and spend most of your time watching Uberman specials. Master Mind relaxes slightly and turns to face the window in a classically contemplative pose. After an overdramatic beat... MASTER MIND I have defeated my greatest enemy. I have free reign over Metro City. I have more wealth than a thousand Sultans. I've achieved all I have worked for...so why am I so unhappy? He walks over to a PAINTED PORTRAIT that looks almost exactly like him, except slightly older, maybe meaner - MASTER MIND'S FATHER. MASTER MIND I mean, my father, god rest his evil and tormented soul, raised me straight from the test tube to be a symbol of evil. (MORE) 23. MASTER MIND(cont'd) And, I have accomplished something he had only dreamed about - the destruction of Metro City's champion. I tell you, I've always lived with this unquenchable thirst. I thought it was to make him proud or to get absolute power. But now that I've pretty much accomplished both, I am at a loss. PLATO ...I sort of have a theory about all that. MASTER MIND (snippy) Oh, really? PLATO Well, for one thing, maybe Uberman was more important to you than you thought. MASTER MIND He was a worthy rival. Sometimes I wonder, did he consider me his evil equal or was I just an annoying, little gnat to him? ...What's the second part? PLATO I think you sort of have a thing for Roxanne Ritchi. Master Mind quickly takes his lackey by the throat. MASTER MIND YOU WORM! HOW DARE YOU! WHERE WOULD YOU GET SUCH A NOTION? PLATO Sir, your plans always involve Ms. Ritchi either being kidnapped or placed in danger. If that's not love, I don't know what is. It's the grown up equivalent of dipping her pigtails in the ink well. Don't you see? She's the one treasure that's always escaped you. From Master Mind's expression, we see Plato's words beginning to ring true. 24. INT. RESTURAUNT - DAY Roxanne is having lunch with several girlfriends sitting around her, gabbing. FRIEND #1 I can't believe you came back so soon. FRIEND #2 Are you sure it's not TOO SOON, honey? ROXANNE I just wanted to get back to work. FRIEND #3 What we need to do is get you back on the saddle...the love saddle. Friend 1 and 2 give 3 disapproving looks. FRIEND #3 It's been three weeks. FRIEND #2 She just lost the love of her life, Grace. A WAITER comes by with a tray of CAESAR SALADS and begins setting them out for the ladies. ROXANNE I keep trying to tell people it wasn't really like that. Uberman and I - We were kinda having problems. We broke up. The waiter ALMOST DROPS HIS TRAY AT THIS. The women are too shocked by Roxanne's revelation to notice. FRIEND #1 You broke up with Uberman! FRIEND #3 You must have REALLY, REALLY high standards. I mean, you were dating a god. I mean, what's it take? ROXANNE Maybe someone who's a little more aware of his faults. Someone a little more sensitive. 25. FRIEND #3 Right. Someone who listens, sexy but attainable with cute little cheeks like a hamster and heartbreak in his eyes. She turns to Friend one and two to explain. FRIEND #3 She wants John Cusack. FRIEND #2 The actor? FRIEND #3 No, the famous pediatrist - Yes, the actor. Ever since we were teenagers, Roxanne's totally had the hots for him. ROXANNE Well, until he miraculously comes walking into my life, I'm just going to take a little reflection time for myself. The waiter gets a confused look on his face then slips away as Roxanne and her friends continue to chat away. EXT. RESTURAUNT - DAY The waiter tosses his apron in a trash can, then rolls up his sleeve and presses A STRANGE LOOKING DEVICE STRAPPED TO HIS WRIST. His image gets staticy, like a TV station going out, then disappears - revealing the man's true form underneath: MASTER MIND! MASTER MIND Who the hell is John Cusack? EXT. CITY STREET - DAY A YOUNG MOTHER pushes her baby stroller past a building construction site. ACROSS THE STREET A local POLITICIAN addresses a group of REPORTERS on the sidewalk, including Roxanne. 26. POLITICIAN The Fifth Avenue Renovation Project, which I championed, will breath new life into the downtown area. New life means new jobs and new revenue. ROXANNE Councilman, is it true that your brother-in-law's construction company won the contract for this project? POLITICIAN Well...er...yes, but...look I'm not here to answer a lot of crazy questions... YOUNG MOTHER The young mother stops halfway down the block, reaches into the stroller and tries to comfort her now crying baby. Above her, a CRANE is maneuvering a pile of STEEL GIRDERS to an upper floor. Hal comes around the corner and heads in her direction. CRANE The crane GRINDS TO A HALT. The OPERATOR has a confused look on his face as he moves levers back and forth in an effort to fix the problem. Hal stops a few feet from the woman and stoops down to tie his shoe. CRANE The operator's hand slips off the lever, hitting a RED BUTTON. To his horror the crane DROPS ITS LOAD OF STEEL. HAL AND THE WOMAN The woman looks up to see the girders seconds from crushing her and her baby. She screams. Hal looks up and sees it as well. He starts to run out of the way and crashes into the woman and stroller. ACROSS THE STREET 27. The reporters turns their cameras just in time to catch on film what appears to be Hal pushing the woman to safety just as the GIRDERS CRASH TO THE GROUND. HAL AND MOTHER Tears of joy in her eyes, the woman picks up her baby and kisses it. Hal struggles to catch his breath as the mother turns to him. YOUNG MOTHER Thank you! Thank you for saving me and my baby! She hugs him with her free arm, weeping with joy. HAL (not knowing what she's talking about) Huh? He's a little uncomfortable with the woman's public display of affection and the small child in-between their embrace. HAL (CONT'D) There, there. Hal slowly eases out of the woman's grip. HAL (CONT'D) Okay, we better...well, I hear these little guys smother easy. The reporters rush over and surround Hal and the mother. ROXANNE What's it feel like to be a hero? Hal looks up at Roxanne. Instantly, he's captivated by her beauty. HAL Well...I'm just a man doing what men do. You're Roxanne Ritchi, aren't you? They're suddenly interrupted when another reporter pushes his way in between them. REPORTER Were you scared? 28. HAL Scared? Who had time? The reporters eat this up. INT. ABANDONED METRO CITY LIBRARY - NIGHT TELEVISION John Cusack stands in the rain looking up at a window of a two story house. He holds up a BOOMBOX and "In Your Eyes" by Peter Gabriel begins to play. From the couch, Master Mind and his minions watch. MASTER MIND John Cusack, huh? So all I have to do is have a cute puppy dog stare, be willing to make a fool of myself and - Oh, REMOVE BOTH MY BALLS. He turns to see Da Vinci watching the movie and wiping a tear from his cheek. MASTER MIND Please, get a hold of yourself. INT. BOOKSTORE - NIGHT Roxanne is carrying a large paper coffee cup in her hands as she peruses the isles. She sets it down on a shelf to pull a book out and ends up KNOCKING THE DRINK OVER. ROXANNE Shit. She goes to pick it up when someone bends down and picks it up for her. Looking up to thank him, Roxanne is suddenly stunned speechless - It's popular and critically acclaimed actor JOHN CUSACK, or rather Master Mind disguised as him. "JOHN CUSACK" Oh the humanity - it was a Venti. ROXANNE (stunned) You're...you're. "JOHN CUSACK" Yes, it's me. John Cusack...the actor. 29. He notices the book she's reading. "JOHN CUSACK" Hey, is that Shelly? Wait, I think remember something from that one - Let's see: "My head is screaming `I want you and need you' - my heart it keeps reaching to see you and feel you - yet in the end, I'm alone once again." Wow, I scare even myself. I'm sorry. I'm just really into poetry. Probably because I'm so sensitive and always going to great lengths to express myself. But enough about me. Can I fill you up? ROXANNE (captivated) ...Yes. (catching herself) I mean, excuse me? "JOHN CUSACK" Can I fill you up? Your coffee. ROXANNE Right. INT. BOOKSTORE CAFE' - LATER Roxanne talks as John Cusack listens to her every word intently. ROXANNE I did have a boyfriend - until fairly recently. She suddenly begins to feel the stares around her as passers- by being to notice who she's with. ROXANNE I'm sorry - this is so surreal! "JOHN CUSACK" Yeah, they charge way too much at these places - Now back to your boyfriend. I'm interested and compassionate. I want to know about you. 30. ROXANNE Things were complicated. He was a man married to his work. There was...there was a lot of competition in his line of business. I'm sure you know what that's like. "JOHN CUSACK" Sure. In my business, one thing I have is RIVALS. For example, mine is...uh...Lou Ferr...igno. ROXANNE ...The body-builder who used to play The Hulk on TV? "JOHN CUSACK" Did he? Well, we're always up for the same roles. Did your boyfriend have someone like that? A particular rival that was always getting his goat - so to speak? ROXANNE Well...one rival in particular seemed to get more of his attention than I ever did. But enough about my problems. "JOHN CUSACK" NO, TELL ME MORE!!! Suddenly realizing his outburst, he begins COUGHING to mask it. "JOHN CUSACK" (CONT'D) I'm sorry. I got a whooping cough. Had it ever since Serendipity. I WONDER WHERE OUR REFILLS ARE!!! (fakes cough) See, there it goes again. Please, go on. ROXANNE Right, well, he seemed to need him more than he needed me. "JOHN CUSACK" How do you mean? 31. ROXANNE It was conflict he thrived on. He always said he wouldn't know what to do with himself if Master - I mean, this guy were gone. It was like he needed it, like oxygen. The answer to his mental funk hits him like a bolt of lightening. He turns away from her as if for private time. "JOHN CUSACK" (almost to himself) I think I finally understand...The only logical answer is to recreate that rivalry - or if that's impossible, create one of equal structure. That's it! ROXANNE What? John Cusack snaps out of his dream-like haze realizing she's heard every word. "JOHN CUSACK" Oh, sorry, sorry. Just rehearsing for a part...where I play a man who talks to himself at inappropriate times. In a sudden rush, he rises out of his chair. "JOHN CUSACK" I have to go right now, but I'd really like to see you again - if that's alright. Roxanne looks up at him - She can't help but laugh at the craziness of the situation. ROXANNE I'd love that. INT. ABANDONED METRO CITY LIBRARY - DAY Master storms in the office to find Plato and Einstein playing darts with the original Mona Lisa. EINSTEIN Got her nose! MASTER MIND I've got it! 32. Everyone stops what they're doing upon seeing that their master has returned. MASTER MIND I've got it! MASTER MIND It's plain and simple. Extraordinary minds need extraordinary stimulation. Without that stimulus they wither and die. Therefore, there is only one logical conclusion: I must create a new superhero. EINSTEIN Yeah, maybe that's not such hot idea... MASTER MIND (ignoring him) Prepare for Operation Superhero Genesis! INT. ABANDONED METRO CITY LIBRARY - LABORATORY - DAY The lab is slick, white and ultra modern. Dressed in a lab coat, Master Mind enters through a SLIDING GLASS DOOR rubbing his hands excitedly. MASTER MIND Prepare the subject. He glances down into a large HOLE in the floor to see a naked thirty year old man, SEVERS, shivering. Above the hole, a huge vat dangles precariously. Master Mind steps behind a glass partition next to Plato and Einstein. MASTER MIND (CONT'D) Plato, pour the toxic waste. Plato throws a switch causing the vat to tip hundreds of gallons of green and brown goo into the hole. MASTER MIND (CONT'D) Drainage. The slime is sucked out through the floor, leaving a goo- soaked Severs. 33. Master Mind looks into the pit. MASTER MIND (CONT'D) Well, Severs? SEVERS I feel fine. Just a little sticky, but aside from that everything's completely - BOOM - Severs explodes. A hail of blood and tissue covers Master Mind and his men. For a good ten seconds nobody moves an inch. Finally... MASTER MIND Okay then. INT. ABANDONED METRO CITY LIBRARY - LABORATORY - DAY Through a glass WATER TANK we see a man breathing normally. MASTER MIND And this one? PLATO We attached gills to him. He can breath under water. MASTER MIND Ah. Does he have extraordinary strength? PLATO Well...no. MASTER MIND Can he fly? PLATO No. MASTER MIND Resilient to weapons fire? PLATO No. MASTER MIND He just breathes under water, then. PLATO Ah...yeah. 34. Master Mind rolls his eyes and walks away. INT. ABANDONED METRO CITY LIBRARY - LABORATORY - DAY The next guinea-pig, STENWICK, is standing in a sealed glass tube not much wider than himself. MASTER MIND Plato, the radioactive spider, please. Plato throws the switch DROPPING A SINGLE SPIDER onto Stenwick's arm. Stenwick looks and winces as it bites him. STENWICK Ow! He brushes the spider off. MASTER MIND Anything, Stenwick? STENWICK (shaken) No. Ah...sir, I didn't know this was about spiders. I have a pretty severe case of arachnophobia. Master Mind thinks for a moment, then turns to Plato. MASTER MIND We're gonna need more venom. Plato throws another switch, this time DUMPING THOUSANDS OF SPIDERS on poor Stenwick. His SCREAMS begin to fade as he's engulfed with swarms of crawling arachnids. MASTER MIND (CONT'D) How `bout now, Stenwick? ....Stenwick? INT. ABANDONED METRO CITY LIBRARY - OFFICE - DAY Master Mind is pacing back and forth. The muted TV plays in the background. MASTER MIND This has proven to be a challenge. I just don't know what I want. What do I want? 35. He stares at Einstein, Da Vinci and Plato, but they offer no advice. MASTER MIND (CONT'D) I want a man of moral fiber with a strong sense of right and wrong. Someone who doesn't seek power - instead, they must have it thrust upon them and find, within themselves, the courage to rise to the occasion. Einstein lets out a short laugh, getting everyone's attention. EINSTEIN Yeah, well, it sounds like what you want is Uberman. Master Mind snaps the fingers of his non-metal hand. MASTER MIND That's it! Why make a copy when the real thing will do? The lackeys look at each other, they can't believe what they're hearing. EINSTEIN I was just kidding, sir. In case you forgot, you actually burned Uberman alive. MASTER MIND Then we'll make a new one. Plato, bring me the box! MINUTES LATER Master Mind and the lackeys stand in a circle around a small table. Plato places a STAINLESS STEEL CHEST in the tables center. As Master Mind opens it, he's immediately doused in WHITE GLOW emanating from inside. MASTER MIND Behold - Uberessence. The very thing that gave Uberman his superhuman powers. 36. EINSTEIN Where the hell did you get that? MASTER MIND Oh, I shot him with a power sucking gun and had this idea to use this to clone a whole army of evil Ubermen. I'm not sure why I never got around to following up with that. PLATO I believe he defeated you before you could, master. MASTER MIND ...Right. Man, he was good! DA VINCI You want another volunteer, sir? MASTER MIND Not another volunteer driven by the need for personal gain. Somebody else, somebody pure. Master Mind turns to see an INTERVIEW WITH HAL playing on the muted television. Underneath his face is a blue caption with white lettering that reads: "Hal Stewart - Metro City's Newest Hero?" NEWS REPORTER ...who risked his own life to save that of a young mother and her child. HAL Please, please, you're embarrassing me. I saw someone in need and I helped them. What more can we ask of ourselves. I ask you, what more? A smile creeps across the evil one's face. MASTER MIND (CONT'D) Somebody like him! EXT. CITY STREET - DAY Plato is sitting in the van, staring into a pair of binoculars as he speaks on a cellphone. 37. PLATO Yeah, sir. This guy is a real piece of work. He used to teach bowling at Kingpin's. INT. MASTER MIND'S HIDEOUT - DAY Master Mind is sitting with his feet up on a computer console as he speaks to Plato. MASTER MIND (into phone) A modest profession to brilliantly hide his true heroic nature. I love it. EXT. CITY STREET - DAY PLATO Then you are absolutely going to love this - We follow Plato's line of sight across the street where we see HAL PLAYING WITH A LARGE GROUP OF BLIND CHILDREN. PLATO - He volunteers at a school for the blind. INT. MASTER MIND'S HIDEOUT - DAY Intrigued, he suddenly sits up in his chair. MASTER MIND He volunteers. He doesn't ask for any reward for his deeds. The fates are shining down on me. This Mr. Stewart is truly an unselfish soul. EXT. BLIND SCHOOL - DAY From a distance, Hal seems to be consoling an upset child who's sitting on a rock. But up close... HAL You greedy little bastard. I already gave you a twenty. BLIND KID Hey, you want me to play along? Then pay up, bitch! 38. HAL Fine, but you better be convincing. He gives the kid a bill out of his wallet and looks over his shoulder to see a HOT TEACHER walking toward them. HAL Here she comes, go to work. Like a miniature Brando, the blind kid buries his face in his hands and begins to cry. BLIND KID (weeping) Why can't I see! Why God? Hal puts a warm consoling hand on the weeping boy's shoulder. HAL Hey, Peter. C'mon champ, let me look at you. The Hot Teacher stops and curiously watches from a distance. The boy looks up at Hal, tears running down his dark sunglasses - he should get an Oscar. HAL You know, in life we're all given no more than we can bear. This happened to you maybe because you were meant to rise above it - Maybe to be an inspiration to the other little Peteys out there. BLIND KID You really think so, Hal? HAL Hey, does it LOOK like I'm lying? Now c'mon, go feel your way to class before you get your little butt suspended. The boy stands up and is about to take off. HAL Petey, wait a minute. Hal uses his shirt sleeve to wipe the tears away from the boy's face before sending him on his way. 39. The Hot Teacher grabs her chest. Her heart is about to absolutely melt. HAL Don't run into anything! EXT. STREET - CONTINUOUS Plato lowers his binoculars. From his perspective, Hal should be next in line for popehood. PLATO I think I've seen enough, sir. This is your guy. MASTER MIND (O.S.) (over radio) Then return to base. We have much work to do. Plato starts up the van and pulls away. INT. BAR - DAY It's a busy night. A couple of trucker types are shooting pool as the bartender slings drinks. Hal is nursing a beer at the bar when he suddenly notices a very ATTRACTIVE WOMAN sitting next to him. As he goes to straighten his stool-posture, Hal suddenly catches himself on the bar's TELEVISION - it's a story about how he saved the woman and her baby at the construction site. He turns back to the Attractive Woman next to him, then back to the TV. A plan of attack is forming. HAL (obviously playing it up for the woman's benefit) Oh, there it is again. This is really getting embarrassing now. The woman looks up at the screen and gives Hal a double-take. ATTRACTIVE WOMAN Oh my God! It's you! You're the man who saved that woman and her baby the other day! It is you, isn't it? TRUCKER #1, getting a drink at the bar next to them, OVERHEARS. 40. Hal rolls his eyes and puts his hands up in the air. HAL (to Attractive Woman) Oh, crap. You got me. TRUCKER#1 taps Hal on the shoulder. TRUCKER#1 Let me tell you something. That was just about the bravest damn thing I've ever witnessed. (he turns to the rest of the bar) Hey, everybody! This guy's the hero from TV! The bar ERUPTS IN CHEERS. MOMENTS LATER Hal is riding on the shoulders of TRUCKER#2 and TRUCKER#3 as `I'm Holding Out For A Hero' plays on the jukebox. TRUCKER#1 suddenly puts his hands in the air. The room quickly goes silent. TRUCKER#1 I want to give you something. He reaches into his pocket and takes out a medal. He holds it up in the air for everyone to see. TRUCKER#1 (CONT'D) Lost my whole platoon. They were a lot a good boys, a lot of good boys. That was just the way things were in "The Grenada." I'd rather a real hero have this. Trucker#1 gives the medal to a speechless Hal. ATTRACTIVE WOMAN Hey, you're on TV again. The crowd looks up at the Television. TELEVISION - CONTINUOUS The anchor man, BRAD HELMS (early 40's, amazing mustache), suddenly has a memo passed to him. 41. BRAD HELMS This just in. Upon a second look at that tape from this morning, which we'll now replay for you, it appears it was not the heroic act it first seemed to be. The tape shows Hal running in slow motion. BRAD HELMS (O.S.) (CONT'D) With the tape slowed down you can actually see the man push the woman and her child out of the way in an effort to save his own life. The tape shows Hal, in a clear act of self-preservation, pushing the woman and child out of the way. CUT BACK TO: INT. BAR - CONTINUOUS In unison, everyone turns their heads back to Hal. HAL I guess that looks kinda bad. Trucker#1 snatches his medal back. EXT. NEARBY ROOF - NIGHT Master Mind, Da Vinci and Plato look down, spotting Hal cutting through a dark alley. DA VINCI There he is, boss. Da Vinci hands Master Mind a fantastic looking silver rifle. MASTER MIND Now, we're sure this won't kill him? PLATO Yes, sir. He'll just feel a slight electrical shock. MASTER MIND Good. Master Mind raises the rifle and aims it at Hal. 42. EXT. ALLEY - NIGHT Hal wipes the blood from his nose with his shirtsleeve. A LIGHTENING BOLT suddenly zaps Hal in the back. His teeth spark and arc electrons as his entire body shakes and shudders violently. He finally collapses, knocking over a row of garbage cans. EXT. NEARBY ROOF - NIGHT An angry Master Mind slaps Plato. MASTER MIND Slight electrical shock? EXT. ALLEY - NIGHT Hal lies flat on his back, his jacket smoldering. Dazed, he slowly rises to his feet and looks up at the sky. HAL God, I hate the weather in this city. Hal walks off into the night as he attempts to slap the emitting smoke from his jacket. EXT. NEARBY ROOF - NIGHT Master Mind turns to Da Vinci. MASTER MIND Follow him. INT. HAL'S APARTMENT - NIGHT It's a dirty, small studio. Laundry lies everywhere, dishes are piled in the sink and the litter box looks like a minefield. Hal comes staggering in. Through his POV we see the lights wobble and streak like a hallucination. He shakes his head trying to clear thing up, but it looks worse. Hal makes his way to the kitchen table and plops down on a chair. The room begins to swim. His CAT jumps on the table and sits down in front of him. 43. From Hal's POV the cat's face looks like we're seeing it through a kaleidoscope. Hal seems fascinated by it. CAT You don't look so good, man. HAL I don't feel good. I was struck by freaking lightening. Suddenly Hal realizes his cat's talking to him. HAL (CONT'D) AAAAAAHHHHH! You can talk? CAT No, you're just hallucinating. By the way, we're out of orange juice. HAL AAAAAAHHHHH! Hal jumps up, trips over a cardboard box and knocks himself out on the coffee table. INT. HAL'S APARTMENT - MORNING Hal lies in the same position we left him last night. He sits up and grabs his head. He looks like he has the worst hangover in the world. Finally, he remembers last night. He looks around, but not really sure what he's looking for. HAL Man... Shaking his head, he walks to the kitchen and opens the refrigerator. He pulls out an orange juice container and puts it to his mouth. It's empty. As if suddenly remembering something he looks from the carton to the cat, who is busy cleaning himself. He shakes the thought from his mind. BATHROOM Hal lifts the seat and unbuckles his pants. 44. HAL'S FACE He stares at the ceiling with half closed eyes. The inevitable sound of urine hitting water starts. A content look washes over his face. There is a distinct sound of porcelain CRACKING and SPLINTERING. The sound intensifies. Hal looks down to see his URINE STREAM SMASHING THE TOILET. HAL (CONT'D) Oh, God! He whips his stream away only to cut a LONG RIP IN THE WALL. HAL (CONT'D) Oh, God! He freaks out and begins to lose control of his flow as it destroys everything he accidently aims at; the bathroom mirror, a bottle of cheap cologne, the bathroom window. HAL (CONT'D) Oh, God! He aims back for the toilet, which is pretty much rubble now, to see the floor give way. Finally, the pee stops and he glances down the hole. He sees his downstairs NEIGHBOR sitting at his breakfast table. He has a fork halfway to his mouth as he stares at the smashed toilet on his pancakes. EXT. STREET - DAY Hal turns the corner to see his bus pulling away from the stop. HAL Wait! He starts running after it. ZOOM - HE TAKES OFF LIKE LIGHTENING. HAL (CONT'D) Whoa, whoa, whoa! Unable to stop, he SLAMS INTO THE BACK OF THE BUS and falls back to the ground. 45. As the bus continues on he sees an INDENTATION of his torso right below the rear window. Stunned, to say the least, he rises to his feet. HAL (CONT'D) Something's not right here. He slaps himself in the face as hard as he can. HAL (CONT'D) Wake up! Wake up, Hal! HONK! Hal spins around to see a car barreling toward him. He goes to jump out of the way - ZOOM - he FLIES TWO STORIES UP, nails a building and comes crashing back down to the sidewalk. Hal sits up, disheveled and scared. HAL (CONT'D) Okay, okay. Let's get it together, man. He closes his eyes in an attempt to will back his sanity. HAL (CONT'D) This is just some sort of...episode. It will pass, it will pass. He opens his eyes and looks down the street. A BEAUTIFUL NAKED WOMAN is coming toward him. HAL (CONT'D) Well, not too fast I hope. As she passes him and turns the corner out of his view he catches ANOTHER NAKED WOMAN - an old disgusting one. HAL (CONT'D) Yes, fast, fast! He turns away from her in horror only to see AN ENTIRE BLOCK OF NAKED PEOPLE going about their business. He rubs his eyes and looks down the street again. Everyone has returned to a clothed state. 46. He relaxes a little until he looks down and notices that he's floating a foot off the ground. HAL (CONT'D) I think I need to go home. INT. HAL'S APARTMENT - DAY Hal's front door CREAKS as it slowly opens, revealing Master Mind. He walks over to the bathroom and smiles to himself as he notices the giant hole in the floor. MASTER MIND Welcome to your second birth, Hal Stewart. Master Mind continues to survey the room. He stops to look over a "KARATE KID" POSTER on Hal's living room wall. He focuses on the majestic image of Pat Morita teaching a young Ralph Macchio to kick. MASTER MIND (CONT'D) Instruction is very important in the formative years. Every hero needs a mentor, a father figure to look up to. He presses his special watch, causing his body to MORPH INTO THE SPITTING-IMAGE OF PAT MORITA. "PAT MORITA" Perfect. INT. HAL'S APARTMENT - DAY Hal enters, grabs a bottle of vodka from atop of the fridge and takes a long pull from it. VOICE (O.S.) A man will usually find that if he drinks from a bottle, eventually, the bottle drinks from him. Hal does a SPIT TAKE. In the corner a darkened figure stands. HAL Who are you!? 47. VOICE I am the guide on your journey. Fate has chosen you to be it's champion. Pat Morita steps out from the shadows. Hal passes out again. LATER We are close on Hal's face as his eyes flutter open. He appears to be lying on the couch. He hunches up on his elbows, looks around, but everything is as it seems. He lays his head back down. HAL Thank God. It was a dream. Man, I must be losing it. A voice sounds right next to his ear. "PAT MORITA" (O.S.) You know you're out of orange juice? Hal leaps up to find he's been resting his head on Pat's lap. HAL Jesus! This isn't happening, this isn't happening. Hal backs away and trips over a box. "PAT MORITA" Calm. All things must be filtered through calmness. HAL Bullshit! Sometimes it's best to freak out. "PAT MORITA" I think we must work on your attitude first. HAL Look I'm gonna call the cops in about two seconds if you don't get out of here. 48. Pat rises and walks to Hal. He's so calm it makes Hal calm. "PAT MORITA" Are you calm now? HAL Yeah, I'm okay. Pat slaps him across the face hard. "PAT MORITA" Good, because we've got a lot of work to do. Hal grabs his jaw. HAL What the hell was that for? "PAT MORITA" Rule number one: expect the unexpected. HAL Can you just tell me what this is all about? "PAT MORITA" The heavens are not in the habit of bestowing a gift such as this to just anyone. You are being rewarded for being a man of great moral fortitude with an unwavering belief in humanity. HAL That's me alright. "PAT MORITA" I am to train you so you may fulfill your destiny to defeat the great menace to Metro City: Master Mind. Pat gets up and walks toward the door. "PAT MORITA" (CONT'D) Come. HAL We're are we going? 49. "PAT MORITA" To train. EXT. PAT'S CAR - DAY Pat is sitting in the driver's seat. The car is bumping up and down. "PAT MORITA" Strength is just as much in the mind as it is the muscle. Remember, both need to be exercised. We PULL BACK to see Hal lifting the car up over his head. He's hardly straining. HAL I'M LIFTING A FREAKING CAR!!! Pat leans on the HORN. "PAT MORITA" Hey, Corky? You listening? Two highly attractive female joggers run by. They're clearly impressed with Hal's show of strength. He smiles and mouths a "hello." HAL Yeah, work both muscles. EXT. DESERT - DAY Pat cocks back the chamber of a .357 MAGNUM. He holds it up and carefully takes aim...at Hal's chest. "PAT MORITA" Trust me. HAL What are you doing!? "PAT MORITA" An invulnerability test. Something wrong? HAL Uh...yeah. I would prefer not to get shot. Do not fire that thing! Frustrated, Pat lowers the gun. 50. "PAT MORITA" You're bulletproof. HAL Okay, do you know that for sure? Pat quickly aims and fires. Hal lets out a high pitched scream as the bullet ricochets off his chest. "PAT MORITA" I do now. Hal looks down at his chest, not so much as a scratch. HAL You suck. EXT. SKY - DAY Hal is in the air flying in a sitting position. He's weaving back and forth. HAL Ice Man, I got a bogie on my tail. Two Russian Migs coming in hard and fast. "PAT MORITA" Hey! HAL What? Hal looks down to see Pat Morita yelling at him from the roof of a building down below. "PAT MORITA" What did I tell you? Stomach down, hands up. Hal sighs and assumes the proper superhero in-flight position. HAL God, I feel so gay. Pat's CELL PHONE begins to RING. He answers it. "PAT MORITA" (in Master Mind voice) What is it? 51. ROXANNE (V.O.) John? Pat panics. He looks up to make sure no one is in earshot. He sees Hal now doing somersaults in the air. HAL YEEEE HAWWWW! Pat turns his attention back to the phone, talking in his John Cusack voice. "PAT MORITA" (in Cusack voice) Yes, it's John Cusack. ROXANNE (V.O.) Hi, it's Roxanne. Listen, I...I really enjoyed talking with you the other day. "PAT MORITA" ...As did I. ROXANNE (V.O.) Great. God, I feel really silly, and if you have a lot going on I totally understand. But, I was wondering if you maybe wanted to have lunch. He can't believe what he's hearing. "PAT MORITA" (excited) I'd love to! He quickly recovers his composure. "PAT MORITA" (CONT'D) I mean, I AM a little hungry. ROXANNE (V.O.) Great. How does the park sound, around noon-ish? "PAT MORITA" Sure! ROXANNE (V.O.) Great, see you then. 52. Pat hangs up the phone and returns it to his pocket as Hal lands behind him. HAL WHOOOOA! Man, that is so cool. It's like fly - Oh my God, I almost said it was like flying. "PAT MORITA" For the rest of the day I want you to continue to practice your flying posture. HAL Why, where're ya going? "PAT MORITA" ...To do something...mysterious ...and Asian. HAL Say no more, bro. I'll just keep at it, then. EXT. PARK - DAY John Cusack and Roxanne eat WRAPPED SANDWICHES while walking through Metro City Park. ROXANNE How's your sandwich? "JOHN CUSACK" It's quite delicious. ROXANNE Hope you don't think I'm too forward. Some men are intimidated when a woman asks them out. I just find you really easy to talk to. "JOHN CUSACK" And I you. ROXANNE You know, you're not at all like you are in the movies. "JOHN CUSACK" I'm not? 53. ROXANNE Yeah. I don't know - You have this strange, refined way of speaking. "JOHN CUSACK" I do? That is most interesting. ROXANNE Anyway, when we were talking the other day I just felt, even though we only talked for a couple of hours, that we've known each other for years. "JOHN CUSACK" I know just what you mean. Roxanne bites into her sandwich. ROXANNE You know what? This sandwich is disgusting. She tosses it in a nearby garbage can. ROXANNE (CONT'D) Of course I already ate half of it. I wonder what that says about my character? "JOHN CUSACK" It means you don't give up on a sandwich. You see that it has potential, and you give it every chance to be all it can be. Roxanne smiles at his analogy. ROXANNE Thanks, but knowing me, I was probably projecting my expectations of what a lunch should be on the sandwich. It might have been okay at first, but I just made it bitter. John Cusack notices Roxanne's smile starting to fade. "JOHN CUSACK" Is that what happened with your last sandwich - I mean, boyfriend? 54. ROXANNE When I look back, I probably shouldn't of expected so much from him. He was already a giving person. You know, one of those go out and save the world types. "JOHN CUSACK" I've run into a few. ROXANNE I was selfish, I guess. I didn't want to share him with anybody else. "JOHN CUSACK" It sounds like he was a special man. ROXANNE They broke the mold. John Cusack arches his eyebrow in a very familiar manner. "JOHN CUSACK" Perhaps not. INT. ABANDONED WAREHOUSE - DAY Hal walks up to Pat Morita sporting a Lone Ranger-type mask and wearing a purple and red superhero costume. It's not unlike Uberman's except for a giant "T" on his chest. (From here on, Hal is referred to as TITAN) TITAN What's the "T" stand for? "PAT MORITA" Titan. TITAN What's that supposed to mean? "PAT MORITA" It's from Roman mythology. Zeus's father...oh, just go with it. You look perfect. TITAN I don't think this mask is big enough. Are you sure no one is gonna recognize me? 55. "PAT MORITA" It's fine, just don't slouch. It's all in the posture. He grabs Titan's shoulders like a proud papa. "PAT MORITA" (CONT'D) It is time. INT. BANK - DAY There is a long line of people snaked around the velvet ropes. They're all waiting for their chance at the one open teller window. Four men wearing BEATLES MASKS(JOHN,PAUL,GEORGE,AND RINGO)and CARRYING SHOTGUNS enter the bank. John fires a shot in the air, sending everyone into an immediate panic. JOHN Alright folks, this is a robbery. Nobody moves - yadda, yadda, yadda... Ringo jumps over the teller wall and starts stuffing bills into a bag. As John and Paul cover the crowd, George goes to the corner office and puts a gun to the BANK MANAGER'S head. GEORGE The safe. Let's go. BANK MANAGER Okay, just don't hurt anyone. GEORGE Yeah, yeah, yeah. George leads him out by the collar. CRASH - Titan smashes through the window and lands in a bold superhero stance with hands on hips. TITAN Well, boys, there's no need for all this just to get the free toaster. Paul cocks his gun. 56. PAUL What are you suppose to be? We move in for a nice dramatic close up. TITAN Justice. GEORGE Well, justice, suck on this... George, John and Paul open fire on Titan. He just stands there and yawns as the bullets bounce off him. With their guns empty the three just stare at him in amazement. TITAN Now it's my turn. He turns to George. TITAN (CONT'D) Hey, George, here comes the sun. Titan grabs George and throws him into a fluorescent light fixture in the ceiling. Paul tries to run for the door. Titan snatches the collar of his jacket. TITAN (CONT'D) Say, Paul, your mother should know...that you're a scumbag. He tosses Paul out the window and into a parked DELIVERY TRUCK. Titan turns around just as John hits him with the butt of his shotgun. It instantly breaks apart in his hands. Titan lifts him like a rag doll up into the air. TITAN (CONT'D) John, all you need is love... He throws John who lands on top of a cubical wall - GROIN FIRST. TITAN (CONT'D) ...and a good urologist. 57. Titan effortlessly hops over the teller wall to find Ringo cowering on the floor. He grabs him by the shirt and lifts him up. HAL Well, Ringo...um...um...you're under arrest. EXT. BANK - DAY Titan walks out of the bank with Ringo and George under his arm. He's suddenly swarmed by a group of television reporters, including Roxanne. Across the street is Pat Morita. He watches Titan's first news conference with great anxiety. BANK MANAGER (to Hal) On behalf of the First National Bank of Metro City, I'd like to offer you a reward for your act of bravery. He hands Titan a check. TITAN (reading) Ten thousand dollars! Titan looks over to Pat, who violently shakes his head no. TITAN (CONT'D) (unenthusiastically) I...can't except this. Law and order is it's own...um...reward. Pat gives him the thumbs up. Pat turns, suddenly seeing Roxanne with her camera crew. Captivated, his eyes lock on her. Meanwhile, Roxanne and her cameraman, SETH, are maneuvering around the crowd to get closer to Titan. BRAD HELMS (O.S.) Not so fast, Roxanne. They both turn to see Roxanne's reporter rival Brad Helms, Geraldo without the class, and his cameraman, FRANK. BRAD HELMS This story's mine. 58. ROXANNE Listen, Brad. We were just in the area. I was just trying to - BRAD HELMS I've been in this business long enough to know pretty well what you were "just trying to do." Besides, I heard you couldn't take the big game anymore and were put on fluff detail? Dejected, Roxanne turns and motions for Seth to turn the camera off. SETH You're not gonna take that from him, are you? ROXANNE He's right. Old habit, I guess. (to Brad) We'll get out of your way. As they walk off, Brad makes a comment to Frank loud enough for her to hear. BRAD HELMS Besides, I'm sure there's a pancake supper somewhere that needs covering. INT. ABANDONED METRO CITY LIBRARY - OFFICE - DAY ON TELEVISION We see the news conference on the bank's steps. In the corner of the screen is written: "recorded earlier." BRAD HELMS For months now, since the death of Uberman, the citizens of Metro City have been holding out for a hero. Well, it appears they won't have to hold out for much longer as a new costumed crusader has suddenly stormed onto the scene. Today, at the Metro Savings and Trust, a masked mystery man single-handedly defeated "The Fab Four Gang." Just who is this new caped avenger? Brad holds the microphone to Titan's face. 59. BRAD HELMS I'm sure all of our viewers are now wondering, what's the "T" stand for? TITAN It's a message to all the scum out there. Uberman may be gone, but Metro City has a new protector, and his name is "Tighten!" Another reporter leans in. REPORTER How do you spell that? We PULL BACK to see Plato and Da Vinci watching this spectacle. Master Mind is sitting with them, reading a NEWSPAPER. MASTER MIND (reading paper) Oh, for heaven's sake. I can't believe it. He misspelled his name. Master Mind holds up the newspaper. The headline reads "Metro's New Hero: Tighten." MASTER MIND (CONT'D) No matter, I suppose. Master Mind throws the paper on the floor and begins to pace around the room with his arms folded behind his back. MASTER MIND (CONT'D) We've now fully established Titan as Metro City's hero. They will love him just as they loved Uberman. Everything is going according to plan. Einstein leans over and whispers in Plato's ear. EINSTEIN (whispering) Yeah, if the plan is getting us in jail. Master Mind turns around, facing Einstein. He walks over, standing face to face with the rebellious henchmen. 60. MASTER MIND You know, Einstein, maybe I should have called you Socrates. He also didn't know when to keep his thoughts to himself. EINSTEIN I just fail to see the point in all of this. I mean, why are we creating another superhero when it was such a pain in the ass for you to get rid of the other one? I mean, Uberman is destroyed, we should be using this opportunity to...to... MASTER MIND To what? EINSTEIN I don't know. To take over the weather, space, the world - whatever super villains are SUPPOSED to do. MASTER MIND The reason someone like you will always be a minion is because you have no foresight. We take over the earth, like you said. Then what? Women? Cars? Money? Even the grandest treasures will lose their lustre if you don't have someone to hold them over. Einstein throws up his hands. He's had enough. He pulls off his wig and throws it to the floor. EINSTEIN That's it! This balance of the force bullshit is getting way too Oprah for me. I'm blowing. Who's with me? MASTER MIND You dare? EINSTEIN Yeah, I dare. I'm sick of wearing stupid costumes, and I'm sick of working for a super villain who's turning into a softie. 61. Plato and Da Vinci's mouths drop to the floor. They turn to Master Mind for his rebuttal. MASTER MIND What - did - you - call me? EINSTEIN You heard me. You used to be an inhuman monster, now look at you. You're creating super heroes, you don't go with us on robberies anymore, it's been days since you threatened anyone, oh, and not to mention this Roxanne Ritchi thing. MASTER MIND THAT is none of your business, knave! EINSTEIN Hey, you guys haven't sealed the deal yet, have you? MASTER MIND Silence! EINSTEIN (In a woman's voice) Oh, Master, your head is so big. MASTER MIND I'm warning you, Einstein. EINSTEIN (In a woman's voice) Take me! MASTER MIND I said silence! With his metal gauntlet Master Mind grabs Einstein by the throat and lifts him into the air. Einstein looks frightened as he tries to pry himself free of Master Mind's grip. Master Mind's eyes soften as if his heart is suddenly not into what he's about to do. He let's Einstein drop to the floor. MASTER MIND (CONT'D) Get out of my sight. 62. EXT. RESTAURANT - NIGHT Roxanne and John Cusack are eating on the outside patio of a fancy restaurant. ROXANNE Don't get me wrong, I love being a reporter. I don't think I could do anything else. It's the consequences of what we do that I'm having a problem with. He listens intently as he refills her glass with wine. "JOHN CUSACK" That's where journalistic responsibility comes in, no? ROXANNE It's supposed to. "JOHN CUSACK" Sounds to me like you're running from something. ROXANNE I got someone I cared about killed. If it wasn't for me, he wouldn't have been involved. John suddenly gets a disturbed look in his eye, realizing what she's talking about. He reaches across the table and takes her hand. "JOHN CUSACK" You can't blame yourself. My father used to say each of us must answer the great call to truly feel alive. ROXANNE Was he an actor? "JOHN CUSACK" ...No. He was...a landscaper. And a horrible one. I mean he would fail time and time again at his...landscaping. And sometimes he'd get pretty beaten up or thrown in jail - ROXANNE Jail? 63. "JOHN CUSACK" My point is he took the good with the bad. He grew a little each time. Improved, learned. ROXANNE Was he ever successful? "JOHN CUSACK" God, no...but don't let deter you. Roxanne LAUGHS. ROXANNE Thanks for this. You know, this is embarrassing, but it's been a long time since I - It's starting to lightly sprinkle. Roxanne looks up. ROXANNE (CONT'D) I think it's starting to rain. We might want to find a table inside. "JOHN CUSACK" What were you gonna say? ROXANNE Oh, I was gonna say...It's been a long time since...well, I've been with someone I...enjoy being with. John Cusack smiles warmly and raises his glass for a toast. "JOHN CUSACK" To people who enjoy being with each other. They go to clang glasses, when the rain suddenly causes John Cusack's disguise generator to short. His true form of Master Mind is briefly revealed to Roxanne as a BOLT OF ELECTRICITY encircles his body. Roxanne drops her glass and jumps out of her seat. MASTER MIND (CONT'D) Oh, no. Don't look at me. LIKE A BROKEN TV the image keeps switching between MASTER MIND AND JOHN CUSACK. 64. As Master Mind starts to franticly slap at his watch, the Cusack disguise begins to hold steady. He nonchalantly returns to cutting his steak. "JOHN CUSACK" Okay, never mind that. Now, where were we? Roxanne grabs his glass and throws the drink in his face, causing the generator to short out permanently. Master Mind now sits in his true blue form. ROXANNE Oh my God. MASTER MIND You're not gonna get all freaky about this, are you? ROXANNE This...this is too much, even for you. God, I go out with you, tell you my innermost thoughts. MASTER MIND I only did this because I wanted to talk to you on the same level. You know, without all the baggage? ROXANNE Baggage? You burned my boyfriend alive, you sick son-of-a-bitch! MASTER MIND You see, that's exactly what I'm talking about. Roxanne starts to walk away. MASTER MIND (CONT'D) Roxanne! ROXANNE Stay away from me. Master Mind sinks back down to his chair. Despite the now heavy rain bombarding him, he returns to his food. Several resturaunt patron's are looking at him through the window. 65. Our villain turns to them, giving them a villainous glare. MASTER MIND What? INT. MASTER MIND'S BEDROOM - NIGHT Master Mind is lying on his back, wide awake. MASTER MIND (mumbling to himself) Stupid. What was I thinking? Plato, it's his fault. He's the one who sent me on this weak-willed path. I'll filet his scrotum for this. Me, a creature of evil, in love with Roxanne Ritchi. Preposterous. I hardly give such matters thought He rolls onto his side. He yawns and closes his eyes. Suddenly, they shoot back open. CUT TO: EXT. ROXANNE'S APARTMENT - NIGHT Master Mind pulls up in a blue Rolls Royce, across the street from Roxanne's apartment He stares up at the building, hoping to catch a glimpse of her. Finally, she appears, primping her hair in her apartment window's reflection. MASTER MIND I should just go up there and just lay it all out to her. "Roxanne, I like you - I always have. Oh, and I'm sorry I blew up your ex. (realizing the absurdity of his words) Yeah, that would go over like a pants-less clown at a child's birthday party. What the hell am I even doing here? Who cares what she thinks? I'm a supervillain and here I am acting like a love struck schoolboy. Forget this. I control my own destiny! 66. He turns the ignition key - NOTHING HAPPENS. He repeats but gets the same results. MASTER MIND (CONT'D) (disgusted) Perfect. INT. ROXANNE'S APARTMENT - NIGHT She pulls a pack of smokes off her night stand. Empty. ROXANNE Damn. She grabs her long coat and throws it over her robe. EXT. ROXANNE'S APARTMENT BUILDING Roxanne steps outside. ROXANNE Please be open. Across the street is a liquor store. The light is still on. ROXANNE (CONT'D) Thank God. She walks across the street, passing in front of Master Mind's car. Spotting her, he sinks down in his seat. Roxanne walks by, totally unaware of his presence. Relieved, Master Mind sits back up and watches her go into the store. INT. LIQUOR STORE - NIGHT Roxanne walks up to an elderly Korean SHOPKEEPER at the counter. ROXANNE A pack of Lady Strikes, please. EXT. MASTER MIND'S CAR - NIGHT Master Mind is talking on his cell phone. MASTER MIND Hello, Triple A? 67. He suddenly spots something across the street. EXT. LIQUOR STORE - NIGHT A HOODLUM walks up to the entrance of the store and pulls out a gun from under his coat. EXT. MASTER MIND'S CAR - NIGHT Master Mind stares in shock. MASTER MIND I'll call you back. He hangs up the phone and watches the Hoodlum go inside the store. INT. LIQUOR STORE - NIGHT The Hoodlum reaches across the counter and grabs a fist full of cash from the register. SHOPKEEPER Hey! SHOTGUN HOODLUM Shut up, Gramps. He turns to Roxanne, spotting a GOLD NECKLACE around her neck. SHOTGUN HOODLUM (CONT'D) Gimme that necklace! ROXANNE I don't think so. The Hoodlum cocks his shotgun. SHOTGUN HOODLUM I said give it to me! MASTER MIND (O.S.) The lady said no. The hoodlum turns around to see Master Mind in the doorway holding a STRANGE-LOOKING HAND CANNON (GOO GUN) with knobs and blinking lights. The hoodlum starts to laugh. 68. SHOTGUN HOODLUM What the hell's that? A super soaker? MASTER MIND No, it's a goo gun. The hoodlum turns his gun to Master Mind. SHOTGUN HOODLUM Yeah, what's it do? MASTER MIND It goos. Master Mind fires the cannon. It instantly covers the store in a cloud of SMOKE. The smoke clears to reveal the hoodlum STUCK TO THE WALL, covered in a thick, GREEN GUNK. Roxanne stares at him, dumbfounded. MASTER MIND (CONT'D) It's...a prototype. Master Mind starts to walk out when he's suddenly confronted by the shopkeeper. SHOPKEEPER I know you! You Master Brain guy. You a hero. Master Mind points the goo gun at him. MASTER MIND Don't - EVER - say that again. EXT. LIQUOR STORE - NIGHT Master Mind walks out with the cannon resting on his shoulder like he's a short timer in Da Nang. Roxanne follows shortly behind him. ROXANNE Hey! Master Mind turns around. ROXANNE (CONT'D) Are you following me or something? 69. MASTER MIND Don't flatter yourself. He turns away and continues walking. Roxanne runs in front of him blocking his way. ROXANNE Don't walk away from me when I'm talking to you. Finally it occurs to her what's going on. ROXANNE (CONT'D) What a minute...all that stuff you use to say to me when Uberman was alive - about me being the loyal queen by your side as you rule over Metro City. That wasn't just super villain rhetoric, was it? You actually meant it! MASTER MIND My, someone has a rather high opinion of themselves. They stare at each other in silence, their glares locked in conflict. ROXANNE (coldly) Do you really think I would be with someone like you? This stings Master Mind to the bone. And after a brief contemplation, he reaches the only logical, painful conclusion. MASTER MIND No. With that, Master Mind exits into the night, leaving Roxanne with a baffled expression on her face. INT. ABANDONED METRO CITY LIBRARY - NIGHT Master Mind enters in a huff. Da Vinci closes the door behind him as Plato notices his master's agitated state. PLATO Everything alright, sir? Master Mind GRABS PLATO BY THE GROIN with his metal gauntlet causing Plato's eyes to bulge in pain. 70. MASTER MIND (overly calm) Fine, why do you ask? PLATO You...just...seem... Master Mind tightens his grip. MASTER MIND Go on. PLATO ...distracted. Master Mind releases him. MASTER MIND Just with business, my minion. Just with business. I've decided it is time. PLATO You mean? MASTER MIND Yes, we've created our hero, now it's time to give him a little motivation. DA VINCI How do we do that? MASTER MIND To be simply good is not enough. A hero must be driven by an almost relentless desire to right a wrong that can never be corrected. PLATO You mean? MASTER MIND Yes, he must lose someone near and dear to him - his father figure. Gentlemen, it's time for Operation Mentor Kill! EXT. SKY OVER METRO CITY - DAY Titan flies high over and through the city, under bridges, between buildings, etc. He's not really working, just enjoying himself. 71. INT. WOMAN'S APARTMENT - NIGHT A PRETTY WOMAN sits at her makeup table wearing nothing but her bra and panties. Through the reflection in her mirror we see a large window directly behind her. As she applies lipstick we see Titan fly quickly by in the background. After a moment he slowly slides back in view and begins ogling the girl. She sees him in the mirror and quickly covers herself with a robe. Titan tries to hide his face as he zooms off. MOMENTS LATER Titan looks down to see an APARTMENT BUILDING IN RUIN. Emergency lights flash around it as swarms of people run around in chaos. TITAN Man, what the hell happened down there? Wait a sec - He stops in mid-air as he comes to the striking realization. TITAN (CONT'D) THAT'S MY APARTMENT!!! EXT. HAL'S APARTMENT BUILDING - DAY Titan lands in front of the rubble that was once his home. Reporters stand just beyond the police line. TITAN Crap. From the wreckage crawls a dying Pat Morita. TITAN (CONT'D) PAT! Titan goes and kneels beside Pat, holding him in his arms. TITAN (CONT'D) You okay? "PAT MORITA" I'm dying, kid. There is just one last lesson I have for you. It is the most important of all. 72. TITAN What's that? "PAT MORITA" Master Mind did this, you must avenge me. TITAN Master Mind? Why? "PAT MORITA" Because he's evil. You must stop the evil Hal - stop the... Pat's body goes limp. The cameras begin to pop and flash around them. Titan gently lays Pat's body down and stands respectfully over him. The reporters rush over. REPORTER 1 Tighten, Is this the work of Master Mind? REPORTER 2 How will the death of your mentor affect your resolve? REPORTER 3 Was that Pat Morita? Titan walks up to one of the cameras. TITAN This injustice will not go unpunished. Master Mind, if you can hear me, Tighten is coming for you. In the background we see Plato and Da Vinci, DRESSED AS PARAMEDICS, load pat's body onto a stretcher. PLATO ACCIDENTALLY DROPS HIS SIDE. As he bends down to pick it back up, Pat quickly slaps him, then goes back to playing dead. INT. ABANDONED METRO CITY LIBRARY - NIGHT Master Mind and the boys prepare the fortress for Hal's revenge attack. Master Mind is as giddy as a schoolboy. 73. MASTER MIND Alright, people, we don't have much time. Titan should be here any minute, so let's get the lead out. There is a GIANT MOUNTED DEATH RAY in the middle of the hall being tinkered with by Da Vinci. MASTER MIND (CONT'D) How's the death ray coming? DA VINCI Nearly up to full power, sir. MASTER MIND Hum. Let's turn it down a few notches. It's his first time and we don't want to get in a lucky shot, now do we? Plato enters the room. MASTER MIND (CONT'D) Anything on the radar yet? PLATO Not yet, sir. MASTER MIND I see. Well, he must be planning something big. Are the flame androids deployed? PLATO All twelve. Master Mind rubs his hands in anticipation as he sits down on his throne. MASTER MIND Wonderful, wonderful. Plato, Da Vinci, take your places next to me. They move to either side of the chair. MASTER MIND (CONT'D) No slouching. Da Vinci straightens up and sucks in his gut. They remain this way for several long moments. Master Mind occasionally glances at a DIGITAL CLOCK on the wall. Still no Titan. 74. LATER Apparently quite some time has passed. The bold stances have degraded to fatigue. PLATO He's certainly taking his time. MASTER MIND He'll be here. That's the way it works. STILL LATER Master Mind reclines in his chair and taps his metal gauntlet impatiently on the armrest. Plato has squatted down, resting his chin on his hand. MASTER MIND (CONT'D) Unprofessional, that's what this is. No, it's disrespect for the craft. Master Mind rises and begins to pace back and forth. MASTER MIND (CONT'D) Would Uberman have kept us waiting like this? Of course not. He was a pro who knew the score. It's time we spelled out a few things for this Titan. I will not be made a fool of. He storms out of the room. INT. HAL'S NEW APARTMENT - DAY Titan's sitting on the floor in a barren apartment wearing his costume top and some tighty whities. He sips his beer as he watches a basketball game on a tiny TV. Much to his annoyance, there's a KNOCK at the door. TITAN Oh, for crying out loud. He gets up and opens the door. It's Master Mind. MASTER MIND Do you know who I am? 75. It takes a few moments to register, but Titan's suddenly excited. TITAN Yeah, you're Master Mind. Yeah! You're actually the guy I want to see! MASTER MIND Oh, so NOW you want to get down to it. Well, I want to get a few things off my chest first. Master Mind walks past Titan into the apartment. He spins around, pointing at him accusingly with one of his metal fingers. MASTER MIND (CONT'D) Of all the inconsiderate - Do you have any idea how long we waited for you? We're you even planning on coming to me and getting revenge? Titan shuts the apartment door, and turns back toward his guest. TITAN Well, at first I was going to. You know, because that's what I figured I was supposed to do. But then I got to thinking- MASTER MIND (interrupting) -You got to thinking? There's nothing to think about. I'm the villain. I do something bad, you come and get me. TITAN - I got to thinking...what's the point? Master Mind throws up his hands. MASTER MIND Maybe you're right. What's the point? He suddenly notices something in the corner of his eye. He walks over to a futon in the living room. On top of it is a LARGE SACK OVERFLOWING WITH GOLD WATCHES,RINGS AND OTHER VALUABLES. 76. MASTER MIND (CONT'D) What are these? TITAN That's what I wanted to talk to you about. MASTER MIND (baffled) Where did you get all this? TITAN (proudly) Get this: I stole them. MASTER MIND From where? TITAN From all over. You see, once you killed Pat and ruined my other apartment building I was pretty pissed off, so I figured I'd go, find you and kick some ass. Then I thought to myself: "Okay,then what?" I mean, if we were to fight, what would I get out of it? Would I get my apartment back? Would I be able to pay the bills? MASTER MIND Well, what about your mentor? TITAN Tell you the truth? He was kind of a dick. I mean, being a hero is dandy and all, but it's volunteer work. Now you've always had the right take on all this. I mean, when you rob a bank or take over the diamond exchange you get something out of it. I mean, when you don't get caught, which, no offense, isn't very often. And that brings me to what I wanted to propose to you: Who could catch you if I'm by your side? Perplexed by his proposal, Master Mind just stares at Titan awe-struck. MASTER MIND You want to team-up? 77. TITAN You got the brains, I got the brawn. We could even call ourselves that: `Brain' and `Brawn'. Look at this. Titan picks up a piece of POSTER BOARD off the floor and shows it to Master Mind. TITAN (CONT'D) I even designed us some new costumes. The picture is crudely drawn with magic markers and crayons. A big headed man (Master Mind) is standing on a plate of grass in a blue costume with a picture of a brain on his chest. Next to him, is a picture of Titan in a red costume with a black cape, but his chest is mysteriously blank. Titan proudly points to the two figures. TITAN (CONT'D) See, you'd be brain, so you got a little one on your costume, and then I'll have brawn on mine...once I figure out the best, you know, visual interpretation of it. What do you think? MASTER MIND What do I think? Master Mind shakes his head tiredly. MASTER MIND (CONT'D) I think you're probably the biggest idiot I've ever met. I mean, I can't believe you. All your gifts, all your powers, and all you want to use them for is your own financial fulfillment. You know what? Your kind of people make me sick. Titan puts down his drawing. TITAN I worked hard on this. MASTER MIND Oh - gee - I am so sorry! 78. Master Mind looks to Heaven in disgust. MASTER MIND (CONT'D) (under his breath) Of all the people to pick, it had to be this loser. This strikes a cord with Titan. TITAN Now, hold on. You're going a little too far. MASTER MIND I wish your mother said that to your father the night of your conception, they would have saved me a whole lot of heartache. TITAN Hey, I mean it. Master Mind gets right in his face. MASTER MIND Oh, yeah? What are you gonna do? EXT. HAL'S APARTMENT BUILDING - DAY We see Master Mind's body CRASH through the building and land in a DUMPSTER across the street. A car pulls up. The driver's door opens. Da Vinci gets out and runs to help his master. DA VINCI Master! MASTER MIND (O.S.) It hurts. Da Vinci peeks into the dumpster to see Master Mind's body cushioned by a stack of trash bags. DA VINCI What hurts? MASTER MIND It! The overly large henchmen starts to pull his master from the dumpster when they suddenly hear a voice from above. It's Titan peeking through the hole in his apartment wall. 79. TITAN I don't need you, I don't need anybody. I have the power to do and take anything I want. And now, I'm gonna take back everything this city owes me. Beware Metro City, it's time for Titan to collect. Titan shoots up into the air. TITAN (CONT'D) Oh, and from now on - I'M GONNA FLY THE WAY I WANT TO FLY! He takes a sitting position and flies away as if he were piloting an invisible jet. Master Mind climbs out of the dumpster and watches Titan disappear into the distance. DA VINCI How'd the plan go, boss? MASTER MIND I just made myself redundant, old friend. Da Vinci gives Master Mind a whiff. DA VINCI It's not that bad. INT. BANK - DAY Titan, with a happy bounce in his step, enters the bank. The last time he was here he thwarted a robbery. He looks nostalgic. A SECURITY GUARD shyly walks up to him like a kid meeting his TV idol. SECURITY GUARD Morning, Tighten. TITAN Morning. SECURITY GUARD Is there something we can do for you? 80. TITAN Oh, don't bother about me. I'm just here to make a withdrawal. Titan walks across the lobby, drawing stares of admiration from all. A little girl waves to him sweetly. He gives her a good- natured WINK as he heads straight for the vault. The security guard watches him enter and come out with a SACK OF CASH. Sure he must be misunderstanding what's going on, the security guard just stares at Titan as he passes by and out the door. The bank manager comes over to the guard. BANK MANAGER Say, did he just rob us? SECURITY GUARD Not sure. Sort of looks it, don't it? BANK MANAGER Yeah. SECURITY GUARD Should I, you know, stop him? BANK MANAGER Umm...Yeah. As the security guard exits the bank, the manager stares out the window. His eyes suddenly grow wide with terror. The guard's body suddenly smashes through the window, landing at the startled bank manager's feet. BANK MANAGER (CONT'D) (looking down at the guard) He did rob us, didn't he? CUT TO: TELEVISION "A Channel 7 News Special Report." Brad Helms wipes into view. 81. BRAD HELMS "Absolute power corrupts absolutely." When Lord Acton stated that, in a letter to Bishop Mandell Creighton in 1887, no one thought much about it, but today Metro City is reeling from that very prophecy. Tighten, who many thought of as our savior, has turned his back on the cause of justice. CUT TO: TITAN BEING EVIL - MONTAGE EXT. DIAMOND EXCHANGE - DAY Titan flies through the window of the building. He emerges seconds later laughing with his shirt full of booty. EXT. CITY STREET - DAY A woman screams from the window of a BURNING BUILDING. Titan flies up to her, grabs her fur coat and zooms off again, leaving the woman behind, slightly confused. EXT. OUTSIDE MARKET - DAY Titan steals a little boy's lollipop and gooses his mother. EXT. CITY STREET - DAY Dozens of people run through the streets apparently to get out of a downpour. We cut to the top of a building and see Titan ZIPPING UP HIS PANTS and laughing. INT. ABANDONED METRO CITY LIBRARY - NIGHT Master Mind paces back and forth in front of Plato and Da Vinci. PLATO I don't understand it. He seemed to have every characteristic we were looking for in a superhero. MASTER MIND Well, there's no use crying about it now, we must take action. I'm not going to play second fiddle to that crass buffoon. We must destroy Tighten. 82. PLATO It won't be easy. Uberman had a sense of decency and genuine love for the people. That was his weakness and was easily used against him. MASTER MIND Yes, but he possesses the same flaws present in Uberman's DNA - copper. It's like Benjamin Franklin always said: "If something works don't dick with it." EXT. BAR - DAY It looks like a war zone passed through here. Smashed police cars and debris lay everywhere. This seems to be the only building left untouched. INT. BAR - DAY A very tipsy Titan is sitting at the bar, looking deep into the bottom of his beer glass for answers. TITAN I can have anything I want. I'm like a god. The BARTENDER just listens as he wipes down a glass with a dirty rag. TITAN Point to any woman in this bar. I could have her in a second. He follows the bartender's gaze to THE ONLY OTHER PERSON THERE - A passed out, MIDDLE AGED HAG OF A BARFLY. TITAN (to Old Barfly) Hey, you wanna get with this? BARTENDER Buddy, what do you want? Titan carefully considers this for a moment. TITAN What do you want? That's the question, isn't it. I mean, what do you want when you can have everything? (MORE) 83. TITAN(cont'd) I suppose what I really want is to never be forgotten again. I want to do something that can never be cast aside or one-upped. I want a - what's it called? - A legacy. I want a legacy. Yeah, that's it. I like the sound that. BARTENDER I meant, what do you want to drink? TITAN Oh. EXT. BAR - LATER Titan stumbles out of the bar, carrying a large sack of money. MASTER MIND (O.S.) Your time has come to an end, Titan! He looks up to see Master Mind suddenly standing before him. TITAN What? MASTER MIND There can be only one master criminal in this city - and it's me. TITAN Really? Titan melodramatically throws up his arms. TITAN (CONT'D) I guess I should leave town then, huh? MASTER MIND I have a better idea - NOW! Two floors up Da Vinci releases a rope. A COPPER CAGE, like the one that caged Uberman, drops down on top of Titan. Titan nonchalantly surveys the cage. He walks to the bars, tries to pull them apart but can't. MASTER MIND (CONT'D) That's copper my good man. Your one weakness. (MORE) 84. MASTER MIND(cont'd) For all your amazing gifts of brawn you are no match for my intellect. Titan thinks for a moment. Suddenly, he starts to SPIN like a human top, DRILLING HIMSELF INTO THE STREET BELOW. As he disappears beneath the surface, we see a shocked look on Master Mind's face until Titan suddenly explodes out from under the street in front of him. Master Mind stares up at him, dumbfounded. Titan makes like he's going to strike him down, but stops. TITAN You know what? You're nothing but a bug. Not even worth my effort. He turns his back to Master Mind and continues down the street. Plato makes his way from the shadows to join his master. They watch Titan shrink into the distance. MASTER MIND He's not as dumb as I thought. PLATO I guess not...Funny, though. MASTER MIND What's funny? PLATO Funny Uberman didn't think of the same thing. EXT. HIGH ABOVE METRO CITY - DAY As Titan flies, he looks down at the rooftops of the city below. Suddenly, something catches his attention. HAL That's it! He stops, hovering in place as he looks down below. The buildings, which make up the heart of downtown Metro, are in a PERFECT TRIANGLE with a long strip of street leading up to it. It sorta looks like a bowling lane. 85. HAL Hello, Legacy. EXT. KINGPIN BOWLING - DAY Vinnie and his goons come running out as the hear a COMMOTION. They look up to see Titan ripping off THE GIANT BOWLING BALL from the top of the establishment. VINNIE Hey, that's my ball! INT. ROXANNE'S APARTMENT BUILDING - DAY Roxanne enters the building's elevator. Just before the door closes an ELDERLY WOMAN slides in. ELDERLY WOMAN That was a close one. Sixth floor, please. Roxanne smiles and goes to press the button. The elderly woman suddenly pulls out a SPRAY CAN, shooting a MYSTERIOUS-LOOKING MIST into Roxanne's face. She falls to the floor unconscious. INT. ROXANNE'S APARTMENT - DAY Roxanne awakens, finding herself tied to a chair in her living room. We hear NOISE from a TV in the background as she tries to adjust her vision. Slowly, the blurry figure before her becomes clear. It's Master Mind. He sits on her Lazy-Boy, reading what looks to be some kind of JOURNAL. MASTER MIND Wow, I always thought Uberman was your first superhero - but it looks like our little Roxanne dated a linebacker in college. ROXANNE That's my diary. MASTER MIND So it is. 86. ROXANNE It's personal. MASTER MIND Well, then I wouldn't leave it in your underwear drawer for just anyone to find. He throws the diary over his shoulder. ROXANNE What do you want? MASTER MIND I need your help. ROXANNE So you knock me out and tie me to a chair? MASTER MIND You're not going to like what I'm about to tell you. As she tries to shake off her headache from being knocked unconscious, Roxanne spots something on the TV. ON TELEVISION Brad Helms is huddled behind a van. BRAD HELMS It's chaos here in city square as city police - Behind him, Titan picks up a POLICE CAR and throws it at a PADDY WAGON. Both vehicles EXPLODE on impact. BACK TO SCENE ROXANNE He's really out of control. MASTER MIND Tell me about it. As if finally realizing something, Roxanne looks back at Master Mind. ROXANNE I should have known. You have something to do with this, don't you? - With Titan turning evil. 87. MASTER MIND Well, the evil thing he did by himself. My goal was to give MYSELF purpose by creating an intellectual sparring partner. ROXANNE (confused) You're talking like you made him. MASTER MIND And they call me Master Mind. ROXANNE Let me get this straight. You missed getting your ass kicked, so you made a new guy to kick your ass. That's pathetic. MASTER MIND In hindsight... Roxanne turns back to the TV to see a group of POLICE OFFICERS open fire on Titan. The bullets just deflect off his chest. ROXANNE And his powers, they're just like Uberman's. Why would he have his powers? MASTER MIND (almost ashamed) I had some left over from something. I infused him with it. ROXANNE YOU DID WHAT!? Driven by rage, she struggles to tear out of her bonds. She finally relents, giving Master Mind a look fueled by pure hatred. MASTER MIND Yeah, that's why I decided to tie you up. ROXANNE You did all this because you wanted purpose? MASTER MIND He seemed nice. 88. TELEVISION Titan is standing on top of a destroyed police car. He waves for the camera to zoom in on him. TITAN Closer. I want to show the people my real face. He pulls off his mask, revealing himself as Hal Stewart to the public for the first time. TITAN (CONT'D) Recognize me? BACK TO SCENE ROXANNE Hal Stewart. He's the guy we thought saved that woman and kid. Turned out he was just trying to save his own ass. MASTER MIND Yeah, good to know - NOW! TELEVISION Titan throws the mask over this shoulder and hops off the car. TITAN That's right, I'm really Hal Stewart. Former hero and bowling teacher at Kingpin's Bowling. BACK TO SCENE Roxanne turns to Master Mind, condescending him with her eyes. ROXANNE You picked a bowler to give super powers to? MASTER MIND It's a modest profession! TELEVISION 89. TITAN With my new found power, I've recently started to wonder what sort of legacy I should leave. Should I be a hero? I tried that once before - even saved a lady and her baby from being squashed. I was treated like a god until everyone started to shit on me - Okay, so what if I didn't "purposely" save them! He walks over and puts his hand on a large circular concrete shape just off camera. TITAN Well, I'm going to make something that can't be taken away from me. I'm going to create a permanent monument to my greatness. One that won't be so easily forgotten or erased. The camera pulls back revealing THE GIANT CONCRETE BOWLING BALL from Kingpin's. TITAN I intend to create a new category in the Guinness Book of World's Records by rolling the biggest strike in the history of bowling. He grabs the camera and points it to the DOWNTOWN BUILDINGS. We realize they are PERFECTLY ALIGNED IN BOWLING PIN FORMATION. TITAN My thanks to the city planning commission. This wouldn't have been possible without them. Titan grabs the camera so it's pointing back at him again. TITAN Tell your friends and family to tune in right here to this station at noon tomorrow. BACK TO SCENE ROXANNE My god, he's nuts. That'll destroy the whole business triangle. 90. Master Mind seems to be contemplating something - something bad. ROXANNE What? MASTER MIND My lair is in the direct path of the ball. ROXANNE Oh, real nice. Wouldn't want anything to happen to your hideout, would we? MASTER MIND You don't understand. I have certain equipment that's - that's highly unstable. ROXANNE What do you mean? MASTER MIND I sort of have a hydrogen reactor, okay? ROXANNE A HYDROGEN reactor? MASTER MIND It's experimental - only one in the world...Well, how do you think I power all my inventions? Someone like me can't pay for electricity. The bills would be outrageous. ROXANNE A REACTOR? MASTER MIND It creates 100 times the output of a nuclear one...If destroyed it could... ROXANNE - Vaporize the entire city! MASTER MIND (proudly) Pshaw...the whole eastern seaboard, actually. That little baby is amazing. I'm quite proud of it. (MORE) 91. MASTER MIND(cont'd) (off her deadpan reaction) I mean...we'd better find a way to stop him. Master Mind thinks a moment. MASTER MIND Did Uberman have a hideout? ROXANNE What? MASTER MIND A cave, a solitary fortress of some kind. C'mon, all heros have a place to hang their capes up in. Roxanne, it may be our only chance to find something, a clue, anything that could give us a fighting chance. ROXANNE It's under his house. MASTER MIND Whose house? Roxanne can hardly believe what she's telling him. ROXANNE Wayne Scott's. Master Mind shoots up out of his chair. MASTER MIND Wayne Scott? Uberman was Wayne Scott!? Wayne Scott, the wealthy philanthropist? But he disappeared - ROXANNE (interrupting) He disappeared just over two months ago when you killed him. Not only did you rid the world of a hero, you killed a kind, noble, generous man. Perhaps ashamed, the super villain hangs his head. Master Mind walks behind Roxanne and undoes her bonds. Rubbing her wrists, she watches him as he walks over to the door. 92. ROXANNE (CONT'D) Looks like you got what you always wanted. Uberman is out of the picture and Metro City is doomed. He grabs the door knob and stops, considering her words. MASTER MIND "Metro City doomed." You know, I never thought I'd say something like this, but here it goes - He slowly turns to her, CUE HEROIC MUSIC. MASTER MIND (CONT'D) Not if I have anything to say about it. EXT. WAYNE SCOTT'S MANSION - NIGHT Master Mind stands before the huge, Gothic structure in awe. MASTER MIND Such a dark place for one such as you. I wonder, underneath your noble deeds, what inner demons drove you to your endless crusade for justice? He walks to the front entrance. The double doors have been sealed shut with boards and nails. Master Mind begins to tear them off with his metal hand. INT. WAYNE SCOTT'S MANSION - NIGHT The doors opens. A beam of moonlight immediately pierces the darkness, forming an illuminated path into the heart of the manor. Master Mind enters. Covered in dust and cobwebs, the hall looks like a gigantic crypt. MASTER MIND Good lord, man. You've only been dead for two months. Master Mind walks, coming to a gigantic painted PORTRAIT OF WAYNE SCOTT. He stops to reverently admire the image of his fallen foe. 93. MASTER MIND (CONT'D) A disguise so simple, it's ingenious. No wonder I never caught on. Besides the Armani suit, there's nothing to hide the fact that this is the same person as Uberman. In the picture, he's even standing in the same cheesy, heroic pose with his fists on his hips. MASTER MIND (CONT'D) Two lives, yet in both you were an ideal. Perhaps it was you who was victorious in the end, old friend. A BONGING sound suddenly bellows through the dark halls. Master Mind comes to a grandfather clock standing next to a gigantic BOOKCASE. On the twelfth bong it falls silent. Master Mind begins to slide it across the floor until he hears a loud CLICK. The bookcase slides into the wall, REVEALING A HIDDEN PASSAGE. MASTER MIND (CONT'D) I'll miss how predictable you were. The passage way leads Master Mind to a WORKING ESCALATOR. Master Mind gets off the escalator to see a long hallway with stone walls. He begins to hear strange SOUNDS, almost like MUFFLED SCREAMS, coming from a doorway at the end of the hallway. Master Mind starts walking towards it. As he steps closer, he begins to notice a light cracking through the bottom of the door. MASTER MIND (CONT'D) Hello? Anyone here...besides..all the BIG MEN who are with me now? Nothing. MASTER MIND (CONT'D) (to himself) What's the worst you're gonna find? (MORE) 94. MASTER MIND(cont'd) The man was a boy scout, not a serial killer. He opens the door to his immediate amazement. It's some kind of screening room. A PROJECTOR shoots an image onto A DIRTY WHITE SCREEN hanging on the wall. BEER CANS litter the floor; a table in front of a ripped-up couch is covered in discarded snack goods; and a Kiss Pinball machine stands in the far corner next to a CLOSED DOOR. Master Mind turns his attention to the action on the screen. SCREEN A woman dressed in a leather DOMINATRIX OUTFIT is whipping an overweight man lying on a swing-like device with his butt sticking out. DOMINATRIX IN FILM YOU ARE A WORM! She whips him three times. The man CRIES out in pain. FAT MAN IN FILM PINEAPPLE!!! PINEAPPLE!!! Master Mind's eyes are transfixed on the disturbing imagery. The door by the pinball machine suddenly swings open. WAYNE SCOTT, dressed in raggedy sweats, steps into the room carrying a CAN OF BEER and a bowl of JIFFY-POP. Master Mind cannot believe his horrified eyes. MASTER MIND Ahhhhhh! Wayne Scott is just as startled. WAYNE SCOTT Jesus! He drop his drink and snack to the floor. The two men stare at each other as they struggle to regain their normal breathing patterns. Wayne Scott walks over to the couch, brushes off a thick layer of chip crumbs, and sits down. WAYNE SCOTT (CONT'D) What the hell are you doing here? 95. MASTER MIND I might just ask you the same question. I had thought I incinerated you. WAYNE SCOTT You scared the bejesus out of me. How'd you figure out I was still alive? Wait, how do you know my identity!? MASTER MIND Roxanne told me. As for your ruse, I forgot to line the bottom of the copper cage - Somebody pointed that out to me recently. Figured if they could do it, so could you. But one thing I couldn't figure out - WAYNE SCOTT The skeleton? Something I "borrowed" from a medical school a few months before. MASTER MIND A few months? How long had you been planning this? WAYNE SCOTT I always planned to retire - eventually. I mean, come on, you can't do this sort of thing in your fifties. You'd just look ridiculous. The pieces of the puzzle appear to be coming together in Master Mind's head. MASTER MIND I see it all so clearly now. INT. MASTER MIND'S HYDROFOIL - FLASHBACK Master Mind and his minions cover their eyes as the observatory explodes. MASTER MIND (CONT'D - V.O.) You must have done it just seconds before the observatory exploded. 96. INT. OBSERVATORY - FLASHBACK Similar to what Titan did, Uberman bores out from under the cage. MASTER MIND (CONT'D - V.O.) You bore out from under the cage. Then, using your Uber-Speed, - EXT. OBSERVATORY - FLASHBACK Running in a blur-like haze, Uberman screeches to a halt in front of some bushes. MASTER MIND (CONT'D - V.O.) - you made your way to safety, where you had the skeleton safely hidden away somewhere. EXT OBSERVATORY - SKY - DAY Uberman soars high above the clouds. He looks down at the observatory, which is a mere speck in the distance. MASTER MIND (CONT'D - V.O) (CONT'D) Then you must have flown to a safe distance and waited for the explosion, then... Just as the observatory explodes Uberman aims and throws the SKELETON like a javelin. It soars through the air like a missile, tearing through the flames of the explosion, and crashing right into the windshield of Master Mind's hydrofoil. END OF FLASHBACK Wayne stares at Master Mind, clearly impressed. WAYNE Man, you ARE smart. MASTER MIND But why fake your death? Why go through all of it? You could have just quit. WAYNE SCOTT But the responsibility would still be there. (MORE) 97. WAYNE SCOTT(cont'd) A cop can retire and stop handing out speeding tickets - but people expect more from superheroes. I tell you, a volcano couldn't erupt in Zimbabwe without everyone expecting me to do something about it. I figured, out of sight, out of mind. MASTER MIND And Wayne Scott? Why did he have to disappear? WAYNE SCOTT Both of my lives have so much baggage. It's time for new baggage, you know? Master Mind's is absolutely flabbergasted. MASTER MIND I just can't believe it. This whole time you've been in hiding while a force of great evil is tearing your city apart? Wayne rises to his feet, waving his hands for Master Mind to say no more. WAYNE SCOTT I don't want to hear about it. That's why I don't have a television in here to remind me of all the things I SHOULD be doing. Hell, I could get a wife to do that. MASTER MIND There's a demented supervillain out there about to destroy our - I mean, your city. Wayne shrugs indifferently. MASTER MIND You're really going to do nothing? WAYNE SCOTT Good and evil have a way of balancing themselves out. If this guy is as bad as you say, somebody will rise up to fight him. It's just the order of things. You found me, didn't you? 98. Wayne puts a condescending hand on Master Mind's shoulder. WAYNE SCOTT (CONT'D) I know it's hard, but you'll find someone else someday. He then starts walking to the door. MASTER MIND You're the only one who can stop him. Wayne turns around. WAYNE SCOTT Couldn't if I wanted to. Gotta a plane to catch. MASTER MIND A plane? WAYNE SCOTT Going to Barbados for a little change in climate. Now, if you'll excuse me, I got to go pack. He reads the still defeated look on Master Mind's face. WAYNE SCOTT (CONT'D) You were a good foe. I'm sorry if I've let you down. If it makes a difference, you were the best foe a hero could ask for. MASTER MIND Not smart enough to come up with a full-proof trap. WAYNE SCOTT Well, you did almost have me when you figured out my weakness was copper. Now that made me sweat a little. Took me way too long to drill out from under that cage. MASTER MIND I got lucky. WAYNE SCOTT Anyway, it's a good thing for my sake that I could always count on you for an out. 99. MASTER MIND (suddenly confused) What do you mean? WAYNE SCOTT C'mon, we always threw each other a couple of bones. You would always leave me an out in one of your `full-proof' traps, and I'd never had you incarcerated at a penitentiary that you couldn't eventually escape from. It kept our little game going. Master Mind seems deflated. MASTER MIND Game? - Was that all this ever was to you? You know, I was trying my best every time I fought you. Those `outs' as you call them were unintentional. WAYNE SCOTT Oh. MASTER MIND I guess I was never really a match for you, was I? Wayne shrugs. MASTER MIND (CONT'D) (thoughtfully) Then how can I expect to be one for Titan? A beaten man, Master Mind heads for the door, but stops and turns around. MASTER MIND (CONT'D) What about Roxanne? Wayne unleashes an exhausted sigh. WAYNE SCOTT I think we both got what we wanted out of our relationship. She got a career out of me, and I got plenty of other things out of her. But I'm ready to move on to greener pastures. 100. Master Mind's steel hand clinches into a fist at his side. Wayne's oblivious to this. MASTER MIND I guess I wasn't the villain I thought I was, and you...you weren't the hero I thought you were. He turns to make his exit when he suddenly sees ROXANNE STANDING IN THE DOOR FRAME. Wayne is almost at a loss for words. WAYNE SCOTT Roxanne! How long have you been... ROXANNE Long enough. Roxanne looks at Master Mind. ROXANNE (CONT'D) Don't you have something else you can go do? Master Mind leaves Roxanne and Wayne facing each other in silence. EXT. ANOTHER BAR - DAY Titan emerges with Brad and Frank. He's holding a BEER CAN and a bag of PORK RINDS. TITAN Alright, I want this whole thing to look ESPN professional, understand? A distant MECHANIZED RUMBLE can be heard. The noise rises, signaling the approach of something powerful. Titan and his crew walk out to the center of the plaza as the sound becomes almost deafening. A TANK TRACK as it moves over the street. We PULL BACK to see a whole line of TANKS rolling along the street. PLAZA From the five streets branching off the plaza, a dozen tanks roll toward Titan. 101. Titan turns to Brad and Frank. TITAN (CONT'D) You guys are about to get some good footage. I might need a little room, though. Brad and Frank look at each other and run to take cover behind a nearby building. Meanwhile, Titan nonchalantly sips from his beer as the tanks begin to surround them. FEEDBACK belts out of one of the tank's loudspeaker's, causing Titan to do a mock wince. TANK LOUDSPEAKER Titan, we have orders from the city of Metro to take you into custody. If you do not give your self up willingly, we will be forced to open fire. There's a long pause as no one says anything. TANK LOUDSPEAKER What is your answer? Titan takes a sip of his beverage and UNLEASHES A GIGANTIC BURP - The shockwave of which sends several of the tanks flying into a nearby building. Two of the remaining tanks close in on the villain. Both have him dead to rights at point-blank range with their massive guns. Titan sets down his beer, then calmly plugs a fist into each barrel. They FIRE. The FORCE OF THE BLAST SENDS THEM BOTH FLYING IN OPPOSITE DIRECTIONS where they CRASH into nearby buildings. Titan bends down and pick his beet back up. TITAN (to beer) Miss me? Titan is suddenly bombarded by a massive barrage of machine- gun fire. The force sends him flying into the windshield of a nearby car. 102. He looks up to see an APACHE ASSAULT COPTER. It's nose- mounted GATLING-GUN is turning toward him. Titan gets up to his feet and looks down at his beer can. The bottom of it was blown apart in the blast. TITAN (CONT'D) Didn't mean to get you involved in all of this. He stared daggers up at the helicopter pilot just as the gun gets a bead on him. TITAN (CONT'D) Hey, man! You killed my suds! Titan throws the can up and slaps it with the palm of his hand. It flies with so much force it knocks the helicopter blade clean off. The rest of the Apache crashes to the street like a car dropped off a building. TITAN (CONT'D) That's one was for you, beer. Titan salutes the wreckage and walks away to find Brad and Frank still hiding behind the building. TITAN Guys, please tell me you got that last bit. BRAD HELMS Huh? TITAN You're kidding me. I give you my sexiest moves and you mean to tell me it was for nothing? BRAD HELMS We were afraid something might hit us. TITAN Looks like I've given the story of the century to the wrong man. He thinks about this for a moment, then it hits him. 103. TITAN Wait. What about that other reporter. Blond. Not so lumpy on the topper half, but killer legs. BRAD HELMS Roxanne. You want Roxanne. She's a much better reporter than I am. You want her. TITAN Where can I find her. FRANK We're actually not supposed to give out that sort of information. BRAD HELMS 1314 Mockingbird Lane. I believe she lives in a penthouse. TITAN You've been very helpful. He tosses Brad over his shoulder like a discarded ice cream cone. In the faint distance we see him splash down in the middle of the Metro City river. INT. ABANDONED METRO CITY LIBRARY - DAY Master Mind, pacing anxiously as Plato and Da Vinci pack boxes. Obviously Master Mind is going on the lamb. MASTER MIND Hurry, we must be on our way as soon as possible. DA VINCI Master, why must we flee? MASTER MIND I told you, Titan is too powerful. If he's set on destroying us, there's precious little we could do about it. DA VINCI Where are we going? 104. MASTER MIND To another city, someplace with a shitload of superheroes to fight. We'll start over, we'll go back to doing what we do best. PLATO With our tails between our legs? The old Master Mind would never have let this comment slip by, but as we have seen, he's not the same man. MASTER MIND Plato, do you have a better plan?! Master Mind's cell phone rings. He turns in shame from his men and answers it. MASTER MIND (CONT'D) Hello...Roxanne? INT. ROXANNE'S APARTMENT Roxanne paces back and forth on the phone. ROXANNE What are you going to do about Tighten? INTERCUT between Master Mind and Roxanne on phone. MASTER MIND Right now I'm packing, later I'll have a snack on the train. ROXANNE You're running away? MASTER MIND In a word - yes. ROXANNE You created this monster... MASTER MIND I didn't create this - the god's of irony did and I am eating the crow I so richly deserve. ROXANNE There's no time for self pity. 105. MASTER MIND I'll make the time. Roxanne can't believe what she's hearing. MASTER MIND (CONT'D) You can leave with us. You'll be safe. ROXANNE I'm not going anywhere. MASTER MIND Will you listen to me, no one can stop him. ROXANNE You have to try. The city needs your help. MASTER MIND I'm afraid you have an inflated opinion of me. ROXANNE What the hell's happened to you? The Master Mind I knew would never have run from a fight even though he knew deep in his heart that he didn't have a chance in hell of winning it. It was your best quality. You need to be that man right now...I... MASTER MIND What? ROXANNE (heart felt) I believe in you. Master Mind is taken aback, in a good way. But he catches himself before the words swell his heart. MASTER MIND Sweet words, but that man is dead. Please, Roxanne, just come with me. ROXANNE No...I guess you are a coward after all. Suddenly, there's a loud crash. 106. Roxanne looks up to see a huge hunk of her ceiling has been completely ripped off. Titan is flying above, holding the debris as casually as if it were a paper plate at a barbecue. He looks down at her and smiles. TITAN Man, have I got a story for you. Master Mind can hears Titan's familiar laugh from his side of the line. MASTER MIND Roxanne? Roxanne? EXT. KINGPIN BOWLING - DAY Titan is standing in front of the bowling alley, trying to decide on an appropriate pose for the occasion. TITAN What pose would be best? The corny folded arms thing? He demonstrates, arching his chin proudly in the air. TITAN Or maybe on the hips, like this. It's the classic Superman pose, only not as masculine. TITAN No, makes me look like a flamer pirate. As Titan starts to fix his hair in the window, Frank pretends to fix the lens on his camera as he speaks to Roxanne. FRANK (whispering) Shouldn't we be making a run for it right about now? ROXANNE (whispering) The guy can outrun bullets. I don't think either one of us is in that kind of shape. TITAN She's right, Frank. 107. Frank looks up, stunned that Titan could have possibly heard him. TITAN Also got super hearing. I promise not to keep the both of you long, but you'll thank me when this is all over. Frank and Roxanne exchange helpless expressions. INT. ABANDONED METRO CITY LIBRARY - DAY Master Mind reverently stares up at the painted portrait of his father. MASTER MIND Dad, it's me... (he looks around to make sure no one can hear) ...Bubsy. I know we haven't talked in a while, and I'm sorry. It's been a little crazy trying to live up to a legacy. The painting's menacing stare seems to reach into his very soul. MASTER MIND Anyway...You raised me to be the worst that I could possibly be. And I've tried to live up to that as best as I could - even dropping out of dentistry school like you wanted me to. But I'm about to do something now that would really piss you off. I'm going to go against everything you ever taught me. I hope...I hope that maybe you'll look down at what I'm about to do as not so much a good deed, but more like the outright defiance of a hateful and ungrateful, son. If you could do that, then maybe - in your own little way - you could - for probably the first time - find a reason to be proud of me. He looks back up at the picture. Is it our imagination, or does the painting's stare suddenly seem even angrier? 108. MASTER MIND Well...either way, you're probably going to see me real soon. (calling over his shoulder) Men? Plato and Da Vinci suddenly stop what they're doing and look up at him. PLATO AND DA VINCI Yes Sir? MASTER MIND Stop packing. Our work is not finished here. PLATO AND DA VINCI YES SIR! TELEVISION A news report shows an aerial shot of Titan setting the giant ball down in the middle of a vacant city street. REPORTER We interrupt your regular afternoon programming to show you live footage of a potential dangerous situation in downtown Metro. The former hero knows as Titan is placing what appears to be a giant ball... INT. ABANDONED METRO CITY LIBRARY - CONTINUOUS Da Vinci stops in front of a television set, seeing the news report in progress. REPORTER Hold on...It appears our own Roxanne Ritchi is somehow at the scene. We now go to her with a live report. DA VINCI Sir, I think you should see this! CUT TO: 109. EXT. CITY STREET - DAY Roxanne is standing in front of a camera with a mike in her hand. ROXANNE I'm here with the cause of the destruction in Metro City. He has kidnapped me and a cameraman to chronicle what he refers to as the creation of a monument to his invincibility and overall "Asskickiness." He will use this giant concrete bowling ball to play the largest game of bowling ever using the buildings of downtown Metro City as his pins. Titan suddenly steps into the shot. TITAN And I'm going for the biggest strike ever. He leans into the camera. TITAN And you, Metro City, have a ringside seat as I cement my name in the anal of history. ROXANNE Annals. TITAN What? ROXANNE Nevermind. EXT. CITY STREET - MOMENTS LATER Titan holds up the massive bowling ball, lining up his shot. TITAN (in quiet professional bowler announcer voice) Like Tiger before him, a young savior has come to raise a sport from the ashes. Rookie Hal Stewart, a young man with a dream, realizing that dream here today, folks. (MORE) 110. TITAN(cont'd) One might click there heels and say "There's no place like home" upon finding themselves in such a fantasy. Well, Hal looks very much at home right were he is - with a ball in hand and glory in his sights. INT. METRO CITY LIBRARY - CONTINUOUS In the bowels of Master Mind's hideout, the HYDROGEN REACTOR glows and HUMS MENACINGLY. BACK TO SCENE Roxanne just stand helpless as Frank films away. ROXANNE Hal, I know everyone treated you like shit, but you don't have to do this. TITAN You're right. I don't HAVE to do anything. Isn't that cool? Titan lines up his shot. TITAN Here's one for the record books! Titan flies a few feet and rolls the ball down the main street. ROXANNE Her face is utter horror as she watches the inevitable destruction of Metro City. As the ball rolls - it demolishes everything in it's wake; cars, street lamps - windows shatter as the giant concrete sphere brushes along side buildings. TITAN He smiles in anticipation and uses "body English" to direct the ball. GIANT BOWLING BALL POV It's nearly halfway to its target. ROXANNE 111. She closes her eyes. Titan's smile fades. He looks around as if he hears something we don't. About two hundred feet in front of the first building a GIANT SPIDER WEB flies across the path of the ball, creating a defensive barrier. An enormous letter "M" is etched in the web's center. TITAN (CONT'D) What the...? The ball breaks through the web, but it's speed is greatly reduced. FRANK Look, what's that flying in the air? We suddenly see MASTER MIND FLYING OVER THE ROLLING BALL IN A JET PACK. He quickly pulls out his goo gun and starts laying down a path of sticky plasm to stop the destructive sphere's path. MASTER MIND C'mon, slow down Master Mind looks down to see the meter of the gun close to empty. MASTER MIND C'mon. The ball slows drastically then starts rolling to the side. It heads off an embankment and rolls harmlessly into a CANAL. MASTER MIND Gutterball! TITAN He's furious to say the least. TITAN YOU! Master Mind gives him a mocking grin. MASTER MIND Bowling? What other trailer park sports can you play? 112. TITAN You are becoming a real pain in my ass. I should have done this a long time ago. Titan lunges at his tormentor. Master Mind hits the BOOSTER on his jet pack and heads back toward the other side of the city with Titan in hot pursuit. MASTER MIND (CONT'D) (into walkie talkie) Plato, Da Vinci. Secure Roxanne, he's falling for it. ELSEWHERE A flustered Titan lands. He begins searching the city streets, but Master Mind is nowhere in sight. He turns upon hearing an EEKING sound to his left. Sitting on the ground is a CHIMPANZEE wearing a strange collar. It smiles at him. TITAN What the hell? From behind, Titan is immediately set upon by five more RADIO CONTROLLED APES. TITAN (CONT'D) GODAMNIT! The critters bite hop and hit Titan. As soon as he throws one off two more jump him. Titan breaks free and with his mighty breath blows them across the street into a fruit stand. With Titan out of their sight they begin to attack the fruit. MASTER MIND He's a block away frantically hitting his remote. MASTER MIND Shit! Stupid monkeys and their fruit. Titan flies away from the mad monkeys and lands to find Master Mind sitting on the ground wrapped in a long cape with only his head sticking out. 113. TITAN (CONT'D) No more games. Titan FIRES HIS LASER VISION AT MASTER MIND's CHEST. Master Mind pulls the cloak away to reveal a FIRE HYDRANT. Titan's EYE LASERS burn through the hydrant releasing a high pressure stream of water. Master Mind uses the last remote which dumps two tons of CEMENT mix into the truck. The crowd, police and news crews move in closer when Titan doesn't emerge. Master Mind drops his last remote and walks toward the truck cautiously. MASTER MIND Could it really be that easy-- - BOOM - The back of the truck explodes, throwing dust and concrete everywhere. When the dust clears we see and enraged Titan. MASTER MIND (CONT'D) Didn't think so. As the villain walks toward him, he pulls back his fist to give Master Mind the killing blow. TITAN If you don't mind, I'm going to punch trough your face now. Preparing himself for the end, Master Mind shuts his eyes as a SUDDEN GUST OF WIND BEGINS TO PICK UP. AS Titan goes to strike, a BLURRY FIGURE RUNS IN AND SNATCHES MASTER MIND OUT OF THE AWAY. Stunned, Master Mind begins to feel around his body as if to make sure everything's still in place. MASTER MIND I'm alive. He turns to see UBERMAN standing next to him. MASTER MIND Uberman? 114. The terrified bystanders start to notice the figure standing next to Master Mind. BYSTANDER 1 It's Uberman! BYSTANDER 2 Uberman's alive! BYSTANDER 3 We're saved! As the CROWD CHEERS, A confused Master Mind turns to Metro City's newly resurrected champion. MASTER MIND I thought. UBERMAN So did I. He puts a hand on Master Mind's shoulder. UBERMAN Thank you, old enemy. MASTER MIND For what? UBERMAN Showing me the error of my ways, Showing me I'm meant to be this city's savior, showing me that, while we can try, there is no running away from our true destiny. With that, UBERMAN IS STRICKEN BY A LASER BLAST, INSTANTLY TURNING HIM INTO A CHARRED HUMAN SKELETON. Master Mind turns to see Titan smiling with his STILL SMOKING EYES. TITAN Oh...Did I interrupt something? Master Mind turns to run, but, suddenly Titan is before him. TITAN Where you going, buddy? Titan grabs Master Mind by the collar and throws him across the street into a parked car. 115. TITAN (CONT'D) Welcome to Paintown. Population: you. Master Mind manages to stand on shaky legs. He seems in a daze, unable to move. Titan flies up in the air. TITAN (CONT'D) Time to finish this. With his fist front and center, Titan speeds toward Master Mind. He's like a human torpedo, coming in for the killing blow. Master Mind comes to his senses and puts up his hands. MASTER MIND WAIT!!! Titan screeches to a halt and stops just in front of him like an old Warner Bros cartoon. TITAN What? MASTER MIND Quick joke - What's the capital of Thailand? TITAN Huh - I don't know. MASTER MIND It's bang cock! In a sudden surge of strength, MASTER MIND PUNCHES TITAN IN THE GROIN. The once mighty man instantly drops to his knees, searching, with tears in his eyes, for the proper word to express the pain suddenly surging through his member. TITAN (CONT'D) Ow. Baffled, he looks up at Master Mind's hand and sees his gauntlet is now made ENTIRELY OUT OF COPPER. MASTER MIND So, I guess pennies are good for something. 116. He punches Titan in the face, knocking him out cold. Master Mind looks down on Titan with more than a little pride. Suddenly he hears something behind him. He spins to see the crowd making a strange noise - APPLAUSE. Roxanne comes up to him. The crowd starts to go wild and cheers for Master Mind. He's not sure what to make of it. ROXANNE Pretty strange, huh? MASTER MIND They're cheering for me. ROXANNE You saved them. You saved everybody. How's it feel? Master Mind looks at the smiles all around him. He begins to well up a little. MASTER MIND It's a...it's nice, you know? I usually don't get a lot of feedback. (whispering) But I also kind of caused all this. What happens when they find that out I was the cause of some of this? Roxanne looks at the cheering crowd, then back at Master Mind. ROXANNE What they don't know won't hurt them. MASTER MIND I guess that is all in the past. ROXANNE You're the hero. MASTER MIND I don't think I'd go that far...I mean I just...er... ROXANNE Master Mind? 117. MASTER MIND Yes? ROXANNE Stop talking. She kisses him. The crowd erupts in a cheer. TELEVISION The channel 7 he channel 7 logo zooms in followed by the title "Eye on Metro City." A picture of Master Mind smiling appears on the screen behind her. SAMANTHA SUMMERS Who's bad? Well, not Master Mind. It seems the former villain has done a career 180 after defeating Tighten and saving Metro City from certain enslavement. And here he is getting a full pardon by Metro City's Mayor, Steve Dent. Cut to ceremony on capital steps. The MAYOR is shaking Master Mind's metal gauntlet when it suddenly STARTS TO CRUSH HIS HAND. MAYOR Ahhh! Secret service men quickly start to draw their weapons and take aim at Master Mind. Realizing what's happening, he quickly lets the mayor's hand go and puts his arms in the air. MASTER MIND Sorry - Metal hand. Force of habit. He elbows the mayor. MASTER MIND (CONT'D) We're okay, right? Wincing, the mayor signals the men to put their guns down. WE CUT to video of Titan behind bars in a regular prison. 118. BRAD HELMS And what about Tighten? Is there a prison in existence that can hold this super powered menace? Well, the answer we found is no. A man in a white lab coat stands in front of Titan's cell just out of reach. PRISON SCIENTIST Of course normally he could break out of there anytime, but as you can see we've taken some special precautions. The news camera pans over see Titan in his cell wearing a copper JOCK STRAP with electrical cables hooked to it. Back to Samantha at the desk. BRAD HELMS What is a Hero? It seems never has that question needed to be asked more than it does tonight. We go to our very own Roxanne Ritchi, making her triumphant return to our news desk for the answer. Brad turns. The camera pans over to Roxanne who we now see has been sitting beside him. ROXANNE What is a hero? Well, there are many different kinds. There are those who hear a call, like the policeman or doctor, then there's the kind the public creates in their search for meaning and hope. Then, there are those who have the courage to change. DARK ALLEY - NIGHT A woman is being chased by two large thugs. They're gaining on her. She comes to a brick wall - a dead end. The thugs laugh. THUG #1 Hey, gimme that purse? 119. MASTER MIND (O.S) I don't think it would go with your outfit. The thugs turn around to see Master Mind, standing with his arms folded across his chest. THUG #2 It's Master Mind! Thug #1 draws a knife. THUG #1 So? It's not like he has any superpowers. Thug #1 puts his fingers to his mouth and whistles. Suddenly two more Thugs appear behind Master Mind. MASTER MIND I'm gonna give you a chance to surrender. THUG #1 Four against one. For a Master Mind, you're really bad at math. Master Mind throws a hand signal up in the air. Suddenly a giant robotic foot crashes down on the two men behind him. Thug #1 and Thug #2 drop their knives and raise their hands in the air. Master Mind looks up and waves. MASTER MIND Way to take out those two goons, guys! We see Da Vinci and Plato at the wheel of a gigantic robot. DA VINCI What two goons? The giant robot lifts its foot to check the bottom of it's sole. It KNOCKS OVER WATER TOWER in the process. The woman looks at Master Mind, horrified. 120. MASTER MIND (apologetically) Sorry, we're new at this. THE END
jtarrio / RadioreceiverA web-based application to listen to radio transmissions from your browser using a cheap USB digital TV tuner
jettbrains / L W3C Strategic Highlights September 2019 This report was prepared for the September 2019 W3C Advisory Committee Meeting (W3C Member link). See the accompanying W3C Fact Sheet — September 2019. For the previous edition, see the April 2019 W3C Strategic Highlights. For future editions of this report, please consult the latest version. A Chinese translation is available. ☰ Contents Introduction Future Web Standards Meeting Industry Needs Web Payments Digital Publishing Media and Entertainment Web & Telecommunications Real-Time Communications (WebRTC) Web & Networks Automotive Web of Things Strengthening the Core of the Web HTML CSS Fonts SVG Audio Performance Web Performance WebAssembly Testing Browser Testing and Tools WebPlatform Tests Web of Data Web for All Security, Privacy, Identity Internationalization (i18n) Web Accessibility Outreach to the world W3C Developer Relations W3C Training Translations W3C Liaisons Introduction This report highlights recent work of enhancement of the existing landscape of the Web platform and innovation for the growth and strength of the Web. 33 working groups and a dozen interest groups enable W3C to pursue its mission through the creation of Web standards, guidelines, and supporting materials. We track the tremendous work done across the Consortium through homogeneous work-spaces in Github which enables better monitoring and management. We are in the middle of a period where we are chartering numerous working groups which demonstrate the rapid degree of change for the Web platform: After 4 years, we are nearly ready to publish a Payment Request API Proposed Recommendation and we need to soon charter follow-on work. In the last year we chartered the Web Payment Security Interest Group. In the last year we chartered the Web Media Working Group with 7 specifications for next generation Media support on the Web. We have Accessibility Guidelines under W3C Member review which includes Silver, a new approach. We have just launched the Decentralized Identifier Working Group which has tremendous potential because Decentralized Identifier (DID) is an identifier that is globally unique, resolveable with high availability, and cryptographically verifiable. We have Privacy IG (PING) under W3C Member review which strengthens our focus on the tradeoff between privacy and function. We have a new CSS charter under W3C Member review which maps the group's work for the next three years. In this period, W3C and the WHATWG have succesfully completed the negotiation of a Memorandum of Understanding rooted in the mutual belief that that having two distinct specifications claiming to be normative is generally harmful for the Web community. The MOU, signed last May, describes how the two organizations are to collaborate on the development of a single authoritative version of the HTML and DOM specifications. W3C subsequently rechartered the HTML Working Group to assist the W3C community in raising issues and proposing solutions for the HTML and DOM specifications, and for the production of W3C Recommendations from WHATWG Review Drafts. As the Web evolves continuously, some groups are looking for ways for specifications to do so as well. So-called "evergreen recommendations" or "living standards" aim to track continuous development (and maintenance) of features, on a feature-by-feature basis, while getting review and patent commitments. We see the maturation and further development of an incredible number of new technologies coming to the Web. Continued progress in many areas demonstrates the vitality of the W3C and the Web community, as the rest of the report illustrates. Future Web Standards W3C has a variety of mechanisms for listening to what the community thinks could become good future Web standards. These include discussions with the Membership, discussions with other standards bodies, the activities of thousands of participants in over 300 community groups, and W3C Workshops. There are lots of good ideas. The W3C strategy team has been identifying promising topics and invites public participation. Future, recent and under consideration Workshops include: Inclusive XR (5-6 November 2019, Seattle, WA, USA) to explore existing and future approaches on making Virtual and Augmented Reality experiences more inclusive, including to people with disabilities; W3C Workshop on Data Models for Transportation (12-13 September 2019, Palo Alto, CA, USA) W3C Workshop on Web Games (27-28 June 2019, Redmond, WA, USA), view report Second W3C Workshop on the Web of Things (3-5 June 2019, Munich, Germany) W3C Workshop on Web Standardization for Graph Data; Creating Bridges: RDF, Property Graph and SQL (4-6 March 2019, Berlin, Germany), view report Web & Machine Learning. The Strategy Funnel documents the staff's exploration of potential new work at various phases: Exploration and Investigation, Incubation and Evaluation, and eventually to the chartering of a new standards group. The Funnel view is a GitHub Project where new area are issues represented by “cards” which move through the columns, usually from left to right. Most cards start in Exploration and move towards Chartering, or move out of the funnel. Public input is welcome at any stage but particularly once Incubation has begun. This helps W3C identify work that is sufficiently incubated to warrant standardization, to review the ecosystem around the work and indicate interest in participating in its standardization, and then to draft a charter that reflects an appropriate scope. Ongoing feedback can speed up the overall standardization process. Since the previous highlights document, W3C has chartered a number of groups, and started discussion on many more: Newly Chartered or Rechartered Web Application Security WG (03-Apr) Web Payment Security IG (17-Apr) Patent and Standards IG (24-Apr) Web Applications WG (14-May) Web & Networks IG (16-May) Media WG (23-May) Media and Entertainment IG (06-Jun) HTML WG (06-Jun) Decentralized Identifier WG (05-Sep) Extended Privacy IG (PING) (30-Sep) Verifiable Claims WG (30-Sep) Service Workers WG (31-Dec) Dataset Exchange WG (31-Dec) Web of Things Working Group (31-Dec) Web Audio Working Group (31-Dec) Proposed charters / Advance Notice Accessibility Guidelines WG Privacy IG (PING) RDF Literal Direction WG Timed Text WG CSS WG Web Authentication WG Closed Internationalization Tag Set IG Meeting Industry Needs Web Payments All Web Payments specifications W3C's payments standards enable a streamlined checkout experience, enabling a consistent user experience across the Web with lower front end development costs for merchants. Users can store and reuse information and more quickly and accurately complete online transactions. The Web Payments Working Group has republished Payment Request API as a Candidate Recommendation, aiming to publish a Proposed Recommendation in the Fall 2019, and is discussing use cases and features for Payment Request after publication of the 1.0 Recommendation. Browser vendors have been finalizing implementation of features added in the past year (view the implementation report). As work continues on the Payment Handler API and its implementation (currently in Chrome and Edge Canary), one focus in 2019 is to increase adoption in other browsers. Recently, Mastercard demonstrated the use of Payment Request API to carry out EMVCo's Secure Remote Commerce (SRC) protocol whose payment method definition is being developed with active participation by Visa, Mastercard, American Express, and Discover. Payment method availability is a key factor in merchant considerations about adopting Payment Request API. The ability to get uniform adoption of a new payment method such as Secure Remote Commerce (SRC) also depends on the availability of the Payment Handler API in browsers, or of proprietary alternatives. Web Monetization, which the Web Payments Working Group will discuss again at its face-to-face meeting in September, can be used to enable micropayments as an alternative revenue stream to advertising. Since the beginning of 2019, Amazon, Brave Software, JCB, Certus Cybersecurity Solutions and Netflix have joined the Web Payments Working Group. In April, W3C launched the Web Payment Security Group to enable W3C, EMVCo, and the FIDO Alliance to collaborate on a vision for Web payment security and interoperability. Participants will define areas of collaboration and identify gaps between existing technical specifications in order to increase compatibility among different technologies, such as: How do SRC, FIDO, and Payment Request relate? The Payment Services Directive 2 (PSD2) regulations in Europe are scheduled to take effect in September 2019. What is the role of EMVCo, W3C, and FIDO technologies, and what is the current state of readiness for the deadline? How can we improve privacy on the Web at the same time as we meet industry requirements regarding user identity? Digital Publishing All Digital Publishing specifications, Publication milestones The Web is the universal publishing platform. Publishing is increasingly impacted by the Web, and the Web increasingly impacts Publishing. Topic of particular interest to Publishing@W3C include typography and layout, accessibility, usability, portability, distribution, archiving, offline access, print on demand, and reliable cross referencing. And the diverse publishing community represented in the groups consist of the traditional "trade" publishers, ebook reading system manufacturers, but also publishers of audio book, scholarly journals or educational materials, library scientists or browser developers. The Publishing Working Group currently concentrates on Audiobooks which lack a comprehensive standard, thus incurring extra costs and time to publish in this booming market. Active development is ongoing on the future standard: Publication Manifest Audiobook profile for Web Publications Lightweight Packaging Format The BD Comics Manga Community Group, the Synchronized Multimedia for Publications Community Group, the Publishing Community Group and a future group on archival, are companions to the working group where specific work is developed and incubated. The Publishing Community Group is a recently launched incubation channel for Publishing@W3C. The goal of the group is to propose, document, and prototype features broadly related to: publications on the Web reading modes and systems and the user experience of publications The EPUB 3 Community Group has successfully completed the revision of EPUB 3.2. The Publishing Business Group fosters ongoing participation by members of the publishing industry and the overall ecosystem in the development of Web infrastructure to better support the needs of the industry. The Business Group serves as an additional conduit to the Publishing Working Group and several Community Groups for feedback between the publishing ecosystem and W3C. The Publishing BG has played a vital role in fostering and advancing the adoption and continued development of EPUB 3. In particular the BG provided critical support to the update of EPUBCheck to validate EPUB content to the new EPUB 3.2 specification. This resulted in the development, in conjunction with the EPUB3 Community Group, of a new generation of EPUBCheck, i.e., EPUBCheck 4.2 production-ready release. Media and Entertainment All Media specifications The Media and Entertainment vertical tracks media-related topics and features that create immersive experiences for end users. HTML5 brought standard audio and video elements to the Web. Standardization activities since then have aimed at turning the Web into a professional platform fully suitable for the delivery of media content and associated materials, enabling missing features to stream video content on the Web such as adaptive streaming and content protection. Together with Microsoft, Comcast, Netflix and Google, W3C received an Technology & Engineering Emmy Award in April 2019 for standardization of a full TV experience on the Web. Current goals are to: Reinforce core media technologies: Creation of the Media Working Group, to develop media-related specifications incubated in the WICG (e.g. Media Capabilities, Picture-in-picture, Media Session) and maintain maintain/evolve Media Source Extensions (MSE) and Encrypted Media Extensions (EME). Improve support for Media Timed Events: data cues incubation. Enhance color support (HDR, wide gamut), in scope of the CSS WG and in the Color on the Web CG. Reduce fragmentation: Continue annual releases of a common and testable baseline media devices, in scope of the Web Media APIs CG and in collaboration with the CTA WAVE Project. Maintain the Road-map of Media Technologies for the Web which highlights Web technologies that can be used to build media applications and services, as well as known gaps to enable additional use cases. Create the future: Discuss perspectives for Media and Entertainment for the Web. Bring the power of GPUs to the Web (graphics, machine learning, heavy processing), under incubation in the GPU for the Web CG. Transition to a Working Group is under discussion. Determine next steps after the successful W3C Workshop on Web Games of June 2019. View the report. Timed Text The Timed Text Working Group develops and maintains formats used for the representation of text synchronized with other timed media, like audio and video, and notably works on TTML, profiles of TTML, and WebVTT. Recent progress includes: A robust WebVTT implementation report poises the specification for publication as a proposed recommendation. Discussions around re-chartering, notably to add a TTML Profile for Audio Description deliverable to the scope of the group, and clarify that rendering of captions within XR content is also in scope. Immersive Web Hardware that enables Virtual Reality (VR) and Augmented Reality (AR) applications are now broadly available to consumers, offering an immersive computing platform with both new opportunities and challenges. The ability to interact directly with immersive hardware is critical to ensuring that the web is well equipped to operate as a first-class citizen in this environment. The Immersive Web Working Group has been stabilizing the WebXR Device API while the companion Immersive Web Community Group incubates the next series of features identified as key for the future of the Immersive Web. W3C plans a workshop focused on the needs and benefits at the intersection of VR & Accessibility (Inclusive XR), on 5-6 November 2019 in Seattle, WA, USA, to explore existing and future approaches on making Virtual and Augmented Reality experiences more inclusive. Web & Telecommunications The Web is the Open Platform for Mobile. Telecommunication service providers and network equipment providers have long been critical actors in the deployment of Web technologies. As the Web platform matures, it brings richer and richer capabilities to extend existing services to new users and devices, and propose new and innovative services. Real-Time Communications (WebRTC) All Real-Time Communications specifications WebRTC has reshaped the whole communication landscape by making any connected device a potential communication end-point, bringing audio and video communications anywhere, on any network, vastly expanding the ability of operators to reach their customers. WebRTC serves as the corner-stone of many online communication and collaboration services. The WebRTC Working Group aims to bringing WebRTC 1.0 (and companion specification Media Capture and Streams) to Recommendation by the end of 2019. Intense efforts are focused on testing (supported by a dedicated hackathon at IETF 104) and interoperability. The group is considering pushing features that have not gotten enough traction to separate modules or to a later minor revision of the spec. Beyond WebRTC 1.0, the WebRTC Working Group will focus its efforts on WebRTC NV which the group has started documenting by identifying use cases. Web & Networks Recently launched, in the wake of the May 2018 Web5G workshop, the Web & Networks Interest Group is chaired by representatives from AT&T, China Mobile and Intel, with a goal to explore solutions for web applications to achieve better performance and resource allocation, both on the device and network. The group's first efforts are around use cases, privacy & security requirements and liaisons. Automotive All Automotive specifications To create a rich application ecosystem for vehicles and other devices allowed to connect to the vehicle, the W3C Automotive Working Group is delivering a service specification to expose all common vehicle signals (engine temperature, fuel/charge level, range, tire pressure, speed, etc.) The Vehicle Information Service Specification (VISS), which is a Candidate Recommendation, is seeing more implementations across the industry. It provides the access method to a common data model for all the vehicle signals –presently encapsulating a thousand or so different data elements– and will be growing to accommodate the advances in automotive such as autonomous and driver assist technologies and electrification. The group is already working on a successor to VISS, leveraging the underlying data model and the VIWI submission from Volkswagen, for a more robust means of accessing vehicle signals information and the same paradigm for other automotive needs including location-based services, media, notifications and caching content. The Automotive and Web Platform Business Group acts as an incubator for prospective standards work. One of its task forces is using W3C VISS in performing data sampling and off-boarding the information to the cloud. Access to the wealth of information that W3C's auto signals standard exposes is of interest to regulators, urban planners, insurance companies, auto manufacturers, fleet managers and owners, service providers and others. In addition to components needed for data sampling and edge computing, capturing user and owner consent, information collection methods and handling of data are in scope. The upcoming W3C Workshop on Data Models for Transportation (September 2019) is expected to focus on the need of additional ontologies around transportation space. Web of Things All Web of Things specifications W3C's Web of Things work is designed to bridge disparate technology stacks to allow devices to work together and achieve scale, thus enabling the potential of the Internet of Things by eliminating fragmentation and fostering interoperability. Thing descriptions expressed in JSON-LD cover the behavior, interaction affordances, data schema, security configuration, and protocol bindings. The Web of Things complements existing IoT ecosystems to reduce the cost and risk for suppliers and consumers of applications that create value by combining multiple devices and information services. There are many sectors that will benefit, e.g. smart homes, smart cities, smart industry, smart agriculture, smart healthcare and many more. The Web of Things Working Group is finishing the initial Web of Things standards, with support from the Web of Things Interest Group: Web of Things Architecture Thing Descriptions Strengthening the Core of the Web HTML The HTML Working Group was chartered early June to assist the W3C community in raising issues and proposing solutions for the HTML and DOM specifications, and to produce W3C Recommendations from WHATWG Review Drafts. A few days before, W3C and the WHATWG signed a Memorandum of Understanding outlining the agreement to collaborate on the development of a single version of the HTML and DOM specifications. Issues and proposed solutions for HTML and DOM done via the newly rechartered HTML Working Group in the WHATWG repositories The HTML Working Group is targetting November 2019 to bring HTML and DOM to Candidate Recommendations. CSS All CSS specifications CSS is a critical part of the Open Web Platform. The CSS Working Group gathers requirements from two large groups of CSS users: the publishing industry and application developers. Within W3C, those groups are exemplified by the Publishing groups and the Web Platform Working Group. The former requires things like better pagination support and advanced font handling, the latter needs intelligent (and fast!) scrolling and animations. What we know as CSS is actually a collection of almost a hundred specifications, referred to as ‘modules’. The current state of CSS is defined by a snapshot, updated once a year. The group also publishes an index defining every term defined by CSS specifications. Fonts All Fonts specifications The Web Fonts Working Group develops specifications that allow the interoperable deployment of downloadable fonts on the Web, with a focus on Progressive Font Enrichment as well as maintenance of WOFF Recommendations. Recent and ongoing work includes: Early API experiments by Adobe and Monotype have demonstrated the feasibility of a font enrichment API, where a server delivers a font with minimal glyph repertoire and the client can query the full repertoire and request additional subsets on-the-fly. In other experiments, the Brotli compression used in WOFF 2 was extended to support shared dictionaries and patch update. Metrics to quantify improvement are a current hot discussion topic. The group will meet at ATypi 2019 in Japan, to gather requirements from the international typography community. The group will first produce a report summarizing the strengths and weaknesses of each prototype solution by Q2 2020. SVG All SVG specifications SVG is an important and widely-used part of the Open Web Platform. The SVG Working Group focuses on aligning the SVG 2.0 specification with browser implementations, having split the specification into a currently-implemented 2.0 and a forward-looking 2.1. Current activity is on stabilization, increased integration with the Open Web Platform, and test coverage analysis. The Working Group was rechartered in March 2019. A new work item concerns native (non-Web-browser) uses of SVG as a non-interactive, vector graphics format. Audio The Web Audio Working Group was extended to finish its work on the Web Audio API, expecting to publish it as a Recommendation by year end. The specification enables synthesizing audio in the browser. Audio operations are performed with audio nodes, which are linked together to form a modular audio routing graph. Multiple sources — with different types of channel layout — are supported. This modular design provides the flexibility to create complex audio functions with dynamic effects. The first version of Web Audio API is now feature complete and is implemented in all modern browsers. Work has started on the next version, and new features are being incubated in the Audio Community Group. Performance Web Performance All Web Performance specifications There are currently 18 specifications in development in the Web Performance Working Group aiming to provide methods to observe and improve aspects of application performance of user agent features and APIs. The W3C team is looking at related work incubated in the W3C GPU for the Web (WebGPU) Community Group which is poised to transition to a W3C Working Group. A preliminary draft charter is available. WebAssembly All WebAssembly specifications WebAssembly improves Web performance and power by being a virtual machine and execution environment enabling loaded pages to run native (compiled) code. It is deployed in Firefox, Edge, Safari and Chrome. The specification will soon reach Candidate Recommendation. WebAssembly enables near-native performance, optimized load time, and perhaps most importantly, a compilation target for existing code bases. While it has a small number of native types, much of the performance increase relative to Javascript derives from its use of consistent typing. WebAssembly leverages decades of optimization for compiled languages and the byte code is optimized for compactness and streaming (the web page starts executing while the rest of the code downloads). Network and API access all occurs through accompanying Javascript libraries -- the security model is identical to that of Javascript. Requirements gathering and language development occur in the Community Group while the Working Group manages test development, community review and progression of specifications on the Recommendation Track. Testing Browser testing plays a critical role in the growth of the Web by: Improving the reliability of Web technology definitions; Improving the quality of implementations of these technologies by helping vendors to detect bugs in their products; Improving the data available to Web developers on known bugs and deficiencies of Web technologies by publishing results of these tests. Browser Testing and Tools The Browser Testing and Tools Working Group is developing WebDriver version 2, having published last year the W3C Recommendation of WebDriver. WebDriver acts as a remote control interface that enables introspection and control of user agents, provides a platform- and language-neutral wire protocol as a way for out-of-process programs to remotely instruct the behavior of Web, and emulates the actions of a real person using the browser. WebPlatform Tests The WebPlatform Tests project now provides a mechanism which allows to fully automate tests that previously needed to be run manually: TestDriver. TestDriver enables sending trusted key and mouse events, sending complex series of trusted pointer and key interactions for things like in-content drag-and-drop or pinch zoom, and even file upload. Since 2014 W3C began work on this coordinated open-source effort to build a cross-browser test suite for the Web Platform, which WHATWG, and all major browsers adopted. Web of Data All Data specifications There have been several great success stories around the standardization of data on the web over the past year. Verifiable Claims seems to have significant uptake. It is also significant that the Distributed Identifier WG charter has received numerous favorable reviews, and was just recently launched. JSON-LD has been a major success with the large deployment on Web sites via schema.org. JSON-LD 1.1 completed technical work, about to transition to CR More than 25% of websites today include schema.org data in JSON-LD The Web of Things description is in CR since May, making use of JSON-LD Verifiable Credentials data model is in CR since July, also making use of JSON-LD Continued strong interest in decentralized identifiers Engagement from the TAG with reframing core documents, such as Ethical Web Principles, to include data on the web within their scope Data is increasingly important for all organizations, especially with the rise of IoT and Big Data. W3C has a mature and extensive suite of standards relating to data that were developed over two decades of experience, with plans for further work on making it easier for developers to work with graph data and knowledge graphs. Linked Data is about the use of URIs as names for things, the ability to dereference these URIs to get further information and to include links to other data. There are ever-increasing sources of open Linked Data on the Web, as well as data services that are restricted to the suppliers and consumers of those services. The digital transformation of industry is seeking to exploit advanced digital technologies. This will facilitate businesses to integrate horizontally along the supply and value chains, and vertically from the factory floor to the office floor. W3C is seeking to make it easier to support enterprise-wide data management and governance, reflecting the strategic importance of data to modern businesses. Traditional approaches to data have focused on tabular databases (SQL/RDBMS), Comma Separated Value (CSV) files, and data embedded in PDF documents and spreadsheets. We're now in midst of a major shift to graph data with nodes and labeled directed links between them. Graph data is: Faster than using SQL and associated JOIN operations More favorable to integrating data from heterogeneous sources Better suited to situations where the data model is evolving In the wake of the recent W3C Workshop on Graph Data we are in the process of launching a Graph Standardization Business Group to provide a business perspective with use cases and requirements, to coordinate technical standards work and liaisons with external organizations. Web for All Security, Privacy, Identity All Security specifications, all Privacy specifications Authentication on the Web As the WebAuthn Level 1 W3C Recommendation published last March is seeing wide implementation and adoption of strong cryptographic authentication, work is proceeding on Level 2. The open standard Web API gives native authentication technology built into native platforms, browsers, operating systems (including mobile) and hardware, offering protection against hacking, credential theft, phishing attacks, thus aiming to end the era of passwords as a security construct. You may read more in our March press release. Privacy An increasing number of W3C specifications are benefitting from Privacy and Security review; there are security and privacy aspects to every specification. Early review is essential. Working with the TAG, the Privacy Interest Group has updated the Self-Review Questionnaire: Security and Privacy. Other recent work of the group includes public blogging further to the exploration of anti-patterns in standards and permission prompts. Security The Web Application Security Working Group adopted Feature Policy, aiming to allow developers to selectively enable, disable, or modify the behavior of some of these browser features and APIs within their application; and Fetch Metadata, aiming to provide servers with enough information to make a priori decisions about whether or not to service a request based on the way it was made, and the context in which it will be used. The Web Payment Security Interest Group, launched last April, convenes members from W3C, EMVCo, and the FIDO Alliance to discuss cooperative work to enhance the security and interoperability of Web payments (read more about payments). Internationalization (i18n) All Internationalization specifications, educational articles related to Internationalization, spec developers checklist Only a quarter or so current Web users use English online and that proportion will continue to decrease as the Web reaches more and more communities of limited English proficiency. If the Web is to live up to the "World Wide" portion of its name, and for the Web to truly work for stakeholders all around the world engaging with content in various languages, it must support the needs of worldwide users as they engage with content in the various languages. The growth of epublishing also brings requirements for new features and improved typography on the Web. It is important to ensure the needs of local communities are captured. The W3C Internationalization Initiative was set up to increase in-house resources dedicated to accelerating progress in making the World Wide Web "worldwide" by gathering user requirements, supporting developers, and education & outreach. For an overview of current projects see the i18n radar. W3C's Internationalization efforts progressed on a number of fronts recently: Requirements: New African and European language groups will work on the gap analysis, errata and layout requirements. Gap analysis: Japanese, Devanagari, Bengali, Tamil, Lao, Khmer, Javanese, and Ethiopic updated in the gap-analysis documents. Layout requirements document: notable progress tracked in the Southeast Asian Task Force while work continues on Chinese layout requirements. Developer support: Spec reviews: the i18n WG continues active review of specifications of the WHATWG and other W3C Working Groups. Short review checklist: easy way to begin a self-review to help spec developers understand what aspects of their spec are likely to need attention for internationalization, and points them to more detailed checklists for the relevant topics. It also helps those reviewing specs for i18n issues. Strings on the Web: Language and Direction Metadata lays out issues and discusses potential solutions for passing information about language and direction with strings in JSON or other data formats. The document was rewritten for clarity, and expanded. The group is collaborating with the JSON-LD and Web Publishing groups to develop a plan for updating RDF, JSON-LD and related specifications to handle metadata for base direction of text (bidi). User-friendly test format: a new format was developed for Internationalization Test Suite tests, which displays helpful information about how the test works. This particularly useful because those tests are pointed to by educational materials and gap-analysis documents. Web Platform Tests: a large number of tests in the i18n test suite have been ported to the WPT repository, including: css-counter-styles, css-ruby, css-syntax, css-test, css-text-decor, css-writing-modes, and css-pseudo. Education & outreach: (for all educational materials, see the HTML & CSS Authoring Techniques) Web Accessibility All Accessibility specifications, WAI resources The Web Accessibility Initiative supports W3C's Web for All mission. Recent achievements include: Education and training: Inaccessibility of CAPTCHA updated to bring our analysis and recommendations up to date with CAPTCHA practice today, concluding two years of extensive work and invaluable input from the public (read more on the W3C Blog Learn why your web content and applications should be accessible. The Education and Outreach Working Group has completed revision and updating of the Business Case for Digital Accessibility. Accessibility guidelines: The Accessibility Guidelines Working Group has continued to update WCAG Techniques and Understanding WCAG 2.1; and published a Candidate Recommendation of Accessibility Conformance Testing Rules Format 1.0 to improve inter-rater reliability when evaluating conformance of web content to WCAG An updated charter is being developed to host work on "Silver", the next generation accessibility guidelines (WCAG 2.2) There are accessibility aspects to most specifications. Check your work with the FAST checklist. Outreach to the world W3C Developer Relations To foster the excellent feedback loop between Web Standards development and Web developers, and to grow participation from that diverse community, recent W3C Developer Relations activities include: @w3cdevs tracks the enormous amount of work happening across W3C W3C Track during the Web Conference 2019 in San Francisco Tech videos: W3C published the 2019 Web Games Workshop videos The 16 September 2019 Developer Meetup in Fukuoka, Japan, is open to all and will combine a set of technical demos prepared by W3C groups, and a series of talks on a selected set of W3C technologies and projects W3C is involved with Mozilla, Google, Samsung, Microsoft and Bocoup in the organization of ViewSource 2019 in Amsterdam (read more on the W3C Blog) W3C Training In partnership with EdX, W3C's MOOC training program, W3Cx offers a complete "Front-End Web Developer" (FEWD) professional certificate program that consists of a suite of five courses on the foundational languages that power the Web: HTML5, CSS and JavaScript. We count nearly 900K students from all over the world. Translations Many Web users rely on translations of documents developed at W3C whose official language is English. W3C is extremely grateful to the continuous efforts of its community in ensuring our various deliverables in general, and in our specifications in particular, are made available in other languages, for free, ensuring their exposure to a much more diverse set of readers. Last Spring we developed a more robust system, a new listing of translations of W3C specifications and updated the instructions on how to contribute to our translation efforts. W3C Liaisons Liaisons and coordination with numerous organizations and Standards Development Organizations (SDOs) is crucial for W3C to: make sure standards are interoperable coordinate our respective agenda in Internet governance: W3C participates in ICANN, GIPO, IGF, the I* organizations (ICANN, IETF, ISOC, IAB). ensure at the government liaison level that our standards work is officially recognized when important to our membership so that products based on them (often done by our members) are part of procurement orders. W3C has ARO/PAS status with ISO. W3C participates in the EU MSP and Rolling Plan on Standardization ensure the global set of Web and Internet standards form a compatible stack of technologies, at the technical and policy level (patent regime, fragmentation, use in policy making) promote Standards adoption equally by the industry, the public sector, and the public at large Coralie Mercier, Editor, W3C Marketing & Communications $Id: Overview.html,v 1.60 2019/10/15 12:05:52 coralie Exp $ Copyright © 2019 W3C ® (MIT, ERCIM, Keio, Beihang) Usage policies apply.
skullanbones / Mpeg2tsA fast, cross-platform and modern C++ SDK for all your MPEG-2 transport stream media format needs following international specification ISO/IEC 13818-1.
adriankraemer / Immich ViewerA sleek Apple TV viewer for your self-hosted Immich photo & video library. Turn your Apple TV into a beautiful digital photo frame and browse your media on the big screen with high-quality viewing, slideshow mode, interactive navigation, and support for albums, tags, maps, and more — all powered by your Immich server.
Aryia-Behroziuan / ReferencesPoole, Mackworth & Goebel 1998, p. 1. Russell & Norvig 2003, p. 55. Definition of AI as the study of intelligent agents: Poole, Mackworth & Goebel (1998), which provides the version that is used in this article. These authors use the term "computational intelligence" as a synonym for artificial intelligence.[1] Russell & Norvig (2003) (who prefer the term "rational agent") and write "The whole-agent view is now widely accepted in the field".[2] Nilsson 1998 Legg & Hutter 2007 Russell & Norvig 2009, p. 2. McCorduck 2004, p. 204 Maloof, Mark. "Artificial Intelligence: An Introduction, p. 37" (PDF). georgetown.edu. Archived (PDF) from the original on 25 August 2018. "How AI Is Getting Groundbreaking Changes In Talent Management And HR Tech". Hackernoon. Archived from the original on 11 September 2019. Retrieved 14 February 2020. Schank, Roger C. (1991). "Where's the AI". AI magazine. Vol. 12 no. 4. p. 38. Russell & Norvig 2009. "AlphaGo – Google DeepMind". Archived from the original on 10 March 2016. Allen, Gregory (April 2020). "Department of Defense Joint AI Center - Understanding AI Technology" (PDF). AI.mil - The official site of the Department of Defense Joint Artificial Intelligence Center. Archived (PDF) from the original on 21 April 2020. Retrieved 25 April 2020. Optimism of early AI: * Herbert Simon quote: Simon 1965, p. 96 quoted in Crevier 1993, p. 109. * Marvin Minsky quote: Minsky 1967, p. 2 quoted in Crevier 1993, p. 109. Boom of the 1980s: rise of expert systems, Fifth Generation Project, Alvey, MCC, SCI: * McCorduck 2004, pp. 426–441 * Crevier 1993, pp. 161–162,197–203, 211, 240 * Russell & Norvig 2003, p. 24 * NRC 1999, pp. 210–211 * Newquist 1994, pp. 235–248 First AI Winter, Mansfield Amendment, Lighthill report * Crevier 1993, pp. 115–117 * Russell & Norvig 2003, p. 22 * NRC 1999, pp. 212–213 * Howe 1994 * Newquist 1994, pp. 189–201 Second AI winter: * McCorduck 2004, pp. 430–435 * Crevier 1993, pp. 209–210 * NRC 1999, pp. 214–216 * Newquist 1994, pp. 301–318 AI becomes hugely successful in the early 21st century * Clark 2015 Pamela McCorduck (2004, p. 424) writes of "the rough shattering of AI in subfields—vision, natural language, decision theory, genetic algorithms, robotics ... and these with own sub-subfield—that would hardly have anything to say to each other." This list of intelligent traits is based on the topics covered by the major AI textbooks, including: * Russell & Norvig 2003 * Luger & Stubblefield 2004 * Poole, Mackworth & Goebel 1998 * Nilsson 1998 Kolata 1982. Maker 2006. Biological intelligence vs. intelligence in general: Russell & Norvig 2003, pp. 2–3, who make the analogy with aeronautical engineering. McCorduck 2004, pp. 100–101, who writes that there are "two major branches of artificial intelligence: one aimed at producing intelligent behavior regardless of how it was accomplished, and the other aimed at modeling intelligent processes found in nature, particularly human ones." Kolata 1982, a paper in Science, which describes McCarthy's indifference to biological models. Kolata quotes McCarthy as writing: "This is AI, so we don't care if it's psychologically real".[19] McCarthy recently reiterated his position at the AI@50 conference where he said "Artificial intelligence is not, by definition, simulation of human intelligence".[20]. Neats vs. scruffies: * McCorduck 2004, pp. 421–424, 486–489 * Crevier 1993, p. 168 * Nilsson 1983, pp. 10–11 Symbolic vs. sub-symbolic AI: * Nilsson (1998, p. 7), who uses the term "sub-symbolic". General intelligence (strong AI) is discussed in popular introductions to AI: * Kurzweil 1999 and Kurzweil 2005 See the Dartmouth proposal, under Philosophy, below. McCorduck 2004, p. 34. McCorduck 2004, p. xviii. McCorduck 2004, p. 3. McCorduck 2004, pp. 340–400. This is a central idea of Pamela McCorduck's Machines Who Think. She writes: "I like to think of artificial intelligence as the scientific apotheosis of a venerable cultural tradition."[26] "Artificial intelligence in one form or another is an idea that has pervaded Western intellectual history, a dream in urgent need of being realized."[27] "Our history is full of attempts—nutty, eerie, comical, earnest, legendary and real—to make artificial intelligences, to reproduce what is the essential us—bypassing the ordinary means. Back and forth between myth and reality, our imaginations supplying what our workshops couldn't, we have engaged for a long time in this odd form of self-reproduction."[28] She traces the desire back to its Hellenistic roots and calls it the urge to "forge the Gods."[29] "Stephen Hawking believes AI could be mankind's last accomplishment". BetaNews. 21 October 2016. Archived from the original on 28 August 2017. Lombardo P, Boehm I, Nairz K (2020). "RadioComics – Santa Claus and the future of radiology". Eur J Radiol. 122 (1): 108771. doi:10.1016/j.ejrad.2019.108771. PMID 31835078. Ford, Martin; Colvin, Geoff (6 September 2015). "Will robots create more jobs than they destroy?". The Guardian. Archived from the original on 16 June 2018. Retrieved 13 January 2018. AI applications widely used behind the scenes: * Russell & Norvig 2003, p. 28 * Kurzweil 2005, p. 265 * NRC 1999, pp. 216–222 * Newquist 1994, pp. 189–201 AI in myth: * McCorduck 2004, pp. 4–5 * Russell & Norvig 2003, p. 939 AI in early science fiction. * McCorduck 2004, pp. 17–25 Formal reasoning: * Berlinski, David (2000). The Advent of the Algorithm. Harcourt Books. ISBN 978-0-15-601391-8. OCLC 46890682. Archived from the original on 26 July 2020. Retrieved 22 August 2020. Turing, Alan (1948), "Machine Intelligence", in Copeland, B. Jack (ed.), The Essential Turing: The ideas that gave birth to the computer age, Oxford: Oxford University Press, p. 412, ISBN 978-0-19-825080-7 Russell & Norvig 2009, p. 16. Dartmouth conference: * McCorduck 2004, pp. 111–136 * Crevier 1993, pp. 47–49, who writes "the conference is generally recognized as the official birthdate of the new science." * Russell & Norvig 2003, p. 17, who call the conference "the birth of artificial intelligence." * NRC 1999, pp. 200–201 McCarthy, John (1988). "Review of The Question of Artificial Intelligence". Annals of the History of Computing. 10 (3): 224–229., collected in McCarthy, John (1996). "10. Review of The Question of Artificial Intelligence". Defending AI Research: A Collection of Essays and Reviews. CSLI., p. 73, "[O]ne of the reasons for inventing the term "artificial intelligence" was to escape association with "cybernetics". Its concentration on analog feedback seemed misguided, and I wished to avoid having either to accept Norbert (not Robert) Wiener as a guru or having to argue with him." Hegemony of the Dartmouth conference attendees: * Russell & Norvig 2003, p. 17, who write "for the next 20 years the field would be dominated by these people and their students." * McCorduck 2004, pp. 129–130 Russell & Norvig 2003, p. 18. Schaeffer J. (2009) Didn't Samuel Solve That Game?. In: One Jump Ahead. Springer, Boston, MA Samuel, A. L. (July 1959). "Some Studies in Machine Learning Using the Game of Checkers". IBM Journal of Research and Development. 3 (3): 210–229. CiteSeerX 10.1.1.368.2254. doi:10.1147/rd.33.0210. "Golden years" of AI (successful symbolic reasoning programs 1956–1973): * McCorduck 2004, pp. 243–252 * Crevier 1993, pp. 52–107 * Moravec 1988, p. 9 * Russell & Norvig 2003, pp. 18–21 The programs described are Arthur Samuel's checkers program for the IBM 701, Daniel Bobrow's STUDENT, Newell and Simon's Logic Theorist and Terry Winograd's SHRDLU. DARPA pours money into undirected pure research into AI during the 1960s: * McCorduck 2004, p. 131 * Crevier 1993, pp. 51, 64–65 * NRC 1999, pp. 204–205 AI in England: * Howe 1994 Lighthill 1973. Expert systems: * ACM 1998, I.2.1 * Russell & Norvig 2003, pp. 22–24 * Luger & Stubblefield 2004, pp. 227–331 * Nilsson 1998, chpt. 17.4 * McCorduck 2004, pp. 327–335, 434–435 * Crevier 1993, pp. 145–62, 197–203 * Newquist 1994, pp. 155–183 Mead, Carver A.; Ismail, Mohammed (8 May 1989). Analog VLSI Implementation of Neural Systems (PDF). The Kluwer International Series in Engineering and Computer Science. 80. Norwell, MA: Kluwer Academic Publishers. doi:10.1007/978-1-4613-1639-8. ISBN 978-1-4613-1639-8. Archived from the original (PDF) on 6 November 2019. Retrieved 24 January 2020. Formal methods are now preferred ("Victory of the neats"): * Russell & Norvig 2003, pp. 25–26 * McCorduck 2004, pp. 486–487 McCorduck 2004, pp. 480–483. Markoff 2011. 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Cognitive Systems Research. 48: 39–55. doi:10.1016/j.cogsys.2017.05.001. hdl:2318/1665207. S2CID 206868967. Problem solving, puzzle solving, game playing and deduction: * Russell & Norvig 2003, chpt. 3–9, * Poole, Mackworth & Goebel 1998, chpt. 2,3,7,9, * Luger & Stubblefield 2004, chpt. 3,4,6,8, * Nilsson 1998, chpt. 7–12 Uncertain reasoning: * Russell & Norvig 2003, pp. 452–644, * Poole, Mackworth & Goebel 1998, pp. 345–395, * Luger & Stubblefield 2004, pp. 333–381, * Nilsson 1998, chpt. 19 Psychological evidence of sub-symbolic reasoning: * Wason & Shapiro (1966) showed that people do poorly on completely abstract problems, but if the problem is restated to allow the use of intuitive social intelligence, performance dramatically improves. (See Wason selection task) * Kahneman, Slovic & Tversky (1982) have shown that people are terrible at elementary problems that involve uncertain reasoning. (See list of cognitive biases for several examples). * Lakoff & Núñez (2000) have controversially argued that even our skills at mathematics depend on knowledge and skills that come from "the body", i.e. sensorimotor and perceptual skills. (See Where Mathematics Comes From) Knowledge representation: * ACM 1998, I.2.4, * Russell & Norvig 2003, pp. 320–363, * Poole, Mackworth & Goebel 1998, pp. 23–46, 69–81, 169–196, 235–277, 281–298, 319–345, * Luger & Stubblefield 2004, pp. 227–243, * Nilsson 1998, chpt. 18 Knowledge engineering: * Russell & Norvig 2003, pp. 260–266, * Poole, Mackworth & Goebel 1998, pp. 199–233, * Nilsson 1998, chpt. ≈17.1–17.4 Representing categories and relations: Semantic networks, description logics, inheritance (including frames and scripts): * Russell & Norvig 2003, pp. 349–354, * Poole, Mackworth & Goebel 1998, pp. 174–177, * Luger & Stubblefield 2004, pp. 248–258, * Nilsson 1998, chpt. 18.3 Representing events and time:Situation calculus, event calculus, fluent calculus (including solving the frame problem): * Russell & Norvig 2003, pp. 328–341, * Poole, Mackworth & Goebel 1998, pp. 281–298, * Nilsson 1998, chpt. 18.2 Causal calculus: * Poole, Mackworth & Goebel 1998, pp. 335–337 Representing knowledge about knowledge: Belief calculus, modal logics: * Russell & Norvig 2003, pp. 341–344, * Poole, Mackworth & Goebel 1998, pp. 275–277 Sikos, Leslie F. (June 2017). Description Logics in Multimedia Reasoning. Cham: Springer. doi:10.1007/978-3-319-54066-5. ISBN 978-3-319-54066-5. S2CID 3180114. Archived from the original on 29 August 2017. Ontology: * Russell & Norvig 2003, pp. 320–328 Smoliar, Stephen W.; Zhang, HongJiang (1994). "Content based video indexing and retrieval". IEEE Multimedia. 1 (2): 62–72. doi:10.1109/93.311653. S2CID 32710913. Neumann, Bernd; Möller, Ralf (January 2008). "On scene interpretation with description logics". Image and Vision Computing. 26 (1): 82–101. doi:10.1016/j.imavis.2007.08.013. Kuperman, G. J.; Reichley, R. M.; Bailey, T. C. (1 July 2006). "Using Commercial Knowledge Bases for Clinical Decision Support: Opportunities, Hurdles, and Recommendations". Journal of the American Medical Informatics Association. 13 (4): 369–371. doi:10.1197/jamia.M2055. PMC 1513681. PMID 16622160. MCGARRY, KEN (1 December 2005). "A survey of interestingness measures for knowledge discovery". The Knowledge Engineering Review. 20 (1): 39–61. doi:10.1017/S0269888905000408. S2CID 14987656. Bertini, M; Del Bimbo, A; Torniai, C (2006). "Automatic annotation and semantic retrieval of video sequences using multimedia ontologies". MM '06 Proceedings of the 14th ACM international conference on Multimedia. 14th ACM international conference on Multimedia. Santa Barbara: ACM. pp. 679–682. Qualification problem: * McCarthy & Hayes 1969 * Russell & Norvig 2003[page needed] While McCarthy was primarily concerned with issues in the logical representation of actions, Russell & Norvig 2003 apply the term to the more general issue of default reasoning in the vast network of assumptions underlying all our commonsense knowledge. Default reasoning and default logic, non-monotonic logics, circumscription, closed world assumption, abduction (Poole et al. places abduction under "default reasoning". Luger et al. places this under "uncertain reasoning"): * Russell & Norvig 2003, pp. 354–360, * Poole, Mackworth & Goebel 1998, pp. 248–256, 323–335, * Luger & Stubblefield 2004, pp. 335–363, * Nilsson 1998, ~18.3.3 Breadth of commonsense knowledge: * Russell & Norvig 2003, p. 21, * Crevier 1993, pp. 113–114, * Moravec 1988, p. 13, * Lenat & Guha 1989 (Introduction) Dreyfus & Dreyfus 1986. Gladwell 2005. Expert knowledge as embodied intuition: * Dreyfus & Dreyfus 1986 (Hubert Dreyfus is a philosopher and critic of AI who was among the first to argue that most useful human knowledge was encoded sub-symbolically. See Dreyfus' critique of AI) * Gladwell 2005 (Gladwell's Blink is a popular introduction to sub-symbolic reasoning and knowledge.) * Hawkins & Blakeslee 2005 (Hawkins argues that sub-symbolic knowledge should be the primary focus of AI research.) Planning: * ACM 1998, ~I.2.8, * Russell & Norvig 2003, pp. 375–459, * Poole, Mackworth & Goebel 1998, pp. 281–316, * Luger & Stubblefield 2004, pp. 314–329, * Nilsson 1998, chpt. 10.1–2, 22 Information value theory: * Russell & Norvig 2003, pp. 600–604 Classical planning: * Russell & Norvig 2003, pp. 375–430, * Poole, Mackworth & Goebel 1998, pp. 281–315, * Luger & Stubblefield 2004, pp. 314–329, * Nilsson 1998, chpt. 10.1–2, 22 Planning and acting in non-deterministic domains: conditional planning, execution monitoring, replanning and continuous planning: * Russell & Norvig 2003, pp. 430–449 Multi-agent planning and emergent behavior: * Russell & Norvig 2003, pp. 449–455 Turing 1950. Solomonoff 1956. Alan Turing discussed the centrality of learning as early as 1950, in his classic paper "Computing Machinery and Intelligence".[120] In 1956, at the original Dartmouth AI summer conference, Ray Solomonoff wrote a report on unsupervised probabilistic machine learning: "An Inductive Inference Machine".[121] This is a form of Tom Mitchell's widely quoted definition of machine learning: "A computer program is set to learn from an experience E with respect to some task T and some performance measure P if its performance on T as measured by P improves with experience E." Learning: * ACM 1998, I.2.6, * Russell & Norvig 2003, pp. 649–788, * Poole, Mackworth & Goebel 1998, pp. 397–438, * Luger & Stubblefield 2004, pp. 385–542, * Nilsson 1998, chpt. 3.3, 10.3, 17.5, 20 Jordan, M. I.; Mitchell, T. M. (16 July 2015). "Machine learning: Trends, perspectives, and prospects". Science. 349 (6245): 255–260. Bibcode:2015Sci...349..255J. doi:10.1126/science.aaa8415. PMID 26185243. S2CID 677218. Reinforcement learning: * Russell & Norvig 2003, pp. 763–788 * Luger & Stubblefield 2004, pp. 442–449 Natural language processing: * ACM 1998, I.2.7 * Russell & Norvig 2003, pp. 790–831 * Poole, Mackworth & Goebel 1998, pp. 91–104 * Luger & Stubblefield 2004, pp. 591–632 "Versatile question answering systems: seeing in synthesis" Archived 1 February 2016 at the Wayback Machine, Mittal et al., IJIIDS, 5(2), 119–142, 2011 Applications of natural language processing, including information retrieval (i.e. text mining) and machine translation: * Russell & Norvig 2003, pp. 840–857, * Luger & Stubblefield 2004, pp. 623–630 Cambria, Erik; White, Bebo (May 2014). "Jumping NLP Curves: A Review of Natural Language Processing Research [Review Article]". IEEE Computational Intelligence Magazine. 9 (2): 48–57. doi:10.1109/MCI.2014.2307227. S2CID 206451986. Vincent, James (7 November 2019). "OpenAI has published the text-generating AI it said was too dangerous to share". The Verge. Archived from the original on 11 June 2020. Retrieved 11 June 2020. Machine perception: * Russell & Norvig 2003, pp. 537–581, 863–898 * Nilsson 1998, ~chpt. 6 Speech recognition: * ACM 1998, ~I.2.7 * Russell & Norvig 2003, pp. 568–578 Object recognition: * Russell & Norvig 2003, pp. 885–892 Computer vision: * ACM 1998, I.2.10 * Russell & Norvig 2003, pp. 863–898 * Nilsson 1998, chpt. 6 Robotics: * ACM 1998, I.2.9, * Russell & Norvig 2003, pp. 901–942, * Poole, Mackworth & Goebel 1998, pp. 443–460 Moving and configuration space: * Russell & Norvig 2003, pp. 916–932 Tecuci 2012. Robotic mapping (localization, etc): * Russell & Norvig 2003, pp. 908–915 Cadena, Cesar; Carlone, Luca; Carrillo, Henry; Latif, Yasir; Scaramuzza, Davide; Neira, Jose; Reid, Ian; Leonard, John J. (December 2016). "Past, Present, and Future of Simultaneous Localization and Mapping: Toward the Robust-Perception Age". IEEE Transactions on Robotics. 32 (6): 1309–1332. arXiv:1606.05830. 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Retrieved 26 April 2018. Domingos 2015. Artificial brain arguments: AI requires a simulation of the operation of the human brain * Russell & Norvig 2003, p. 957 * Crevier 1993, pp. 271 and 279 A few of the people who make some form of the argument: * Moravec 1988 * Kurzweil 2005, p. 262 * Hawkins & Blakeslee 2005 The most extreme form of this argument (the brain replacement scenario) was put forward by Clark Glymour in the mid-1970s and was touched on by Zenon Pylyshyn and John Searle in 1980. Goertzel, Ben; Lian, Ruiting; Arel, Itamar; de Garis, Hugo; Chen, Shuo (December 2010). "A world survey of artificial brain projects, Part II: Biologically inspired cognitive architectures". Neurocomputing. 74 (1–3): 30–49. doi:10.1016/j.neucom.2010.08.012. Nilsson 1983, p. 10. Nils Nilsson writes: "Simply put, there is wide disagreement in the field about what AI is all about."[163] AI's immediate precursors: * McCorduck 2004, pp. 51–107 * Crevier 1993, pp. 27–32 * Russell & Norvig 2003, pp. 15, 940 * Moravec 1988, p. 3 Haugeland 1985, pp. 112–117 The most dramatic case of sub-symbolic AI being pushed into the background was the devastating critique of perceptrons by Marvin Minsky and Seymour Papert in 1969. See History of AI, AI winter, or Frank Rosenblatt. Cognitive simulation, Newell and Simon, AI at CMU (then called Carnegie Tech): * McCorduck 2004, pp. 139–179, 245–250, 322–323 (EPAM) * Crevier 1993, pp. 145–149 Soar (history): * McCorduck 2004, pp. 450–451 * Crevier 1993, pp. 258–263 McCarthy and AI research at SAIL and SRI International: * McCorduck 2004, pp. 251–259 * Crevier 1993 AI research at Edinburgh and in France, birth of Prolog: * Crevier 1993, pp. 193–196 * Howe 1994 AI at MIT under Marvin Minsky in the 1960s : * McCorduck 2004, pp. 259–305 * Crevier 1993, pp. 83–102, 163–176 * Russell & Norvig 2003, p. 19 Cyc: * McCorduck 2004, p. 489, who calls it "a determinedly scruffy enterprise" * Crevier 1993, pp. 239–243 * Russell & Norvig 2003, p. 363−365 * Lenat & Guha 1989 Knowledge revolution: * McCorduck 2004, pp. 266–276, 298–300, 314, 421 * Russell & Norvig 2003, pp. 22–23 Frederick, Hayes-Roth; William, Murray; Leonard, Adelman. "Expert systems". AccessScience. doi:10.1036/1097-8542.248550. Embodied approaches to AI: * McCorduck 2004, pp. 454–462 * Brooks 1990 * Moravec 1988 Weng et al. 2001. Lungarella et al. 2003. Asada et al. 2009. Oudeyer 2010. Revival of connectionism: * Crevier 1993, pp. 214–215 * Russell & Norvig 2003, p. 25 Computational intelligence * IEEE Computational Intelligence Society Archived 9 May 2008 at the Wayback Machine Hutson, Matthew (16 February 2018). "Artificial intelligence faces reproducibility crisis". Science. pp. 725–726. Bibcode:2018Sci...359..725H. doi:10.1126/science.359.6377.725. Archived from the original on 29 April 2018. Retrieved 28 April 2018. Norvig 2012. Langley 2011. Katz 2012. The intelligent agent paradigm: * Russell & Norvig 2003, pp. 27, 32–58, 968–972 * Poole, Mackworth & Goebel 1998, pp. 7–21 * Luger & Stubblefield 2004, pp. 235–240 * Hutter 2005, pp. 125–126 The definition used in this article, in terms of goals, actions, perception and environment, is due to Russell & Norvig (2003). Other definitions also include knowledge and learning as additional criteria. Agent architectures, hybrid intelligent systems: * Russell & Norvig (2003, pp. 27, 932, 970–972) * Nilsson (1998, chpt. 25) Hierarchical control system: * Albus 2002 Lieto, Antonio; Lebiere, Christian; Oltramari, Alessandro (May 2018). "The knowledge level in cognitive architectures: Current limitations and possibile developments". Cognitive Systems Research. 48: 39–55. doi:10.1016/j.cogsys.2017.05.001. hdl:2318/1665207. S2CID 206868967. Lieto, Antonio; Bhatt, Mehul; Oltramari, Alessandro; Vernon, David (May 2018). "The role of cognitive architectures in general artificial intelligence". Cognitive Systems Research. 48: 1–3. doi:10.1016/j.cogsys.2017.08.003. hdl:2318/1665249. S2CID 36189683. Russell & Norvig 2009, p. 1. White Paper: On Artificial Intelligence - A European approach to excellence and trust (PDF). Brussels: European Commission. 2020. p. 1. Archived (PDF) from the original on 20 February 2020. Retrieved 20 February 2020. CNN 2006. Using AI to predict flight delays Archived 20 November 2018 at the Wayback Machine, Ishti.org. N. Aletras; D. Tsarapatsanis; D. Preotiuc-Pietro; V. Lampos (2016). "Predicting judicial decisions of the European Court of Human Rights: a Natural Language Processing perspective". PeerJ Computer Science. 2: e93. doi:10.7717/peerj-cs.93. "The Economist Explains: Why firms are piling into artificial intelligence". The Economist. 31 March 2016. Archived from the original on 8 May 2016. Retrieved 19 May 2016. Lohr, Steve (28 February 2016). "The Promise of Artificial Intelligence Unfolds in Small Steps". The New York Times. Archived from the original on 29 February 2016. Retrieved 29 February 2016. Frangoul, Anmar (14 June 2019). "A Californian business is using A.I. to change the way we think about energy storage". CNBC. Archived from the original on 25 July 2020. Retrieved 5 November 2019. Wakefield, Jane (15 June 2016). "Social media 'outstrips TV' as news source for young people". BBC News. Archived from the original on 24 June 2016. Smith, Mark (22 July 2016). "So you think you chose to read this article?". BBC News. Archived from the original on 25 July 2016. Brown, Eileen. "Half of Americans do not believe deepfake news could target them online". ZDNet. Archived from the original on 6 November 2019. Retrieved 3 December 2019. The Turing test: Turing's original publication: * Turing 1950 Historical influence and philosophical implications: * Haugeland 1985, pp. 6–9 * Crevier 1993, p. 24 * McCorduck 2004, pp. 70–71 * Russell & Norvig 2003, pp. 2–3 and 948 Dartmouth proposal: * McCarthy et al. 1955 (the original proposal) * Crevier 1993, p. 49 (historical significance) The physical symbol systems hypothesis: * Newell & Simon 1976, p. 116 * McCorduck 2004, p. 153 * Russell & Norvig 2003, p. 18 Dreyfus 1992, p. 156. Dreyfus criticized the necessary condition of the physical symbol system hypothesis, which he called the "psychological assumption": "The mind can be viewed as a device operating on bits of information according to formal rules."[206] Dreyfus' critique of artificial intelligence: * Dreyfus 1972, Dreyfus & Dreyfus 1986 * Crevier 1993, pp. 120–132 * McCorduck 2004, pp. 211–239 * Russell & Norvig 2003, pp. 950–952, Gödel 1951: in this lecture, Kurt Gödel uses the incompleteness theorem to arrive at the following disjunction: (a) the human mind is not a consistent finite machine, or (b) there exist Diophantine equations for which it cannot decide whether solutions exist. Gödel finds (b) implausible, and thus seems to have believed the human mind was not equivalent to a finite machine, i.e., its power exceeded that of any finite machine. He recognized that this was only a conjecture, since one could never disprove (b). Yet he considered the disjunctive conclusion to be a "certain fact". The Mathematical Objection: * Russell & Norvig 2003, p. 949 * McCorduck 2004, pp. 448–449 Making the Mathematical Objection: * Lucas 1961 * Penrose 1989 Refuting Mathematical Objection: * Turing 1950 under "(2) The Mathematical Objection" * Hofstadter 1979 Background: * Gödel 1931, Church 1936, Kleene 1935, Turing 1937 Graham Oppy (20 January 2015). "Gödel's Incompleteness Theorems". Stanford Encyclopedia of Philosophy. Archived from the original on 22 April 2016. Retrieved 27 April 2016. These Gödelian anti-mechanist arguments are, however, problematic, and there is wide consensus that they fail. Stuart J. Russell; Peter Norvig (2010). "26.1.2: Philosophical Foundations/Weak AI: Can Machines Act Intelligently?/The mathematical objection". Artificial Intelligence: A Modern Approach (3rd ed.). Upper Saddle River, NJ: Prentice Hall. ISBN 978-0-13-604259-4. even if we grant that computers have limitations on what they can prove, there is no evidence that humans are immune from those limitations. Mark Colyvan. An introduction to the philosophy of mathematics. Cambridge University Press, 2012. From 2.2.2, 'Philosophical significance of Gödel's incompleteness results': "The accepted wisdom (with which I concur) is that the Lucas-Penrose arguments fail." Iphofen, Ron; Kritikos, Mihalis (3 January 2019). "Regulating artificial intelligence and robotics: ethics by design in a digital society". Contemporary Social Science: 1–15. doi:10.1080/21582041.2018.1563803. ISSN 2158-2041. "Ethical AI Learns Human Rights Framework". Voice of America. Archived from the original on 11 November 2019. Retrieved 10 November 2019. Crevier 1993, pp. 132–144. In the early 1970s, Kenneth Colby presented a version of Weizenbaum's ELIZA known as DOCTOR which he promoted as a serious therapeutic tool.[216] Joseph Weizenbaum's critique of AI: * Weizenbaum 1976 * Crevier 1993, pp. 132–144 * McCorduck 2004, pp. 356–373 * Russell & Norvig 2003, p. 961 Weizenbaum (the AI researcher who developed the first chatterbot program, ELIZA) argued in 1976 that the misuse of artificial intelligence has the potential to devalue human life. Wendell Wallach (2010). Moral Machines, Oxford University Press. Wallach, pp 37–54. Wallach, pp 55–73. Wallach, Introduction chapter. Michael Anderson and Susan Leigh Anderson (2011), Machine Ethics, Cambridge University Press. "Machine Ethics". aaai.org. Archived from the original on 29 November 2014. Rubin, Charles (Spring 2003). "Artificial Intelligence and Human Nature". The New Atlantis. 1: 88–100. Archived from the original on 11 June 2012. Brooks, Rodney (10 November 2014). "artificial intelligence is a tool, not a threat". Archived from the original on 12 November 2014. "Stephen Hawking, Elon Musk, and Bill Gates Warn About Artificial Intelligence". Observer. 19 August 2015. Archived from the original on 30 October 2015. Retrieved 30 October 2015. Chalmers, David (1995). "Facing up to the problem of consciousness". Journal of Consciousness Studies. 2 (3): 200–219. Archived from the original on 8 March 2005. Retrieved 11 October 2018. See also this link Archived 8 April 2011 at the Wayback Machine Horst, Steven, (2005) "The Computational Theory of Mind" Archived 11 September 2018 at the Wayback Machine in The Stanford Encyclopedia of Philosophy Searle 1980, p. 1. This version is from Searle (1999), and is also quoted in Dennett 1991, p. 435. Searle's original formulation was "The appropriately programmed computer really is a mind, in the sense that computers given the right programs can be literally said to understand and have other cognitive states." [230] Strong AI is defined similarly by Russell & Norvig (2003, p. 947): "The assertion that machines could possibly act intelligently
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Sa ligne éditoriale est axée sur les deux Congo décomplexé, un Congo qui va de l'avant et gagne !.","sources":["http://cms-streamaniak.top/Cdirect/CDIRECT/index.m3u8"],"subtitle":"By Channel","thumb":"https://cdirect.tv/assets/img/logo-cdirect.ico","title":"CDIRECT TV / Kinshasa-Brazzaville"},{"description":"DBM TV ou digital black Music est une Chaîne TV à thématique musicale, DBM a pour vocation de révéler et promouvoir la musique Afro Urbaine, qu’elle soit d’Afrique ou d’ailleurs info@dbm-tv.com. .","sources":["https://dbmtv.vedge.infomaniak.com/livecast/smil:dbmtv.smil/manifest.m3u8"],"subtitle":"By Channel","thumb":"https://www.dbm-tv.fr/wp-content/uploads/2017/12/logo-dbm.png","title":"DBM TV / Music "},{"description":"La LUMIÈRE, ministère Chrétien pour annoncer l’évangile de Jésus Christ partout dans le monde, toucher changer et sauver des vies par la puissance de la parole de DIEU avec des enseignements prédications adorations louanges partages de prières, d’exhortations et de témoignages","sources":["https://video1.getstreamhosting.com:1936/8248/8248/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://cdn.shortpixel.ai/client/q_glossy,ret_img,w_124,h_124/https://telepack.net/wp-content/uploads/2020/05/lumiere-tv.png","title":"La Lumiere TV / Gospel"},{"description":"La Télévision Togolaise (TVT) est le nom de l'unique chaîne de télévision publique togolaise, Crée depuis 1979.","sources":["http://54.38.92.12/tvt.m3u8"],"subtitle":"By Google","thumb":"https://amp.live-tv-channels.org/pt-data/uploads/logo/tg-tv.jpg","title":"Télévision Togolais"},{"description":"CRTV est un service de radio et de télévision contrôlé par le gouvernement au Cameroun. Cela a commencé sous le nom de Cameroon Television (CTV) et a ensuite fusionné avec le service de radio pour devenir CRTV. Il couvre l'ensemble des dix régions du Cameroun, ce qui en fait le diffuseur indomptable parmi plusieurs chaînes de télévision privées du pays. Sa couverture des événements est généralement considérée comme pro-gouvernementale. Les programmes de la CRTV comprennent des documentaires, des magazines, des analyses d'actualités et des séries importées d'Asie et du Brésil..","sources":["http://178.33.237.146/crtv.m3u8"],"subtitle":"By Channel","thumb":"http://www.cameroonconcordnews.com/wp-content/uploads/2018/03/CRTV-new.jpg","title":"Cameroune Radio Télévision"},{"description":"Impact TV c'est une premiere Chaine televisee chretienne diffusant au Burkina-Fasso sur satelite innauguree le 07/03/2008 par Marie Sophie.","sources":["https://edge10.vedge.infomaniak.com/livecast/impacttele/chunklist_w973675047.m3u8"],"subtitle":"By Channel","thumb":"https://i1.wp.com/www.livetvliveradio.com/wp-content/uploads/2017/07/impact-tv.jpg?fit=259%2C194","title":"Impact TV / Burkina Fasso"},{"description":"Kigali Channel 2 ( Là pour vous) est une chaine televisee Rwandaise emmetant a Kigali. KC2 se diversite par sa diffusion des emitions exceptionnelle ainsi que des films nouveautes et plein d'autres.","sources":["https://5c46fa289c89f.streamlock.net/kc2/kc2/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://encrypted-tbn0.gstatic.com/images?q=tbn%3AANd9GcQfQjI8jUhMPReWg0MOdw1xpAAXMP7YAuZKBg&usqp=CAU","title":"KC2 TV / Rwanda"},{"description":"Equinox est une chaîne de télévision basée au Cameroun. Peu de temps après son lancement, il est devenu l'un des critiques les plus virulents du régime de Paul Biya. La station était connue pour avoir diffusé des images en direct d'une manifestation politique contre le changement constitutionnel au Cameroun qui favorisait le maintien au pouvoir du président Biya après 2011, alors qu'il lui était interdit par la Constitution de se présenter à nouveau. La télévision appartient au magnat des affaires de la région ouest du Cameroun, Severin Tchounke, qui possède également un quotidien critique, La Nouvelle Expression.","sources":["http://178.33.237.146/equinoxetv.m3u8"],"subtitle":"By Channel","thumb":"https://camer-press.com/wp-content/uploads/2020/04/Equinoxe-Tv.jpg","title":"Equinoxetv"},{"description":"Rwanda Télévision (RTV) est la premiere chaîne public du Rwanda qui fournit des informations et des divertissements quotidiens au public rwandais en trois langues: anglais, français et kinyarwanda géré par l'industrie de la télévision rwandaise , mais ce derniere est composée de 12 chaînes de télévision dont 84% télévisions sont détenues par des privés (10 sur 12) tandis que 8% appartiennent respectivement à des organisations publiques et religieuses. L'Agence nationale de radiodiffusion rwandaise.","sources":["https://5c46fa289c89f.streamlock.net/rtv/rtv/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://maps.prodafrica.com/wp-content/uploads/2020/03/10191_RBA_002.png","title":"RTV"},{"description":"IBN TV est un radiodiffuseur islamique de télévision et de radio qui transmet IBN TV et Radio Maarifa de Dar es Salaam et Tanga respectivement. Il a été crée sous la direction de la Fondation Al Itrah et a été diffusé officiellement depuis Mars 2003. IBN TV est un média privé qui a commencé après la libéralisation de l’industrie des médias en Tanzanie. IBN TV est la première chaîne islamique en Tanzanie. Il couvre presque toute la région de Dar es Salaam, Tanga, Arusha et Mwanza. IBN TV diffuse en quatre langues différentes, à savoir l’anglais, le swahili, le gujarati et l’ourdou.","sources":["http://138.68.138.119:8080/low/5a8993709ea19/index.m3u8"],"subtitle":"By Channel","thumb":"http://www.alitrah.co.tz/wp-content/uploads/sites/3/2015/10/ibntvafrica.png","title":"IBN TV"},{"description":"RTB est une chaîne de télévision publique générale dirigée par l’Établissement public d’État. Son siège social est situé dans la capitale du Burkina Faso, à Ouagadougou. Il est diffusé en direct à la télévision terrestre et sur Internet. Cette chaîne africaine diffuse des nouvelles télévisées en Français. Mais en général, les flashs de nouvelles sont dans la langue nationale comme Lobiri, Bwamu, Gulmancéma ainsi que Bissa. RTB offre un programme avec de nombreux magazines sur le sport, l’économie, la culture, la santé et la jeunesse.","sources":["https://edge8.vedge.infomaniak.com/livecast/ik:rtbtvlive1/manifest.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/en/c/c0/RTB_Sukmaindera.png","title":"Radio Television Burkina Fasso"},{"description":"Eri-TV est une chaîne de télévision érythréenne appartenant à l'État. Basée dans la capitale du pays, Asmara, elle diffuse 24 heures sur 24. La station propose des bulletins d'information 24 heures sur 24, des émissions-débats et des programmes culturels et éducatifs. Eri-TV a une large base d'audience en dehors de l'Érythrée, que la chaîne publique reconnaît et utilise pour communiquer avec les Érythréens vivant à l'étranger. Le réseau compte environ 1 à 2 millions de téléspectateurs par semaine. Eri-TV reconnaît la culture minoritaire érythréenne et a largement adopté un partage de temps égal entre chacune des langues parlées du pays.","sources":["http://217.182.137.206/eri.m3u8"],"subtitle":"By Channel","thumb":"https://eri.tv/images/eri-tv-live.png","title":"ERITRIE TV"},{"description":"Créée au Sénégal par le GROUPE D-MEDIA, SENTV, 1ère Chaîne Urbaine au Sénégal, consacre sa programmation au traitement de l'actualité nationale et internationale et à la culture urbaine sénégalaise et africaine en générale. Elle émet sur hertzien depuis 2009 et est désormais disponible sur satellite via le bouquet Canal + Afrique et les bouquets IPTV à l'international. Une chaîne généraliste et orientée urbaine, constituant ainsi une offre originale et unique au Sénégal. Une part importante de ses programmes est constituée par des rendez-vous d’actualité sur une rythmique quotidienne et des émissions phares orientées Société et Divertissement.","sources":["http://46.105.114.82/tfm_senegal.m3u8"],"subtitle":"By Channel","thumb":"https://www.xalat.info/wp-content/uploads/2019/02/maxresdefault-2.jpg","title":"SENEGAL TV"},{"description":"RTB diffuse des emissions ainsi que les Sports, Musique, Culture et Films d'Action.","sources":["http://46.105.114.82/rtb1.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/bf-rtb-tv-8682.jpg","title":"RTB"},{"description":"LEEEKO est un ensemble de médias web radio et tv, créé le 1er Decembre 2016 par Serges OLUBI, passionné de musiques. LEEEKO diffuse une diversité des musique telsque: Rhumba, Zouk, Ndombolo, Rnb, Classic, Jazz et autres à travers l'Afrique.","sources":["http://livetvsteam.com:1935/leeeko/leeeko/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://is2-ssl.mzstatic.com/image/thumb/Purple113/v4/c9/76/95/c9769524-8604-49ac-108e-efca1d025a99/source/512x512bb.jpg","title":"LEEKO MUSIQUE TV"},{"description":"La Radio Télévision Guinéenne (RTG), l’un des premiers organes de presse public du pays, est absente dans plusieurs villes de l’intérieur du pays. Et ce après 42 ans depuis sa création. Par endroits, les signaux de la RTG sont totalement absents depuis plusieurs années. Par contre, dans certaines préfectures, malgré la réception des signaux, faute d’énergie, les populations sont privées des émissions de la RTG, a-t-on constaté.","sources":["http://178.33.237.146/rtg.m3u8"],"subtitle":"By Blender Channel","thumb":"http://maliactu.info/wp-content/uploads/2019/08/rtg-radio-television-guineenne.png","title":"Radio Television Guinéenne "},{"description":"MTA Africa 1 (anciennement MTA Africa) est la quatrième chaîne de télévision par satellite du réseau MTA International. Il a été lancé début août 2016, diffusant spécifiquement pour les téléspectateurs africains, à travers l'Afrique et l'Europe. La chaîne a été créée sous les auspices de Mirza Masroor Ahmad, le chef spirituel de la communauté musulmane Ahmadiyya. MTA Africa est géré et financé volontairement par les Ahmadis.","sources":["https://ooyalahd2-f.akamaihd.net/i/mtaengaudio_delivery@138280/index_3000_av-p.m3u8"],"subtitle":"By Blender Channel","thumb":"https://pbs.twimg.com/profile_images/950498775893774338/XKhzDO2.jpg","title":"MTA AFRICA"},{"description":"L’Office de Radiodiffusion et Télévision du Bénin (ORTB) est le service public de l’audiovisuel du Bénin. C’est un établissement public à caractères social, culturel et scientifique doté de la personnalité morale et de l’autonomie financière. ORTB, pas sans vous !/ Tél: +229 21 30 00 48/ Whatsapp: +229 69 70 55 55/ Email: contact@ortb.bj","sources":["http://51.77.223.83/ortb.m3u8"],"subtitle":"By Channel","thumb":"https://www.lavoixduconsommateur.org/images/services/1533219563.jpg","title":"ORTB / Bénin"},{"description":"Dream Channel est une chaine télévisée ematant au cameroune qui diffuse de la musique de toutes tendances.","sources":["http://connectiktv.ddns.net:5000/dreamchannel/dreamchannel/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://connectik.tv/wp-content/uploads/2019/06/c1b45634-2f8c-47e7-8849-e6d7ea620465-300x169.jpg","title":"DREAM CHANNEL TV / Cameroune"},{"description":"Canal Algérie est la deuxième chaîne de télévision nationale grand public algérienne. La chaîne fait partie du groupe EPTV qui comprend également TV1, TV3, TV4, TV5, TV6 et TV7. C'est une chaîne francophone. La chaîne diffuse ses programmes 24h / 24 et 7j / 7 via différentes plateformes et partout dans le monde.","sources":["http://46.105.114.82/canal_algerie.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Logo_Canal_Algerie.svg/800px-Logo_Canal_Algerie.svg.png","title":"Canal Algerie"},{"description":"Radio Télévision Sénegalaise est une station de radio diffusée sur le réseau de Radiodiffusion Télévision Sénégalaise (RTS1 HD) de Dakar, au Sénégal, fournissant des informations, des sports, des débats, des émissions en direct et des informations sur la culture ainsi que la musique.","sources":["http://46.105.114.82/rts1.m3u8"],"subtitle":"By Channel","thumb":"https://lh3.googleusercontent.com/VZyPxURRRo-C0lEWHggT8C-dDJvFNFTVxKrn1yKUNROoT85XnOl9VcmM5HFzyRDwvgs","title":"Radio Télévision Sénegalaise 1 HD"},{"description":"Kalsan est une chaîne de télévision Somalienne dont le siège est à Londres. Elle a commencé à diffuser en 2013. La chaîne est axée sur les Somaliens. La programmation est principalement axée sur les actualités et les divertissements.","sources":["http://cdn.mediavisionuae.com:1935/live/kalsantv.stream/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://xogdoonnews.net/wp-content/uploads/2017/11/kalsan-tv.jpg","title":"KALSAN TV / Somalie"},{"description":"One Africa Television est une chaine de television namibien crée en 2003 et couvrant à l'origine uniquement Windhoek, Rehoboth et Okahandja, One Africa Television a connu une croissance significative, avec son signal diffusé via 29 émetteurs analogiques à travers la Namibie. En 2013, One Africa Television a rejoint l'ère numérique, et la chaîne est depuis disponible sur le réseau de télévision numérique terrestre de la Namibian Broadcasting Corporation (Channel 301) ainsi que sur la plateforme DStv Namibia de MultiChoice (Channel 284) ainsi que sur le réseau numérique terrestre GoTV de MultiChoice. Président du groupe d'Africa Television, Paul van Schalkwyk, a été tué dans un accident d'avion le 10 mars 2014.","sources":["https://za-tv2a-wowza-origin02.akamaized.net/oneafrica/smil:oneafrica/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://neweralive.na/uploads/2016/11/Untitled-1.jpg","title":"ONE AFRICA TV / Namibia"},{"description":"VISION4 TV est une chaine television panafricanisme Camerounais crée en 2008. qui diffuse des Émissions hauts de gamme telsque : Afro Café, Matinale infos, le journal d'afrique, tour d'horizon, journal de 12, women's story, The 6h00 pm news, Let's talk, Meeting point le grand live, le grand journal de 20h, santé spirituelle, sport time, Arrêt majeur, Au cœur du mystère, parole d'artistes, Femme attitude, Panafritude, Rendez-vous santé, afro zik, Club d'élites, Plateau du Jaguar, Dimanche bonheur, face aux dinosaures. Vision 4 Le Groupe Anecdote Vision 4 TV, Satelite FM, Africa Express Siège social : Yaoundé - Cameroun (Nsam) Secrétariat PDG : Tel : +237 242 71 88 13 / Fax : +237 222 31 67 81 Service de l'information : Tel : +237 242 71 87 68 Yaoundé Centre B.P 25070 Cameroun","sources":["http://cdnamd-hls-globecast.akamaized.net/live/ramdisk/vision4/hls_video/index.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/Vision_4.jpg/600px-Vision_4.jpg","title":"VISION 4"},{"description":"Nago TV is a Haitian television channel 100% devoted to music videos(Compass, Rap Creole, Racine).","sources":["http://haititivi.com:8088/haititv/tele6NY/index.m3u8"],"subtitle":"By Channel","thumb":"https://lh3.googleusercontent.com/GdAVtX7AU8834RaKoUC4c3itv2A_R1k8XATBf26G_IgQKnvxEtAew0cJOr_kWOpWkpY","title":"NAGO TV / Haiti"},{"description":"Lagos Television has been a trail blazer right from inception. Apart from being the first TV station outside the NTA family, the station took the Nigerian TV industry by storm in the early 80s with the introduction of a 60-hour non stop weekend from 7pm on Fridays till 7am on Mondays. The then Lagos weekend Television was the first marathon TV station in Africa. It’s unprecedented public approval transformed TV viewership especially within the Lagos precinct and brought a change in the call sign LTV/LWT.","sources":["http://185.105.4.193:1935/ltv/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://www.lagostelevision.com/wp-content/uploads/2015/10/logo.png","title":"Lagos Television"},{"description":"Emmanuel TV is the television station of The Synagogue, Church Of All Nations, broadcasting 24/7 around the globe via satellite and on the internet. The purpose of Emmanuel TV is to preach the Good News to all mankind. That is what we are born for, living for and what we shall die for. Emmanuel TV is committed to changing lives, changing nations and changing the whole world through the Gospel of our Lord Jesus Christ. Jesus Christ is the inspiration behind Emmanuel TV; as such, God’s purpose is our purpose.","sources":["https://api.new.livestream.com/accounts/23202872/events/7200883/live.m3u8"],"subtitle":"By Channel","thumb":"https://scoan-website-emmanueltv.netdna-ssl.com/wp-content/blogs.dir/12/files/2016/09/emmanuel_tv_icon.png","title":"Emmanuel TV"},{"description":"Addis TV is a City Channel based in Addis Ababa, Ethiopia, which broadcasts News and Programs 24/7.","sources":["https://rrsatrtmp.tulix.tv/addis1/addis1multi.smil/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://et.heytv.org/wp-content/uploads/2019/04/Addis-webtvonlive-com.jpg","title":"Addis TV / Ethiopia"},{"description":"Resurrection TV is a Christian based station aimed at uplifting your soul with an unadulterated word of God. it ensures a distinction between sin and righteousness.","sources":["http://rtmp.ottdemo.rrsat.com/rrsatrtv1/rrsatrtvmulti.smil/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/564x/9e/f5/ae/9ef5aeb5c1ddd05a20d27faaf5d9b931.jpg","title":"Résurrection TV/ Ghana"},{"description":"CTV frique est une television camerounaise basee a yaounde.","sources":["http://connectiktv.ddns.me:8080/ctv-africa/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/01/CTV-1-300x212.jpeg","title":"CTV AFRICA"},{"description":"BEL TV est une station de télévision haïtienne qui diffuse sur le web via diverses plateformes et par câble. Notre vision est de créer une télévision standard dont la qualité du programme est aussi instructive que divertissante. À cote de cette vision, BEL TV s’est fixé pour mission de promouvoir la Culture haïtienne, à savoir le Cinéma, la musique, la littérature et bien plus encore, ce à travers la Caraïbe et le monde entier. BEL TV c’est une toute autre façon de faire la télé.","sources":["http://connectiktv.ddns.me:8080/afriqueplustv/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2019/07/NEW-LOGO0047_00000_00000-300x169.png","title":"AFRICA PLUS TV "},{"description":"1 ok.","sources":["http://connectiktv.ddns.me:8080/mygospel/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/mygospel-300x140.png","title":"MY GOSPEL TV"},{"description":"2 ok.","sources":["http://connectiktv.ddns.me:8080/media-prime/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/myprime15-300x140.png","title":"MEDIA PRIME TV"},{"description":"3 ok.","sources":["http://connectiktv.ddns.me:8080/mymusic/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/mymusic1.png","title":"MY MUSIC TV "},{"description":"4 ok.","sources":["http://connectiktv.ddns.me:8080/mymovie-en/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/myenglish-300x140.png","title":"MY MOVIE TV / English"},{"description":"5 ok.","sources":["http://connectiktv.ddns.me:8080/mymovie-fr/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/myfresh-300x140.png","title":"MY MOVIE TV / Francais"},{"description":"6 ok","sources":["http://connectiktv.ddns.me:8080/bikutsitv/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2019/09/bikutsi-300x63.jpeg","title":"BIKUTSI TV"},{"description":"7 ok.","sources":["http://connectiktv.ddns.me:8080/cam10tv/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/07/CAM10-REVUE.jpg","title":"CAM 10 TV / Cameroune"},{"description":"8 ok.","sources":["http://connectiktv.ddns.me:8080/leadergospel/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/leader-cable.jpg","title":"LEADER GOSPEL TV / Religion"},{"description":"9 ok.","sources":["http://connectiktv.ddns.me:8080/vstv/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/VS-TV-300x168.jpg","title":"VS tv"},{"description":"10 0k.","sources":["http://connectiktv.ddns.me:8080/mytv/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2019/04/mytv-channel-hd-300x169.jpg","title":"MY TV CHANNEL"},{"description":"Radio Tele Puissance est une chaine chrétienne qui diffuse en direct des programmes chrétien avec des vidéos et des films Gospel de premier ordre, des documentaires. radio Tele Puissance est une station très divertissante..","sources":["https://video1.getstreamhosting.com:1936/8560/8560/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://radioendirect.net/assets/images/radio/item/119251.jpg","title":"Radio Tele Puissance"},{"description":"Christ live est une chaine télévision de divertissement chrétienne disponible sur le satellite.","sources":["https://raw.githubusercontent.com/exodiver/IPTV/master/M3U8/Token/Cliv.m3u8"],"subtitle":"By Channel","thumb":"http://www.centraltv.fr/wp-content/uploads/christ-tv_logo.jpg","title":"CHRIST TV / Religion"},{"description":"QTV Gambia is the First Private Television Station","sources":["https://player.qtv.gm/hls/live.stream.m3u8"],"subtitle":"By Channel","thumb":"https://standard.gm/wp-content/uploads/2020/08/QTV-696x495.jpg","title":"QTV / Gambia"},{"description":"TVM International, or TVM Internacional, is the international channel of Mozambique's national TV broadcaster, Televisão de Moçambique (TVM), broadcasting for 24 hours per day. The channel will showcase local programming featuring Mozambican culture, tourism and sports.","sources":["http://196.28.226.121:1935/live/smil:Channel2.smil/chunklist_b714000_slpor.m3u8"],"subtitle":"By Channel","thumb":"https://clubofmozambique.com/wp-content/uploads/2020/03/tvmint.rm.jpg","title":"TVM Internacional"},{"description":"K24 TV est une chaine de télévision généraliste Kényane fondée en 2007 basé à Longonot Place, P. O. Box 49640 Kijabe St Tél : +254 20 2124801. K24 TV diffuse sur la télévision terrestre et en streaming sur Dailymotion et sur son site internet..","sources":["https://raw.githubusercontent.com/exodiver/IPTV/master/M3U8/Token/K24.m3u8"],"subtitle":"By Channel","thumb":"http://www.centraltv.fr/wp-content/uploads/k24-tv_logo.jpg","title":"K24 TV / Kenya"},{"description":"Afrobeat tv is a division of kaycee records .Kaycee Records is an independent record label established in the United Kingdom, and Nigeria Owned by Kennedy Kesidi Richard from Oguta in Imo State Nigeria .Afro beat tv is the new musical innovation to promote African art and and as a platform to promote and create awareness for up coming African artist all around the globe","sources":["http://connectiktv.ddns.net:8080/afrobit/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2019/05/AFROBIT-png-300x168.png","title":"AFROBITS / Music"},{"description":"Dunamis International Gospel Centre (DIGC) Jos Central is a powerfully anointed church, where God's Presence and power are saving, healing and restoring human destinies and dignities! Located in Alheri, Jos, Plateau State with HQT in Abuja Nigeria. Dunamis (Doo'na-mis) is the Greek word that means POWER.","sources":["https://christianworld.ashttp9.visionip.tv/live/visiontvuk-religion-dunamistv-SD/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/ng-dunamis-tv-2163-300x225.jpg","title":"DUNAMIS TV / Religion"},{"description":"France tv sport, c’est d’abord l’actualité de TOUS les sports. De l’analyse en temps réel, du live ou encore des replays vidéo sont disponibles à tout moment. Enrichissez votre expérience et plongez au cœur de l'actualité du sport.","sources":["https://streamserv.mytvchain.com/sportenfrance/SP1564435593_720p/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://liberador.net/media/images/FranceTv_Sport.max-640x640.jpg","title":"SPORTS FRANCE TV"},{"description":"Darut Tarbiyah La télévision en direct du Réseau islamique de Trinité-et-Tobago Chaîne de télévision religieuse / Darut Tarbiyah Le Réseau islamique (T.I.N.) est une chaîne de télévision câblée locale de Trinité-et-Tobago diffusant des programmes islamiques. La station est transportée sur le canal 96 ou 116 sur le système de câble Flow Trinidad. DARUT TARBIYAH - LE RÉSEAU ISLAMIQUE. Darut Tarbiyah Drive, Ramgoolie Trace North, Cunupia, Trinidad Antilles. Tél: (868) 693-1722, 693-1393","sources":["http://162.244.81.145:2215/live/livestream/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://theislamicnetwork.org/wp-content/uploads/musicpro/bd-uploads/logo_logo_TIN-Logo-White-Text.png","title":"THE ISLAMIC NETWORK"},{"description":"D Sports HD est une chaine qui se fcalise sur les Sports en General : WWE, BOX, Football: Ligue brésilienne, Super League chinoise, Ligue portugaise, Major League Soccer (USA) Courses hippiques: courses quotidiennes diffusées en direct du Royaume-Uni et d'Irlande Golf: British Open (The Open Championship), US Open, PGA Championship, LPGA Motorsports: NASCAR, Championnat du Monde de Rallycross FIA Rugby: 6 Nations Rugby Cyclisme: Tour de France (propriété d'Eurosport).","sources":["http://jiocgehub.jio.ril.com/Dsports_HD/Dsports_HD.m3u8?fluxustv.m3u8"],"subtitle":"By Channel","thumb":"https://kccl.tv/sites/default/files/dsportjpg.jpg","title":"D Sports TV"},{"description":"Africa Sports TV est la première chaîne francophone d’information en continue de sport en Afrique. C’est un média fédérateur des sports africains. On parle de compétition locales, des ligues nationales sur toutes les disciplines du continent, dont le basketball, le football, la lutte… Il y aura beaucoup de lutte, qui prend un essor important sur le continent. Il y a tout un lobby autour de la lutte. Africa Sports TV est disponible Sur Le Canal 56 de la BbOX – Sur Le Canal 614 du Bouquet Africain Max de TV ORANGE.","sources":["https://strhls.streamakaci.tv/str_africasportstv_africasportstv/str_africasportstv_multi/str_africasportstv_africasportstv/str_africasportstv_player_1080p/chunks.m3u8"],"subtitle":"By Channel","thumb":"https://pbs.twimg.com/profile_images/1215646342812401668/SOnvVloX_400x400.jpg","title":"Africa Sports TV"},{"description":"Real Madrid TV est une chaîne de télévision numérique gratuite, exploitée par le Real Madrid, spécialisée dans le club de football espagnol. La chaîne est disponible en espagnol et en anglais. Il est situé à Ciudad Real Madrid à Valdebebas (Madrid), le centre de formation du Real Madrid.","sources":["http://rmtv24hweblive-lh.akamaihd.net/i/rmtv24hwebes_1@300661/index_3_av-b.m3u8"],"subtitle":"By Channel","thumb":"https://files.cults3d.com/uploaders/13539675/illustration-file/9c08780f-eb52-427b-aad7-b0a8c0fb83a1/real_madrid_ref1_large.JPG","title":"Real Madrid TV"},{"description":"Real Madrid Club de Fútbol, ce qui signifie Royal Madrid Football Club), communément appelé Real Madrid, est un club de football professionnel espagnol basé à Madrid. Fondé le 6 mars 1902 sous le nom de Madrid Football Club, le club porte traditionnellement un maillot blanc à domicile depuis sa création. Le mot réel est espagnol pour royal et a été accordé au club par le roi Alfonso XIII en 1920 avec la couronne royale dans l'emblème. L'équipe a disputé ses matchs à domicile dans le stade Santiago Bernabéu d'une capacité de 81 044 places au centre-ville de Madrid depuis 1947.","sources":["http://rmtv24hweblive-lh.akamaihd.net/i/rmtv24hweben_1@300662/master.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/564x/e4/de/18/e4de1869c0eba3beab9ffc9d01660e65.jpg","title":"Real Madrid TV"},{"description":" EPT SPORTS HD est la nouvelle chaîne exclusivement sportive de l’audiovisuel public, ERT Sports HD, sa première officielle à 06h00 le matin du samedi 9 février 2019.","sources":["https://ert-live.siliconweb.com/media/ert_sports/ert_sportshigh.m3u8"],"subtitle":"By Channel","thumb":"https://png.pngitem.com/pimgs/s/681-6814150_ert-sports-hd-logo-ert-sports-hd-hd.png","title":"EPT Sports HD"},{"description":"Sports Tonight Live, branded simply as Sports Tonight, was a British television show and channel, owned by VISION247 based in Central London. It was launched online on 29 August 2011.","sources":["http://sports.ashttp9.visionip.tv/live/visiontvuk-sports-sportstonightlive-hsslive-25f-4x3-SD/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://embeddedplayer.visionip.tv/portals/Sports_Tonight_Live/Sports_Tonight_Live/overlay_logos/Sports%20Tonight%20Live-plBackground-1308.png","title":"Sports Tonight"},{"description":"Arryadia HD TV est une chaîne sportive de télévision publique marocaine. Il fait partie du groupe public SNRT avec Al Aoula, Athaqafia, Al Maghribia, Assadissa, Aflam TV, Tamazight TV et Laayoune TV. La chaîne a été lancée le 16 septembre 2006. Arryadia est le diffuseur officiel de la ligue marocaine Botola.","sources":["http://cdn-hls.globecast.tv/live/ramdisk/arriadia/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://4.bp.blogspot.com/-lnh_8LWuXaw/WZ09LDkMsZI/AAAAAAAAEeI/9FKtxdQjbl4UVqmZjqN4R-fE9uOLG2ccQCLcBGAs/s1600/FB_IMG_1503465850383.jpg","title":"Arryadia TV / Maroc"},{"description":"Assadissa TV est une chaîne de télévision publique marocaine dédiée aux affaires religieuses. Il fait partie du groupe public SNRT avec Al Aoula, Arryadia, Athaqafia, Al Maghribia, Aflam TV, Tamazight TV et Laayoune TV. La chaîne a été lancée le 3 novembre 2005. Outre les lectures du Coran, il existe également des programmes de services religieux, de débats et de documentaires. Il est diffusé tous les jours de 2h00 à 23h00. Le samedi, il est de 6h00 à 21h00.","sources":["http://cdn-hls.globecast.tv/live/ramdisk/assadissa/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/commons/7/7e/Assadissa.png","title":"Assadissa TV/ Maroc"},{"description":"Al Aoula, anciennement appelée TVM (Télévision marocaine, arabe: ??????? ????????), est la première chaîne de télévision publique marocaine. Il fait partie du groupe public SNRT avec Arryadia, Athaqafia, Al Maghribia, Assadissa, Aflam TV, Tamazight TV et Laayoune TV. Le réseau diffuse des programmes en arabe, berbère, français et espagnol. Son siège est situé à Rabat. Lancé en 1962, Al Aoula a été le premier réseau de télévision à produire et à diffuser ses propres programmes dans le pays. En 1962, il a commencé des émissions en couleur.","sources":["http://cdn-hls.globecast.tv/live/ramdisk/al_aoula_inter/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://live.staticflickr.com/1853/44065447112_7a93bb434f.jpg","title":"Al Aoula TV/ Maroc"},{"description":"2M TV est une chaîne de télévision marocaine gratuite. Il a été créé par le conglomérat royal, ONA, avant d'être en partie vendu à l'État marocain. 20,7% de 2M appartiennent à la société holding de Mohammed VI SNI. Alors qu'environ 60% sont contrôlés par l'État marocain. Il est basé à Casablanca. Il est disponible gratuitement localement sur signal numérique avec une couverture sur tout le Maroc et sur la télévision par satellite via Globecast, Nilesat et Arabsat. 2M propose des services en arabe, français et berbère.","sources":["https://cdnamd-hls-globecast.akamaized.net/live/ramdisk/2m_monde/hls_video_ts/2m_monde.m3u8"],"subtitle":"By Channel","thumb":"https://caidal.ma/wp-content/uploads/2019/04/ob_febd69_2-m-maroc-en-ligne.jpg","title":"2M TV / Maroc"},{"description":"La chaîne Al Magharibia diffuse des programmes politiques, sociaux et économiques depuis sa base privée de Londres. La chaîne est diffusée en arabe et s'adresse aux pays du Mahgreb, l'Algérie en particulier. Le ton d'Al Magharibia est fermement basé sur un discours politique et idéologique. Le ton d'Al Magharibia est fermement basé sur un discours politique et idéologique.","sources":["https://cdnamd-hls-globecast.akamaized.net/live/ramdisk/al_maghribia_snrt/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://cdn.sat.tv/wp-content/uploads/2016/05/SNRT-AlMaghribia.png","title":"Al maghribia TV / Maroc"},{"description":"Athaqafia TV est une chaîne gratuite disponible sur le satellite Hotbird et propose une gamme de programmes allant des documentaires et des programmes éducatifs ainsi que de la musique, des dessins animés et des divertissements familiaux. La chaîne s'adresse principalement aux familles et est diffusée principalement en arabe mais parfois en langue française et berbère. La chaîne a été créée par la société de production marocaine appartenant à l'État, SNRT.","sources":["http://cdn-hls.globecast.tv/live/ramdisk/arrabiaa/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://cdn.sat.tv/wp-content/uploads/2016/05/SNRTAThaqafia.png","title":"Athaqafia TV / Maroc"},{"description":"Tele Maroc est la nouvelle chaîne satellitaire généraliste marocaine créée par rachid Niny. Siège à Madrid. « C’est donc une chaéne de télévision légalement espagnole avec un contenu marocain.","sources":["https://api.new.livestream.com/accounts/27130247/events/8196478/live.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/564x/9e/1d/b5/9e1db51201d4debce634f6e8b44a2424.jpg","title":"Tele Maroc"},{"description":"Tamazinght TV est une chaîne de télévision publique marocaine créée le 6 janvier 2010, propriété de la Société nationale de radiodiffusion et de télévision. La chaîne a pour objectif la promotion et la préservation de la culture amazighe au Maroc et dans la région de l'Afrique du Nord. en langue berbère. 70% en tashelhit, tarifit et tamazight (les 3 variantes du berbère du Maroc), le reste en arabe.","sources":["https://cdnamd-hls-globecast.akamaized.net/live/ramdisk/tamazight_tv8_snrt/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"http://hub.tv-ark.org.uk/images/International/international_images/morocco_images/tamazight/Tamazight_TV_ident4_060912a.jpg","title":"Tamazight TV / Maroc"},{"description":"EMCI TV est une chaîne de télévision chrétienne évangélique francophone. Les studios de la chaîne se trouvent dans la ville de Québec, Canada. Le contenu de la programmation est assez varié et provient de divers pays francophones d’Afrique, d’Europe et d’Amérique. Des clips musicaux, des enseignements bibliques, des prédications, la Bible en vidéo, des temps de prière, des reportages, des documentaires, des films ainsi que des séries y sont présentés.","sources":["https://emci-fr-hls.akamaized.net/hls/live/2007265/emcifrhls/index.m3u8"],"subtitle":"By Channel","thumb":"https://www.enseignemoi-files.com/site/view/images/dyn-cache/pages/image/img/23/62/1522940482_236277_1200x630x1.f.jpg?v=2018021301","title":"EMCI TV / Religion"},{"description":"CIS TV est une chaine tv guinéen consacré au sport et à la culture. basée à Conakry, fondé en 2016 par Mamadou Antonio Souaré. CIS TV est diffuse via le satellite Fréquence Tv 3689: Symbole 1083: Satelite eutelsat 10a ZONES DE DIFFUSION : tiers d'Afrique.","sources":["http://51.81.109.113:1935/CDNLIVE/CISTV/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://www.senegal7.com/wp-content/uploads/2019/03/f9180cb9286c49c4f3a6c793798b9ddf.png","title":"CIS TV / Guinee"},{"description":"Faso TV est une initiative de Magic Communication et Médias, une société à responsabilité limitée basée à Ouagadougou, capitale du Burkina Faso. C’est une chaîne de télévision en ligne destinée à l’événementiel. Nous entendons par événementiel toutes manifestations ou activités à caractère culturel, économique, éducatif ou sportif dont l’objectif est de susciter la mobilisation, l’adhésion, l’engouement de la population ou d’un public cible au plan local, national ou international. Autrement dit, notre stratégie éditoriale consiste à faire la promotion de toutes activités qui contribuent au développement socio-économique et culturel, à l’éducation, au divertissement et au bien être de la population burkinabé et de sa diaspora.","sources":["https://playtv4kpro.com:5443/LiveApp/streams/163893638025530331068059.m3u8"],"subtitle":"By Channel","thumb":"https://fasotv.net/wp-content/uploads/2019/10/logo-final-sans-slogan.png","title":"FASO TV / Burkina Fasso "},{"description":"Plex tv une chaîne généraliste spécialisé dans la retransmissions des événement. émission et qui diffuse aussi des films, musiques, divertissement, sport, magasine etc et une multitude de programme en haute définition.","sources":["http://connectiktv.ddns.net:5000/plextv/@plextv/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://www.lifetimepremiumaccounts.com/wp-content/uploads/2019/03/plex-logo.jpg","title":"PLEX TV / "},{"description":"PLAY TV est une chaine de télévision musicale Camerounaise basée à Yaoundé, elle diffuse un programme 100% musicale la musique d’ici et d’ailleurs en haute définition..","sources":["http://connectiktv.ddns.net:5000/playtv/@playtv/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2019/04/logo-play-tv-300x113.jpg","title":"PLAT TV / Cameroune "},{"description":"TVR Rennes 35 Bretagne est une chaîne de télévision locale née en mars 1987 sous le nom de TV Rennes. TVR Rennes 35 Bretagne fut inaugurée à son lancement par le président de la République, elle fut la première télévision locale créée en France elle est diffusée Canal 35 sur la TNT / Canal 30 sur Orange, Freebox et BBox / Canal 95 sur Numéricable et en direct streaming sur son site Internet.","sources":["https://streamtv.cdn.dvmr.fr/TVR/ngrp:tvr.stream_all/master.m3u8"],"subtitle":"By Channel","thumb":"https://w0.pngwave.com/png/890/19/tvr-tv-rennes-35-logo-television-channel-tvr-t350-png-clip-art.png","title":"Rennes TV / France Sports "},{"description":"Chaîne franco-marocaine basée à Tanger et destinée au Maghreb. Programmation culturelle avec information, reportages et documentaires. En arabe et en Français. Fin 2010, elle a également commencé à diffuser à la télévision analogique terrestre au Maroc, en plus de la télévision numérique par satellite. Il a été rebaptisé Medi 1 TV.","sources":["http://streaming.medi1tv.com/live/Medi1tvmaghreb.sdp/chunklist.m3u8"],"subtitle":"By Channel","thumb":"http://www.logotypes101.com/logos/807/C85CC3231EAD10CEC61C182C7DED072D/medi1tvlogo.png","title":"Medi 1 TV / Maroc"},{"description":"M24 Television est la chaîne d’info en continu de l’agence marocaine de presse (MAP). Une chaîne qui couvre l’actualité marocaine et internationale. Une chaîne fidèle aux valeurs de la MAP qui est le premier producteur d'information au Maroc. Le fil de la MAP se décline en cinq langues : Arabe, Amazighe, Français, Anglais et Espagnol. la MAP présente dans toutes les régions du Royaume et dans les cinq continents, elle fournit tous les médias en informations, reportages, analyses et portraits.","sources":["https://www.m24tv.ma/live/smil:OutStream1.smil/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://is5-ssl.mzstatic.com/image/thumb/Purple114/v4/e4/c6/3e/e4c63e4e-b8ff-a14e-cacd-3593f09c1f78/source/512x512bb.jpg","title":"M24 TV / Maroc"},{"description":"La chaîne Al Magharibia diffuse des programmes politiques, sociaux et économiques depuis sa base privée de Londres. La chaîne est diffusée en arabe et s'adresse aux pays du Mahgreb, l'Algérie en particulier. Le ton d'Al Magharibia est fermement basé sur un discours politique et idéologique. Le ton d'Al Magharibia est fermement basé sur un discours politique et idéologique.","sources":["https://cdnamd-hls-globecast.akamaized.net/live/ramdisk/al_maghribia_snrt/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://cdn.sat.tv/wp-content/uploads/2016/05/SNRT-AlMaghribia.png","title":"Al maghribia TV / Maroc"},{"description":"Athaqafia TV est une chaîne gratuite disponible sur le satellite Hotbird et propose une gamme de programmes allant des documentaires et des programmes éducatifs ainsi que de la musique, des dessins animés et des divertissements familiaux. La chaîne s'adresse principalement aux familles et est diffusée principalement en arabe mais parfois en langue française et berbère. La chaîne a été créée par la société de production marocaine appartenant à l'État, SNRT.","sources":["http://cdn-hls.globecast.tv/live/ramdisk/arrabiaa/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://cdn.sat.tv/wp-content/uploads/2016/05/SNRTAThaqafia.png","title":"Athaqafia TV / Maroc"},{"description":"Al-Fath channel is the property of Sheikh Ahmed Awad Abdo, and is considered the satellite channel of the Islamic religious channels that follow the Sunnah, and offers a series of programs interpretation for the Quran Al-Kareem, and many true prophetic and the CEO is Prof. Ahmed Abdou Awad, the Islamic Scholar.","sources":["https://svs.itworkscdn.net/alfatehlive/fatehtv/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/eg-alfath-tv.jpg","title":"Al Fath TV / Egypte"},{"description":"Al Hayah started broadcasting in 2008 during the last years of Mubarak's rule, which saw a revival in the ownership of the media. It was founded by businessman El Sayed El Badawi as part of Al Hayah Channels Network. El Badawi assumed the presidency of the Wafd Party from May 2010 until March 2018. El Badawi is one of the businessmen who played political roles in addition to owning media outlets, such as Al Dostor (link to profile). ","sources":["http://media.islamexplained.com:1935/live/_definst_mp4:ahme.stream_360p/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/474x/76/1a/a4/761aa46eb54c24d21ca5866f21442426.jpg","title":"Al hayat TV / Maroc"},{"description":"The El Sharq channel broadcasts Various programs, from Egypt country in the Arabic language, last updated time on March 25, 2016. El Sharq which considered to view as a Free to air satellite TV channel.","sources":["https://mn-nl.mncdn.com/elsharq_live/live/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://egytvs.com/wp-content/uploads/2014/06/al-sharq-200x75.jpg","title":"Al sharq TV / Maroc"},{"description":"Guinée TV1 est une chaine de télévision généraliste Guinéenne basée à Conakry. Elle diffuse de la musique des informations des documentaires. des programmes religieux et autre.","sources":["https://playtv4kpro.com:5443/LiveApp/streams/664825404798849938149128.m3u8"],"subtitle":"By Channel","thumb":"https://gtv1love.com/wp-content/uploads/2019/10/logo4.png","title":"GUINEE TV / Guinee "},{"description":"Inooro TV chaînes de télévision généraliste Kényane en langue Kikuyu lancé le 26 octobre 2015. Elle diffuse 24 heures sur 24. Inooro TV est une chaine du groupe Royal Media Services (RMS).","sources":["https://vidcdn.vidgyor.com/inoorotv-origin/liveabr/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://royalmedia.s3.amazonaws.com/wp-content/uploads/2019/10/inoorotv.jpg","title":"INOORO TV / Kenya "},{"description":"Citizen TV Kenya est une station nationale Kényane détenue par Royal Media Services Ltd.Elle diffuse principalement en anglais et en swahili. Elle a été lancé en 1999 et relancé en Juin 2006 c’est la station de télévision avec la plus forte croissance au Kenya avec un fort accent sur ??la programmation locale Basé au Communication Centre,Maalim Juma Road,Off Dennis Pritt Road, Nairobi, 7498-00300.","sources":["https://vidcdn.vidgyor.com/citizentv-origin/liveabr/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://www.innocirc.com/wp-content/uploads/2017/07/citizen.jpg","title":"CITIZEN TV / Kenya "},{"description":"RTJ TV ( Radio Télévision Jeune ) est une chaine de télévision culturel Sénégalaise. Elle diffuse des programme de divertissement( WatZapp le Zapping), Musique (playlist Mix Afro Mix Zouk Mix Hip Hop Musique sénégalaise), bien être, documentaire, Émission éducatif qui consiste à joindre l’utile à l’agréable à travers l'éducation des enfants, interviews ect.","sources":["http://public.acangroup.org:1935/output/rtjtv.stream/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://rtjtv.com/images/rtjtv.png","title":"RTJ TV / Senegal"},{"description":"Mouride tv est une chaine de télévision généraliste sénégalaise basé à touba, Senegal. Mouride tv c’est la télévision base au coeur des événement mourides magal, thiante, wakhtane, khassaide, kourel en direct..","sources":["http://51.81.109.113:1935/Livemouridetv/mouridetv/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/sn-mouride-tv.jpg","title":"MOURIDE TV / Senegal"},{"description":"ANN TV est une chaîne d’Informations générales et de Divertissement. Elle est produite par JUUF COMMUNICATION et diffusée sur le site d’informations générales multimédia ANN. La plateforme ANN comporte un journal en ligne (ANN), une WebRadio (ANN FM) et une WebTV (ANN TV).","sources":["http://vod.acangroup.org:1935/output/anntv.stream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://an-news.com/wp-content/uploads/2019/05/aan.png","title":"ANN TV / Senegal"},{"description":"Louga TV est une chaine culturelle et religieuse Senegalaise qui se veut attractive et objective. En temps réel, elle produit des vidéos de qualité qui tiennent compte de la spécificité de l’information et de la crédibilité de ses sources. Également, l’équipe technique et rédactionnelle est constituée de techniciens chevronnés aux compétences avérées. Dans son approche des enjeux de l’information capitale, la chaine louga tv offre des vidéos qui informent, forment et transforment le citoyen dans l’approche de son monde en devenir..","sources":["http://ira.dyndns.tv:8080/live/louga/CAnhiMtR6C/1708.m3u8"],"subtitle":"By Channel","thumb":"https://i.ytimg.com/vi/3Gnt2_SndXw/maxresdefault.jpg","title":"LOUGA TV / Senegal"},{"description":"Dieu TV est une chaine de télévision généraliste chrétienne pour la Francophonie.Elle proclame la Bonne Nouvelle du Salut en Jésus-Christ pour atteindre les 400 millions de Francophones dans le monde. Fondée en 2007. Dieu TV diffuse sur le Satellite Eutelsat 5WA (Europe et Afrique du Nord), et le Satellite Amos 5 et en streaming sur son site interne","sources":["https://katapy.hs.llnwd.net/dieutvwza1/DIEUTVLIVE/smil:dieutv.smil/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/fr-dieu-tv.jpg","title":"DIEU TV / Religion "},{"description":"Radio Télévision Hirondelle : La nouvelle couleur du Sud. Elle diffuse des émissions pour divers catégories nouvelles locales, nationales et internationales le sport du monde Entier la musique et videos clips Promotions des artistes Locaux.","sources":["http://play.acwstream.com:2000/live/acw_01/index.m3u8"],"subtitle":"By Channel","thumb":"https://radiotelehirondelle.com/wp-content/uploads/2020/08/logo.png","title":"HIRONDELLE TV"},{"description":"BEL TV est une station de télévision haïtienne qui diffuse sur le web via diverses plateformes et par câble. Notre vision est de créer une télévision standard dont la qualité du programme est aussi instructive que divertissante. À cote de cette vision, BEL TV s’est fixé pour mission de promouvoir la Culture haïtienne, à savoir le Cinéma, la musique, la littérature et bien plus encore, ce à travers la Caraïbe et le monde entier. BEL TV c’est une toute autre façon de faire la télé.","sources":["https://hbiptv.live/player/sakchotv/index.m3u8"],"subtitle":"By Channel","thumb":"https://image.roku.com/developer_channels/prod/1de97a21d9bd773a115a5467974be0b859d1157256316bd1e72ed48965c0191a.png","title":"BEL TV / Haiti "},{"description":"The Middle East Broadcasting Center (MBC) Group is the first private free-to-air satellite broadcasting company in the Arab World. It was launched in London in 1991 and later moved to its headquarters in Dubai in 2002. MBC Group provides multiple channels of information, interaction and entertainment. MBC Group includes 10 television channels: MBC1 (general family entertainment via terrestrial), MBC2 and MBC MAX (24-hour movies), MBC3 (children’s entertainment), MBC4 (entertainment for new Arab women via terrestrial).","sources":["https://shls-masr-prod.shahid.net/masr-prod.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/commons/7/7c/MBC_Masr_Logo.png","title":"MBC MSR 1 / Egypte"},{"description":"The Middle East Broadcasting Center (MBC) Group is the first private free-to-air satellite broadcasting company in the Arab World. It was launched in London in 1991 and later moved to its headquarters in Dubai in 2002. MBC Group provides multiple channels of information, interaction and entertainment. MBC Group includes 10 television channels: MBC1 (general family entertainment via terrestrial), MBC2 and MBC MAX (24-hour movies), MBC3 (children’s entertainment), MBC4 (entertainment for new Arab women via terrestrial).","sources":["https://shls-masr2-prod.shahid.net/masr2-prod.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/564x/01/3c/21/013c218c3ce9b3cfc883bdcdb121e5e6.jpg","title":"MBC MSR 2 / Egypte"},{"description":"Mekameleen TV is an Egyptian opposition TV Channel. It is based in Istanbul. 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D5Music entend devenir la chaîne référence musicale des 5 continents","sources":["https://www.rti.ci/direct_rti2.html"],"subtitle":"By Channel","thumb":"https://d5music.tv/wp-content/uploads/2020/07/cropped-LOGO-D5-MUSIC-BLANCROUGE_carre-192x192.png","title":"RTI 2 TV"},{"description":"A2iTV la chaine 100% immigration Senegalais, qui est née de la synergie de personnes qui ont décidé d’ unir leur force, leur compétence et leur ressources matérielles et financiéres pour participer avec l’aide des nouvelles technologies à informer sur l’ immigration .","sources":["http://51.158.31.93:1935/a2itv/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://www.centraltv.fr/wp-content/uploads/A2itv_logo.jpg","title":"A2i TV / Senegal"},{"description":"A2i music est une chaine culturelle destinée à la Diaspora avec des programmes musicales et des dramatiques. A2i music couvre aussi les autres parties du monde, notament les Etats Unis, le Canada, l’Asie, etc. à travers les boitiers Roku fournis par AfricaAstv, Acantv, My African pack de Invevo et Sénégal.","sources":["http://51.158.31.93:1935/a2itvtwo/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://www.centraltv.fr/wp-content/uploads/a2i-music_logo.jpg","title":"A2i TV / Music "},{"description":"A2i tv Relegion est une chaine culturelle destinée à la Diasporat senegalais avec des programme chretiens.","sources":["http://51.158.31.93:1935/a2itvthree/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://lh3.googleusercontent.com/wwumXcAbY83D0q-NgUv2veS-p54FJTq6LAvsPRwYwWo-70ggeDkCM1VdhqhibRQNk4o=s180-rw","title":"A2i TV / Religion "},{"description":"Love World Plus TV is your Christian faith and lifestyle channel destined to bring a new level of dynamism into Christian television programming through satellite and the internet. The reach of LoveWorld Plus is limitless.","sources":["http://hls.live.metacdn.com/2450C7/bedkcjfty/lwplus_628.m3u8"],"subtitle":"By Channel","thumb":"https://d3c5pcohbexzc4.cloudfront.net/videos/thumbs/be214-loveworldplus.jpg","title":"Love World Plus TV"},{"description":"A2i naija est une nouvelle chaîne de télévision musicale internationale, elle est dédiée aux musiques et aux cultures urbaines du monde entier (Rap, R&B, Hip-Hop, Pop, Rai, Naija, Olschool etc.) ciblant un public très large. D5Music entend devenir la chaîne référence musicale des 5 continents","sources":["http://51.158.31.93:1935/devtv/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://image.winudf.com/v2/image/YTVjZW50cy5hMmlfc2NyZWVuXzVfMTUxNTk5NTEyNl8wNTQ/screen-5.jpg?fakeurl=1&type=.jpg","title":"A2i / naija Music"},{"description":"BOK TV is an online and public access variety show and the show's log line what would happen if In Living Color and The Daily Show had a bastard child! BOKTV is what would happen and he show is split into segments: MONOLOGUE, SKETCH, ROUND TABLE, COMMERCIAL, BLACK TWITTER. create a platform of discourse that encourages exchange as opposed to polarity, and to showcase the talents of the host and other cast members.","sources":["http://boktv.interworks.in:1935/live/boktv/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://bokradio.co.za/wp-content/uploads/2017/07/button_cameratv.jpg","title":"BOK TV"},{"description":"Salt TV is a Christian television channel station from Uganda. Salt TV is based in Kampala. Matthew 5:13-16 (NKJV) Believers Are Salt and Light 13 You are the salt of the earth, but if the salt loses its flavor, how shall it be seasoned? It is then good for nothing but to be thrown out and trampled underfoot by men.","sources":["http://dcunilive38-lh.akamaihd.net/i/dclive_1@692676/index_150_av-p.m3u8"],"subtitle":"By Channel","thumb":"https://www.saltmedia.ug/images/NOV/SALT-TV.jpg","title":"Salt TV/ Uganda"},{"description":"TFM is Senegal’s privately-owned television channel.Owned by Senegalese musician Youssou N Dour, who owns a major media group in Dakar.","sources":["http://46.105.114.82/tfm_senegal.m3u8"],"subtitle":"By Channel","thumb":"https://3.bp.blogspot.com/-eyo4UyKqjlI/WWTobvXxLqI/AAAAAAAAB_g/BFn1KiR6vcYQMilgX4nWhGJHbHMEP_l0ACLcBGAs/s1600/tfm%2Bsenegal.png","title":"TFM TV/ Senegal"},{"description":"Africa tv1 est une télévision africaine qui travaille pour aider les peuples a se communiquer avec DIEU et surtout sensibiliser les Africains musulmans de partout.","sources":["http://africatv.live.net.sa:1935/live/africatv/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://www.africagroup.tv/img/bgTV1.png","title":"Africa TV 1"},{"description":"Africa tv2 est une télévision africaine qui travaille pour aider les peuples a se communiquer avec DIEU et surtout sensibiliser les Africains musulmans de partout.","sources":["http://africatv.live.net.sa:1935/live/africatv2/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://www.africagroup.tv/img/bgTV2.png","title":"Africa TV 2"},{"description":"Africa tv3 est une télévision africaine qui travaille pour aider les peuples a se communiquer avec DIEU et surtout sensibiliser les Africains de langue haoussa.","sources":["http://africatv.live.net.sa:1935/live/africatv3/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://www.africagroup.tv/img/bgTV3.png","title":"Africa TV 3"},{"description":"La télévision nationale tunisienne 1 est la chaîne publique nationale tunisienne. Il a été officiellement lancé le 31 mai 1966, mais diffuse des programmes pilotes de manière irrégulière depuis octobre 1965, puis régulièrement depuis janvier 1966 et s’appelle la radio et la télévision tunisienne (ATT). Elle est devenue Channel 7 en 1992 et Tunisia 7 en 1997, mais elle est restée une filiale de la Société tunisienne de radio et de télévision jusqu’en 2008, a conservé le siège qu’elle partageait et la Société tunisienne de télévision avec ses chaînes de télévision nationales tunisiennes et La Tunisie 21 plus tard connue sous le nom de Télévision nationale tunisienne 2 est devenue son nouveau siège. Après le déclenchement de la révolution populaire tunisienne et la défection de zine El Abidine Ben Ali du pays, il est devenu Télévision nationale tunisienne.","sources":["http://54.36.122.126/tunisie1.m3u8"],"subtitle":"By Channel.","thumb":"https://www.histoiredesfax.com/wp-content/uploads/2015/11/Television-nationale-watania.jpg","title":"TUNISIA 1"},{"description":"Sahel TV est la plateforme unique, ouverte à la société civile, aux citoyens et à l'autorité locale de la ville et de sa région pour leur permettre de s’exprimer librement, proposer leurs idées et accéder à toutes les informations économiques, environnementale, culturelle, sportive. Vos idées et vos propositions sont les bienvenues.","sources":["http://142.44.214.231:1935/saheltv/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://mobiletv.mobibase.com/html/logo/hd/channel_ld_747.png","title":"SAHEL TV / Tunisie"},{"description":"NIGERIA TELEVISION AUTORTEAutorité a commencé sous le nom de Western Nigerian Television Services (WNTV), qui a transmis ses premiers signaux au peuple nigérian et à toute l'Afrique le 31 octobre 1959. Au début de 1962, les trois gouvernements régionaux qui existaient au Nigéria avaient mis en place le Service de télévision nigérian (NTS). Télévision ont été créés et en 1976, l'Autorité de la télévision nigériane est née en tant que seule entité responsable de Diffusion télévisée au Nigéria.","sources":["http://54.38.93.93/nta.m3u8"],"subtitle":"By Channel","thumb":"https://static.squarespace.com/static/53d2a092e4b0125510bfe57d/53d2a2c6e4b018cd23e33d7b/53d2a2c6e4b018cd23e33f6f/1362042333867/1000w/nta.jpg","title":"NTA TV / Nigeria"},{"description":"ESPACE TV est une télévision basée à Conakry dans la commune de Matoto Kondeboungny au bord de l'autoroute Fidèle Castro (République de Guinée). La télé diffuse des informations du pays et du monde en temps réel. Des magazines axés sur les réalités des terroirs et des séries de divertissement. Détenue par le groupe Hadafo Médias, cette chaîne est la première du pays en terme d'audience; selon le rapport de Stat view international en 2019.","sources":["http://46.105.114.82/espacetv.m3u8"],"subtitle":"By Channel","thumb":"https://lh3.googleusercontent.com/ric-bS2gzvt-UyrhBIEdWENN9U-fL9Bnlhv12GEYSzSkZFWEIr7hc74k83kfLPqZDk0","title":"Espace TV / Guinée"},{"description":" Movies Now is an Indian high-definition television channel featuring Hollywood films. It was launched on 19 December 2010 with a picture quality of 1080i and 5.1 surround sound. The channel is owned by The Times Group. It has exclusive content licensing from films produced or distributed by MGM and has content licensing from Universal Studios, Walt Disney Studios, Marvel Studios, 20th Century Studios, Warner Bros and Paramount Pictures.","sources":["https://timesnow.airtel.tv/live/MN_pull/master.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/en/4/49/Movies_Now_logo.png","title":"Movies Now HD"},{"description":"Tunisie Immobilier TV, la première chaîne de l’immobilier en Tunisie Vous présente toutes les semaines, les actualités immobilières et économiques en Tunisie et dans le monde à travers des reportages.contact; E-mail:tunisieimmob@planet.tn/ Tel:(+216) 71 894500.","sources":["https://5ac31d8a4c9af.streamlock.net/tunimmob/myStream/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://i2.wp.com/www.tunisieimmobiliertv.net/wp-content/uploads/2016/10/fb.jpg?fit=1024%2C500&ssl=1","title":"Tunisie Immobilier TV"}]}]}
omnissa-archive / Replay App For TvostvOS application that converts an Apple TV into to a digital signage / kiosk
loxodes / Rtl Sdr Lnalna for use with the ez-cap digital TV USB stick
tvheadend / Dtv Scan TablesDigital TV scan tables - a fork for TVHeadend, create a PR to add/update
vl-nix / HeliaMedia Player & IPTV & Digital TV ( DVB, ATSC, DTMB, ISDB )
JustinWoodring / SlatronThe intelligent TV station manager with adaptive AI hosts and distributed playback for DIY hackable TV stations, radio, and digital signage.
TeleMidia / NclcomposerA flexible authoring tool for interactive multimedia applications
TanayGhanshyam / Crispy Octo GuideWe have come a long way since I was a child in the 1960s when all I wanted for Christmas was a slinky and some Rock’Em – Sock’Em Robots. Now imagine we have traveled ten years into the future, and it is Christmas 2031. Alexa has replaced kids’ parents and Santa Claus. Every toy is connected to the Internet and looks like a robot version of the animal it represents. Clean thermonuclear Christmas trees will be providing us with radiant, gamma-ray energy for all our holiday needs. Pogo sticks have also made a comeback, but they are solar-powered and can leap entire city blocks. And while I am busy pretending to be the Ghost of Christmas Future, I thought it would also be fun to ask the Office of the CTO team about their predictions for futuristic, technical toys. So, I posed these two questions: What cool TECHNICAL toy or gadget would you like Santa to bring you this year in 2021? As a participating member of the Office of the CTO, what cool TECHNICAL toy or gadget (that has not yet been invented) would you like Santa to bring you in 10 years from now in 2031? christmas wishlist for the octo team overlay You know what? We just might see I see a sneak preview of some of these magical tech toys of the future in just a few weeks at the CES 2022 conference. In the meantime, take a look at the wish list from all of our Extreme technical gurus: Marcus Burton – Wireless and Cloud Architect Christmas Wish 2021: Is a Tesla Cybertruck an option? I’ll even take a prototype. That will scratch several technology itches at the same time. Think about it…EV, autonomous driving, AI, 5G probably, cloud-connected, mobile-first, and all the best in materials sciences and mechanical engineering applied to trucks. What more could an outdoorsy tech guy want? Christmas Wish 2031: I’m kinda thinking that while everyone else has their brain slurped out in the metaverse (with VR!), I will prefer to go to the actual mountains. But you know, I have a wife and kids, so I have to think about safety. So here’s my wish: a smart personal device that has a full week of battery life (using ultra-thin silicon wafers) with rapid solar charging, LEO satellite connectivity (for sending “eat your heart out” 3D pics to my friends from the “there’s no 6G here” wilderness), and ultra-HD terrain feature maps for modern navigation. Carla Guzzetti – VP, Experience, Messaging & Enablement Christmas Wish 2021: I want this: Meeting Owl Pro – 360-Degree, 1080p HD Smart Video Conference Camera, Microphone, and Speaker Christmas Wish 2031: I want a gadget where we can have virtual meetings without the need for a wearable! Who wants to wear heavy goggles all day? Doug McDonald – Director of Product Management Christmas Wish 2021: As a technologist often looking for a balance between screen time and health and fitness I hope Santa brings me the Aura Strap. The Aura strap adds additional IoT sensory capabilities to compliment your Apple smartwatch. Bioelectrical impedance analysis is the cutting-edge science behind the AURA Strap. This innovation provides a way to truly see how your body changes over the course of a day. Their body composition analysis includes fat, muscle mass, minerals, and hydration; providing personalized insights that improve the results of your workouts, diet, and your lifestyle as a whole. Christmas Wish 2031: Hopefully, this innovation will be here sooner. Still, in the spirit of my first wish from Santa, I also hope to have a service engine warning light for me. The concept is utilizing advancements in biomedical sensory devices to pinpoint potential changes in your physical metrics that may help in seeking medical attention sooner than later if variances in health data occur. I spoke about this concept in the Digital Diagnosis episode of the Inflection Points podcast from the Office of the CTO. Ed Koehler – Principal Engineer Christmas Wish 2021: My answers are short and sweet. I want a nice drone with high-resolution pan, tilt, and zoom (PTZ) cameras. Christmas Wish 2031: In ten years, I want a drone that I can sit inside and fly away! Puneet Sehgal – Business Initiatives Program Manager Christmas Wish 2021: I have always wanted to enjoy the world from a bird’s eye view. Therefore, my wish is for Santa to bring me a good-quality drone camera this year. It is amazing how quickly drones have evolved from commercial /military use to becoming a personal gadget. Christmas Wish 2031: In 2031, I wish Santa could get me a virtual reality (VR) trainer to help me internalize physical motion by looking at a simulation video while sending an electrical impulse to mimic it. It will open endless possibilities, and I could become an ice skater, a karate expert, or a pianist – all in one. Maybe similar research is already being done, but we are far away from something like this maturing for practical use. So, who knows – it’s Santa after all and we are talking 2031! Tim Harrison – Director of Product Marketing, Service Provider Christmas Wish 2021: This year, I would love to extend my audio recording setup and move from a digital 24 channel mixer to a control surface that integrates with my DAW (digital audio workstation) and allows me to use my outboard microphone pre-amps. I’ve been looking at an ICON QCon Pro G2 plus one QCon EX G2 extender to give me direct control over 16 channels at once (I use 16 channels just for my drum kit). Christmas Wish 2031: Ten years from now, I sincerely hope to receive an anti-gravity platform. First, I’ll be old, and climbing stairs will have become more challenging for these creaky old bones. Secondly, who hasn’t hoped for a REAL hoverboard? Once we know what gravity is “made of,” we can start making it easier to manipulate objects on earth and make space more habitable for human physiology. Either that or a puppy. Puppy sitting Divya Balu Pazhayannur – Director of Business Initiatives Christmas Wish 2021: I’m upgrading parts of my house over the holidays and browsing online for kitchen and laundry appliances. If you had told me that I would be spending three hours reading blogs on choosing the right cooktop for me, I would not have believed you. Does it have the right power, is it reliable, is it Wi-Fi enabled, can you talk to it – I’m kidding on that last one. Having said that, I’d love to get the Bosch Benchmark Gas Stovetop. Although I can’t speak to my appliance, its minimalist look has me writing it down on my wish list for Santa. I’ll even offer him some crispy dosas in exchange. Christmas Wish 2031: Apart from flying cars and personal robot assistants, I’d love to get the gift of better connectivity. I miss my family and friends in India, and it would be amazing to engage with them through holographic technology. I imagine it would allow for a much higher level of communication than today’s ‘talking head’ approach. Although do I want my family sitting with me in my living room? Still – I’d like to think a holograph would be just fantastic. Yury Ostrovsky – Sr. Technology Manager Christmas Wish 2021: I believe 2022 will be the year of VR toys. Virtual Reality is already popular, but I believe more applications will be developed in this area. We might see radio waves coming from different sources (Wi-Fi, LTE, 5G, BT, etc.) and visualize propagation in real-time. Christmas Wish 2031: “Prediction is very difficult, especially if it’s about the future” – Niels Bohr Kurt Semba – Principal Architect Christmas Wish 2021: The Crown from Neurosity. It helps you get and stay in a deep focus to improve your work and gaming results. Christmas Wish 2031: A non-evasive health device that can quickly look deep into your body and cells and explain why you are not feeling well today. Jon Filson – Senior Producer, Content Christmas Wish 2021: I want a large rollable TV by LG. In part because I watch a lot of football. And while I have a Smart TV, I still can’t get it to connect to my Bluetooth speaker … so while I love it, I want it to work better, and isn’t that so often the way with tech? But more than that, I don’t like and have never liked that rooms have to be designed around TVs. They are big, which is fine, but they are often in the way, which is less so. They should disappear when not in use. It’s $100,000 so I don’t expect it any time soon. But it’s an idea whose time has come. Christmas Wish 2031: I cheated on this one and asked my 12-year-old son Jack what he would want. It’s the portal gun, from Rick and Morty, a show in which a crazed scientist named Rick takes his grandson Morty on wacky adventures in a multi-verse. That last part is important to me. Kids today are already well into multi-verses, while we adults are just struggling to make one decent Metaverse. The next generation is already way ahead of us digitally speaking, it’s clear. Alexey Reznik – Senior UX Designer Christmas Wish 2021: This awesome toy: DJI Mavic 2 Pro – Drone Quadcopter UAV with Hasselblad Camera 3-Axis Gimbal HDR 4K Video Adjustable Aperture 20MP 1″ CMOS Sensor, up to 48mph, Gray Christmas Wish 2031: Something along these lines: BMW Motorrad VISION NEXT 100 BMW Motorcycle Michael Rash – Distinguished Engineer – Security Christmas Wish 2021: Satechi USB-C Multiport MX Adapter – Dual 4K HDMI. Christmas Wish 2031: A virtual reality headset that actually works. Alena Amir – Senior Content and Communications Manager Christmas Wish 2021: With conversations around VR/AR and the metaverse taking the world by storm, Santa could help out with an Oculus Quest. Purely for research purposes of course! Christmas Wish 2031: The 1985 movie, Back to the Future, was a family favorite and sure we didn’t get it all exactly right by 2015 but hey, it’s almost 2022! About time we get those hoverboards! David Coleman – Director of Wireless Christmas Wish 2021: Well, it looks like drones are the #1 wish item for 2021, and I am no exception. My wife and I just bought a home in the mountains of Blue Ridge, Georgia, where there is an abundance of wildlife. I want a state-of-the-art drone for bear surveillance. Christmas Wish 2031: In ten years, I will be 71 years old, and I hope to be at least semi-retired and savoring the fruits of my long tech career. Even though we are looking to the future, I want a time machine to revisit the past. I would travel back to July 16th, 1969, and watch Apollo 11 liftoff from Cape Kennedy to the moon. I actually did that as a nine-year-old kid. Oh, and I would also travel back to 1966 and play with my Rock’Em – Sock’Em Robots. Rock'em Sock'em Robots To summarize, our peeps in the Office of the CTO all envision Christmas 2031, where the way we interact as a society will have progressed. In 2021, we already have unlimited access to information, so future tech toys might depend less on magical new technologies and more on the kinds of experiences these new technologies can create. And when those experiences can be shared across the globe in real-time, the world gains an opportunity to learn from each other and grow together in ways that would never have been possible.
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504517CE48271300 ;IMG Asia (100.5°E) - 3700 V 30000 T 06D6 01 32A03B66435B8E00 ;IMG Asia (100.5°E) - 3700 V 30000 T 06D7 01 3087CCA158E35300 ;IMG Asia (100.5°E) - 3700 V 30000 T 06D8 01 48ED360FA371FC00 ;IMG Asia (100.5°E) - 3700 V 30000 T 06D9 01 D3216EC5F0CC0700 ;IMG Asia (100.5°E) - 3700 V 30000 T 06DA 01 80D64B3567990700 ;IMG Asia (100.5°E) - 3700 V 30000 T 06DB 01 A6B539A669827600 ;IMG Asia (100.5°E) - 3700 V 30000 T 06DC 01 B0E1E98275E6D100 ;IMG Asia (100.5°E) - 3700 V 30000 T 06DD 01 5EFF1C1EDB73C300 ;IMG Asia (100.5°E) - 3700 V 30000 T 06DE 01 083EC62B3DD2C800 ;IMG Asia (100.5°E) - 3700 V 30000 T 06DF 01 94A3C50960865200 ;IMG Asia (100.5°E) - 3700 V 30000 T 06E1 01 77856E84B31FF800 ;IMG Asia (100.5°E) - 3700 V 30000 T 06E2 01 77856E2442A49700 ;IMG Asia (100.5°E) - 3700 V 30000 T 06E3 01 B1EB88562DFEE900 ;IMG Asia (100.5°E) - 3700 V 30000 T 06E5 01 901D56235A9B1600 ;IMG Asia (100.5°E) - 3700 V 30000 T 06E7 01 A682A0838B1ADE00 ;IMG Asia (100.5°E) - 3700 V 30000 T 06E8 01 1BC827B4DD438800 ;IMG Asia (100.5°E) - 3700 V 30000 T 06EC 01 70AF5CBBE6AE3600 ;IMG Asia (100.5°E) - 3700 V 30000 T 06F4 01 C785192D37D34100 ;IMG Asia (100.5°E) - 3700 V 30000 T 06F5 01 FC8D04A0D08C6E00 ;IMG Asia (100.5°E) - 3700 V 30000 T 06F7 01 29F6BFA4F194D700 ;IMG Asia (100.5°E) - 3700 V 30000 T 06F9 01 907BA1CDE77C3C00 ;IMG Asia (100.5°E) - 3700 V 30000 T 06FC 01 42091073E1CEE300 ;IMG Asia (100.5°E) - 3700 V 30000 T 06FD 01 45E2D915B7761E00 ;IMG Asia (100.5°E) - 3700 V 30000 T 06FE 01 8279A503E28E4400 ;IMG Asia (100.5°E) - 3700 V 30000 T 06FF 01 4785D1D6183D8000 ;IMG Asia (100.5°E) - 3700 V 30000 T 0700 01 794171490CB43B00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0701 01 00EF34E7134C0000 ;IMG Asia (100.5°E) - 3700 V 30000 T 0702 01 0EA9D5125F21C800 ;IMG Asia (100.5°E) - 3700 V 30000 T 0703 01 2D4D640338D5E200 ;IMG Asia (100.5°E) - 3700 V 30000 T 0704 01 A511447B0092BE00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0705 01 5A4006C95B65BE00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0706 01 D53ACCC0A0A22F00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0707 01 E1A2FD0BB4962500 ;IMG Asia (100.5°E) - 3700 V 30000 T 0709 01 F10378E187746B00 ;IMG Asia (100.5°E) - 3700 V 30000 T 070A 01 3EC7AAFF76975400 ;IMG Asia (100.5°E) - 3700 V 30000 T 070B 01 1B2B5A63C8E8E300 ;IMG Asia (100.5°E) - 3700 V 30000 T 070C 01 388158C2FE107300 ;IMG Asia (100.5°E) - 3700 V 30000 T 070D 01 CBABBFAA84E6F800 ;IMG Asia (100.5°E) - 3700 V 30000 T 070E 01 CBABBFFA1A3C1B00 ;IMG Asia (100.5°E) - 3700 V 30000 T 070F 01 BCBFB1035029C500 ;IMG Asia (100.5°E) - 3700 V 30000 T 0710 01 71C21288C9ED1C00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0711 01 14FE08A5B89D6C00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0712 01 971394EB7B550A00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0713 01 F4825CD9B20B0B00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0714 01 8FF9B482352D8200 ;IMG Asia (100.5°E) - 3700 V 30000 T 0715 01 B1A06954A54F3400 ;IMG Asia (100.5°E) - 3700 V 30000 T 0716 01 6E182D3D3B328F00 ;IMG Asia (100.5°E) - 3700 V 30000 T 0717 01 54A824DFF1305300 ;IMG Asia (100.5°E) - 3700 V 30000 T 0718 01 B271E187ED4DD300 ;IMG Asia (100.5°E) - 3700 V 30000 T 0719 01 8D21635CF99CE400 ;IMG Asia (100.5°E) - 3700 V 30000 T 071A 01 8E2208E28B115300 ;IMG Asia (100.5°E) - 3700 V 30000 T 071B 01 E8B1CF202D4D9100 ;IMG Asia (100.5°E) - 3700 V 30000 T 2706 01 D22D9D72FBB4B200 ;Wimbledon World Feed (100.5°E) - 3700 V 30000 T 2710 01 D35184AEEC8BE800 ;Wimbledon World Feed (100.5°E) - 3700 V 30000 T 1605 01 F384528231F80300 ;ADS 7 (100.5°E) - 3720 H 30000 T 1606 01 677F3A34205E0500 ;ADS 8 (100.5°E) - 3720 H 30000 T 1607 01 DB445F86ADC23800 ;ADS 9 (100.5°E) - 3720 H 30000 T 1608 01 F4C1ECFF64C9A700 ;ADS 10 (100.5°E) - 3720 H 30000 T 1609 01 C72CD9ABB6CC0800 ;ADS 11 (100.5°E) - 3720 H 30000 T 160A 01 5DECE324A52B2400 ;ADS 12 (100.5°E) - 3720 H 30000 T 0A26 01 B7D9C24C62827700 ;MDS09,10,11,12 50 (100.5°E) - 3860 V 30000 T 045B 01 32C718C11FF46D00 ;U21 (100.5°E) - 3869 H 7120 T 0A26 01 B7D9C24C62827700 ;MDS05,06,07,08 50 (100.5°E) - 3880 H 30000 T 0083 01 4DB639DF3C4A2D00 ;ARQ-PL7 GOALS (100.5°E) - 3915 V 7120 T 0084 01 EDB30CBA1EFB0500 ;ARQ-PL9 GOALS (100.5°E) - 3915 V 7120 T 1839 01 67392044053A9700 ;Service 01 (100.5°E) - 3918 H 22500 T 183A 01 70B5118415394400 ;Service 02 (100.5°E) - 3918 H 22500 T 183B 01 737AFC24357EE900 ;Service 03 (100.5°E) - 3918 H 22500 T 183C 01 9EE1C959DABDBB00 ;Service 04 (100.5°E) - 3918 H 22500 T 183D 01 5D243DE3E2934600 ;Service 05 (100.5°E) - 3918 H 22500 T 03E8 01 8BAD71EFB7A83C00 ;Service 1 (100.5°E) - 3920 H 30000 T 03E9 01 8BAD71EFB7A83C00 ;Service 2 (100.5°E) - 3920 H 30000 T 03EA 01 8BAD71EFB7A83C00 ;Service 3 (100.5°E) - 3920 H 30000 T 03EB 01 8BAD71EFB7A83C00 ;Service 4 (100.5°E) - 3920 H 30000 T 03EC 01 8BAD71EFB7A83C00 ;Service 5 (100.5°E) - 3920 H 30000 T 03ED 01 8BAD71EFB7A83C00 ;Service 6 (100.5°E) - 3920 H 30000 T 1603 01 BE363F46A0380400 ;ADS 5 (100.5°E) - 3924 H 7300 T 16E5 01 C33C139292471600 ;ONC50 (100.5°E) - 3954 V 7200 T 1959 01 405E18941A49DA00 :MDS01,02,03,04 50 (100.5°E) - 3954 V 7200 T 224A 01 7293AFF5D46C2D00 ;ONC 50 (100.5°E) - 3954 V 7200 T 0001 01 5FDB06AA1364E500 ;MDS01 50 (100.5°E) - 4080 H 30000 T 0A26 01 B7D9C24C62827700 ;MDS02,04 50 (100.5°E) - 4080 H 30000 T 2140 01 0660C5AFE5251800 ;MDS03 50 (100.5°E) - 4080 H 30000 ------------------------------------------------------ T 0002 01 CA138BF89FBE0E00 ;RTM 2 Malaysia (91.5°E) - 3918 H 18385 T 0004 01 345E9B5B97D5BC01 ;RTM 4 Malaysia (91.5°E) - 3918 H 18385 T 0005 01 9EFB52CDD0FBA101 ;RTM 5 Malaysia (91.5°E) - 3918 H 18385 ------------------------------------------------------ T 1FE1 01 9949B980E7C58200 ;Tandberg CAS T 1FE2 01 4EE1E799EFB4D100 ;Tandberg CAS T 1FE3 01 D1DA152B295BC400 ;Tandberg CAS T 1FE4 01 75BEB21A50820900 ;Tandberg CAS T 1FE5 01 9CB8C8C1ED2B0000 ;Tandberg CAS T 1FE6 01 58AC530EE1A5A400 ;Tandberg CAS T 1FE7 01 A04B3B54D990AA00 ;Tandberg CAS ------------------------------------------------------ T 07D7 01 EF35D1892E2FD000 ;U21 (10.0°E) - 11125 H 7120 T 07DE 01 332B97C503956200 ;PITCH TEST (10.0°E) - 11125 H 7120 T 03E8 01 8BAD71EFB7A83C00 ;MDS01,02,03,04,05 50 (10.0°E) - 11387 V 30000 T 1959 01 405E18941A49DA00 ;MDS01,02,03,04 50 (10.0°E) - 11387 V 30000 T 1ED5 01 67A8578D03D5C400 ;MDS01 50 (10.0°E) - 11387 V 30000 T 2140 01 0660C5AFE5251800 ;MDS01,02,03,04 50 (10.0°E) - 11387 V 30000 T 0084 01 EDB30CBA1EFB0500 ;ARQ-PL9 CLIPS (10.0°E) - 11605 H 7200 T 1839 01 67392044053A9700 ;SERVICE 1 (10.0°E) - 11637 V 22500 T 183A 01 70B5118415394400 ;SERVICE 2 (10.0°E) - 11637 V 22500 T 183B 01 737AFC24357EE900 ;SERVICE 3 (10.0°E) - 11637 V 22500 T 183C 01 9EE1C959DABDBB00 ;SERVICE 4 (10.0°E) - 11637 V 22500 T 183D 01 5D243DE3E2934600 ;SERVICE 5 (10.0°E) - 11637 V 22500 T 1839 01 67392044053A9700 ;SERVICE 1 (10.0°E) - 12634 H 15000 T 183A 01 70B5118415394400 ;SERVICE 2 (10.0°E) - 12634 H 15000 T 183B 01 737AFC24357EE900 ;SERVICE 3 (10.0°E) - 12634 H 15000 ------------------------------------------------------ T 2705 01 3AC4EAEA7CA2EC00 ;Wimbledon World Feed (7.0°E) - 10960 H 9875 3/4 T 2706 01 D22D9D72FBB4B200 ;WF50 Wimbledon (7.0°E) - 10960 H 9875 3/4 T 2710 01 D35184AEEC8BE800 ;Wimbledon World Feed (7.0°E) - 10960 H 9875 3/4 T 04FE 01 8E75452BFEBF3F00 ;IMG A Studio (7.0°E) - 11020 V 7200 T 0691 01 D6B8F64C9AD2C000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0692 01 D6B8F69CE5612200 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0693 01 E71E624D1EDB3B00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0694 01 EB62121C009B8A00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0695 01 8D4A0B4EEA27DE00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0696 01 559DBE62B3947A00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0697 01 B7ED31D476BA9000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0698 01 2BB8F2CD65578F00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0699 01 9BD67458CF5DA900 ;IMG3 EU (7.0°E) - 11020 V 7200 T 069A 01 800123885DA12500 ;IMG3 EU (7.0°E) - 11020 V 7200 T 069B 01 C6825C05FD5DC700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 069C 01 C122F250366C2F00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 069D 01 27904CA5A5A7D700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 069E 01 4618FCB0B03AAF00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 069F 01 428EBDA9392D9200 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A0 01 F61D2EA2C8AA9F00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A1 01 9971A078E3051000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A2 01 BF538FA113116D00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A3 01 D028080CD00F0700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A3 01 D07448EDD0E20700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A4 01 DAD06D00AE187600 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A5 01 D6FFFD6184C91300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A6 01 DF4E07D7E1EB2900 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A7 01 8005CDDECE661B00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A8 01 E2CF78630B05DE00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06A9 01 1F3CEF98BDDAD000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06AA 01 45BF4929CB5AA100 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06AB 01 76FAE104CC992700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06AC 01 131AF25142BCDF00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06AD 01 334E284293193E00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06AE 01 C59BE490A41A6D00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06AF 01 191547A11D534500 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B0 01 3F76A21EBA443C00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B1 01 5057B34A7111DF00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B2 01 17A7D5868E5D6500 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B3 01 9CF9F31197D74900 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B4 01 6C186179163D1300 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B5 01 BB0A1DB27E16E600 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B6 01 502A1B329BEB8C00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B7 01 3026040327ACB200 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B8 01 DE94751062D35400 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06B9 01 E50266791A663A00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06BA 01 75878DB5E6097E00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06BB 01 3AA5C5571DEA6800 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06BC 01 A82264A361B01C00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06BD 01 AF73935FEB51B100 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06BE 01 680E27BCD45A2C00 ;IMG A Europe (7.0°E) - 11020 V 7200 T 06BF 01 1BE03EA95364B600 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06C0 01 424265AB464A5400 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06C1 01 7C777A9034296800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06C2 01 7C777A7043D18A00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06C3 01 1EE30D0192026500 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06C4 01 93BB7B743EE6A800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06C5 01 C4A334C1D814FB00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06CD 01 4ABC1224FAEF5800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06CC 01 2538600B17D90A00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06CE 01 4ABC12242A9AB300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06CF 01 CD2EFBD98E0CC000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D0 01 CD2EFB597E558000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D1 01 364C9FC2F307DC00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D2 01 472AA83AF065E700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D4 01 148B1057D3C7B100 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D5 01 504517CE48271300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D6 01 32A03B66435B8E00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D7 01 3087CCA158E35300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D8 01 48ED360FA371FC00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06D9 01 D3216EC5F0CC0700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06DA 01 80D64B3567990700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06DB 01 A6B539A669827600 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06DC 01 B0E1E98275E6D100 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06DD 01 5EFF1C1EDB73C300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06DE 01 083EC62B3DD2C800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06DF 01 94A3C50960865200 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06E1 01 10213703B7097E00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06E2 01 102137F3E2294500 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06E3 01 B1EB88562DFEE900 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06E5 01 901D56235A9B1600 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06E7 01 A682A0838B1ADE00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06E8 01 1BC827B4DD438800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06EC 01 70AF5CBBE6AE3600 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06F4 01 C785192D37D34100 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06F5 01 FC8D04A0D08C6E00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06F7 01 29F6BFA4F194D700 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06F9 01 907BA1CDE77C3C00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06FC 01 42091073E1CEE300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06FD 01 45E2D915B7761E00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06FE 01 8279A503E28E4400 ;IMG3 EU (7.0°E) - 11020 V 7200 T 06FF 01 4785D1D6183D8000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0700 01 794171490CB43B00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0701 01 00EF34E7134C0000 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0702 01 0EA9D5125F21C800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0703 01 2D4D640338D5E200 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0704 01 A511447B0092BE00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0705 01 5A4006C95B65BE00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0706 01 D53ACCC0A0A22F00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0707 01 E1A2FD0BB4962500 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0709 01 F10378E187746B00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 070A 01 3EC7AAFF76975400 ;IMG3 EU (7.0°E) - 11020 V 7200 T 070B 01 1B2B5A63C8E8E300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 070C 01 388158C2FE107300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 070D 01 CBABBFAA84E6F800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 070E 01 CBABBFFA1A3C1B00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 070F 01 BCBFB1035029C500 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0710 01 71C21288C9ED1C00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0711 01 14FE08A5B89D6C00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0712 01 971394EB7B550A00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0713 01 F4825CD9B20B0B00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0714 01 8FF9B482352D8200 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0715 01 B1A06954A54F3400 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0716 01 6E182D3D3B328F00 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0717 01 54A824DFF1305300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0718 01 B271E187ED4DD300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0719 01 8D21635CF99CE400 ;IMG3 EU (7.0°E) - 11020 V 7200 T 071A 01 8E2208E28B115300 ;IMG3 EU (7.0°E) - 11020 V 7200 T 071B 01 E8B1CF202D4D9100 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0E91 01 C31DADBCBB72D800 ;IMG3 EU (7.0°E) - 11020 V 7200 T 0A26 01 B7D9C24C62827700 ;MDS05 50 & MDS08 50 (7.0°E) - 11055 V 30000 T 1959 01 405E18941A49DA00 ;MDS05,06,07,08,09,10,11,12 50 - 11055 V 30000 T 1600 01 37C82448CE4F2000 ;ONC 50 (7.0°E) - 11087 H 7200 T 16E5 01 C33C139292471600 ;ONC 50 (7.0°E) - 11087 H 7200 T 2140 01 0660C5AFE5251800 ;MDS09,10,11,12 50 (7.0°E) - 11092 V 30000 T 07E8 01 ED5151642DD1D300 ;FA Cup FEED (7.0°E) - 11144 V 7120 T 07E7 01 8EFD3EA3A5F9FD00 ;FA Cup FEED (7.0°E) - 11163 V 7120 T 07ED 01 FCA4C1A310581000 ;FA Cup FEED (7.0°E) - 11163 V 7120 T 0083 01 4DB639DF3C4A2D00 ;ARQ-PL7 CLIPS (7.0°E) - 12555 H 7120 T 0084 01 EDB30CBA1EFB0500 ;ARQ-PL9 CLIPS (7.0°E) - 12555 H 7120 ------------------------------------------------------ T 0001 01 5FDB06AA1364E500 ;Arena Sport 1 (1.9°E) - 12380 H 30000 T 0002 01 CA138BF89FBE0E00 ;Arena Sport 2 (1.9°E) - 12380 H 30000 T 0003 01 52614F2CB05D3801 ;Arena Sport 3 (1.9°E) - 12380 H 30000 T 0004 01 345E9B5B97D5BC01 ;Arena Sport 4 (1.9°E) - 12380 H 30000 ------------------------------------------------------ T 0001 01 5FDB06AA1364E500 ;America TV HD (40.5°W) - 3923 L 7000 T 0002 01 CA138BF89FBE0E00 ;America TV HD (40.5°W) - 3923 L 7000 T 0003 01 52614F2CB05D3801 ;America TV HD (40.5°W) - 3923 L 7000 T 0001 01 5FDB06AA1364E500 ;RCN TV (40.5°W) - 4021 R 3200 T 0001 01 5FDB06AA1364E500 ;RCN Telenovelas (40.5°W) - 4028 R 8000 ------------------------------------------------------ T 0084 01 EDB30CBA1EFB0500 ;ARQ-PL8-10 Clips/Goals (47.5°W) - 3766 H 7200 ------------------------------------------------------ T 000C 01 E326D5546DD03E01 ;Caracol TV Alterno (58.0°W) - 3785 H 5200 T 0001 01 5FDB06AA1364E500 ;Band Internacional (58.0°W) - 4156 V 4300 T 0002 01 CA138BF89FBE0E00 ;Band News (58.0°W) - 4156 V 4300 ------------------------------------------------------ T 000B 01 8913EDA56DE5BC00 ;Univision East (103.0°W) - 4120 H 30000 T 000C 01 E326D5546DD03E00 ;Univision West(103.0°W) - 4120 H 30000 T 000D 01 B7A28B41A38C9500 ;Univision Mountain (103.0°W) - 4120 H 30000 T 0015 01 0517DC6537166F00 ;Unimas EastHD (103.0°W) - 4120 H 30000 T 0016 01 235751D97F32C201 ;Unimas West HD (103.0°W) - 4120 H 30000 T 0017 01 6DC7ECD00BCD2301 ;Unimas Mountain HD (103.0°W) - 4120 H 30000 T 00CF 01 5B70F00700000000 ;GetTV (103.0°W) - 4120 H 30000 ------------------------------------------------------ T 0009 01 5FDB06AA1364E500 ;TeleXitos (105.0°W) - 3940 H 30000 T 0014 01 5FDB06AA1364E500 ;Telemundo Este (105.0°W) - 3940 H 30000 T 0015 01 5FDB06AA1364E500 ;Telemundo Oeste (105.0°W) - 3940 H 30000 T 0016 01 5FDB06AA1364E500 ;Telemundo feeds (105.0°W) - 3940 H 30000 T 0018 01 5FDB06AA1364E500 ;Telemundo feeds (105.0°W) - 3940 H 30000 ############################################# #_______________POWERVU KEYS________________# ############################################# P 0014 00 064B9E34F3A287 ;Coral TV1 PVU4, 4.8E, 12149 P 0014 01 98A4C6FF291C1D ;Coral TV1 PVU4, 4.8E, 12149 P 0017 00 064B9E34F3A287 ;Coral TV2 PVU6, 4.8E, 12149 P 0017 01 98A4C6FF291C1D ;Coral TV2 PVU6, 4.8E, 12149 P 001D 00 064B9E34F3A287 ;Coral TV1 SIS Data -PVU4, 4.8E, 12149 P 001D 01 98A4C6FF291C1D ;Coral TV1 SIS Data -PVU4, 4.8E, 12149 P 0042 00 064B9E34F3A287 ;Ladbrokes 1 PVU 3, 4.8E, 12149 P 0042 01 98A4C6FF291C1D ;Ladbrokes 1 PVU 3, 4.8E, 12149 P 0058 00 064B9E34F3A287 ;Ladbrokes Extra PVU5, 4.8E, 12149 P 0058 01 98A4C6FF291C1D ;Ladbrokes Extra PVU5, 4.8E, 12149 P 005C 00 064B9E34F3A287 ;SIS Spanish PVU2, 4.8E, 12149 P 005C 01 98A4C6FF291C1D ;SIS Spanish PVU2, 4.8E, 12149 P 006C 00 064B9E34F3A287 ;SIS MK Test PVU 8, 4.8E, 12149 P 006C 01 98A4C6FF291C1D ;SIS MK Test PVU 8, 4.8E, 12149 P 0070 00 064B9E34F3A287 ;PPTV2, 4.8E, 12149 P 0070 01 98A4C6FF291C1D ;PPTV2, 4.8E, 12149 P 0071 00 064B9E34F3A287 ;PPTV1-IE, 4.8E, 12149 P 0071 01 98A4C6FF291C1D ;PPTV1-IE, 4.8E, 12149 P 0072 00 064B9E34F3A287 ;PPTV1-UK, 4.8E, 12149 P 0072 01 98A4C6FF291C1D ;PPTV1-UK, 4.8E, 12149 P 0074 00 064B9E34F3A287 ;PPTV3, 4.8E, 12149 P 0074 01 98A4C6FF291C1D ;PPTV3, 4.8E, 12149 P 0078 00 064B9E34F3A287 ;Alphameric Studio and SIS+(PVU1), 4.8E, 12149 P 0078 01 98A4C6FF291C1D ;Alphameric Studio and SIS+(PVU1), 4.8E, 12149 P 0082 00 064B9E34F3A287 ;Alphameric Studio with BTC Audio, 4.8E, 12149 P 0082 01 98A4C6FF291C1D ;Alphameric Studio with BTC Audio, 4.8E, 12149 P 0088 00 064B9E34F3A287 ;SIS+ with BTC Audio, 4.8E, 12149 P 0088 01 98A4C6FF291C1D ;SIS+ with BTC Audio, 4.8E, 12149 P 00C9 00 064B9E34F3A287 ;MK Test, 4.8E, 12149 P 00C9 01 98A4C6FF291C1D ;MK Test, 4.8E, 12149 P 00CB 00 064B9E34F3A287 ;VBI Test, 4.8E, 12149 P 00CB 01 98A4C6FF291C1D ;VBI Test, 4.8E, 12149 P 00FA 00 064B9E34F3A287 ;SIS BarOne Indep, 4.8E, 12149 P 00FA 01 98A4C6FF291C1D ;SIS BarOne Indep, 4.8E, 12149 P 0190 00 064B9E34F3A287 ;SIS+ (PVU1), 4.8E, 12149 P 0190 01 98A4C6FF291C1D ;SIS+ (PVU1), 4.8E, 12149 P 0004 00 064B9E34F3A287 ;VBC TEMP, 4.8E, 12418 P 0004 01 98A4C6FF291C1D ;VBC TEMP, 4.8E, 12418 P 000B 00 064B9E34F3A287 ;SIS Racing, 4.8E, 12418 P 000B 01 98A4C6FF291C1D ;SIS Racing, 4.8E, 12418 P 0021 00 064B9E34F3A287 ;Ladbrokes SIS LES2 CISCO 1, 4.8E, 12418 P 0021 01 98A4C6FF291C1D ;Ladbrokes SIS LES2 CISCO 1, 4.8E, 12418 P 0027 00 064B9E34F3A287 ;Ladbrokes SIS DATA, 4.8E, 12418 P 0027 01 98A4C6FF291C1D ;Ladbrokes SIS DATA, 4.8E, 12418 P 0031 00 064B9E34F3A287 ;Betfred TOTE 2 CISCO 1, 4.8E, 12418 P 0031 01 98A4C6FF291C1D ;Betfred TOTE 2 CISCO 1, 4.8E, 12418 P 0035 00 064B9E34F3A287 ;WILLIAM HILL IP CLEAR-CISCO 6, 4.8E, 12418 P 0035 01 98A4C6FF291C1D ;WILLIAM HILL IP CLEAR-CISCO 6, 4.8E, 12418 P 0036 00 064B9E34F3A287 ;WILLIAM HILL 2, 4.8E, 12418 P 0036 01 98A4C6FF291C1D ;WILLIAM HILL 2, 4.8E, 12418 P 003B 00 064B9E34F3A287 ;WILLIAM HILL SIS DATA-CISCO 6, 4.8E, 12418 P 003B 01 98A4C6FF291C1D ;WILLIAM HILL SIS DATA-CISCO 6, 4.8E, 12418 P 0046 00 064B9E34F3A287 ;SIS VISION BTC AUDIO (Ch11), 4.8E, 12418 P 0046 01 98A4C6FF291C1D ;SIS VISION BTC AUDIO (Ch11), 4.8E, 12418 P 004B 00 064B9E34F3A287 ;ALPHAMERIC UK WITH BTC, 4.8E, 12418 P 004B 01 98A4C6FF291C1D ;ALPHAMERIC UK WITH BTC, 4.8E, 12418 P 004F 00 064B9E34F3A287 ;SIS UK WITH BTC, 4.8E, 12418 P 004F 01 98A4C6FF291C1D ;SIS UK WITH BTC, 4.8E, 12418 P 0057 00 064B9E34F3A287 ;SIS 2 GFX - ENC9, 4.8E, 12418 P 0057 01 98A4C6FF291C1D ;SIS 2 GFX - ENC9, 4.8E, 12418 P 005A 00 064B9E34F3A287 ;SIS Euro Racing, 4.8E, 12418 P 005A 01 98A4C6FF291C1D ;SIS Euro Racing, 4.8E, 12418 P 005B 00 064B9E34F3A287 ;SIS Europe (NO DATA) CISCO 2, 4.8E, 12418 P 005B 01 98A4C6FF291C1D ;SIS Europe (NO DATA) CISCO 2, 4.8E, 12418 P 005F 00 064B9E34F3A287 ;RTVi, 4.8E, 12418 P 005F 01 98A4C6FF291C1D ;RTVi, 4.8E, 12418 P 006F 00 064B9E34F3A287 ;PPTV1, 4.8E, 12418 P 006F 01 98A4C6FF291C1D ;PPTV1, 4.8E, 12418 P 0073 00 064B9E34F3A287 ;Test Channel CISCO 1, 4.8E, 12418 P 0073 01 98A4C6FF291C1D ;Test Channel CISCO 1, 4.8E, 12418 P 007A 00 064B9E34F3A287 ;Alphameric UK CISCO 1, 4.8E, 12418 P 007A 01 98A4C6FF291C1D ;Alphameric UK CISCO 1, 4.8E, 12418 P 0093 00 064B9E34F3A287 ;New Boyles Sports CISCO 1, 4.8E, 12418 P 0093 01 98A4C6FF291C1D ;New Boyles Sports CISCO 1, 4.8E, 12418 P 0098 00 064B9E34F3A287 ;SIS UK with 2DB, 4.8E, 12418 P 0098 01 98A4C6FF291C1D ;SIS UK with 2DB, 4.8E, 12418 P 0099 00 064B9E34F3A287 ;SIS UK with BTC and 2DB, 4.8E, 12418 P 0099 01 98A4C6FF291C1D ;SIS UK with BTC and 2DB, 4.8E, 12418 P 00A0 00 064B9E34F3A287 ;Betfred TOG CISCO 3, 4.8E, 12418 P 00A0 01 98A4C6FF291C1D ;Betfred TOG CISCO 3, 4.8E, 12418 P 00A2 00 064B9E34F3A287 ;Betfred TV (TTV) CISCO 4, 4.8E, 12418 P 00A2 01 98A4C6FF291C1D ;Betfred TV (TTV) CISCO 4, 4.8E, 12418 P 00A3 00 064B9E34F3A287 ;Betfred TV Virtual CISCO 5, 4.8E, 12418 P 00A3 01 98A4C6FF291C1D ;Betfred TV Virtual CISCO 5, 4.8E, 12418 P 00A8 00 064B9E34F3A287 ;Betfred SIS CISCO 1, 4.8E, 12418 P 00A8 01 98A4C6FF291C1D ;Betfred SIS CISCO 1, 4.8E, 12418 P 00A9 00 064B9E34F3A287 ;ALT VC 168, 4.8E, 12418 P 00A9 01 98A4C6FF291C1D ;ALT VC 168, 4.8E, 12418 P 00C8 00 064B9E34F3A287 ;MCUK Test, 4.8E, 12418 P 00C8 01 98A4C6FF291C1D ;MCUK Test, 4.8E, 12418 P 012E 00 064B9E34F3A287 ;SIS UK CISCO 1, 4.8E, 12418 P 012E 01 98A4C6FF291C1D ;SIS UK CISCO 1, 4.8E, 12418 P 00558020 BFC4EF57666AC9 ;EMM Key P 002B8EF7 B7F1C5CBCD1867 ;EMM Key P 00595C6A 9A724EA38306C3 ;EMM Key P 004042D8 D70A0BD206B274 ;EMM Key P 004D61BC 850F8ECDA2D356 ;EMM Key P 004D6864 7EA4FAA3A09FE3 ;EMM Key P 00530ABD ECF4B073C7F8A4 ;EMM Key --------------------------------------------- P 0001 00 96365F795B54FC ;Bootstrap Master, 4.8E, 12303 P 0001 01 01104AD73016C3 ;Bootstrap Master, 4.8E, 12303 P 0005 00 96365F795B54FC ;Software Update, 4.8E, 12303 P 0005 01 01104AD73016C3 ;SoftwareUpdate, 4.8E, 12303 P 01F5 00 96365F795B54FC ;Diva Universal Romania, 4.8E, 12303 P 01F5 01 01104AD73016C3 ;Diva Universal Romania, 4.8E, 12303 P 01F6 00 96365F795B54FC ;Diva Balkans, 4.8E, 12303 P 01F6 01 01104AD73016C3 ;Diva Balkans, 4.8E, 12303 P 0262 00 96365F795B54FC ;Diva Romania, 4.8E, 12303 P 0262 01 01104AD73016C3 ;Diva Romania, 4.8E, 12303 P 026C 00 96365F795B54FC ;Diva Balkans, 4.8E, 12303 P 026C 01 01104AD73016C3 ;Diva Balkans, 4.8E, 12303 P 026D 00 96365F795B54FC ;Universal Hungary, 4.8E, 12303 P 026D 01 01104AD73016C3 ;Universal Hungary, 4.8E, 12303 P 026F 00 96365F795B54FC ;Universal Hungary, 4.8E, 12303 P 026F 01 01104AD73016C3 ;Universal Hungary, 4.8E, 12303 P 0024B5A6 159F14C861263F ;EMM Key --------------------------------------------- P 0064 00 61396394BD36A6 ;Animal Planet Europe, 4.8E, 12322 P 0064 01 541C56ABA95BB2 ;Animal Planet Europe, 4.8E, 12322 P 0065 00 61396394BD36A6 ;Animal Planet Europe, 4.8E, 12322 P 0065 01 541C56ABA95BB2 ;Animal Planet Europe, 4.8E, 12322 P 0066 00 61396394BD36A6 ;Animal Planet Europe, 4.8E, 12322 P 0066 01 541C56ABA95BB2 ;Animal Planet Europe, 4.8E, 12322 P 00C8 00 61396394BD36A6 ;Discovery Central Europe, 4.8E, 12322 P 00C8 01 541C56ABA95BB2 ;Discovery Central Europe, 4.8E, 12322 P 00C9 00 61396394BD36A6 ;Discovery Central Europe, 4.8E, 12322 P 00C9 01 541C56ABA95BB2 ;Discovery Central Europe, 4.8E, 12322 P 0190 00 61396394BD36A6 ;Investigation Discovery Xtra, 4.8E, 12322 P 0190 01 541C56ABA95BB2 ;Investigation Discovery Xtra, 4.8E, 12322 P 0191 00 61396394BD36A6 ;ID Xtra Europe, 4.8E, 12322 P 0191 01 541C56ABA95BB2 ;ID Xtra Europe, 4.8E, 12322 P 01F4 00 61396394BD36A6 ;Discovery Channel Europe, 4.8E, 12322 P 01F4 01 541C56ABA95BB2 ;Discovery Channel Europe, 4.8E, 12322 P 0384 00 61396394BD36A6 ;Discovery Science, 4.8E, 12322 P 0384 01 541C56ABA95BB2 ;Discovery Science, 4.8E, 12322 P 0385 00 61396394BD36A6 ;Science Europe, 4.8E, 12322 P 0385 01 541C56ABA95BB2 ;Science Europe, 4.8E, 12322 P 0386 00 61396394BD36A6 ;Science Europe, 4.8E, 12322 P 0386 01 541C56ABA95BB2 ;Science Europe, 4.8E, 12322 P 03E8 00 61396394BD36A6 ;Discovery World, 4.8E, 12322 P 03E8 01 541C56ABA95BB2 ;Discovery World, 4.8E, 12322 P 03E9 00 61396394BD36A6 ;Discovery World, 4.8E, 12322 P 03E9 01 541C56ABA95BB2 ;Discovery World, 4.8E, 12322 P 03EA 00 61396394BD36A6 ;Discovery World, 4.8E, 12322 P 03EA 01 541C56ABA95BB2 ;Discovery World, 4.8E, 12322 P 044C 00 61396394BD36A6 ;Discovery Channel Turkey HD, 4.8E, 12322 P 044C 01 541C56ABA95BB2 ;Discovery Channel Turkey HD, 4.8E, 12322 P 0514 00 61396394BD36A6 ;Animal Planet Turkey HD, 4.8E, 12322 P 0514 01 541C56ABA95BB2 ;Animal Planet Turkey HD, 4.8E, 12322 P 05DC 00 61396394BD36A6 ;Discovery Science Turkey HD, 4.8E, 12322 P 05DC 01 541C56ABA95BB2 ;Discovery Science Turkey HD, 4.8E, 12322 P 0060DA46 800C6A38D4765C ;EMM Key P 00622ACE 64E07EC76FF416 ;EMM Key P 00622EE5 B80EA84B841E29 ;EMM Key --------------------------------------------- P 0258 00 D0B11BD8B1B43F ;Discovery Turbo Xtra Poland, 4.8E, 12360 P 0258 01 96181B21DC0F47 ;Discovery Turbo Xtra Poland, 4.8E, 12360 P 0320 00 D0B11BD8B1B43F ;TLC Balkans, 4.8E, 12360 P 0320 01 96181B21DC0F47 ;TLC Balkans, 4.8E, 12360 P 03E8 00 D0B11BD8B1B43F ;TLC Hungary, 4.8E, 12360 P 03E8 01 96181B21DC0F47 ;TLC Hungary, 4.8E, 12360 P 04B0 00 D0B11BD8B1B43F ;Discovery Channel Polska, 4.8E, 12360 P 04B0 01 96181B21DC0F47 ;Discovery Channel Polska, 4.8E, 12360 P 0640 00 D0B11BD8B1B43F ;Investigation Discovery Sweden, 4.8E, 12360 P 0640 01 96181B21DC0F47 ;Investigation Discovery Sweden, 4.8E, 12360 P 06A4 00 D0B11BD8B1B43F ;Animal Planet Poland HD, 4.8E, 12360 P 06A4 01 96181B21DC0F47 ;Animal Planet Poland HD, 4.8E, 12360 P 0708 00 D0B11BD8B1B43F ;Discovery Science Poland HD, 4.8E, 12360 P 0708 01 96181B21DC0F47 ;Discovery Science Poland HD, 4.8E, 12360 P 0834 00 D0B11BD8B1B43F ;Investigation Discovery Polska, 4.8E, 12360 P 0834 01 96181B21DC0F47 ;Investigation Discovery Polska, 4.8E, 12360 P 0898 00 D0B11BD8B1B43F ;Discovery Channel Sweden, 4.8E, 12360 P 0898 01 96181B21DC0F47 ;Discovery Channel Sweden, 4.8E, 12360 P 0B54 00 D0B11BD8B1B43F ;TLC Europe, 4.8E, 12360 P 0B54 01 96181B21DC0F47 ;TLC Europe, 4.8E, 12360 P 0B55 00 D0B11BD8B1B43F ;TLC Pan Regional Portuguese, 4.8E, 12360 P 0B55 01 96181B21DC0F47 ;TLC Pan Regional Portuguese, 4.8E, 12360 P 0C1C 00 D0B11BD8B1B43F ;TLC Poland HD, 4.8E, 12360 P 0C1C 01 96181B21DC0F47 ;TLC Poland HD, 4.8E, 12360 P 0053C199 6DAF8122F475F8 ;EMM Key P 005615CE 3413710D15C765 ;EMM Key P 0061CB56 DF1FA983F1986E ;EMM Key P 00623910 D6795F87CC1CBC ;EMM Key --------------------------------------------- P 0001 00 CF8F8EBA3286A4 ;Unire TV 1, 16E, 12654 P 0001 01 8C0993635C22EA ;Unire TV 1, 16E, 12654 P 0002 00 CF8F8EBA3286A4 ;Unire TV 2, 16E, 12654 P 0002 01 8C0993635C22EA ;Unire TV 2, 16E, 12654 P 000A 00 CF8F8EBA3286A4 ;Unire Blu, 16E, 12654 P 000A 01 8C0993635C22EA ;Unire Blu, 16E, 12654 P 004F1DF6 28D3FD510949EB ;EMM Key --------------------------------------------- P 0004 00 0123456789ABCD ;Snai Sat, 16E, 12699 P 0004 01 97D6968EEC34A3 ;Snai Sat, 16E, 12699 P 0007 00 0123456789ABCD ;SNAI TV Virtuali1, 16E, 12699 P 0007 01 97D6968EEC34A3 ;SNAI TV Virtuali1, 16E, 12699 P 002C 00 0123456789ABCD ;SNAI TV Virtuali1, 16E, 12699 P 002C 01 97D6968EEC34A3 ;SNAI TV Virtuali1, 16E, 12699 P 004D 00 0123456789ABCD ;Radio Unico, 16E, 12699 P 004D 01 97D6968EEC34A3 ;Radio Unico, 16E, 12699 P 004E8EC0 C574482270F77E ;EMM Key --------------------------------------------- P 0384 00 D0B11BD8B1B43F ;Discovery Channel Hungary HD, 1W, 12303 P 0384 01 96181B21DC0F47 ;Discovery Channel Hungary HD, 1W, 12303 P 044C 00 D0B11BD8B1B43F ;Discovery Central Europe HD, 1W, 12303 P 044C 01 96181B21DC0F47 ;Discovery Central Europe HD, 1W, 12303 P 044D 00 D0B11BD8B1B43F ;Discovery Central Europe HD, 1W, 12303 P 044D 01 96181B21DC0F47 ;Discovery Central Europe HD, 1W, 12303 P 044E 00 D0B11BD8B1B43F ;Discovery Central Europe HD, 1W, 12303 P 044E 01 96181B21DC0F47 ;Discovery Central Europe HD, 1W, 12303 P 0514 00 D0B11BD8B1B43F ;Discovery Historia Polska, 1W, 12303 P 0514 01 96181B21DC0F47 ;Discovery Historia Polska, 1W, 12303 P 0578 00 D0B11BD8B1B43F ;Discovery Iberia, 1W, 12303 P 0578 01 96181B21DC0F47 ;Discovery Iberia, 1W, 12303 P 0579 00 D0B11BD8B1B43F ;Discovery Spain, 1W, 12303 P 0579 01 96181B21DC0F47 ;Discovery Spain, 1W, 12303 P 057A 00 D0B11BD8B1B43F ;Discovery Portugal, 1W, 12303 P 057A 01 96181B21DC0F47 ;Discovery Portugal, 1W, 12303 P 08FC 00 D0B11BD8B1B43F ;Discovery Turbo Xtra, 1W, 12303 P 08FC 01 96181B21DC0F47 ;Discovery Turbo Xtra, 1W, 12303 P 09C4 00 D0B11BD8B1B43F ;Discovery HD Showcase, 1W, 12303 P 09C4 01 96181B21DC0F47 ;Discovery HD Showcase, 1W, 12303 P 09C5 00 D0B11BD8B1B43F ;Discovery HD Czech/Hun, 1W, 12303 P 09C5 01 96181B21DC0F47 ;Discovery HD Czech/Hun, 1W, 12303 P 09C6 00 D0B11BD8B1B43F ;Discovery HD Russia, 1W, 12303 P 09C6 01 96181B21DC0F47 ;Discovery HD Russia, 1W, 12303 P 09C7 00 D0B11BD8B1B43F ;Discovery HD Czech, 1W, 12303 P 09C7 01 96181B21DC0F47 ;Discovery HD Czech, 1W, 12303 P 09C8 00 D0B11BD8B1B43F ;Discovery HD Turkish, 1W, 12303 P 09C8 01 96181B21DC0F47 ;Discovery HD Turkish, 1W, 12303 P 09C9 00 D0B11BD8B1B43F ;Discovery HD Hungarian, 1W, 12303 P 09C9 01 96181B21DC0F47 ;Discovery HD Hungarian, 1W, 12303 P 09CA 00 D0B11BD8B1B43F ;Discovery HD Showcase Europe, 1W, 12303 P 09CA 01 96181B21DC0F47 ;Discovery HD Showcase Europe, 1W, 12303 P 0A28 00 D0B11BD8B1B43F ;Animal Planet HD, 1W, 12303 P 0A28 01 96181B21DC0F47 ;Animal Planet HD, 1W, 12303 P 0A29 00 D0B11BD8B1B43F ;Animal Planet HD Polish, 1W, 12303 P 0A29 01 96181B21DC0F47 ;Animal Planet HD Polish, 1W, 12303 P 0A2A 00 D0B11BD8B1B43F ;Animal Planet HD Russian, 1W, 12303 P 0A2A 01 96181B21DC0F47 ;Animal Planet HD Russian, 1W, 12303 P 0A2B 00 D0B11BD8B1B43F ;Animal Planet HD Czech, 1W, 12303 P 0A2B 01 96181B21DC0F47 ;Animal Planet HD Czech, 1W, 12303 P 0A2C 00 D0B11BD8B1B43F ;Animal Planet HD Turkish, 1W, 12303 P 0A2C 01 96181B21DC0F47 ;Animal Planet HD Turkish, 1W, 12303 P 0A2D 00 D0B11BD8B1B43F ;Animal Planet HD Hungarian, 1W, 12303 P 0A2D 01 96181B21DC0F47 ;Animal Planet HD Hungarian, 1W, 12303 P 0A2E 00 D0B11BD8B1B43F ;Animal Planet HD, 1W, 12303 P 0A2E 01 96181B21DC0F47 ;Animal Planet HD, 1W, 12303 P 0A8C 00 D0B11BD8B1B43F ;ID Xtra Europe HD, 1W, 12303 P 0A8C 01 96181B21DC0F47 ;ID Xtra Europe HD, 1W, 12303 P 0A8D 00 D0B11BD8B1B43F ;ID Xtra Europe HD, 1W, 12303 P 0A8D 01 96181B21DC0F47 ;ID Xtra Europe HD, 1W, 12303 P 0A8E 00 D0B11BD8B1B43F ;ID Xtra Europe HD, 1W, 12303 P 0A8E 01 96181B21DC0F47 ;ID Xtra Europe HD, 1W, 12303 P 0AF0 00 D0B11BD8B1B43F ;Discovery Poland HD, 1W, 12303 P 0AF0 01 96181B21DC0F47 ;Discovery Poland HD, 1W, 12303 P 0BB8 00 D0B11BD8B1B43F ;Discovery Turbo Xtra HD, 1W, 12303 P 0BB8 01 96181B21DC0F47 ;Discovery Turbo Xtra HD, 1W, 12303 P 0BB9 00 D0B11BD8B1B43F ;Discovery Turbo Xtra, 1W, 12303 P 0BB9 01 96181B21DC0F47 ;Discovery Turbo Xtra, 1W, 12303 P 0BBA 00 D0B11BD8B1B43F ;Discovery Turbo Xtra, 1W, 12303 P 0BBA 01 96181B21DC0F47 ;Discovery Turbo Xtra, 1W, 12303 P 0C80 00 D0B11BD8B1B43F ;Discovery Science Europe HD, 1W, 12303 P 0C80 01 96181B21DC0F47 ;Discovery Science Europe HD, 1W, 12303 P 0C81 00 D0B11BD8B1B43F ;Science Europe HD Hungarian, 1W, 12303 P 0C81 01 96181B21DC0F47 ;Science Europe HD Hungarian, 1W, 12303 P 0C82 00 D0B11BD8B1B43F ;Science Europe HD Turkish, 1W, 12303 P 0C82 01 96181B21DC0F47 ;Science Europe HD Turkish, 1W, 12303 P 0C83 00 D0B11BD8B1B43F ;Science Europe HD Russian, 1W, 12303 P 0C83 01 96181B21DC0F47 ;Science Europe HD Russian, 1W, 12303 P 0C84 00 D0B11BD8B1B43F ;Science Europe HD Czech, 1W, 12303 P 0C84 01 96181B21DC0F47 ;Science Europe HD Czech, 1W, 12303 P 0C85 00 D0B11BD8B1B43F ;Discovery Science Europe HD, 1W, 12303 P 0C85 01 96181B21DC0F47 ;Discovery Science Europe HD, 1W, 12303 P 0053C199 6DAF8122F475F8 ;EMM Key P 005615CE 3413710D15C765 ;EMM Key P 0061CB56 DF1FA983F1986E ;EMM Key P 00623910 D6795F87CC1CBC ;EMM Key --------------------------------------------- P 01FE 00 B07EC58F412BD7 ;The Fight Network, 15W, 12707 H P 01FE 01 A52E79D341F87F ;The Fight Network, 15W, 12707 H P 005D8013 22C3627C45D633 ;EMM Key P 0060A424 6C01ECC7ADC342 ;EMM Key P 0060AF19 723F737A57370E ;EMM Key P 00612C35 A800B5CF633602 ;EMM Key P 00612C62 F5003FD8BE08A2 ;EMM Key --------------------------------------------- P 0002 00 56596630737AE2 ;BYU TV, 15W, 11568 H P 0002 01 5D52F62E082733 ;BYU TV, 15W, 11568 H P 0000 00648E11 D8E6985B24D02C ;EMM Key --------------------------------------------- P 00CC 00 191F1B713B6777 ;Agencia EFE, 30W, 12563 H P 00CC 01 1D1BE37186BEA0 ;Agencia EFE, 30W, 12563 H P 00CD 00 191F1B713B6777 ;EFE Radio, 30W, 12563 H P 00CD 01 1D1BE37186BEA0 ;EFE Radio, 30W, 12563 H P 005B5030 8FF6FBD0AF7218 ;EMM Key ############################################# #______________BISS KEYS RADIO______________# ############################################# F 056F1FFF 00 DEDE00BC00000000 ;SERVICE 1 (42.0°E) F 056F1FFF 01 DEDE00BC00000000 ;SERVICE 1 (42.0°E) F 05711FFF 00 DEDE00BC00000000 ;SERVICE 2 (42.0°E) F 05711FFF 01 DEDE00BC00000000 ;SERVICE 2 (42.0°E) F 05731FFF 00 DEDE00BC00000000 ;SERVICE 3 (42.0°E) F 05731FFF 01 DEDE00BC00000000 ;SERVICE 3 (42.0°E) F 05751FFF 00 DEDE00BC00000000 ;SERVICE 4 (42.0°E) F 05751FFF 01 DEDE00BC00000000 ;SERVICE 4 (42.0°E) F 291A1FFF 00 1000001000000000 ;INTERCOM (42.0°E) F 291A1FFF 01 1000001000000000 ;INTERCOM (42.0°E) F 2A9A1FFF 00 FDFDCFC9CFABBA34 ;INTERCOMM (42.0°E) F 2A9A1FFF 01 FDFDCFC9CFABBA34 ;INTERCOMM (42.0°E) F 2B5D1FFF 00 002123441361188C ;INTERCOM (42.0°E) F 2B5D1FFF 01 002123441361188C ;INTERCOM (42.0°E) F 2BC31FFF 00 002123441361188C ;INTERCOM (42.0°E) F 2BC31FFF 01 002123441361188C ;INTERCOM (42.0°E) F 2BC41FFF 00 002123441361188C ;INTERCOM HT (42.0°E) F 2BC41FFF 01 002123441361188C ;INTERCOM HT (42.0°E) F 2BC51FFF 00 002123441361188C ;INTERCOM BL (42.0°E) F 2BC51FFF 01 002123441361188C ;INTERCOM BL (42.0°E) ############################################# #_________________BISS KEYS_________________# ############################################# F 00011FFF 00 0327022C106251C3 ;Russian Channels (90.0°E) F 00011FFF 01 0327022C106251C3 ;Russian Channels (90.0°E) F 00071FFF 00 C12345006789AB00 ;STS +4h (90.0°E) F 00071FFF 01 C12345006789AB00 ;STS +4h (90.0°E) F 00081FFF 00 ABC1238F45678935 ;Telekanal Che +4h (90.0°E) F 00081FFF 01 ABC1238F45678935 ;Telekanal Che +4h (90.0°E) F 00091FFF 00 D12345006789AB00 ;Domashnij Telekanal +4h (90.0°E) F 00091FFF 01 D12345006789AB00 ;Domashnij Telekanal +4h (90.0°E) F 00091FFF 00 6BA1E5F174BBCAF9 ;Kanal Disney +7h (90.0°E) F 00091FFF 01 6BA1E5F174BBCAF9 ;Kanal Disney +7h (90.0°E) F 000E1FFF 00 C12345006789AB00 ;STS +7h (90.0°E) F 000E1FFF 01 C12345006789AB00 ;STS +7h (90.0°E) F 000F1FFF 00 ABC1238F45678935 ;Telekanal Che +7h (90.0°E) F 000F1FFF 01 ABC1238F45678935 ;Telekanal Che +7h (90.0°E) F 00101FFF 00 D12345006789AB00 ;Domashnij Telekanal +7h (90.0°E) F 00101FFF 01 D12345006789AB00 ;Domashnij Telekanal +7h (90.0°E) F 00111FFF 00 2608396712043811 ;Match! (90.0°E) F 00111FFF 01 2608396712043811 ;Match! (90.0°E) --------------------------------------------- F 000B1FFF 00 02BE5A1ABC67F81B ;BTV National (76.0°E) F 000B1FFF 01 02BE5A1ABC67F81B ;BTV National (76.0°E) --------------------------------------------- F 06401FFF 00 6BA1E5F174BBCAF9 ;Kanal Disney (75.0°E) F 06401FFF 01 6BA1E5F174BBCAF9 ;Kanal Disney (75.0°E) F 06A41FFF 00 EFC065145D2E8611 ;MIR Service (75.0°E) F 06A41FFF 01 EFC065145D2E8611 ;MIR Service (75.0°E) --------------------------------------------- F 00011FFF 00 1234599F8761230B ;Palestine Today (70.5°E) F 00011FFF 01 1234599F8761230B ;Palestine Today (70.5°E) --------------------------------------------- F 00031FFF 00 1111113311111133 ;IRIB TV 3 (62.0°E) F 00031FFF 01 1111113311111133 ;IRIB TV 3 (62.0°E) F 00CB1FFF 00 1010101010101010 ;IRIB feed (62.0°E) F 00CB1FFF 01 1010101010101010 ;IRIB feed (62.0°E) --------------------------------------------- F 00011FFF 00 1234569C7890ABB3 ;Armenia Public TV (60.0°E) F 00011FFF 01 1234569C7890ABB3 ;Armenia Public TV (60.0°E) F 00021FFF 00 1234569C7890ABB3 ;Shoghakat TV (60.0°E) F 00021FFF 01 1234569C7890ABB3 ;Shoghakat TV (60.0°E) F 00031FFF 00 1234569C7890ABB3 ;Armenia TV Satellite (60.0°E) F 00031FFF 01 1234569C7890ABB3 ;Armenia TV Satellite (60.0°E) F 00041FFF 00 1234569C7890ABB3 ;Shant TV (60.0°E) F 00041FFF 01 1234569C7890ABB3 ;Shant TV (60.0°E) F 00051FFF 00 1234569C7890ABB3 ;H2 (60.0°E) F 00051FFF 01 1234569C7890ABB3 ;H2 (60.0°E) F 00061FFF 00 1234569C7890ABB3 ;Kentron (60.0°E) F 00061FFF 01 1234569C7890ABB3 ;Kentron (60.0°E) F 00071FFF 00 1234569C7890ABB3 ;Yerkir Media TV (60.0°E) F 00071FFF 01 1234569C7890ABB3 ;Yerkir Media TV (60.0°E) F 00081FFF 00 1234569C7890ABB3 ;RTR Planeta (60.0°E) F 00081FFF 01 1234569C7890ABB3 ;RTR Planeta (60.0°E) F 01011FFF 00 1234569C7890ABB3 ;Artsakh TV HD (60.0°E) F 01011FFF 01 1234569C7890ABB3 ;Artsakh TV HD (60.0°E) --------------------------------------------- F 00051FFF 00 12340046ABCD0078 ;Varzish Sport HD (57.0°E) F 00051FFF 01 12340046ABCD0078 ;Varzish Sport HD (57.0°E) F 00081FFF 00 12340046ABCD0078 ;Football HD (57.0°E) F 00081FFF 01 12340046ABCD0078 ;Football HD (57.0°E) F 000A1FFF 00 1278008AABCD0078 ;TV Khatlon (57.0°E) F 000A1FFF 01 1278008AABCD0078 ;TV Khatlon (57.0°E) F 000B1FFF 00 12560068ABCD0078 ;TV Badakhshon (57.0°E) F 000B1FFF 01 12560068ABCD0078 ;TV Badakhshon (57.0°E) F 000C1FFF 00 129900ABABCD0078 ;TV Kulob (57.0°E) F 000C1FFF 01 129900ABABCD0078 ;TV Kulob (57.0°E) --------------------------------------------- F 00021FFF 00 62696E39676F7349 ;Kanal Disney +2 (54.9°E) F 00021FFF 01 62696E39676F7349 ;Kanal Disney +2 (54.9°E) F 00011FFF 00 62696E39676F7349 ;Bingo Boom HD 1 (54.9°E) F 00011FFF 01 62696E39676F7349 ;Bingo Boom HD 1 (54.9°E) F 00021FFF 00 62696E39676F7349 ;Bingo Boom HD 2 (54.9°E) F 00021FFF 01 62696E39676F7349 ;Bingo Boom HD 2 (54.9°E) F 00031FFF 00 62696E39676F7349 ;Bingo Boom HD 3 (54.9°E) F 00031FFF 01 62696E39676F7349 ;Bingo Boom HD 3 (54.9°E) F 00041FFF 00 62696E39676F7349 ;Bingo Boom HD 4 (54.9°E) F 00041FFF 01 62696E39676F7349 ;Bingo Boom HD 4 (54.9°E) F 00051FFF 00 62696E39676F7349 ;Bingo Boom HD 5 (54.9°E) F 00051FFF 01 62696E39676F7349 ;Bingo Boom HD 5 (54.9°E) F 00081FFF 00 ABC1238F45678935 ;Telekanal Che 0h (54.9°E) F 00081FFF 01 ABC1238F45678935 ;Telekanal Che 0h (54.9°E) F 00091FFF 00 C12345296789AB9B ;STS +2h (54.9°E) F 00091FFF 01 C12345296789AB9B ;STS +2h (54.9°E) F 000A1FFF 00 D12345396789AB9B ;Domashnij Telekanal +2h (54.9°E) F 000A1FFF 01 D12345396789AB9B ;Domashnij Telekanal +2h (54.9°E) F 000B1FFF 00 ABC1238F45678935 ;Telekanal Che 0h (54.9°E) F 000B1FFF 01 ABC1238F45678935 ;Telekanal Che 0h (54.9°E) F 000C1FFF 00 1234569C789ABCCE ;STS Love 0h (54.9°E) F 000C1FFF 01 1234569C789ABCCE ;STS Love 0h (54.9°E) F 000D1FFF 00 C12345296789AB9B ;STS 0h (54.9°E) F 000D1FFF 01 C12345296789AB9B ;STS 0h (54.9°E) F 000E1FFF 00 D12345396789AB9B ;Domashnij Telekanal 0h (54.9°E) F 000E1FFF 01 D12345396789AB9B ;Domashnij Telekanal 0h (54.9°E) --------------------------------------------- F 00011FFF 00 135790FAAABBCC31 ;Fox Life HD (52.5°E) F 00011FFF 01 135790FAAABBCC31 ;Fox Life HD (52.5°E) F 00051FFF 00 2020ABEBCD0103D1 ;Varzish Sport HD (52.5°E) F 00051FFF 01 2020ABEBCD0103D1 ;Varzish Sport HD (52.5°E) F 06141FFF 00 786AF4D632ABC5A2 ;Tolo TV HD (52.5°E) F 06141FFF 01 786AF4D632ABC5A2 ;Tolo TV HD (52.5°E) F 06151FFF 00 312DBA18741F55E8 ;Lemar TV HD (52.5°E) F 06151FFF 01 312DBA18741F55E8 ;Lemar TV HD (52.5°E) F 064C1FFF 00 ABABAB011234569C ;Maiwand TV (52.5°E) F 064C1FFF 01 ABABAB011234569C ;Maiwand TV (52.5°E) F 064E1FFF 00 ABABAB011234569C ;Tamadon TV (52.5°E) F 064E1FFF 01 ABABAB011234569C ;Tamadon TV (52.5°E) F 06561FFF 00 A9F8E788B1C2D346 ;Arezo TV (52.5°E) F 06561FFF 01 A9F8E788B1C2D346 ;Arezo TV (52.5°E) F 06591FFF 00 ABCDEF671234569C ;Rah-e-Farda TV (52.5°E) F 06591FFF 01 ABCDEF671234569C ;Rah-e-Farda TV (52.5°E) F 065B1FFF 00 1256D73F5D01AC0A ;ATN (52.5°E) F 065B1FFF 01 1256D73F5D01AC0A ;ATN (52.5°E) F 14C91FFF 00 12AA12CEBB12CC99 ;Rotana HD (52.5°E) F 14C91FFF 01 12AA12CEBB12CC99 ;Rotana HD (52.5°E) F 14CA1FFF 00 12AA12CEBB12CC99 ;Rotana Aflam+ HD (52.5°E) F 14CA1FFF 01 12AA12CEBB12CC99 ;Rotana Aflam+ HD (52.5°E) F 14CB1FFF 00 12AA12CEBB12CC99 ;Rotana HD (52.5°E) F 14CB1FFF 01 12AA12CEBB12CC99 ;Rotana HD (52.5°E) --------------------------------------------- F 00021FFF 00 123ABD09456ABD6C ;RTA Afghanistan HD (52.0°E) F 00021FFF 01 123ABD09456ABD6C ;RTA Afghanistan HD (52.0°E) --------------------------------------------- F 000A1FFF 00 407150015A0160BB ;VTV HD (51.5°E) F 000A1FFF 01 407150015A0160BB ;VTV HD (51.5°E) --------------------------------------------- F 00011FFF 00 0327022C106251C3 ;Russian Channels (49.0°E) F 00011FFF 01 0327022C106251C3 ;Russian Channels (49.0°E) F 00021FFF 00 0327022C106251C3 ;Telekanal Rossiya Tyumen (49.0°E) F 00021FFF 00 0327022C106251C3 ;Telekanal Rossiya Tyumen (49.0°E) --------------------------------------------- F 00010025 00 0020050000195600 ;1TV Georgia (46.0°E) F 00010025 01 0020050000195600 ;1TV Georgia (46.0°E) F 00011BB2 00 1234560065432100 ;Az TV 1 (46.0°E) F 00011BB2 01 1234560065432100 ;Az TV 1 (46.0°E) F 00041F9A 00 1212121212121212 ;Ictimai TV (46.0°E) F 00041F9A 01 1212121212121212 ;Ictimai TV (46.0°E) F 000B17CA 00 1001102110017081 ;Idman TV (46.0°E) F 000B17CA 01 1001102110017081 ;Idman TV (46.0°E) F 00151FFF 00 A9E746D68358E5C0 ;Topaz 1 (46.0°E) F 00151FFF 01 A9E746D68358E5C0 ;Topaz 1 (46.0°E) F 08011FFF 00 1313133913131339 ;CBC Sport HD (46.0°E) F 08011FFF 01 1313133913131339 ;CBC Sport HD (46.0°E) --------------------------------------------- F 00011FFF 00 1001102110017081 ;Idman Azerbaycan (45.0°E) F 00011FFF 01 1001102110017081 ;Idman Azerbaycan (45.0°E) F 00021FFF 00 1313133913131339 ;CBC Sport HD (45.0°E) F 00021FFF 01 1313133913131339 ;CBC Sport HD (45.0°E) --------------------------------------------- F 00011FFF 00 1000001000000000 ;TRT 1 (42.0°E) F 00011FFF 01 1000001000000000 ;TRT 1 (42.0°E) F 00051FFF 00 1000001000000000 ;TRT Haber (42.0°E) F 00051FFF 01 1000001000000000 ;TRT Haber (42.0°E) F 00191FFF 00 0100000101201839 ;TRT(feed) Müzik HD (42E) F 00191FFF 01 0100000101201839 ;TRT(feed) Müzik HD (42E) F 001B1FFF 00 D78D7FE375CB4080 ;STD-A (42E) F 001B1FFF 01 D78D7FE375CB4080 ;STD-A (42E) F 001C1FFF 00 D78D7FE375CB4080 ;TRT(feed) Spor HD (42E) F 001C1FFF 01 D78D7FE375CB4080 ;TRT(feed) Spor HD (42E) F 00191FFF 00 1000001000000000 ;TRT Spor (42.0°E) F 00191FFF 01 1000001000000000 ;TRT Spor (42.0°E) F 001C1FFF 00 1000001000000000 ;TRT 3-Spor (42.0°E) F 001C1FFF 01 1000001000000000 ;TRT 3-Spor (42.0°E) F 29041FFF 00 1000001000000000 ;TRT 1 (42.0°E) F 29041FFF 01 1000001000000000 ;TRT 1 (42.0°E) F 29051FFF 00 1000001000000000 ;TRT Haber (42.0°E) F 29051FFF 01 1000001000000000 ;TRT Haber (42.0°E) F 29071FFF 00 1000001000000000 ;TRT 3-Spor (42.0°E) F 29071FFF 01 1000001000000000 ;TRT 3-Spor (42.0°E) F 29681FFF 00 1000001000000000 ;TRT HD (42.0°E) F 29681FFF 01 1000001000000000 ;TRT HD (42.0°E) F 29691FFF 00 1000001000000000 ;TRT 1 HD (42.0°E) F 29691FFF 01 1000001000000000 ;TRT 1 HD (42.0°E) F 296A1FFF 00 1000001000000000 ;TRT Haber HD (42.0°E) F 296A1FFF 01 1000001000000000 ;TRT Haber HD (42.0°E) F 296B1FFF 00 1000001000000000 ;TRT Spor HD (42.0°E) F 296B1FFF 01 1000001000000000 ;TRT Spor HD (42.0°E) F 296D1FFF 00 0100000101201839 ;TRT(feed) World HD (42E) F 296D1FFF 01 0100000101201839 ;TRT(feed) World HD (42E) F 39D11FFF 00 1000001000000000 ;Tivibu Spor HD (42.0°E) F 39D11FFF 01 1000001000000000 ;Tivibu Spor HD (42.0°E) F 39D81FFF 00 1000001000000000 ;Tivibu Spor HD (42.0°E) F 39D81FFF 01 1000001000000000 ;Tivibu Spor HD (42.0°E) F 3E811FFF 00 1000001000000000 ;Tivibu Spor SD (42.0°E) F 3E811FFF 01 1000001000000000 ;Tivibu Spor SD (42.0°E) F C41D1FFF 00 AF1913DB2371BC50 ;TRT Avaz HD (42.0°E) F C41D1FFF 01 AF1913DB2371BC50 ;TRT Avaz HD (42.0°E) --------------------------------------------- F 00011FFF 00 0327022C106251C3 ;Russian Channels (40.0°E) F 00011FFF 01 0327022C106251C3 ;Russian Channels (40.0°E) F 00641FFF 00 0327022C106251C3 ;GTRK Nizhny Novgorod (40.0°E) F 00641FFF 01 0327022C106251C3 ;GTRK Nizhny Novgorod (40.0°E) --------------------------------------------- F 00011FFF 00 1181982A2ABCDEC4 ;The Media Office HD (39.0°E) F 00011FFF 01 1181982A2ABCDEC4 ;The Media Office HD (39.0°E) F 000A1FFF 00 A1B2C316D4E5F8B1 ;ERT 1 (39.0°E) F 000A1FFF 01 A1B2C316D4E5F8B1 ;ERT 1 (39.0°E) F 00141FFF 00 A1B2C316D4E5F8B1 ;ERT 2 (39.0°E) F 00141FFF 01 A1B2C316D4E5F8B1 ;ERT 2 (39.0°E) F 00281FFF 00 A1B2C316D4E5F8B1 ;ERT HD (39.0°E) F 00281FFF 01 A1B2C316D4E5F8B1 ;ERT HD (39.0°E) F 00011FFF 00 E876F04E8BA51141 ;Eurofootball 1 (39.0°E) F 00011FFF 01 E876F04E8BA51141 ;Eurofootball 1 (39.0°E) F 00021FFF 00 E876F04E8BA51141 ;Eurofootball 2 (39.0°E) F 00021FFF 01 E876F04E8BA51141 ;Eurofootball 2 (39.0°E) F 00031FFF 00 E876F04E8BA51141 ;Eurofootball 3 (39.0°E) F 00031FFF 01 E876F04E8BA51141 ;Eurofootball 3 (39.0°E) --------------------------------------------- F 00011FFF 00 BEFA27DF0117BCD4 ;A-Plus Europe (38.0°E) F 00011FFF 01 BEFA27DF0117BCD4 ;A-Plus Europe (38.0°E) F 00011FFF 00 D29965D056F4A1EB ;Dunya TV International (38.0°E) F 00011FFF 01 D29965D056F4A1EB ;Dunya TV International (38.0°E) F 000B1FFF 00 308410C476BEC9FD ;Geo Middle East (38.0°E) F 000B1FFF 01 308410C476BEC9FD ;Geo Middle East (38.0°E) --------------------------------------------- F 00011FFF 00 121233575733129C ;LPC (36.0°E) F 00011FFF 01 121233575733129C ;LPC (36.0°E) F 00011FFF 00 169845F373001285 ;Focus TV (36.0°E) F 00011FFF 01 169845F373001285 ;Focus TV (36.0°E) F 00011FFF 00 1111113311111133 ;Imedi TV (36.0°E) F 00011FFF 01 1111113311111133 ;Imedi TV (36.0°E) F 00021FFF 00 2222226622222266 ;GDS TV (36.0°E) F 00021FFF 01 2222226622222266 ;GDS TV (36.0°E) F 00061FFF 00 1111113311111133 ;Mesame (36.0°E) F 00061FFF 01 1111113311111133 ;Mesame (36.0°E) F 21391FFF 00 002005250019566F ;1TV Georgia (36.0°E) F 21391FFF 01 002005250019566F ;1TV Georgia (36.0°E) F 213A1FFF 00 002005250019566F ;2TV Georgia (36.0°E) F 213A1FFF 01 002005250019566F ;2TV Georgia (36.0°E) --------------------------------------------- F 20121FFF 00 B155454BE520191E ;STS Kids (31.5°E) F 20121FFF 01 B155454BE520191E ;STS Kids (31.5°E) --------------------------------------------- F 00391FFF 00 12AB34F1CD56EF12 ;MBC Masr (26.0°E) F 00391FFF 01 12AB34F1CD56EF12 ;MBC Masr (26.0°E) F 003A1FFF 00 12AB34F1CD56EF12 ;MBC Masr2 (26.0°E) F 003A1FFF 01 12AB34F1CD56EF12 ;MBC Masr2 (26.0°E) F 003B1FFF 00 11122245333444AB ;MBC Test 3 (26.0°E) F 003B1FFF 01 11122245333444AB ;MBC Test 3 (26.0°E) F 00671FFF 00 1111113311111133 ;IRIB TV3 (26.0°E) F 00671FFF 01 1111113311111133 ;IRIB TV3 (26.0°E) F 00751FFF 00 1111113311111133 ;IRIB Varzesh (26.0°E) F 00751FFF 01 1111113311111133 ;IRIB Varzesh (26.0°E) F 01A11FFF 00 1111113311111133 ;IRIB Varzesh (26.0°E) F 01A11FFF 01 1111113311111133 ;IRIB Varzesh (26.0°E) --------------------------------------------- F 00011FFF 00 2020206020202060 ;Gazzoul (21.6°E) F 00011FFF 01 2020206020202060 ;Gazzoul (21.6°E) F 00011FFF 00 12AB34F1CD56EF12 ;MBC Hotbird (21.6°E) F 00011FFF 01 12AB34F1CD56EF12 ;MBC Hotbird (21.6°E) F 00011FFF 00 BAEC27CD0320BCDF ;MBC Feed HD (21.6°E) F 00011FFF 01 BAEC27CD0320BCDF ;MBC Feed HD (21.6°E) F 00011FFF 00 BFDE24FD0715BCD8 ;MBC 1 North Africa (21.6°E) F 00011FFF 01 BFDE24FD0715BCD8 ;MBC 1 North Africa (21.6°E) F 00011FFF 00 12AB34F1CD56EF12 ;MBC Maser 1 (21.6°E) F 00011FFF 01 12AB34F1CD56EF12 ;MBC Maser 1 (21.6°E) F 00021FFF 00 12AB34F1CD56EF12 ;MBC Maser 2 (21.6°E) F 00021FFF 01 12AB34F1CD56EF12 ;MBC Maser 2 (21.6°E) F 07D01FFF 00 FEDCBA94198012AB ;Flowers International HD (21.6°E) F 07D01FFF 01 FEDCBA94198012AB ;Flowers International HD (21.6°E) --------------------------------------------- F 00011FFF 00 1111113311111133 ;ALB-007 RTSH (16.0°E) F 00011FFF 01 1111113311111133 ;ALB-007 RTSH (16.0°E) F 00011FFF 00 124578CF875421FC ;SIC International (16.0°E) F 00011FFF 01 124578CF875421FC ;SIC International (16.0°E) F 00011FFF 00 C48DAF008FDA9700 ;Kanal D Romania (16.0°E) F 00011FFF 01 C48DAF008FDA9700 ;Kanal D Romania (16.0°E) F 00011FFF 00 2B3C1A811A1A7EB2 ;SNAI Quad Race (16.0°E) F 00011FFF 01 2B3C1A811A1A7EB2 ;SNAI Quad Race (16.0°E) F 00011FFF 00 1B5C69E0AA08E99B ;Snai Live (16.0°E) F 00011FFF 01 1B5C69E0AA08E99B ;Snai Live (16.0°E) F 00021FFF 00 1B5C69E0AA08E99B ;Snai Live 2 (16.0°E) F 00021FFF 01 1B5C69E0AA08E99B ;Snai Live 2 (16.0°E) F 00071FFF 00 1111113311111133 ;RTRS (16.0°E) F 00071FFF 01 1111113311111133 ;RTRS (16.0°E) F 000A1FFF 00 458825F27453682F ;National TV (16.0°E) F 000A1FFF 01 458825F27453682F ;National TV (16.0°E) F 00161FFF 00 CDEF12CE5678905E ;N24 Plus (16.0°E) F 00161FFF 01 CDEF12CE5678905E ;N24 Plus (16.0°E) F 00C81FFF 00 C00C7E4A7D49E6AC ;SRTV Feed (16.0°E) F 00C81FFF 01 C00C7E4A7D49E6AC ;SRTV Feed (16.0°E) F 01101FFF 00 E876F04E8BA51141 ;EFB 1 (16.0°E) F 01101FFF 01 E876F04E8BA51141 ;EFB 1 (16.0°E) F 03FA1FFF 00 BC5896AA3DE12341 ;NHL Feed (16.0°E) F 03FA1FFF 01 BC5896AA3DE12341 ;NHL Feed (16.0°E) F 08841FFF 00 355147CD123898E2 ;SS Service 1 (16.0°E) F 08841FFF 01 355147CD123898E2 ;SS Service 1 (16.0°E) F 08A21FFF 00 355147CD241871AD ;SS Service 2 (16.0°E) F 08A21FFF 01 355147CD241871AD ;SS Service 2 (16.0°E) --------------------------------------------- F 00011FFF 00 ACE0018D0220193B ;Vida TV (10.0°E) F 00011FFF 01 ACE0018D0220193B ;Vida TV (10.0°E) F 00011FFF 00 0204757B6840751D ;ORTC (10.0°E) F 00011FFF 01 0204757B6840751D ;ORTC (10.0°E) F 00011FFF 00 AAAAAAFEAAAAABFF ;RTNC (10.0°E) F 00011FFF 01 AAAAAAFEAAAAABFF ;RTNC (10.0°E) F 00021FFF 00 AAAAAAFEAAAAABFF ;RTNC 3 (10.0°E) F 00021FFF 01 AAAAAAFEAAAAABFF ;RTNC 3 (10.0°E) F 00031FFF 00 1010103010101030 ;KaSat Event (10.0°E) F 00031FFF 01 1010103010101030 ;KaSat Event (10.0°E) F 00041FFF 00 486004AC2E838D3E ;AFP 2 HD Europe (10.0°E) F 00041FFF 01 486004AC2E838D3E ;AFP 2 HD Europe (10.0°E) F 00051FFF 00 AAAAAAFEAAAAABFF ;Télé 50 (10.0°E) F 00051FFF 01 AAAAAAFEAAAAABFF ;Télé 50 (10.0°E) F 00061FFF 00 AAAAAAFEAAAAABFF ;Digital Congo TV (10.0°E) F 00061FFF 01 AAAAAAFEAAAAABFF ;Digital Congo TV (10.0°E) --------------------------------------------- F 0DB71FFF 00 E876F04E8BA51141 ;Eurobet 11 (9.0°E) F 0DB71FFF 01 E876F04E8BA51141 ;Eurobet 11 (9.0°E) F 0DB81FFF 00 E876F04E8BA51141 ;Eurobet 12 (9.0°E) F 0DB81FFF 01 E876F04E8BA51141 ;Eurobet 12 (9.0°E) F 0DB91FFF 00 E876F04E8BA51141 ;Eurobet 13 (9.0°E) F 0DB91FFF 01 E876F04E8BA51141 ;Eurobet 13 (9.0°E) F 0DBA1FFF 00 E876F04E8BA51141 ;Eurobet 14 (9.0°E) F 0DBA1FFF 01 E876F04E8BA51141 ;Eurobet 14 (9.0°E) --------------------------------------------- F 00011FFF 00 A1AD2270BBBB9170 ;Simaye Azadi Iran National TV (7.0°E) F 00011FFF 01 A1AD2270BBBB9170 ;Simaye Azadi Iran National TV (7.0°E) F 00081FFF 00 555555FF444444CC ;Corallo Sat (7.0°E) F 00081FFF 01 555555FF444444CC ;Corallo Sat (7.0°E) F 000C1FFF 00 1234569C7890121A ;RTVGE (7.0°E) F 000C1FFF 01 1234569C7890121A ;RTVGE (7.0°E) --------------------------------------------- F 0B671FFF 00 A5EB22B2576F753B ;34 Telekanal (4.8°E) F 0B671FFF 01 A5EB22B2576F753B ;34 Telekanal (4.8°E) F 17ED1FFF 00 1A2B3C814D5E6F1A ;1+1 International (4.8°E) F 17ED1FFF 01 1A2B3C814D5E6F1A ;1+1 International (4.8°E) F 1CDE1FFF 00 1234ACF21234ACF2 ;Inter+ (4.8°E) F 1CDE1FFF 01 1234ACF21234ACF2 ;Inter+ (4.8°E) F 1EF61FFF 00 1234ACF21234ACF2 ;Inter+ (4.8°E) F 1EF61FFF 01 1234ACF21234ACF2 ;Inter+ (4.8°E) --------------------------------------------- F 00641FFF 00 DD5AACE3B667708D ;Alpha TV (3.0°E) F 00641FFF 01 DD5AACE3B667708D ;Alpha TV (3.0°E) F 00651FFF 00 201302352EAD01DC ;2M National (3.0°E) F 00651FFF 01 201302352EAD01DC ;2M National (3.0°E) F 00671FFF 00 201302352EAD03DE ;2M MENA (3.0°E) F 00671FFF 01 201302352EAD03DE ;2M MENA (3.0°E) F 012C1FFF 00 1111113311111133 ;ANT 1 (3.0°E) F 012C1FFF 01 1111113311111133 ;ANT 1 (3.0°E) F 01901FFF 00 1111113311111133 ;Macedonia TV (3.0°E) F 01901FFF 01 1111113311111133 ;Macedonia TV (3.0°E) F 02581FFF 00 1111113311111133 ;Skai (3.0°E) F 02581FFF 01 1111113311111133 ;Skai (3.0°E) F 02BC1FFF 00 1111113311111133 ;Star Channel (3.0°E) F 02BC1FFF 01 1111113311111133 ;Star Channel (3.0°E) F 03201FFF 00 1111113311111133 ;Open Beyond TV (3.0°E) F 03201FFF 01 1111113311111133 ;Open Beyond TV (3.0°E) F 03841FFF 00 1111113311111133 ;Mega Channel (3.0°E) F 03841FFF 01 1111113311111133 ;Mega Channel (3.0°E) --------------------------------------------- F 00011FFF 00 1122336633221166 ;X Sport (4.0°W) F 00011FFF 01 1122336633221166 ;X Sport (4.0°W) F 00091FFF 00 1006102611071229 ;Culture (4.0°W) F 00091FFF 01 1006102611071229 ;Culture (4.0°W) F 000D1FFF 00 1006102611071129 ;Pershiy Nacionalniy (4.0°W) F 000D1FFF 01 1006102611071129 ;Pershiy Nacionalniy (4.0°W) --------------------------------------------- F 00011FFF 00 1100000000000000 ;ENTV (7.0°W) F 00011FFF 01 1100000000000000 ;ENTV (7.0°W) --------------------------------------------- F 00021FFF 00 80DBE03B8424F59D ;TV1 (11.0°W) F 00021FFF 01 80DBE03B8424F59D ;TV1 (11.0°W) --------------------------------------------- F 03851FFF 00 124395EA4683AD76 ;ESPN Caribbean 901 (15.0°W) F 03851FFF 01 124395EA4683AD76 ;ESPN Caribbean 901 (15.0°W) F 03861FFF 00 4456851F3267BC55 ;ESPN Syndication 902 (15.0°W) F 03861FFF 01 4456851F3267BC55 ;ESPN Syndication 902 (15.0°W) --------------------------------------------- F 00011FFF 00 1100000000000000 ;ENTV & ENTV HD (24.5°W) F 00011FFF 01 1100000000000000 ;ENTV & ENTV HD (24.5°W) --------------------------------------------- F 10441FFF 00 D581F94F24112D62 ;BBC One London (27.5°W) F 10441FFF 01 D581F94F24112D62 ;BBC One London (27.5°W) F 107C1FFF 00 D581F94F24112D62 ;BBC One Scotland (27.5°W) F 107C1FFF 01 D581F94F24112D62 ;BBC One Scotland (27.5°W) F 107D1FFF 00 D581F94F24112D62 ;BBC One Northern Ireland (27.5°W) F 107D1FFF 01 D581F94F24112D62 ;BBC One Northern Ireland (27.5°W) F 107E1FFF 00 D581F94F24112D62 ;BBC One Wales (27.5°W) F 107E1FFF 01 D581F94F24112D62 ;BBC One Wales (27.5°W) F 10BF1FFF 00 D581F94F24112D62 ;BBC Two England (27.5°W) F 10BF1FFF 01 D581F94F24112D62 ;BBC Two England (27.5°W) F 11001FFF 00 D581F94F24112D62 ;BBC News (27.5°W) F 11001FFF 01 D581F94F24112D62 ;BBC News (27.5°W) F 11C01FFF 00 D581F94F24112D62 ;BBC Four (27.5°W) F 11C01FFF 01 D581F94F24112D62 ;BBC Four (27.5°W) F 12001FFF 00 D581F94F24112D62 ;CBBC (27.5°W) F 12001FFF 01 D581F94F24112D62 ;CBBC (27.5°W) F 12401FFF 00 D581F94F24112D62 ;CBeebies UK (27.5°W) F 12401FFF 01 D581F94F24112D62 ;CBeebies UK (27.5°W) F 12801FFF 00 D581F94F24112D62 ;BBC Parliament (27.5°W) F 12801FFF 01 D581F94F24112D62 ;BBC Parliament (27.5°W) F 1C001FFF 00 D581F94F24112D62 ;BBC Red Button (27.5°W) F 1C001FFF 01 D581F94F24112D62 ;BBC Red Button (27.5°W) F 44401FFF 00 D581F94F24112D62 ;BBC Two HD (27.5°W) F 44401FFF 01 D581F94F24112D62 ;BBC Two HD (27.5°W) F 44841FFF 00 D581F94F24112D62 ;BBC One HD (27.5°W) F 44841FFF 01 D581F94F24112D62 ;BBC One HD (27.5°W) F 44C81FFF 00 D581F94F24112D62 ;ITV 1 HD (27.5°W) F 44C81FFF 01 D581F94F24112D62 ;ITV 1 HD (27.5°W) F 45001FFF 00 D581F94F24112D62 ;Channel 4 HD (27.5°W) F 45001FFF 01 D581F94F24112D62 ;Channel 4 HD (27.5°W) F 45401FFF 00 D581F94F24112D62 ;Channel 5 HD (27.5°W) F 45401FFF 01 D581F94F24112D62 ;Channel 5 HD (27.5°W) F 46C01FFF 00 D581F94F24112D62 ;CBBC HD (27.5°W) F 46C01FFF 01 D581F94F24112D62 ;CBBC HD (27.5°W) F 4F801FFF 00 D581F94F24112D62 ;Film 4+1 UK (27.5°W) F 4F801FFF 01 D581F94F24112D62 ;Film 4+1 UK (27.5°W) --------------------------------------------- F 00031FFF 00 6F5E4D1A3C2B1A81 ;RTP 3 (30.0°W) F 00031FFF 01 6F5E4D1A3C2B1A81 ;RTP 3 (30.0°W) F 00051FFF 00 1234569C78998798 ;Feeds 2 TSA (30.0°W) F 00051FFF 01 1234569C78998798 ;Feeds 2 TSA (30.0°W) F 0AF01FFF 00 441CC323AA2BB388 ;Feeds HD (30.0°W) F 0AF01FFF 01 441CC323AA2BB388 ;Feeds HD (30.0°W) F 07D01FFF 00 12481670326412A8 ;TVI Internacional (30.0°W) F 07D01FFF 01 12481670326412A8 ;TVI Internacional (30.0°W) F 03E91FFF 00 2E4E9511A3155C14 ;ABERTIS 8001 (30.0°W) F 03E91FFF 01 2E4E9511A3155C14 ;ABERTIS 8001 (30.0°W) F 03EA1FFF 00 DBCEC36CA05806FE ;ABERTIS 8002 (30.0°W) F 03EA1FFF 01 DBCEC36CA05806FE ;ABERTIS 8002 (30.0°W) F 03EB1FFF 00 C53AF0EFB178FC25 ;ABERTIS 8003 (30.0°W) F 03EB1FFF 01 C53AF0EFB178FC25 ;ABERTIS 8003 (30.0°W) F 03EC1FFF 00 759EC4D7AA7F658E ;ABERTIS 8004 (30.0°W) F 03EC1FFF 01 759EC4D7AA7F658E ;ABERTIS 8004 (30.0°W) F 03ED1FFF 00 759EC4D7AA7F658E ;ABERTIS 8005 (30.0°W) F 03ED1FFF 01 759EC4D7AA7F658E ;ABERTIS 8005 (30.0°W) F 03EE1FFF 00 C53AF0EFB178FC25 ;ABERTIS 8006 (30.0°W) F 03EE1FFF 01 C53AF0EFB178FC25 ;ABERTIS 8006 (30.0°W) F 05151FFF 00 254AA110F3CFDB9D ;ABERTIS 301 (30.0°W) F 05151FFF 01 254AA110F3CFDB9D ;ABERTIS 301 (30.0°W) F 05171FFF 00 254AA110F3CFDB9D ;ABERTIS 303 (30.0°W) F 05171FFF 01 254AA110F3CFDB9D ;ABERTIS 303 (30.0°W) F 058C1FFF 00 19103C655FDC9CD7 ;ABERTIS 420 (30.0°W) F 058C1FFF 01 19103C655FDC9CD7 ;ABERTIS 420 (30.0°W) F 058D1FFF 00 19103C655FDC9CD7 ;ABERTIS 421 (30.0°W) F 058D1FFF 01 19103C655FDC9CD7 ;ABERTIS 421 (30.0°W) F 058F1FFF 00 FCF5190A9481A4B9 ;ABERTIS 423 (30.0°W) F 058F1FFF 01 FCF5190A9481A4B9 ;ABERTIS 423 (30.0°W) F 0BD11FFF 00 2A1F90D961EA97E2 ;ABERTIS 2025 (30.0°W) F 0BD11FFF 01 2A1F90D961EA97E2 ;ABERTIS 2025 (30.0°W) F 0BD21FFF 00 2A1F90D961EA97E2 ;ABERTIS 2026 (30.0°W) F 0BD21FFF 01 2A1F90D961EA97E2 ;ABERTIS 2026 (30.0°W) F 0BD31FFF 00 2A1F90D961EA97E2 ;ABERTIS 2027 (30.0°W) F 0BD31FFF 01 2A1F90D961EA97E2 ;ABERTIS 2027 (30.0°W) F 0BD41FFF 00 081C62868233A75C ;ABERTIS 2028 (30.0°W) F 0BD41FFF 01 081C62868233A75C ;ABERTIS 2028 (30.0°W) F 0CC61FFF 00 19103C655FDC9CD7 ;ABERTIS 2270 (30.0°W) F 0CC61FFF 01 19103C655FDC9CD7 ;ABERTIS 2270 (30.0°W) F 0CC71FFF 00 19103C655FDC9CD7 ;ABERTIS 2271 (30.0°W) F 0CC71FFF 01 19103C655FDC9CD7 ;ABERTIS 2271 (30.0°W) F 0CC81FFF 00 19103C655FDC9CD7 ;ABERTIS 2272 (30.0°W) F 0CC81FFF 01 19103C655FDC9CD7 ;ABERTIS 2272 (30.0°W) F 0CC91FFF 00 19103C655FDC9CD7 ;ABERTIS 2273 (30.0°W) F 0CC91FFF 01 19103C655FDC9CD7 ;ABERTIS 2273 (30.0°W) F 0CCA1FFF 00 19103C655FDC9CD7 ;ABERTIS 2274 (30.0°W) F 0CCA1FFF 01 19103C655FDC9CD7 ;ABERTIS 2274 (30.0°W) F 0CE51FFF 00 71FD58C6E72F93A9 ;ABERTIS 2301 (30.0°W) F 0CE51FFF 01 71FD58C6E72F93A9 ;ABERTIS 2301 (30.0°W) F 0CE61FFF 00 71FD58C6E72F93A9 ;ABERTIS 2302 (30.0°W) F 0CE61FFF 01 71FD58C6E72F93A9 ;ABERTIS 2302 (30.0°W) F 0CE71FFF 00 71FD58C6E72F93A9 ;ABERTIS 2303 (30.0°W) F 0CE71FFF 01 71FD58C6E72F93A9 ;ABERTIS 2303 (30.0°W) F 0CE81FFF 00 71FD58C6E72F93A9 ;ABERTIS 2304 (30.0°W) F 0CE81FFF 01 71FD58C6E72F93A9 ;ABERTIS 2304 (30.0°W) F 0CE91FFF 00 71FD58C6E72F93A9 ;ABERTIS 2305 (30.0°W) F 0CE91FFF 01 71FD58C6E72F93A9 ;ABERTIS 2305 (30.0°W) F 0CEA1FFF 00 71FD58C6E72F93A9 ;ABERTIS 2306 (30.0°W) F 0CEA1FFF 01 71FD58C6E72F93A9 ;ABERTIS 2306 (30.0°W) F 0CEB1FFF 00 71FD58C6E72F93A9 ;ABERTIS 2307 (30.0°W) F 0CEB1FFF 01 71FD58C6E72F93A9 ;ABERTIS 2307 (30.0°W) F 125D1FFF 00 71FD58C6E72F93A9 ;ABERTIS 3701 (30.0°W) F 125D1FFF 01 71FD58C6E72F93A9 ;ABERTIS 3701 (30.0°W) F 0DC01FFF 00 EB86E152E78C6DE0 ;ABERTIS 2520 (30.0°W) F 0DC01FFF 01 EB86E152E78C6DE0 ;ABERTIS 2520 (30.0°W) F 0DC11FFF 00 EB86E152E78C6DE0 ;ABERTIS 2521 (30.0°W) F 0DC11FFF 01 EB86E152E78C6DE0 ;ABERTIS 2521 (30.0°W) F 0DC21FFF 00 EB86E152E78C6DE0 ;ABERTIS 2522 (30.0°W) F 0DC21FFF 01 EB86E152E78C6DE0 ;ABERTIS 2522 (30.0°W) F 0DC31FFF 00 EB86E152E78C6DE0 ;ABERTIS 2523 (30.0°W) F 0DC31FFF 01 EB86E152E78C6DE0 ;ABERTIS 2523 (30.0°W) F 0DC41FFF 00 EB86E152E78C6DE0 ;ABERTIS 2524 (30.0°W) F 0DC41FFF 01 EB86E152E78C6DE0 ;ABERTIS 2524 (30.0°W) --------------------------------------------- F 00011FFF 00 3011206117301158 ;TV Brasil (40.5°W) F 00011FFF 01 3011206117301158 ;TV Brasil (40.5°W)
davecrump / Portsdown4Portsdown 4 for the Raspberry Pi 4 with the official Raspberry Pi 7 inch touch screen. Digital amateur TV transmitter and receiver
ungaaaabungaaa / Digital Signage Sycndigital signage system Using Youtube player & Firebase Database for Content Mangement for android TV
